Neiman, LeRoyMareMagnum
92 résultats
Discoloration to edges of white cover. Interior pages clean and unmarked; tight binding. "This lavisly illustrated 364-page volume contains remarkably accurate four color reproductions of every serigraph, every lithograph, and every etching that Neiman has published since he began making prints." Preface by art historian Alfred Frankenstein; text by F. Lanier Graham. 219 plates and 75 black and white illustrations. Large format: 11 1/4"w x 12"h x 1 3/4" thick.
66 pages. Features: Design for leather; Junior craftsman project; Woodcarving caricaturist - Alfred Perry of Cedar Grove, Ontario - article with photos; Painting in oils is easy; Felt Spectacle case; Food casting; The Sculptured Shillalagh; Stamp collecting; Hobby cures a soldier - Private Jerome Biegel of the U.S. Army carves matches; How to Make Crepe-Paper Flowers (part 2); Home Weaving Service; Message from the Hon. Paul Martin; 1949 National Hobby Exhibition; List of hobby exhibitors; Feature exhibits, Phil. S. Quelch's operating miniature sawmill; Profitable little animals; Mosaic pictures from human hair; Neville C. Seymour and his silk strand etchings; The Narcissus; Garden Glimpses; Fine Wood Inlay; Model Railroads; Shell Craft; Spiral Coil Applique; Camera Kinks; Your Photography; Weaving with Reeds; A Hall Lantern; Birch Bark Art; Hobby-Craft Patterns; Model Plane Contest; What's New; and more. Interesting full-page ad for Canadian government annuities shows regretful elder woman holding broom outside boarding house. Unmarked. Average wear. Binding intact. A worthy copy of this very uncommon vintage Canadian hobby publication. Book
Features: Toronto Print Gallery - Old Etchings, Engravings & Watercolours, Ltd.; Collecting Antique Dolls Today; Steamboats and the China Collector; New Brunswick Sketches; Gingerbread - The Gilded Treat; The Documentary Tradition in Photography; The Humberstone Potteries of North York. Sound copy. Magazine
Features: Maxine Smith - Miniaturist of the Month; Phyllis Sterbakov - Elegantly Victorian; J Designs - this British team has developed remarkable characters in period costume; Julia Keuttner shares her collection; Carolyn Kraft - miniature houseplants; Joe Burch - The Moore House; Eugene Martini's Wheels of Wonder - 1" scale carriages; Marti Barwick helps you decorate your dollhouse in country style; Jim Tidmore - Texas woodworker preserves his state's history; Martine Gingras-Hogue preserves the Quebec countryside in her inspired etchings; Carol Blake's mini-hats from yesteryear; DIY Carpet Sweeper in 1/2" or 1" scale; Kit Renderings - The Chippendale Chair; Joann's DIY Christmas Silhouettes - old-fasioned trees and holiday decorations; and more. Clean and unmarked with moderate wear. A quality copy. Book
Features: A little more house on the table; The Mott Miniatures; Yes, I Cane! - miniature cane how-to; Dollhouse Builders; The Public and Private Sides of Flora Gill Jacobs; The Miniature Magazine Index; Prints Charming - the etchings of John Anthony Miller; Miniature Dried Flower Arrangements - a how-to; Marketing Miniatures; Harbored Dreams; Cooking with Clay - the art of Fimo; Roses to our Readers; A Family Affair; The Neonatal ICU; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 290 pages with b&w photos, prints and illustrations throughout.
pp. vi + 80 plates. All edges gold gilt. Folio. 320 mm. Loose in original full blue cloth binding; decorated in gilt, black, and blind. Black endpapers chipped. Binding quite worn, but still attractive. Plates and text in excellent condition. Sir John Everett Millais (1829-1896) was a greatly celebrated English painter and illustrator, and one of the founders of the Pre-Raphaelite Brotherhood. ART4
Club Français du Livre 1969, In-plano broché, couverture à rabats sous emboitage. Texte + 22 planches légendées. Présentation par jean BOURET suivie de "MERYON CHARLES, EAUX-FORTIER, EX-MARIN" et de "BREF HISTORIQUE DE LA GRAVURE EN CREUX" par Albert FLOCON. Bien complet et en trés bel état.
Club Français du Livre. 1969. In-Folio Carré. En feuillets, Sous emboîtage. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 23 pages de texte et 22 planches de reproductions en noir et blanc. Feuillets non brochés dans leur pochette et emboîtage. Présentation par Jean Bouret, suivie de 'Meryon Charles, Eau-fortier, Ex-marin', et de 'Bref historique de la gravure en creux' par ALbert Flocon.
A clean, unmarked book with a tight binding. Full black cloth boards with white star design. Light wear and small tears to dust jacket. Small stains on front endpapers. 8 5/8"w x 11 1/8"h. 150 pages. 124 b&w reproductions; 8 pages in full color.
