Green Dr. Ben K.ABAA
1 477 résultats
1971027028Flagstaff Arizona: Northland Press 1971. Limited Edition. Square Octavo. Limited to 100 copies signed by Green without number. 73 pages illustrated by Beeler a beautiful copy of Dr. Ben Green's tales of some young men who dreamed of the days when cattle drives took place from Texas to the Great Plains. Unfortunately in the modern world there are farms with barbed wire towns cities and all the evidence a century later that would make such a drive unnecessary and impossible. Nevertheless they decided on this misadventure. Bound in 1/4 light brown leather over brown cloth lettered in black spine lettering gilt a fine copy housed within a paper covered slipcase. Six Score 49. Northland Press unknown books
19559002050New York: n.p. 1955. paperback. Fine. Bound in original brown wraps and light blue slipcase. Presentation signed by the author on the half title page. One of five hundred and sixty eight numbered copies. Adendum card from the author sewn in at title page explaining the delay between the pamphlet's 1955 printing and 1960 release. <br/><br/> n.p. paperback books
195534328.1n. p.: Between Hours Press 1955. 1st printing. Number 39 of 85 copies. Blue paper wrappers sewn with red book label to front wrapper. A Fine copy. 4 pp. Printed by hand at the Bewteen Hours Press One red wood engraving. Oblong format. 3-1/4" x 3-3/4" <br/><br/>This copy of Happy Birthday Bruce Rogers not found in John De Pol: A Catalouge Raisonne of His Graphic Work 1935 - 1998. Between Hours Press unknown books
195634330n. p.: Between Hours Press 1956. 1st printing. Number 60 of 86 copies. White paper with green wood engraving stamped to top of sheet with black text below. A Fine copy. Single sheet printed recto only by Grauer at his Bewteen Hours Press. One large wood engraving stamped to top of sheet. 7-3/4" x 4" <br/><br/>This copy of Happy Birthday B. R. is not found in John De Pol: A Catalouge Raisonne of His Graphic Work 1935 - 1998. Between Hours Press unknown books
195434329n. p.: Between Hours Press 1954. 1st printing Fraser & Friedl p. 41. Number 35 of 84 copies. Pink wrappers sewn with green book label onlay to front wrapper. A Fine copy. 8 pp. Printed by hand at the Bewteen Hours Press One large stamped wood engraving and two small stamped wood engravings. 5" x 3-1/4" <br/><br/> Between Hours Press unknown books
195513445New York: Privately printed 1955. stiff paper wrappers enclosed in outer wrapper and slipcase. 8vo. stiff paper wrappers enclosed in outer wrapper and slipcase. 4 10 pages. First separate edition reprinted from Bouillabaise for Bibliophiles. Limited to 568 numbered and signed copies. Story of the restoration of the famous Diaz manuscript. Designed by John DePol. Presentation from Grauer to Ben Lieberman on a separately enclosed card. Slipcase faded. Privately printed unknown books
196036994New York: n.p. 1960. Offprint. Paper wrappers in stiff paper wrappers in slipcase paperback. A fine copy in fine wrappers in a very good slipcase with a tear on bottom edge. 229-248 pp. Sm. 4to. Signed and inscribed by the author. No. 19 of 568 copies printed in memory of Diaz who completed his manuscript in Antigua in Guatemala in 1568. Originally meant to be published in 1955 a series of incidents led to this publication 5 years later. Reprinted from Bouillabaise for Bibliophiles from World Publishing Co. n.p. paperback books
40483N.P.: Thistle Press n.d. self paper wrappers with woodcut of Webster by John DePol on the front cover printed French-fold. DePol John. small 8vo. self paper wrappers with woodcut of Webster by John DePol on the front cover printed French-fold. Text by Grauer. (Thistle Press unknown books
1974104776N.P.: United States Banknote Corporation 1974. self paper wrappers. DePol John. 4to. self paper wrappers. 4 pages. Keepsake from the company taken from the 1958 first printing. Separate plate by DePol of Noah Webster mounted behind a cameo cutout. (United States Banknote Corporation unknown books
2006171531Boston: David R. Godine Publisher 2006. Hardcover. VG/VG. Blue cloth boards with gilt stamped lettering glossy color-illustrated dust jacket with black lettering. xxxiii 244 pages. Color illustrations. The William I. Koch collection formed by the experience of an expert yachtsman and the eye of a discriminating collector is the mirror of a man who approaches maritime art and history with reverence and passion. It is personal eclectic and provocative. This sumptuous book will provide weeks of pleasure to any serious art lover antiques collector or blue-blooded sailor. - Amazon. David R. Godine Publisher hardcover books
