DEBUCOURT, Philippe-LouisBiblio.com
129 résultats
NY32<p>Paris Bureau du Journal des Dames 1798-1808.</p><p>4to 295 x 235 mm of 1 engraved title l. in lieu of cover 52 etched plates out of pagination and enchanced with watercolor numbered from 1 to 52.</p><p>Red quarter-morocco flat spine decorated with gilt and blind-tooled motifs front cover engraved and restored. Slipcase. <i>Later binding.</i></p><p><b>First edition of this "charming collection that became very rare" </b>Vinet 2248.</p><p>Colas 814; Hiler p. 223; not in Lipperheide.</p><p><i>"It is the most interesting and also the rarest collection of fashion so characteristic from the beginning of the 19th century"</i> Colas <i>Bibliographie des costumes et de la mode</i> n°814.</p><p>This precious suite has been sold up to 15 000 Gold fr. at the Montgermont's sale of 1913 the equivalent of 150 000 current euros.</p><p>The first plate bears on the upper part: <i>Modes et manières du jour</i>; the second: <i>Manières et modes;</i> the others: <i>modes</i> etc. except for the last two whose title is: <i>Modes et manières</i>.</p><p>Here is the plates list:</p><p>1. le prétexte : tunique courte jupe transparente.</p><p>2. Turcaret du jour prenant une leçon de tournure.</p><p>3. la promenade grand Schall avec bande à jour.</p><p>4. Chaise vacante Bonnet du matin schal transparent.</p><p>5. C'est en vain Tresses de cheveux liées sur un fichu</p><p>6. la petite coquette Toquet orné de plumes. Chapeau à cotes brodé.</p><p>7. la rencontre Coiffure avec guirlande en spirale. Shall garni de dentelle.</p><p>8. les cerises Coiffure en cheveux et perles.</p><p>9. l'escarpolette Chapeau de paille brodé sans ruban.</p><p>10. A ce soir Shall de gaze noire en échiquier.</p><p>11. l'agression Bonnet chapeau de gaze.</p><p>12. Correspondance furtive coiffure antique. Schall en écharpe.</p><p>13. Il va l'apaiser Robe avec canezon à col.</p><p>14. La phrase changée robe croisée. D. B.</p><p>15. N'allez pas vous perdre robe boutonée cornette à fond ouvert D B.</p><p>16. Ah quel vent ! fichu. noir. Tablier de gaze.</p><p>17. le messager fidèle fichu canezou. Robe avec nœuds de Comettes.</p><p>18. la robe déchirée Bonnet à un papillon.</p><p>19. l'écolière craintive fichu avec efilé Palatine Niv. an 8.</p><p>20. la chute capotte spencer garni de poil Niv an 8.</p><p>21. Elle le suit. Pluv. an 8.</p><p>22. le billet doux cheveux retroussés Spencer de velours. An 8.</p><p>23 Réponse au billet Chapeau blanc à petit bord.</p><p>24. Prends vite Coiffure en cheveux.</p><p>25. Retour de Longchamp Chapeau avec fichu Germ. an 8.</p><p>26. le Lilas Capotte ornée d'épis et de coquelicos Floréal an 8.</p><p>27. Il va fleurir cheveux et fichus. Robe de gaze Floréal an 8</p><p>28. Elle est prête à cueillir Capotte ornée de jacinthe. Floréal an VIII.</p><p>29. Que lui conte-t-il Chapeau en coquille. Large pantalon de Nankin</p><p>30 Ne laissai-je rien Robe en organdis de couleur.</p><p>31. Venez vous reposer Pantalon du matin. Capotte en crêpe. Prair. an 8.</p><p>32. la lecture Chapeau à petit bord. Spencer sans manches.</p><p>33. le voila Robe à manches et franges noires. Mess. an 8.</p><p>34. Il a plu Chapeau à boucles. Therm. an 8.</p><p>35. Il ne vient pas ! Coiffure étrusque. Ceinture en X Therm. an 8.</p><p>36. Ah qu'il fait saud ! Caraco garni de dentelles Thermid. An 8.</p><p>37. les deux amies Capotte à boucles. Tunique de crêpe Fructid. an V III.</p><p>38. Adieu Foquet. Schall long. robe garnie de dentelle Fructid. an 8.</p><p>39. La réflexion coiffure formée de 3 bandes de dentelle.</p><p>40. Tenez vous droit Capotte à fond ouvert Vend an IX.</p><p>41. Elle y pense Paysane avec barbes liées sous le menton.</p><p>42. Baisez Maman Capotte de velours avec bande zébrée Brum an 9.