22 569 résultats
[8], 115 [i.e. 215], [1] p. ; 23 cm; Piena pergamena con fregi dorati e nervature. macchie di umidità.
Paris, Rapilly, libraire et marchand d'estampes, 1863. Publiés sous la direction & avec un texte explicatif par M.H Destailleur architecte du Gouvernement. Gravées en fac-similé par MM R Pfnor, Carresse et Riester d'après les compositions de Du Cerceau, Lepautre, Berain, Daniel Marot, Meissonnier, La Londe, etc. 2 volumes In folio reliés plein veau glacé blond d'époque, encadrements de filets dorés sur les plats, armes du Marquis des Roys aux 4 coins de chaque plat, dos à 5 nerfs très décorés, pièces de titres et de tomaison, large roulette de dentelle intérieure, toutes tranches dorées, gardes de papier marbré, ex libris du Marquis des Roys. Les dos sont abimés, ors entre nerfs en partie effacés, manque de cuir aux coiffes, second plat du tome 1 désolidarisé et partiellement pour le premier, fragilité des mors au tome II. Les intérieurs sont en parfait état, grandes marges.TOME I : 98 pages de texte + 72 planches. TOME II : XI + 4 + 72 planches (pendules, meubles, serrurerie, ferronerie, cartels, portes, escaliers, glaces, cadres, grilles, girandoles, cheminées etc). Une restauration des reliures est à prévoir.
Parte Prima che comprende le nozioni geometriche e le sue applicazioni, all'agrimensura, livellazione, divisione de' terreni, alluvioni, letti di fiumi abbandonati ec. Opera particolarmente destinata all'istruzione dei legali; non meno utile agl'ingegneri agrimensori, periti, ed a tutti quelli che imprendono professioni a cui è necessaria una discreta cognizione della geometria. Con XXIV tavole in rame. Segue: Modo di dividere le isole, le alluvioni e gli alveoli abbandonati dai fiumi, trattato dell'ingegnere Giuseppe Romanenghi. Con 3 tavole ripiegate. Appendice con una tavola. Parte Seconda. Le servitù prediali sanzionate dal Codice Napoleone ridotte in casi pratici, e con annotazioni desunte dalle leggi romane e da classici autori. Opera divisa in V libri già pubblicati dall'Avv. Luigi Piccoli in Brescia l'anno 1808. Corredata in questa edizione di nuovi rami e di note addizionali per far conoscere la concordanza colle leggi romane e con le vigenti in Toscana. Con CXLIV figure su 72 tavole in rame che illustrano le diverse servitù. Parte Terza. Casi pratici cin ispiegazioni e osservazioni dell'avvocato Luigi Piccoli che servono di appendice all'opera Della condotta delle acque del prof. Romagnosi. Con 4 tavole ripiegate. Parte Quarta. Del diritto di erigere fabbriche e del diritto di vietarle. Dell'uso e non uso delle servitù, non che delle singole specie e dell'usucapione e prescrizione delle medesime. 4 volumi Tagli marmorizzati. 8vo. pp. IV - 346 - tavole + 112 - tavole + 448 - tavole + 578. . Molto buono (Very Good). Sottolineature a matita rossa e blu al frontespizio dei volumi I e IV. Piccolo strappo ad una tavola del volume III. Pagine bianche, in ottimo stato, con rare fioriture (Some underlined passages in coloured pencil). . .
In-folio, 32x44, con titolo, edizione di difficile collazione, stampata dall’autore. La nostra copia presenta10 titoli intermedi, 7 tavole litografiche (manca la tav. G) e 83 tavole incise (di cui 11 colorate a mano). Fogli sciolti con fogli di separazione in carta velina, in cartella originale, lacci. In-folio, 32x44, with title, difficult-to-collate edition, printed by the author. Our copy has 10 intermediate titles, 7 lithographic tables (table G is missing) and 83 engraved tables (11 of which are hand-colored). Loose sheets with tissue paper separator sheets, in original folder, laces.
