Palladio Andre, Bertotti ScamozziMareMagnum
22 569 résultats
<p>4°, 25 cm, rilegatura coeva in mezza pelle, p. 55, 25 belle tavole fuori testo di cui 17 ripiegate e 8 a piena pagina. Bello e fresco esemplare esemplare. Cfr. Choix Olschki, X 15267, manca al Folwer</p>
Siena, Alessandro Mucci, 1790. Libro I seul, In-folio relié veau brun, dos très orné, titre dans un bel encadrement allégorique de Giovanni Silvestrini + 2 pages pour le "proemio ai lettori",115 pages comprenant, les XXIX chapitres et incluant 28 gravures à pleines pages et 11 gravures dans le texte. Texte en italien. La reliure a été grossièrement restaurée par implants de cuir et présente des défauts, le corps de l'ouvrage, imprimé sur papier fort, est en bon état, quelques rousseurs sans gravité.
<p>28 cm, rilegatura editoriale in tela editoriale gialla, titolo ed illustrazione al piatto; p. (8), 538, (4). Fondamentale testo sull'architettura di inizio 900. Nota introduttiva di Le Corbusier. Interamente illustrato con foto, disegni e con citazioni delle opere di: Aalto, Albini, Baldessari, Belgiojoso, Bottoni, Breuer, Cattaneo, Cereghini, Figini, Gardella, Garnier, Griffini, Gropius, Le Corbusier, Lingeri, Mies van der Rohe, Nervi, Neutra, Nizzoli, Pagano, Peressutti, Perret, Persico, Pollini, Ponti, Sant'Elia, Sartoris, Tatlin, Terragni, Wright ecc. Dipinti e sculture di Andreoni, Arp, Belli, Benedetta, Boccioni, Tullio d'Albisola, De Chirico, Di Bosso, Diulgheroff, Dottori, Fillia, Fontana, Ghiringhelli, Kandinskij, Léger, Licini, Lissitzkij, Magnelli, Melotti, Monachesi, Mondrian, Morandi, Oriani, Prampolini, Radice, Reggiani, Rho, Savinio, Severini, Soldati, Tato, Van Doesburg, Veronesi, e altri. Minimi segni del tempo alla quarta di copertina, altrimenti esemplare ottimamente conservato.</p>
A La Haye, chez Pierre de Hondt, 1742. In-8 relié pleine basane brune, dos à nerfs très orné, tranches rouges, gardes de papier marbré. XLVIII + 354 pages + 2 pages pour le catalogue éditeur. Nouvelle édition beaucoup plus correcte & plus ample que la précédente, enrichie de notes instructives, & de l'Eloge de M. de vauban. Bien complet des 36 planches dépliantes. Infimes frottements à la reliure, corps de l'ouvrage en bel état, très belle qualité de gravure des planches. Ex-libris Bibliothèque de La Motte avec devise "de jour en jour" et ex libris manuscrit "Blondeau" en page de titre. Très bon exexmplaire.
218 pages. From limited edition of 1600 copies. "Concerned entirely with the Haidas of the Queen Charlotte Islands of the last century, the intricacies of the kinship patterns of the great families, and how they saw themselves as part of a fantastic, but in its own terms, logical, cosmos, and most of all how this was all expressed in their remarkable architecture with its perfectly integrated massive carved and painted embellishments, the great totem poles of the Haidas." - from Foreward. "The documentary photographs that survive are among the few remaining records which illustrate the richness and variety of Haida monumental art. Of the more than five hundred carved poles which appear in the plates, only about fifty were removed to museums for safekeeping. The remainder have perished entirely or survive at the village sites as decayed fragments overgrown with the lush vegetation of the islands." - from Preface. Light external wear and soiling to cream-coloured cloth-covered boards. No external markings. Discreet bookplate and bit of writing inside front board. Blindstamp to lower corner of title page. Bit of writing in upper left corner of title page. Remnant of card pocket inside back board. Binding tight. A quality copy of this magnificent work. Book
Folio, plate volume only, [8pp., Arrangement and Analysis of the Plates] + unpaginated 'Scientifical Index', 148 engraved plates (some double-page, some folding), small work track to blank margin of first 7 plates, small unobtrusive stain to lower blank margin of several other plates, but overall all plates are clean and bright, cont. calf, rubbed, joints cracked.