</p><p>43. M. N. et Mme Large redingote à grand collet de velours. Schal d'hiver.</p><p>44. les aprets du bal coiffure étrusque costume grec.</p><p>45. la signature Coiffure en fichu et tresses de cheveux. Tunique à pointes.</p><p>46. Elle le boude Chapeau ovale. Voile froncé Floréal an 9.</p><p>47. Il ne m'a pas vu Coiffure arec un voile. Tunique de crêpe noir.</p><p>48. Plus posément Toquet noué sous le menton. Schall quarré.</p><p>49. la solitude Fichu posé en Marmotte. Corsage bouffant. Manches longues et larges.</p><p>50. la conversation mistérieuse voile formant coiffure. Robe boutonee Manches à l'anglaise.</p><p>51. Lui a-t-il tout rendu D. B. 1808.</p><p>52. Me trompe-t-i1 1808. </p><p>This collection not only gives garment models but even more "the spirit of the time" with funny captions sometimes laconic and yet very expressive.</p><p><i>"Very rare series of 52 figures drawn and etched by Debucourt".</i>Fenaille <i>L'oeuvre gravé de P.-L. Debucourt</i> pp. 71-122.</p><p>"<i>In his prime…Debucourt 1755-1832 ranked as the supreme master of engravings printed in color. He was already an accomplished genre painter in 1785 when he perfected his process of printing in color with five successive coppers which enabled him to achieve in his prints the delicacy the suavity and the freshness of painting itself</i>" Ray <i>The Art of the French Illustrated Book</i> p. 146.</p><p><b>Precious copy of this rare and lovely suite of 52 costumes from the Empire delicately enhanced with watercolor at the time.</b></p><p>OCLC/KVK locate only 1 complete copy of the first edition at the <i>Morgan Library</i>.</p><p><br /></p><p><u>Français</u><br /></p><p>Paris Bureau du Journal des Dames 1798-1808.</p><p>In-4 de 1 f. de titre gravé tenant lieu de couverture 52 planches hors-texte gravées à l'eau-forte et rehaussées à l'aquarelle chiffrées 1 à 52. </p><p>Demi-maroquin grenat à coins dos lisse orné de motifs dorés et à froid premier plat de couverture gravé et restauré. Etui. <i>Reliure postérieure.</i></p><p>295 x 235 mm.</p><p><b>Edition originale de ce " charmant recueil devenu fort rare " </b>Vinet 2248.</p><p>Colas 814 ; Hiler p. 223 ; pas dans Lipperheide.</p><p>" <i>C'est le plus intéressant et aussi le plus rare des recueils de modes si caractéristiques du commencement du XIXe siècle</i> " Colas <i>Bibliographie des costumes et de la mode</i> n°814.</p><p>Cette suite précieuse a été vendue jusqu'à 15 000 F OR à la vente Montgermont de 1913 soit l'équivalent de 150 000 € actuels.</p><p>La première planche porte en haut : <i>Modes et manières du jour</i> ; la seconde : <i>Manières et modes </i>; les autres : <i>modes</i>etc. sauf les deux dernières dont le titre est : <i>Modes et manières</i>.</p><p>Voici la liste des planches :</p><p>1. le prétexte : tunique courte jupe transparente.</p><p>2. Turcaret du jour prenant une leçon de tournure.</p><p>3. la promenade grand Schall avec bande à jour.</p><p>4. Chaise vacante Bonnet du matin schal transparent.</p><p>5. C'est en vain Tresses de cheveux liées sur un fichu</p><p>6. la petite coquette Toquet orné de plumes. Chapeau à cotes brodé.</p><p>7. la rencontre Coiffure avec guirlande en spirale. Shall garni de dentelle.</p><p>8. les cerises Coiffure en cheveux et perles.</p><p>9. l'escarpolette Chapeau de paille brodé sans ruban.</p><p>10. A ce soir Shall de gaze noire en échiquier.</p><p>11. l'agression Bonnet chapeau de gaze.</p><p>12. Correspondance furtive coiffure antique. Schall en écharpe.</p><p>13. Il va l'apaiser Robe avec canezon à col.</p><p>14. La phrase changée robe croisée. D. B.</p><p>15. N'allez pas vous perdre robe boutonée cornette à fond ouvert D B.</p><p>16. Ah quel vent ! fichu. noir. Tablier de gaze.</p><p>17. le messager fidèle fichu canezou. Robe avec nœuds de Comettes.