109 résultats
1951300004084par le Club bibliophile de France pour l'Union Latine d'éditions 1951. 1951. par le Club bibliophile de France pour l'Union Latine d'éditions unknown
1940110021940. Paris Guy Leprat s.d. 1940. 1 vol. in-plano 443 x 318 mm de 11 pp. et 12 planches en feuilles sous chemise cartonnÂŽe d'ÂŽdition. Edition originale. Tirage unique ˆ 500 exemplaires seulement sur vÂŽlin d'Arches seul papier. Exemplaire numÂŽrotÂŽ et signÂŽ ˆ la mine de plomb au colophon. ''Penser Paris. Comment songer ˆ vaincre ˆ rÂŽduire ˆ quelque forme intelligible un tel monstre de grandeur de rapports de diffÂŽrences concentrÂŽes '' Paul ValÂŽry. Premier tirage des 12 dÂŽlicates eaux-fortes de FlorÂs donnant ˆ voir : La rue des Francs-Bourgeois - Notre-Dame et les bouquinistes - L'aiguille de Notre-Dame - Le Pont-Neuf et la CitÂŽ - Notre-Dame vue des Quais de Seine - La Sainte-Chapelle - Tour de l'Horloge et marchÂŽ aux fleurs - L'Eglise Saint-Germain-des-PrÂs - MarchÂŽ rue Mouffetard - Rue Brise-Miche - Place de la Concorde - Arc de Triomphe / Place de l'Etoile. Chemise prÂŽsentant des marques d'usage ÂŽparses dont deux manques de papier affectant tÂte et queue du dos. Feuillets de garde fortement roussis. Rousseurs affectant texte et planches quoique davantage concentrÂŽes en marge. Du reste bonne condition. Rare. b42961 unknown
198012801FARRAR STRAUS & GIROUX. NY 1980. Fine with no dust jacket. 1980. First Edition. Softcover. UNCORRECTED PROOF. Fine in plain white printed wrappers. . FARRAR, STRAUS & GIROUX. NY 1980 paperback
195249456London, Phaidon Press, (1952). 4°. Mit zahr. tlw. ganzs. Abbildungen im Text u. auf Tafeln. VII S., 2 Bll., 338; 232 S.; OLwd.-Bde. m. Kopfgoldschnitt.
1945179421945. Paris Editions de La CitÂŽ 1945. Un vol. au format pt in-4 ÂŽtroit 258 x 168 mm de 79 pp. Reliure de l'ÂŽpoque de plein chagrin maroquinÂŽ havane semis de fleurons dorÂŽs sur les plats dos lisse ˆ l'identique titre dorÂŽ tÂte dorÂŽe sur tÂŽmoins gardes de pleine moire havane sous ÂŽtui bordÂŽ couvertures et dos conservÂŽs. Exemplaire sous pleine reliure du temps. ''IntÂŽressante et charmante publication''. in Carteret. Un des 60 exemplaires du tirage sur Arches deuxiÂme papier aprÂs seulement les trois exemplaires de tÂte sur Japon. Outre les compositions originales gravÂŽes - ici en premier tirage - par Paulette Humbert que l'ouvrage se doit de contenir ce dernier recÂle par ailleurs in fine une suite en noir desdites planches. ''Dipl™mÂŽe de l'Union centrale des Arts dÂŽcoratifs et sociÂŽtaire du Salon d'Automne Paulette Humbert a - entre autres - illustrÂŽ RenÂŽ de Chateaubriand''. in BÂŽnÂŽzit. ''Chateaubriand se plait ici ˆ dÂŽpeindre la mÂŽlancolie du hÂŽros-narrateur. Lequel narre ici sa vie passÂŽe en dÂŽcrivant les ÂŽvÂŽnements qui l'eurent pu conduit ˆ ce mal de l'‰me ainsi que son habitude ˆ chercher refuge dans une rÂverie qui devient poison.'' in Espace franÂais. Carteret V Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 47 - BÂŽnÂŽzit V Dictionnaire des peintres p. 168. Frottements affectant le dos de l'exemplaire. Nonobstant trÂs belle condition. b42961 unknown
19816136New York: Sweetwater 1981. Limited Edition. Hardcover. Fine. Quarto 163pp. illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz this is the best edition being number 18 of just 50 copies in the full morocco binding accompanied by a suite of ten signed etchings and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box itself housed in the slipcase. Rare and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books. Sweetwater hardcover
192116770Berlin: Morawe & Scheffelt 1921. Paperback. Good. 7 1/4 x 8 3/4 inches. 41 pages. Semi-rigid cloth-covered boards. Illustrated with real etchings by Mathey. Condition is Good; Paper missing on spine lightsoiling to cloth covers covers slightly wavy text & illustrations are very clean binding is tight. Text in German. Stk Morawe & Scheffelt paperback