Exemplaire numéroté (n° 129), 1 vol. in-4 reliure plein maroquin bleu mosaïqué avec incrustation : muse écrivant sur son lutrin au premier plat, sous étui bordé, s.n., s.d. [ circa 1959 ? ], 130 pp. Exceptionnel exemplaire relié selon la libre inspiration d'une soeur du Carmel de Condom. L'architecte Emmanuel Pontremoli (1865-1956) mena une brillante carrière, et fut notamment directeur de l'Ecole nationale supérieure des Beaux-Arts. Son oeuvre la plus connue est la villa Kérylos de Beaulieu-sur-Mer, construite pour l'archéologue Théodore Reinach à l'imitation des villas de la Grèce antique. Le présent ouvrage, publié par ses élèves et sa fille, recueille ses écrits : "L'Architecture un art... un métier" ; "Mirages et Réalités" ; "De la profession d'architecte et de l'enseignement de l'architecture". Français
RARE monograph on ceramics in Chinese architecture by an eminent German architect, photographer and sinologist Ernst Boerschmann (1873-1949), who from 1940 until his death taught in the Humboldt University of Berlin, from 1945 as Professor of Sinology. Contains 160 full-page b&w plates, 30 b&w mounted plates and 4 color plates. Some, or possibly all photographic plates are by the author himself, who was a distinguished photographer in addition to his expertise in architecture and history of China. 290x230mm. 110 pages [+2] & 160 full-page plates. Embossed gilt cloth Hardcover with gilt spine. Cover faded/age-stained, dirty and rubbed. Cover edges rubbed and slightly bumped. Rear cover stained/water-stained. Cover corners and spine edges bumped and peeling. Spine upper edge missing. Spine hinges upper edge worn and partly torn. Binding slightly loose and visible between title-page and contents page, and between plates 158-159. Text pages yellowing. Rear inner cover and some plates wavy. [SUMMARY]: This extremely rare and unique book on Chinese architectural ceramics is overall in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
This is an album of 50 lithographed images in black & white of designs ca.1880 of elaborate storefronts, and doors and other pieces of furniture from stylish shops. Also kiosks, etc, each plate with metric scale that indicates relative dimensions. All designs by the architect A.Sanguineti. Quarto size, 10 1/2" high x 8 1/2" wide. There is a light brown moisture-stain to most plates, down at the lower margin, sometimes affecting the image. The back cover is a brown marbled paper, no front cover. The title-page serves as front cover, although it is hard to tell if this is intentional. The book is covered with a protective mylar jacket. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Huge book is in excellent condition, flawless, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 12 12" x 9", 510 pages on heavy paper, lavishly illustrated throughout in color and b&w, with photos, architectural drawings, floorplans, layouts, interior designs, notes, prints, etc. Contents include: Metal: a revolution in furniture design, Partnership with Le Corbusier and Pierre Jeanneret for furniture and home furnishings, Photography, The militant years, Prefabricated leisure architecture, Public exhibitions and social engagement, after the break with the Rue de Sevres Studio.
A Paris au Siège de la Fédération & Chez la Librairie C. Klincksieck - Du T. I, 1949(Ed. 1976) au T. XLI, 1990 - Soit 41 Volumes Brochés in 8 en parfait état, y compris numéraux spéciaux - 300 à 500 pages par Volume avec Planches HT & figures en texte - A l'ETAT DE NEUF
Franckfurt und Leipzig, Klaffschenckels Wittib, 1752. 4to. Contemp. full calf. Titlelabel with lettering. Spine richly stamped in blind. Light wear to top of spine. A paperlabel pasted on lower part of spine. Monogram of King Frederik V tooled in blind on red leather on both covers. Stamp on title-page. Title-page in red a. black. Engraved frontispiece. (16),147,(1-errata) pp. and 40 folded engraved plates. Internally clean and fine.
Small square-like quarto in glossy red paper-backed boards; 319p., numerous photos and illustrations in b&w and color. Includes 16p of text in Spanish by Calderon In Spanish. Inscribed by Calderon. Very scarce. No copies located in WorldCat. Catalogue raisonee of the celebrated Bolivian architect's life work. Handsomely produced. || La Paz, Bolivia. Arquitectos de america latina.
Large white quarto, xvii, 252 pages, b&w illustrations; 29 cm. Architecture, Modern -- 19th and 20th centuries.
Folio in color photo illus jacket; 303 pages : chiefly color illustrations ; 31 cm Contents: Introduction -- Facades -- Entrance halls -- Stairways -- Living rooms -- Dining rooms -- Libraries -- Kitchens -- Bedrooms -- Bathrooms -- Capricci. "The Milan-based interior design and architectural firm Studio Peregalli presents for the first time their breathtaking environments that capture the classic elegance of the past. Studio Peregalli is the master of making interiors look brilliantly timeworn. Partners Laura Sartori Rimini and Roberto Peregalli have a distinctive ability to work in virtually every historical style-from Renaissance to Victorian-to create interiors that are atmospheric and magical, conjuring up a real or imagined past. The Invention of the Past profiles the firm's domestic and public projects, including residences for such leading families as the Etros and the Zegnas." || Interior architecture -- Europe -- Pictorial works. Interior decoration -- Europe -- Pictorial works. Interior architecture. Interior decoration. || **A large, heavy book. Extra shipping charges may apply for international & expedited orders. Please inquire. Weighs 4.75 lbs before packing. **
Nürnberg, Christoph Weigel, 1759. Small 4to. Contemp. hcalf. Gilt spine. Titlelabel with gilt lettering. A paperlabel pasted on spine. Stamps on title-page. (8),48,(4),58,26,(2) pp., 183 engraved plates. Clean and fine.