</p><p>18. la robe déchirée Bonnet à un papillon.</p><p>19. l'écolière craintive fichu avec efilé Palatine Niv. an 8.</p><p>20. la chute capotte spencer garni de poil Niv an 8.</p><p>21. Elle le suit. Pluv. an 8.</p><p>22. le billet doux cheveux retroussés Spencer de velours. An 8.</p><p>23 Réponse au billet Chapeau blanc à petit bord.</p><p>24. Prends vite Coiffure en cheveux.</p><p>25. Retour de Longchamp Chapeau avec fichu Germ. an 8.</p><p>26. le Lilas Capotte ornée d'épis et de coquelicos Floréal an 8.</p><p>27. Il va fleurir cheveux et fichus. Robe de gaze Floréal an 8</p><p>28. Elle est prête à cueillir Capotte ornée de jacinthe. Floréal an VIII.</p><p>29. Que lui conte-t-il Chapeau en coquille. Large pantalon de Nankin</p><p>30 Ne laissai-je rien Robe en organdis de couleur.</p><p>31. Venez vous reposer Pantalon du matin. Capotte en crêpe. Prair. an 8.</p><p>32. la lecture Chapeau à petit bord. Spencer sans manches.</p><p>33. le voila Robe à manches et franges noires. Mess. an 8.</p><p>34. Il a plu Chapeau à boucles. Therm. an 8.</p><p>35. Il ne vient pas ! Coiffure étrusque. Ceinture en X Therm. an 8.</p><p>36. Ah qu'il fait saud ! Caraco garni de dentelles Thermid. An 8.</p><p>37. les deux amies Capotte à boucles. Tunique de crêpe Fructid. an V III.</p><p>38. Adieu Foquet. Schall long. robe garnie de dentelle Fructid. an 8.</p><p>39. La réflexion coiffure formée de 3 bandes de dentelle.</p><p>40. Tenez vous droit Capotte à fond ouvert Vend an IX.</p><p>41. Elle y pense Paysane avec barbes liées sous le menton.</p><p>42. Baisez Maman Capotte de velours avec bande zébrée Brum an 9.</p><p>43. M. N. et Mme Large redingote à grand collet de velours. Schal d'hiver.</p><p>44. les aprets du bal coiffure étrusque costume grec.</p><p>45. la signature Coiffure en fichu et tresses de cheveux. Tunique à pointes.</p><p>46. Elle le boude Chapeau ovale. Voile froncé Floréal an 9.</p><p>47. Il ne m'a pas vu Coiffure arec un voile. Tunique de crêpe noir.</p><p>48. Plus posément Toquet noué sous le menton. Schall quarré.</p><p>49. la solitude Fichu posé en Marmotte. Corsage bouffant. Manches longues et larges.</p><p>50. la conversation mistérieuse voile formant coiffure. Robe boutonee Manches à l'anglaise.</p><p>51. Lui a-t-il tout rendu D. B. 1808.</p><p>52. Me trompe-t-i1 1808. </p><p>Ce recueil donne non seulement des modèles de vêtements mais plus encore " l'esprit du temps " avec des légendes amusantes parfois laconiques et cependant très expressives.</p><p>" <i>Série très rare de 52 pièces dessinées et gravées à l'eau-forte par Debucourt</i> ". Fenaille<i>L'oeuvre gravé de P.-L. Debucourt</i> pp. 71-122.</p><p>"<i>In his prime…Debucourt 1755-1832 ranked as the supreme master of engravings printed in color. He was already an accomplished genre painter in 1785 when he perfected his process of printing in color with five successive coppers which enabled him to achieve in his prints the delicacy the suavity and the freshness of painting itself</i>" Ray<i>The Art of the French Illustrated Book</i> p. 146.</p><p><b>Précieux exemplaire de cette rare et ravissante suite de 52 costumes de l'Empire finement rehaussés à l'aquarelle à l'époque.</b></p><p>OCLC/KVK localisent seulement 1 exemplaire complet de l'édition originale à la <i>Morgan Library</i>.</p> hardcover