199226254No Place: Privately Printed 1992. First edition. Loose Sheets. Fine. Elephant folio. Cloth covered folding portfolio containing twelve original SIGNED black and white photographs of golfer Ben Hogan taken by photographer Jules Alexander. One of supposedly five hundred sets this being #92 but it remains the first one we have seen or handled in twenty years in business. Folded booklet with text by Herbert Warren Wind laid in and signed on the rear panel by the photographer. All elements in fine condition. As a bonus item this portfolio includes an extra signed photograph of Tiger Woods taken from the book Tiger Woods in Black and White by Jules Alexander. All of the photographs are 15 1/2" wide x nearly 20" tall including borders. A scarce and beautiful golf item and of particular interest to Hogan fans and followers. Privately Printed unknown books
1960018491New York NY: Limited Editions Club 1960. Book. Near fine condition. Hardcover. Signed by Illustrators. First Edition. Quarto 4to. xxxii 165 pages of text. Hardcover binding with vellum/parchment spine and black cloth boards with minimal shelfwear. Illustrated by Ben-Zion. Limited to 1500 copies signed by the illustrator. Selected and translated with an essay by Judah Goldin. The Hebrew rubrics were hand-set in Hadassah type designed by Henri Friedlander in Jerusalem Israel. The slipcase is lightly shelfworn. The text is clean and unmarked. First edition. Limited Editions Club Hardcover books
1973901New York: Ben Gold Book Committee 1973. Hardcover. 224p. first edition original tan cloth binding with traces of edge wear else very condition. Novel by the founder of the Fur & Leather Workers Union about the progressive needle trades workers and their fight to throw the 'gangsters' out of the union and win a 40 hour week in the 1920s. Ben Gold Book Committee hardcover books
94989hardcover. Illus. 347pp. 8vo cloth-backed bds. d.w. N.Y.: Warner 1988. Fine.<br/><br/> unknown books
197017245Minneapolis: Ross & Haines 1970. First edition 8vo pp. 3-350; frontis.; illus.; jacket slight tears near head of spine and near bottom edge on rear cover owner's inscription on front free endpaper; else very good or better. <br/><br/> Ross & Haines unknown books
1905288011American Surgical Association 1905. Stapled Pamphlet. Very Good binding. Minor foxing to the portrait frontispiece. Previous owner's name on the front cover. Stapled pamphlet. Tan paper wrappers printed in black. Very Good binding. American Surgical Association unknown books
000378London: Ben. George Covers designed in blind-stamp and gilt. Yellow endpapers. Rear hinge starting to weaken. Four full-page color illustrations others in black and white. Embellished first letters in chapters. All edges gilt. Among the stories is "The Monkey Room At The Zoo" illustrated with four plates; also a pleasant piece of poetry entitled "The Boy and the Butterfly". 196pp. Reprint Edition. Green Cloth. Corner Wear./No Jacket. Octavo. Ben. George Hardcover books
1955219072New York 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait from the rear Gazzara looking back over his shoulder. 1 vols. 32.5 x 23.5 cm. approx 12-3/4 x 9-3/8 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "II-NN-ii". Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length portrait from the rear Gazzara looking back over his shoulder. 1 vols. 32.5 x 23.5 cm. approx 12-3/4 x 9-3/8 inches. In his career-launching role as 'Brick' in the original production of Tennessee Williams' CAT ON A HOT TIN ROOF directed by Elia Kazan which opened on March 28 1955. unknown books
1955218862New York 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Gelatin silver print. 1 vols. 35 x 22 cm. approx 14 x 8-3/4 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "II-NN-15". Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Gelatin silver print. 1 vols. 35 x 22 cm. approx 14 x 8-3/4 inches. Gazzara as the Original 'Brick'. The original production of Tennessee Williams' CAT ON A HOT TIN ROOF directed by Elia Kazan opened on March 28 1955. His portrayal of 'Brick' Maggie's alcoholic husband launched his career. unknown books
1955219071New York 1955. Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length frontal portrait of the actor seated in jacket and shirt with open collar. Gelatin silver print. 1 vols. 33.8 x 23.4 cm. approx 13 x 9-1/4 inches. Fine. Verso docketed in ink giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "II-NN-4". Variant of the print published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half-length frontal portrait of the actor seated in jacket and shirt with open collar. Gelatin silver print. 1 vols. 33.8 x 23.4 cm. approx 13 x 9-1/4 inches. Ben Gazarra August 28 1930 - February 3 2012. In his career-launching role as 'Brick' in the original production of Tennessee Williams' CAT ON A HOT TIN ROOF directed by Elia Kazan which opened on March 28 1955. unknown books