In 4° leg. coeva m/pelle con titolo e fregi dorati al dorso, con usuali tracce del tempo, pp. XI / 400, con 52 tav. più volte ripiegate, ben tenuto
2 vol. in-8 reliure demi-basane rouge, dos à 4 nerfs dorés, Archives du Diocèse de Chartres, VI et XIII, Ch. Métais, Chartres, 1902 et 1908, Tome I : Château de Herces ; Château d'Oysonville ; Château de Bouglainval ; Château de Montuel ; Château de Senonches ; Le Château de Beaumont-les-Autels ; Château de Chartres et Place Billard ; Courville. Essais historiques par Armand Pelé ; Château des Clairets ; Château de Vrainville ; Courtalain. Château et Seigneurs par l'abbé Chapron, 464 pp. et 87 gravures ; Tome II : Château de Montboissier ; Château de Ver-les-Chartres ; Château de la Boulidière ; Château d'Ancise ; Château de la Camusière ; Château du Grand-Prinville ; Château de Gourdez ; Château de la Barre ; Château de Nogent-le-Roi ; Château de la Motte-Verte ; Château de Boullay-Thierry ; Château de Mémillon ; Château de Saint-Germain-le-Désiré, 466 pp. et 72 gravures Rare exemplaire réunissant ces 23 monographies, en pagination séparée (parfois publiées chez d'autres éditeur, comme pour la monographie du Comte de Prunelé, publiée à l'Imprimer Ed. Garnier à Chartres en 1906). Bon exemplaire en très bon état de ce recueil introuvable. Français
1 vol. in-8 reliure postérieure bradel demi-percaline marron, J.-M. Eberhart, Imprimeur du Collège Royal de France, Paris, 1822, 4 ff., 184 pp. avec 3 planches hors texte (dont 2 dépliantes) Rare exemplaire de l'édition originale de la traduction française, par Fresnel, tirée sur papier vélin à seulement 60 exemplaires "qui n'ont pas été mis dans le commerce" (Brunet, II, 842). Bon état (lég. frott. en dos, qq. rares et légères annotations au crayon, qq. rouss.). La controverse autour de la datation du célèbre zodiaque égyptien de Denderah impliqua des personnalités aussi prestigieuses que le mathématicien Joseph Fourier, Champollion ou Cuvier. L'écrivain et savant écossais Sir William Drummond of Logialmond (1769-1828) avait publié en 1821 son "Memoir on the Antiquity of the Zodiacs of Esneh and Dendera". Français
xi, [1], 13-145, [1], [10] ads, pages. Index. Frequent line drawings in text. "Showing clearly how to plan and construct dwellings in the bush, on the prairie, or elsewhere, cheaply and well, with wood, earth, or gravel. Copiously illustrated." - Half-title page. 7.5" x 5". First published in 1872. Dedicated to all adventurous men, whose ambition is to make a home and found a fortune under difficulties, in any location and with whatever means nature may supply. Intended to "solve the want of desirable information among immigrants enabling them to use their own labor to advantage, and to turn their small means to the best account." - Preface. Author was Editor of Sloan's Architectural Review and also wrote The Economic Cottage Builder. Publisher's embossed chocolate cloth elaborately decorated in black, with "Arlington Edition" indicated on front. Prior owner's details upon front free endpaper. Fly specks to edges. Faint personal ink stamps to verso of index. Narrow opening in binding at page 79. Contents toned with age. Average wear. Binding intact. A sound vintage copy. Book
119 pp. 179 illustrations, 107 in color. Text in English. Translated from the Italian first edition entitled Gioielli di architetti. "The modern jewelry featured in this unusual and handsome publication was commissioned by collector Cleto Munari from some of the most renowned post-modernist architects of our time. The imagery of their jewelry is a miniaturized architectural journey in itself." - dust jacket. Includes works by: Mario Bellini, Michele De Lucchi, Peter Eisenman, Michael Graves, Hans Hollein, Arata Isozaki, Richard Meier, Alessandro Mendini, Paolo Portoghesi, Peter eShire, Ettore Sottsass, Stanley Tigerman, Oscar Tusquets, Robert Venturi, Lella Vignelli, and Marco Zanini. Architect's stamp and date discreetly appear on page 118, otherwise book virtually as new. Light wear to dust jacket now preserved in glossy new archival-grade Brodart. An excellent copy of this dazzling compilation. Book