197314396Guido Hildebrandt Verlag, Duisburg, 1973. 42 nn Seiten, Blockbuchbindung, ca 40x27,5 cm. Textdruck: Walbaum-Antique, mit der Hand gesetzt. Gesamtgestaltung (Typographie, Druck, Ausstattung) von Klaus Ulrich Düsselberg. Die Zeichnungen von Meister im Hochlichtverfahren als Offsetlithographie wiedergegeben. Druck des Textteils und der Bilder erfolgte auf handgeschöpftem Japan Hosho Papier, für den Umschlag wurde handgeschöpft Japan Muge Unryu Papier verwendet. Nummerierte Auflage von 100 Exemplaren. Auf dem Titel von Ernst Meister signiert. Reihe: Hundertbuch Band 1. Das sehr feine Papier leicht angeschmutzt, das Vorsatzblatt mit länglicher Knickspur. Ein gutes Exemplar. Sehr selten. Very rare. Fine copy.
196913515Guido Hildebrandt Verlag, Duisburg, 1969. 24 nn fadengeheftete Seiten, in grüner Leinenmappe eingelegt (diese ca 40x27,5 cm), alles im OPappschuber. Textdruck: Baskerville-Antique, mit der Hand gesetzt und gedruckt. Gesamtgestaltung von Klaus Ulrich Düsselberg. Druck der Radierungen von H. Kätelhön, Wamel-Möhnesee. Nummerierte Auflage von 100 Exemplaren. Im Impressum von Ernst Meister signiert. Reihe: Hundertdruck Band V. Durch die leicht unterschiedlichen Blattgrößen einige `Knickspuren` am Rand des Papiers. Insgesamt ein gutes Exemplar. Sehr selten. Very rare. Fine copy
190635294New York: Edwin C. Hill Company 1906. Limited edition. Vellum. Good. L. Alma Tadema. Limited edition of 206 this hand numbered 17 and signed by the Edwin C. Hill Company 1906. A Good copy. 4to. 312 pp. with 2 etched plates bound in decorated full vellum with top edge in gilt. Overall light wear and soiling to vellum. Upper spine is partially detached. Spine is tanned. Front and rear hinges starting to crack. Tear and small loss to the paper covering the rear board End papers are lightly toned with some finger soiling to title page otherwise text is clean and unmarked. Edwin C. Hill Company unknown
1970024583Petersburg Press 1970. Book. Fine. Hardcover. 1st Edition. Dark blue leatherette binding with silver titles to front board. Petersburg Press Hardcover
192548170Berlin: Eigenbrödler Verlag 1925. First limited edition. Hardcover. Fine condition. 36/525. Signed by Kyser and Oppler on colophon. All etchings signed by Oppler. Quarto 32 2pp. 10 plates with original etchings with tissue guards. Spectacular original hand-bound green gilt decorated morocco with gilt lettering and decor on spine raised bands in plain original tan dustwrapper protected by modern mylar; housed in original plain cardboard slipcase handwritten lettering on spine. Gilt top edge. Ribbon marker. Printed on Japan paper. Cover design by Ernst Nicolas. One of one hundred copies of the deluxe edition.<br /> <br /> Novella by the German author screen and audio-play author Hans Kyser war reporter and author of the first German "Talkie" Das Mädchen mit den Schwefelhölzern The Girl with the Matchsticks. Kyser directed a Luther biography and was head dramaturge at the German movie production firm Bavaria Film.<br /> <br /> The ten sensuous etchings illustrating the stage performance of a dancer are by Ernst Oppler a German impressionist painter and etcher. After studying at the Academy of Arts in Munich he went to England to study Whistler and then the Netherlands to practice the pleinair method. Back in Munich he joined the Munich Secession and on invitation of Max Liebermann moved to Berlin and joined the Berlin Secession. He became an important chronicler of the history of ballet in Germany. The numbers I-XXV and 1-100 are printed by hand and signed by the artist. This is number 36. Text in German. Light wear and age-toning of protective dustjacket and slipcase. Eigenbrödler Verlag hardcover
199337567San Francisco: Arion Press 1993. Hardcover. Fine. Hardcover. Number 126 of 250 numbered copies signed by the artist on his artist's statement preceding the text. There were also 26 lettered copies for private distribution. This was the forty-first publication of the Press. The text of this book is "From the History of an Infantile Neurosis" that was reprinted in The Standard Edition of the Complete Psychological Works of Sigmund Freud Volume XVII pages 7-122 translated from the German under the editorship of James Strachey. The Wolf-Man was the pseudonym given by Freud to his patient a young Russian man named Sergei Pankejeff. Freud's analysis of the Wolf-Man became his most famous case centering on the interpretation