A clean, unmarked book with a tight binding. Crease on front cover and a few page edges. 24 pages. Exhibition catalog for Pace Master Prints show taking place on October 16--December, 19, 1992. Two 6"x8" postcards advertising the event laid in.
NUMBER ONE OF ONLY TEN SETS OF THIS OUTSTANDING PORTFOLIO OF EXPRESSIONIST ETCHINGS, WITH MANY OF THE ETCHINGS PRINTED ON OLD JAPANESE PAPER. In 1918 German novelist Hans Bethge wrote "Satuila oder vom Zauber der Suedsee" ("Satuila or the Enchantment of the South Sea"), the story of a young woman in Samoa. It is a sensual, escapist tale: the situation in Germany was quite terrible after the defeat in WWI, and there was great demand for escapism. This novel was a hit, and a deluxe edition, with 6 original etchings by German Expressionist artist Georg Alexander Mathey, was published in Berlin in 1921. The etchings are extremely beautiful, perfectly capturing the lush sensuality of the landscape and the unabashed sexuality of the characters (similar to the depictions of Gypsies by Otto Mueller, from about the same time). This edition of the novel was limited to 250 copies. Aside from the book edition, 10 sets of the etchings were printed, with large margins. In these 10 sets, each of the etchings is signed and numbered by the artist. I OFFER ONE OF THESE 10 SETS: SET NUMBER 1, with each of the etchings numbered 1/10 and signed in pencil by the artist. FOUR OF THE SIX ETCHINGS IN THIS SET ARE PRINTED ON OLD JAPANESE PAPER, AND ARE PERHAPS UNIQUE AS SUCH. Additionally, there is a signed working proof of an early version of one of the etchings, also printed on old Japanese paper. This proof is probably unique, as the etching was never published. The set is as it was issued. Each etching (sheet size 8 1/2 x 7 inches--22 x 18 cm) is individually matted, and the original parchment-backed cloth portfolio case (16 1/2 x 13 inches--42 x 33 cm). There is a little light wear to the portfolio, but the etchings are fine and bright. An important and extremely rare item (and perhaps the only German Expressionist depictions of the South Pacific!)
Caen, 1924. Album grand In-4 contenant 20 planches eaux-fortes sous serpentes, toutes signées au crayon dans la marge + une introduction de 4 pages par Monsieur Engerand, Député du Calvados, contenant 4 bois gravé (1 grand bois en page de titre et 3 bois dans le texte) et des lettrines. Faisant office de titre et contrecollée sur le 1er plat une eau-forte. Tirage à 300 exemplaires, celui-ci numéroté et signé de la main de l'artiste. Ensemble parfaitement complet dont nous donnons le descriptif exact ci-dessous. De toute rareté dans cette condition, les eaux-fortes étant d'un excellent tirage et en parfait état. Eau-forte au premier plat : Eglise de Ranville. Bois gravé en page de titre : Eglise de Monville. 3 bois gravés dans le texte de la préace : Eglise d'Hubert, Noerrey et Cresserons. 20 eaux-fortes : Hérouville Saint-Clair, Notre Dame de Bieville sur Orne, Saint Ouen de Periers sur le Dan, Saint Ursin d'Epron, Saint Martin de Cambes, Saint Contest, Saint Pierre de Villons les Buissons, Sainte Trinité de Pierrepont, Saint Martin du Cainet, Saint Germain de Verson, Esquay Notre Dame, Saint Malo de Mouen, Notre Dame des champs à la basse allemange, Notre Dame d'Etavaux, Notre Dame de Clinchamp sur Orne, Saint Martin de Colombelles, Saint Honorine la Chardonnerette, Saint Laurent d'Escoville, Saint Germain de Cagny, Saitn Brice de Valmeray.
First edition, 4to, 191pp., 106 plates, orig. publishers cloth-backed boards, uncut.
FIRST AND ONLY EDITION in book form of the first systematic catalogue raisonne of Goya's etchings and lithographs. (It had initially appeared, in uncorrected form, in a series of articles in the Gazette des Beaux-Arts.) 2 leaves, 140 pp. plus frontispiece portrait of Goya. The catalogue raisonne of the prints occupies pp. 31-139. 278 items described. Large 8vo. Printed publisher's wraps. Wraps lightly worn. Internally clean. Very scarce, especially in original wraps.
A charming livre d'artiste, with 26 ORIGINAL ANIMAL ETCHINGS (10 of which are hors-texte) BY ODETTE DENIS, granddaughter of Maurice Denis and one of the true masters of the genre, along with Paul Jouve and Maurice de BËcque. From a total edition of 250 numbered copies printed on fine Arches wove paper, this is one of 144 copies with all of the etchings in final state. SIGNED by the artist below the justification. Folio. Loose as issued in the original wraps. FINE AND BRIGHT, with no defects. Housed in the original (lightly worn) board chemise and slipcase.
The best catalogue raisonne of Barlach's prints. Hundreds of items exhaustively described and illustrated. Folio. Publisher's cloth, dustjacket. FINE AND BRIGHT, as new.