1970128345N.p.: N.p. 1970. Collection of 3 vintage black-and-white still photographs of actor Ben Gazzara enjoying a day at the Daytona 500 circa mid-1970s. In one photo Gazarra is shown with noted race car driver Darrell Waltrip. In the other two Gazzara is allowed to ceremonially flag the cars from the stand as they race past. <br/><br/>From the estate of Ben Gazzara. <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books
200420187ENew York: Carroll & Graf 2004. First Edition. Signed and inscribed by the author / actor Ben Gazzara: “For Susan - Good Luck! Ben Gazzara.†Also signed by his wife “Elke.†with a little heart drawn by her next to her autograph. Illustrated. Fine fresh copy in a fine dust jacket. Memoirs of the celebrated actor best know for his roles in Saint Jack Anatomy of a Murder They All Laughed Husbands The Killing of a Chinese Bookie and more. Carroll & Graf unknown books
16688Stockholm WI: Midnight Paper Sales nd. A gorgeous book with an original technique of printing the images: all of them are printed directly from slices of the actual trees discussed in the book in a variation on the traditional technique of nature printing where the object itself is used to print. Schanilec has made use of this idea in a number of his projects. The multi-color prints are produced by a reduction cutting process: "after each color is printed the block is cleaned with mineral spirits the surface is cut away further and the block is printed again in a different color. . . . on close inspection some of the features may not match up exactly since they represent a deeper plane in the wood." <i>Sylvae</i> page 18. All of the trees featured in the book grew on Schanilec's farm in Wisconsin. Some fell due to natural causes others had to be removed for logistical reasons some were cut down for their wood for flooring and other construction projects. The nature of the grain of each piece prompted the specific techniques used to print the image. Many of the multi-colored prints are at least two full pages quite a few are massive three-page spreads. The grain patterns of the wood express the beauty of the trees. Each section of the book deals with one tree including one or more prints and a detailed discussion of the function of the tree on the farm sometimes tidbits of local history how it came to be cut down its properties and details about the specific characteristics of each piece of wood and how these affected the print-making process. The book concludes with an over sized wood cut of a large tree cut down on Schanilec's farm--the wood engraving of the tree was carved from the wood of the tree. It's beautiful but there are mixed feelings about realizing that the tree is preserved for the future through the use of its own wood for the engraving. But then that is true for all of the images in the book! There is a great respect for nature and the conservation of trees throughout this book. It is a wonderful production! The binding of the book continues the wood theme: the spine of the book is white pigskin and the sides are cut from another tree on Schanilec's farm and have been finished like a beautiful piece of furniture. The book was printed by Schanilec and Verhoeven the Bixlers cast the type Craig Jensen and Gary McLerran bound the books and Dick Sorenson did the woodwork. Housed in a deep blue fabric covered slipcase. Number 6 of 120 copies. Signed by both Schanilec and Verhoeven. A laid in notice announced that the book won the 2007 Gregynog Prize at the Oxford Book Fair. <i>Quarter to Midnight</i> A.261.b and A.262 <i>Matrix 27</i>. Schanilec considers this book to be "a far better book" than the special edition of 26 copies of the same title with a different setting of the type. Fine. Midnight Paper Sales hardcover books
1995127182San Francisco: Jossey-Bass 1995. Paperback. xii 193p. foreword introduction resources very good first edition trade paperback in pictorial wraps. Jossey-Bass paperback books
1972280507New York: Crown 1972. hardcover. near fine/very good. Illus. 8vo gray cloth d.w. sunned on spine. New York: Crown Publishers 1972. Very good<br/><br/> Autobiography of the wife of a Canadian trapper who lived in the Canadian north country.<br/><br/> Crown unknown books