Very Good Turkish, Ottoman (1500-1928) Original engraved map on the silk handkerchief made in Yildiz Palace for the 'Iane Sergisi' [i.e. Exhibition of the Social Assistance] in the period of Sultan Abdülhamid II. In its decorative frame. Frame size: 53,5x53,5 cm; map size: 38x38 cm. In Ottoman script. Scale: 1/600.000. Several minimal splits, minor foxing, and slight stains on cloth. Otherwise in good condition. A rare and decorative 1897 silk handkerchief map of the Greco-Turkish War in 1897, which was the only war in which the Ottoman army was victorious during the reign of Abdulhamid 2, is a fine example of Ottoman / Turkish cartographic textiles made in Ottoman court (Yildiz Palace textile workshops). This beautiful map depicts an attractive war scene from the 1313 Greek War on the upper half, and it's engraved a map of Balkan & Greek lands on its lower half. War painting has 'Melona' signature in Ottoman script. The map shows Thessaloniki [i.e. Salonica] Bay on the west; Yanya [i.e. Ioanna] Vilayat on the east; lands of Greece, Galos Bay, Uzi Strait on the south and Dimetoka and Avalonia areas in the Serefiye, Ergiri sanjaks on the north in its period. Written on the map, "Baht-i himâye-yi feyzvâne-i cenâb-i hilâfetpenâhide evlad-i süheda ve mecrûhin-i asakir-i sâhâne", [i.e. It was printed for the "Iane Sergisi" (i.e. The Social Help Exhibition) in the high memory of our soldiers who were martyred and veterans in the Greek War under the patronage of the Sultan.]. The Greco-Turkish War of 1897, also called the Thirty Days' War and known in Greece as the Black '97 (Mauro '97), or the Unfortunate War (Atychis polemos), was a war fought between the Kingdom of Greece and the Ottoman Empire. Its immediate cause was the question over the status of the Ottoman province of Crete, whose Greek majority long-desired union with Greece. Despite the Ottoman victory on the field, an autonomous Cretan State under Ottoman suzerainty was established the following year (as a result of the intervention of the Great Powers after the war), with Prince George of Greece and Denmark as its first High Commissioner. This was the first war effort in which the military and political personnel of Greece were put to test since the Greek War of Independence in 1821. For the Ottoman Empire, this was also the first war effort in which the reorganized military personnel were put to test. The Ottoman army was under the guidance of a German military mission led by Colmar Freiherr von der Goltz, who had reorganized it after the defeat in the Russo-Turkish War (1877-1878). The conflict proved Greece was wholly unprepared for war. Plans, fortifications and weapons were non-existent, the mass of the officer corps was unsuited to its tasks, and training was inadequate. As a result, the numerically superior, better organized, equipped and led Ottoman forces pushed the Greek forces south out of Thessaly. Almost all of the aids made to the families or disabled people of those who were martyred in the 1897 Ottoman-Greek War (such as printing this map) were made within the framework of the donations of "Evlâd-i Süheda and Malûlîn-i Guzât-i Asâkir-i Sahane". People and citizens of all classes and beliefs, including members of the Ottoman court, ministers, bureaucrats, civil servants, merchants and tradesmen, participated in this aid campaign at the end of the 19th, beginning of the 20th century. Not in OCLC.
Nürnberg, Georg Peter Monath, 1767. 4to. Contemp. hcalf. Gilt spine. Titlelabel with gilt lettering. A paperlabel pasted on top of spine. Stamps on title-page. Engraved frontispiece (bound after p. 64). (4),178 pp. and 114 engraved plates. Internally clean and fine.
Folio (480 x 310 mm), engraved dedication portrait frontispiece, 44 ENGRAVINGS OF 46 (LACKING PLATES 9 & 10), 22 of which are double-page, the plates and the text pages are paginated continuously from 1 to 52, faint staining to blank upper margins, some light browning, nineteenth-century half calf, covers detached. Berlin Catatalogue, 1864.
Zaragoza, en la Imprenta del Rey Nuestro Señor, 1766. 4to.; 28 hs., 415 pp. Con una lámina representando la aparición de la Vírgen a Santiago, dibujada y grabada en cobre por Lamarca. La lámina está suelta de la encuadernación. Encuadernación en pergamino, de la época. Aramburu, abogado de la Orden de San Juan de Jerusalén, fue durante veintiseis años Catedrático de Vísperas de Leyes en la Universidad de Zaragoza. Asesor jurídico del Ayuntamiento zaragozano, que es quien le encarga la presente obra, destinada a celebrar la erección definitiva del suntuoso nuevo Templo, era al mismo tiempo el "abogado de cámara" del Duque de Parma y del Conde de Aranda.