of dreams and childhood sexuality. In addition to the text of Freud's study this book includes an erudite and detailed discussion of Freud's work and influence by Richard Wollheim. Wollheim was a British philosopher noted for original work on mind and emotions especially as related to the visual arts specifically painting. <br /> <br /> The striking woodcuts and etchings illustrating the book were done by Jim Dine b. 1935. He is a well-known American artist who rose to prominence in late-1950's New York. He was closely associated with the Pop Art movement. An innovator throughout his long career Dine's extensive output includes paintings assemblages sculptures drawings prints and over twelve books of poetry. He has been the subject of more than 300 solo exhibitions around the world including eleven major surveys and retrospectives since 1970. The book was designed printed and bound at the Arion Press under the direction of Andrew Hoyem. <br /> <br /> Bound in gray cloth with a black cloth spine with titling in silver. The front cover has an image by Dine of a young boy confronting a wolf. Printed in Century Old Style type for the text with Century Expanded italic and Miller & Richard Old Style capitals for display. The text paper is Johannot mouldmade in France. The etchings and woodcuts are on T.H. Saunders Drawing paper mouldmade in England. The intaglio prints were editions by Pace Editions in New York. The book is housed slipcase covered in black paper with gray cloth trim with a black title label to spine. Accompanied by prospectus. Book is in fine condition in a near fine slipcase. Measures 10 x 12.5 inches. 114 pages plus illustrations. PRI/103024. Arion Press hardcover
190253698London: Freemantle & Company 1902. Hardcover. Collectible: Good. Full leather with five raised bands on the spine. #12 of 150. Interior is VG. Mild wear to the edges this has been stored properly throughout its existence. Not musty or moldy. The gutters were cracked in both volumes: they have been properly preserved/restored professionally. The interior hinges have been reinforced with appropriately colored tape. Signed by Strang and Cameron. Board tips are slightly through on a few of the tips. Mild wear only. Not bowed. Gilt leather VG interior. 11 lbs. <br/><br/> Freemantle & Company hardcover
190540530Bedford Park Chiswick: The Caradoc Press 1905. Limited edition. Hardcover. g to vg. 1/350. Large octavo. 14 155 1pp. Striking contemporary gilt-ruled full calf with gold decoration and lettering to spine. Raised bands. Top edge gilt. Dentelles. Marbled endpapers. Engraved frontispiece portrait of Izaac Walton. Title page in red and black lettering. Decorative initials and tailpieces. <br /> <br /> This splendid limited edition of Walton's masterpiece "The Compleat Angler" is the exact reprint of the first edition published in 1653. It is a celebration of the art and spirit of fishing in prose and verse. Walton's frontispiece portrait as well as the decorative initials and ornaments were designed and engraved by Harry George Webb a recognized artist of the time. <br /> <br /> One of 350 unnumbered copies on paper out of a total edition of 364. <br /> <br /> Binding rubbed along joints with head of spine slightly chipped. Binding in overall good interior in very good condition. The Caradoc Press hardcover
2000CNJL795Baltimore Maryland: Dolphin Press / Maryland Institute College of Art 2000. Limited Edition. Hardcover. Fine. Lorenz Hilary. No. 7 of 40 copies of the deluxe edition total edition 100 elephant folio size 40 pp. signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz an artist and printmaker whose work has been exhibited throughout the United States Europe and Asia and the co-founder of the Dolphin Press and writer Albert Mobilio a poet and literary critic whose work has appeared in The Village Voice Harper's Fortune and The New York Times Book Review n. b. artist bios from the book. <br /> <br /> The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" n. b. from website of Hilary Lorenz and is a provocative examination of what is now recognised as a pseudoscience.