179887502A Paris: Au Bureau du Journal des Dames Rue Montmartre N° 183 au coin du Boulevart 1798. Fine. Au Bureau du Journal des Dames Rue Montmartre N° 183 au coin du Boulevart A Paris s.d. 1798-1808 10.80 x 17.60 cm 52 planches en feuilles montées sous marie-louise en étui Set of 52 original plates etched and enhanced with watercolours at the time numbered 1 to 52 mounted in pairs under mats. Leaves in red half calf slipcase early 20th century red shagreen boards. The plates vary in size 10.8 x 17.6 cm to 28.1 x 18.8 cm and paper stock as was often the case with La Mésangère's publications. Unbound engraved title on a bifolium printed separately absent from most copies. It is replaced here by its identical reprint by Gosselin 1893-1903 on antique watermarked paper and bears the publisher's 'G' mark characteristic of this reprint a century later. All the plates however are in their first edition without the G mark added by Gosselin to the lower corners of the engravings in the figure or the bowl occasionally accompanied by a date. Some foxing a few rare engravings showing traces of pasted tabs on the reverse. Plate 42 restored without missing. A green stain in plate 11 probably due to the watercolour of the landscape. Twelve plates are trimmed to the plate mark: pl. 12 12.7 x 19.2 cm pl. 15 12.4 x 18.7 cm pl. 19 11.9 x 19.8 cm pl. 29 11.9 x 19 cm pl. 30 12.5 x 19 cm pl. 39 12.1 x 18.4 cm pl. 41 12.5 x 19.1 cm pl. 42 12.5 x 19.1 cm pl. 48 11.9 x 18.3 cm pl. 49 12.9 x 19.9 cm pl. 51 12.5 x 18.4 cm and pl. 52 12 x 18.1 cm. Plate 37 is trimmed around the black border 10.8 x 17.6 cm. More pronounced foxing in the margins of plates 4 28 30 31 35 44 45 and 47. A rare and precious complete suite of 52 original costume prints from the Directoire and First Empire periods. Deemed ""unfindable"" by Gaudriault in his study of women's fashion engravings in France this is the only complete set of first editions currently available. This series of elegant silhouettes was published on the initiative of the bookseller Sellèque and Pierre La Mésangère a clergyman who returned to the press after the turmoil of the Revolution. In 1800 La Mésangère took over the management of the renowned Journal des Dames et des Modes a pioneering publication in the history of the women's press and produced a few standalone series such as this one aimed at 'a category of connoisseurs with an interest in a more refined and luxurious interpretation of fashion than that offered by the plates in the newspapers' Philippe Séguy Histoire des modes sous l'Empire. The plates are the work of Philippe-Louis Debucourt a painter of French elegance since 1787 and a regular contributor to the Journal des Modes. The first 38 date from Year VIII the next 12 from Year IX and the last two from 1808. Through these 52 costumes unfolds a veritable grammar of dress a precious alphabet of the gown and hat - a language in which Parisian women were particularly well versed. Shepherdesses sultanas Etruscan princesses. the trend leaned towards exoticism even eroticism with the occasional bare breast. We find the fashions brought to the fore by the Merveilleuses following the Revolution inspired by Antiquity and mythology - gowns of iridescent muslin light and form-fitting alongside coats bandeau hairstyles and Grecian tunics. The captions accompanying the etchings often provide detailed descriptions of the attire hairstyles and headwear meticulously enhanced with watercolour. Some figures even double as biting social commentary verging on caricature featuring characters such as the ludicrously pretentious Turcaret a recurring theatrical figure since the early 18th century or genre scenes teeming with amorous intrigues. The significance of this series in the history of colour engraving is noteworthy albeit underappreciated by bibliographers. Some plates bear tiny black dots in the margins indicating the process of colour engraving by superimposing intaglio plates. These mark Au Bureau du Journal des Dames, Rue Montmartre, N° 183, au coin du Boulevart hardcover
11856Paris, au Bureau du journal des dames, 1798 s. d. (1798 - 1808). 1 vol. in-8. Cartonnage brun d’époque, pièce de titre de maroquin rouge.