The standard catalogue raisonne. 43 items illustrated (each with a full-page plate) and exhaustively described. Text in French and English. 4to. Original wraps. FINE AND BRIGHT. Scarce.
238pp.(of which 106pp.illustrations), 34cm., cart., dustwrapper, in slipcase, VG
Sans date - 1873. In-folio relié demi-chagrin bordeaux, dos à nerfs, titres dorés, reliure de Michon. Très bel ensemble regroupant les vignettes en plusieurs états dessinées et gravées par les frères Hillemacher pour le Théâtre de Racine, imprimé à Paris par D. Jouaust 1873 - 1874 et pour Le Lutrin de Boileau-Despreaux, publié en 1862. L'album regroupe, pour le Théâtre de Racine. 157 vignettes en deux formats 12,5 x 18,5cm et 6 x 10,5cm, en plusieurs états, de 1 à 4, des contre-épreuves et des vignettes de rebut. Pour Le Lutrin de Boileau-Despreaux : 31 vignettes en deux formats 15, 5 x 20, 5cm et 11 x 17cm, en plusieurs états, et avec des planches d'essais non publiées. Toutes les vignettes sont contrecollées sur des pages de beau papier dessin fort, montées sur onglets et cousues. En tête d'ouvrage deux grandes vignettes 12 x 18,5cm, gravures allégoriques, portant le nom d'Ernest Hillemacher. Les mentions d'état sont manuscrites. Ex-libris Bibliothèque Frédéric Hillemacher et deuxième ex-libris portant "nec ridendo vellicat" (Paul-Emile Daurand-Forgues connu sous le pseudonyme de Old Nick ou de Tim). Tout laisse à penser que cet album a été constitué par F. Hillemacher lui même. Joint : 3 lettres manuscrites signées de Frédéric Hillemacher et datées pour deux d'entre elles 1867 - 1879, contrecollées sur papier dessin libre. Destinataire non identifié mais texte bien en rapport avec la gravure et une lettre manuscrite d' Ernest Hillemacher à Monsieur Laugee, artiste peintre, à Paris dans laquelle il lui envoie deux couplets du vaudeville Lantara. Quelques frottements en dos, coiffe fragile avec mors détachés sur environ deux centimètres, coins un peu émoussés, rares rousseurs, une planche détachée. Exemplaire unique.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean inside and out. SIGNED by the artist, Trevor Haddrell, and dated 2002, on the first blank white page. Not inscribed to anyone, just signed and dated. Stated first edition. Illustrated in black & white with reproductions of Trevor Haddrell's fifty engravings and linocuts of Bristol. 10" high X 11" wide, 100 pages. A beautiful copy. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Grande incisione ad acquaforte (cm. 55 x 42) realizzata da Giorgio Hackert sul quadro del fratello Philipp: rappresenta il porto di Taranto. Gli Hackert lavorarono molto in Italia e all’epoca di quest’incisione, probabilmente non di molto posteriore al 1789, data del quadro, erano pittore e incisore di corte presso Ferdinando IV. Il quadro è nel museo della Reggia di Caserta. Negli ultimi anni del secolo sono numerosi i porti italiani ritratti da Philipp: la didascalia recita “Preso dal quadro originale che fu parte della collezione dei porti delle due Sicilie ordinata da S.M. il Re. Ottime condizioni, molto raro. A big etching engraved by Georg Hackert on a painting of his brother Philipp: the subject is Taranto’s port. Hackert brothers worked in Italy for a long time, and at this etching time, around 1789 (it’s the painting year), they were painter and engraver of the Ferdinand’s Court, in Caserta (where the painting is still in the collection). Many Italian ports were painted by Philipp in the late XVIII, when the king asked him to do a recognition (and a series of paintings) of southern Italy coast. Very good conditions, much rare.
A clean, unmarked book with a tight binding. Full cream colored boards. Slight edge wear to dust jacket. Note: This is Volume II, Illustrations, only. 8 3/4"w x 11 1/4"h. 166 pages. Includes portraits, drawings, watercolors, etchings; copies, imitations, and forgeries; comparative illustrations by copyists. Illustrations are in black and white.
The catalogue raisonne of the prints. About 160 items described and reproduced, almost all in color. Folio. Original wraps. FINE AND BRIGHT.
A beautiful livre d'artiste, illustrated with NINE ORIGINAL LOOSE FULL-PAGE HORS-TEXTE ETCHINGS BY JULES JOETS, EACH OF WHICH IS JUSTIFIED (15/44) AND SIGNED IN PENCIL. One etching is a portrait of Fort; the other eight are dramatic landscapes depicting the North of France and Belgium (specifically Flanders), often including farmhouses and other rustic buildings. edition limited to 44 numbered copies, of which this is one of 37 printed on fine Arches laid paper, with the etchings on fine Arches wove paper. A presentation copy, signed and inscribed by Joets on the half-title. Folio. Loose as issued in original wraps. FINE AND BRIGHT. In the original board chemise and slipcase.