<br /> <br /> ___DESCRIPTION: Full black Japanese Asahi cloth gilt vignette and lettering on the front board hand-marbled paste-down endpapers hand-sewn binding six etchings interspersed throughout the text both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight elephant folio in size 16" by 13.5" unpaginated with 20 leaves excluding front and back blank leaves per the colophon page a limited edition of 100 copies this being number 7 per the web site for Hilary Lorenz numbers 10-100 were for sale signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth gilt vignette and lettering on the front which mirrors the book lined with maroon paper. With a sheet with a description of the book serving as the prospectus one sheet printed on one side.<br /> <br /> ___CONDITION: Volume is fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - crisp as new. Slipcase is also fine strong and sturdy clean without wear. The prospectus sheet is near fine clean with very light toning to the edges and light wear to the corners else fine.<br /> <br /> ___POSTAGE: Please note that this is an oversize book and additional postage may apply as the standard does not always cover costs; please contact us for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Dolphin Press / Maryland Institute, College of Art hardcover
196743562Maine: Anthoensen Press/Bowdoin College Museum of Art 1967. limited edition. Hardcover. Very good . 11 x 15 in. Folio. Not paginated. Limited edition of 30 copies this is number 29 signed by Stephens and Lent on the limitation pg. and numbered. Black cloth and marbled paper boards. Bound by Arno Werner. Hand-made rag paper. 6 etchings in all including the frontis each signed in pencil on the margin. Small etching on the limitation pg. Condition is VERY GOOD ; covers have light wear to the edges but are very clean with some dulling to the black cloth. Binding tight. Text and etchings are spotless and all tissue guards in excellent condition. Very scarce. Art. RGR. Anthoensen Press/Bowdoin College Museum of Art hardcover
197771157Chatham NY: Sagarin Press 1977. Limited edition signed and hand-numbered #155 of 200 copies. Hardcover. Near Fine. Signed by the author and the illustrator in ink on the colophon. 48 pp. Quarto 27 cm; full tan colored cloth with title blind stamped on the front board and printed in brown on the spine. Forest green endpapers. No dust jacket as issued. Only hints of shelfwear and the boards are very subtly bowed at their fore-edges. A nice copy. With the signed and numbered etching by Brauer titled "Offering" and tissue guard laid-in at the front. Four etchings printed and bound within the text by Bauer alongside the twenty-four poems by Fox.<br /> <br /> The colophon reads: "This is the special limited edition of The Juggler by Siv Cedering Fox. It is printed on 70 lb. Mohawk Soft White Superfine text paper and set in Optima type. Printed at the Studley Press and bound by hand at the Bridgeport National Bindery. This edition is limited to 200 copies of which this is #155 hand-numbered Siv Cedering Fox signed Bill Brauer signed. Sagarin Press hardcover
1987JC12731The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Black morocco with rough maroon silk side panels gilt-stamped lettering on spine; folio; in black cloth slipcase. With full-page etchings by Roberto Juarez on hand-made Richard de Bas paper. Number 67 of 750 copies on mould-made Cartiere Enrico Magnani paper signed by Hersey and Juarez. Book is fine in lightly rubbed slipcase. A lavish production. <br/><br/> The Limited Editions Club hardcover
200060889Knight Library Press; University of Oregon 2000. Limited Edition. SIGNED. Thin folio 33 cm Designed printed and bound by Sandy Tilcock. Printed letterpress on Heine paper. The etchings are hand-colored by the artist. Calligraphic title headings and ornaments by Marilyn Reaves. The cover was made by laminating two handmade papers: Moulin de Larroque's Brown and Twinrocker's Mica Rose. Binding tied together with a leather strap. With the instructions for the "Tying of Strap" laid in. Number 56 in an edition of 125 numbered copies. Signed by Barry Lopez and Robin Escher on the limitation page. Knight Library Press; University of Oregon unknown