195753521Paris, Rombaldi, coll. « Costumes et Modes d’Autrefois », n° 4 1957 In-folio 39 x 28 cm. En feuillets sous couverture rempliée et illustrée et étui carton, 12 ff. de texte, 24 planches en couleurs hors texte sur papier vélin des papeteries Aussedat. Exemplaire en très bon état.
179887502Au Bureau du Journal des Dames, Rue Montmartre, N° 183, au coin du Boulevart | A Paris s.d. (1798-1808) | 10.80 x 17.60 cm | 52 planches en feuilles montées sous marie-louise, en étui
180012765Paris: Charles Bance & Aumont 1800. Aquatint engraving printed in colour à la poupée on wove paper. Very good condition apart from some overall light soiling minor foxing and a skillfully repaired small loss in the left margin. Trimmed close to plate mark on all sides. A striking beautifully coloured engraving after the renowned 17th-century Flemish painter Peter Paul Rubens. A representation of Rubens' sister-in-law Susanna Lunden this plate is part of a series of three aquatints Debucourt completed after paintings by Tintoretto Rubens and Raphael.<br/> <br/>Susan Lunden was the daughter of the Antwerp silk merchant Daniel Fourment and the sister of Rubens' second wife Helena. Originally titled 'Le Chapeau de Paille' The Straw Hat the painting after which this plate is engraved dates from around 1622-25 and may have been a marriage portrait intended for Lunden's second husband Arnold. This print is a stunning example of the single plate colour printing technique used in France beginning in the 18th century. The effect is achieved by inking a single plate with several different colours by using a rag stump a process known as à la poupée. The outcome achieved by this laborious method of inking has a wonderful painterly effect and creates a delicacy of image which is charming to behold. Although a painter by training Philibert-Louis Debucourt is primarily renowned as one of the most innovative colour printmakers of the eighteenth century. Born in 1781 he studied with Joseph Marie Vien at the French Academy. After several years of exhibiting his paintings at the Salon he turned to printmaking in 1781. During the mid 1780s he began experimenting with the complicated multiple-plate colour printing process a technique that was refined and revolutionized by Jean-François Janinet. Debucourt found success with his colour intaglio prints of Parisian high society and he quickly earned a reputation as a skilled and prolific engraver. The bulk of his prints however were based on paintings by other artists and completed after the turn of the century. Despite his intense focus on printmaking he continued to exhibit his paintings alongside his engravings at the Salon throughout his life.<br/> <br/>Cf. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 4 p. 323; cf. Regency to Empire: French Printmaking 1715-1814 p. 346; Fenaille L'oeuvre gravé de P.-L. Debucourt 1755-1832 pp. 257-8. Charles Bance & Aumont unknown books
180012765Paris: Charles Bance & Aumont 1800. Aquatint engraving printed in colour à la poupée on wove paper. Very good condition apart from some overall light soiling minor foxing and a skillfully repaired small loss in the left margin. Trimmed close to plate mark on all sides. A striking beautifully coloured engraving after the renowned 17th-century Flemish painter Peter Paul Rubens. A representation of Rubens' sister-in-law Susanna Lunden this plate is part of a series of three aquatints Debucourt completed after paintings by Tintoretto Rubens and Raphael.<br/> <br/> Susan Lunden was the daughter of the Antwerp silk merchant Daniel Fourment and the sister of Rubens' second wife Helena. Originally titled 'Le Chapeau de Paille' The Straw Hat the painting after which this plate is engraved dates from around 1622-25 and may have been a marriage portrait intended for Lunden's second husband Arnold. This print is a stunning example of the single plate colour printing technique used in France beginning in the 18th century. The effect is achieved by inking a single plate with several different colours by using a rag stump a process known as à la poupée. The outcome achieved by this laborious method of inking has a wonderful painterly effect and creates a delicacy of image which is charming to behold. Although a painter by training Philibert-Louis Debucourt is primarily renowned as one of the most innovative colour printmakers of the eighteenth century. Born in 1781 he studied with Joseph Marie Vien at the French Academy. After several years of exhibiting his paintings at the Salon he turned to printmaking in 1781. During the mid 1780s he began experimenting with the complicated multiple-plate colour printing process a technique that was refined and revolutionized by Jean-François Janinet. Debucourt found success with his colour intaglio prints of Parisian high society and he quickly earned a reputation as a skilled and prolific engraver. The bulk of his prints however were based on paintings by other artists and completed after the turn of the century. Despite his intense focus on printmaking he continued to exhibit his paintings alongside his engravings at the Salon throughout his life.<br/> <br/> Cf. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 4 p. 323; cf. Regency to Empire: French Printmaking 1715-1814 p. 346; Fenaille L'oeuvre gravé de P.-L. Debucourt 1755-1832 pp. 257-8. Charles Bance & Aumont unknown
18994519Tirage à 315 exemplaires : un des 300 sur papier vélin à la forme. Superbe ouvrage. 1/2 chagrin violet, dos à nerfs orné, filets dorés sur les mors, covertures conservées. Reliure Seigneur Paris Morgand 1899 1 volume grand in-4°
16-4572Paris: E. Bernard et Cie 1896. Folio. 53 x 41cm. Original boards worn. Title page with loss; most pages with marginal tears. Sheets loose as issued. 94 plates are called for and they are out of order in this copy; likely not complete and priced accordingly. Sold as a collection of prints.Grand in-folio en feuilles portefeuille de l'éditeur. Première édition de cet album de 94 planches reproduisant des dessins et des plans inédits du Paris révolutionnaire. Mareuse n° 719.- Barroux n° 177. Paris: E. Bernard et Cie, 1896 hardcover
1805015891Paris: Louis-Philibert Debucourt 1805. Early Printing . Single Sheet. Very Good . 22 3/4" x 15. Color Engraving. A Fine Engraving By Debucourt. Laid Paper. Complete With Full Margins As Issued With Lettering Below "Desine Et Grave Par P. L. D. B.Rt / Les Courses Du Matin / Ou / La Porte Dun Riche / Depose A La Bib.Que Nat.Ale Ventose An 13 1805. " Image Is Approximately 18" X 11". Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> Louis-Philibert Debucourt unknown
1820015887Paris Circa 1820 1820. Early Printing . Single Sheet. Near Fine. Color Engraving. Nineteenth Century Engraving 25 5/8" X 19 3/4" On Laid Paper Watermarked Mbm Produced In Color. Complete With Full Margins As Issued With Title In French Below The Image Which Is Approximately 39.5 X 30 Cm. The Engraver's Name Is Also Present At Lower Right. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> unknown
17985449Retirage par Goupil à la fin du XIXè de cette fameuse planche. Elle est coloriée aux pochoirs. (Fenaille ) Cadre moderne et passe-partout. 520 x 385 1798
71-6692Paris: French Publisher circa 1815. Hand-colored etching. 30 x 40.5 cm sheet. Very Good minor surface soiling in the margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1815. unknown
2113791Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113792Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113804Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113805Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113790Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113806Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113803Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2113793Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1799. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
71-5002Paris: Gazette des Beaux Arts circa 1889. . Heliogravure by Dujardin. 19 x 28 cm. sheet. Very Good. [Paris: Gazette des Beaux Arts, circa 1889]. unknown
51-4816Paris: Charles Bance Bance jeune 1818. Handcolored aquatint on laid paper 38 x 27.5 cm. sheet size. Subdued colors. Small tear in lower margin. Series: Series: Collection de costumes dessinés d'après nature.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1; Fenaille 381; Beraldi XII.288 [Paris: Charles Bance (Bance jeune), 1818] unknown
51-4814Paris: Charles Bance Bance jeune 1818. Handcolored aquatint on laid paper 37.5 x 28.3 cm. sheet size. Subdued colors. Small stains in left marge and slightly défraîchi. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:Coalman seated on a chair and woman standing before him and shaving him.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1 [Paris: Charles Bance (Bance jeune), 1818] unknown
51-4813Paris: Charles Bance Bance jeune 1818. Handcolored aquatint on laid paper. 36.6 x 27.3 cm. sheet size. Bright colors. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:Coalman seated on a chair and woman standing before him and shaving him.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt 1755-1832 377IFF / Inventaire du Fonds Français: Bibliothèque Nationale Département des Estampes 67Dayot 1925 / Carle Vernet étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 81.1 [Paris: Charles Bance (Bance jeune), 1818] unknown