In-4°, XX, 51pp,(3), 4 carte di tavola ripiegate incise da Gaetano Testolini, rilegatura in mezza pelle. Buone condizioni. Preti fu uno tra i molti esponenti della nobiltà veneta che nel Settecento praticarono l’architettura per diletto, non come attività professionale: l’indagine intellettuale sui fondamenti della disciplina anche attraverso l’esercizio del disegno e del progetto è un aspetto che sembra decisamente prevalere su quelli legati alla realizzazione delle fabbriche. Il Preti fu autore di un trattato pubblicato però solo dopo la sua morte con il titolo Elementi di architettura del signor Francesco Maria Preti (1780). Gli Elementi sono preceduti da un’ampia introduzione di Giordano Riccati al quale spettò forse anche l’organizzazione del materiale che era stato dettato da Preti a un discepolo, ma non «ripulito». Gli studi proporzionali e armonici applicati all’architettura (basati sulla matematica, il linguaggio della scienza) sono evidentemente legati alla lezione di Riccati. La seconda parte del trattato avrebbe dovuto illustrare i principi esposti nella prima attraverso un gran numero di disegni già preparati da Preti a questo scopo: questa parte non vide mai la luce nonostante che Giovanni Coi, rettore del seminario di Padova tra il 1779 e il 1807, e Giacomo Albertolli, docente di architettura presso lo stesso istituto dal 1785 circa, con la collaborazione dell’incisore Giacomo Mercoli, ne avessero seriamente impostato il progetto di stampa (Maggi, 2001). In-4°, XX, 51pp,(3), 4 folded plates copper engraved by Gaetano Testolini. Buone condizioni. Preti was one of the many exponents of the Venetian nobility who in the eighteenth century practiced architecture for pleasure, not as a professional activity: the intellectual investigation on the foundations of the discipline also through the exercise of drawing and design is an aspect that seems to definitely prevail on those related to the construction of factories. Preti was the author of a treatise published, however, only after his death with the title Elements of architecture of Mr. Francesco Maria Preti (1780). The Elements are preceded by a broad introduction by Giordano Riccati who was also responsible for the organization of the material that had been dictated by Preti to a disciple, but not "cleaned up". The proportional and harmonic studies applied to architecture (based on mathematics, the language of science) are evidently linked to Riccati's lesson. The second part of the treatise was supposed to illustrate the principles exposed in the first through a large number of drawings already prepared by Preti for this purpose: this part never saw the light despite that Giovanni Coi, rector of the seminary of Padua between 1779 and 1807, and Giacomo Albertolli, professor of architecture at the same institute since about 1785, with the collaboration of the engraver Giacomo Mercoli, had seriously set up the printing project (Maggi, 2001).
Barcelona, en la Imprenta de Juan Pablo Marti, por Francisco Barnola Impressor, 1702. Dos volúmenes en 4to.; 4 hs., 679 pp., 4 hs. + 2 hs., 590 pp., 3 hs. Pérdida puntual de alguna letra en el margen inferior interno de peliminares y ocho páginas iniciales del tomo segundo. Encuadernación en pergamino de la época. Lomera perdida en el segundo tomo.
Box; Square Folio, staple-bound book and 28 separate plates in a cloth-covered clam-shell style box. book is 24pp. with diagrams of the 14 plans and two essays. Very Fine. ISBN 9780904503586. Peter Eisenman a member of the New York Five (also known as the Whites, as opposed to the Grays of Yale: Robert A.M. Stern, Charles Moore, etc.), five architects (Eisenman, Charles Gwathmey, John Hejduk, Richard Meier, and Michael Graves) some of whose work was presented at a CASE Studies conference in 1969. Eisenman received a number of grants from the Graham Foundation for work done in this period. These architects' work at the time was often considered a reworking of the ideas of Le Corbusier. Subsequently, the five architects each developed unique styles and ideologies, with Eisenman becoming more affiliated with Deconstructivism.
Very Good Turkish, Ottoman (1500-1928) Original color map. Folded. Oblong folio. (35 x 52 cm). In Ottoman script. Color lithograph. It shows Sudan and West Africa, Atlas Ocean shores, Sahra Desert, and other parts of Africa. Scale: 1:15.000.000. A very detailed and attractive map. Slightly fading. Otherwise a very good copy. Dated Hegira: 1310 = [Gregorian 1894]. [EARLY OTTOMAN MAP of SUDAN] Sudan. Sâye-i Türkiye Hazret Gazi Sultan Abdülhamid Hân-i Sâni'de Maarif Umûmiye Nezâret-i Celîlesi ruhsatiyle meshur Haset tarafindan Fransa Cemiyet-i Cografya âzâlarindan mütesekkil komisyona mahsûs tanzîm edilmis oldugu son defaki atlasinin tercümesi olarak bu def'a Erkân-i Umûmiyye Dairesi Besinci Fen Subesi'ne me'mûr piyade mirlivâlarindan saâdetlü Ali Seref Pasa ve rifatlubinbasi fütûvvetlü Muhyiddin Efendi maarifetleriyle tertib ettirilmistir. Ali Seref Pasa or Hafix Ali Esref. He was a soldier, who was schooled in Paris as a cartographer around 1862. Already in Paris he published his first atlas with 22 maps, called 'Yeni atlas'. Upon his return to Istanbul he became a chief cartographer at the Maatbaa-i amire Printing Press in Beyazit, which was the successor of the Muteferrika press from 1727. Among others he translated the large Kiepert map of Anatolia to Ottoman. He died in 1907, leaving his large project of a gigantic map of Anatolia in 100 sheets unfinished. Ali's name is often misunderstood or even listed as two different people: Ali Seref Pasa and Hafiz Ali Esref. Until the surname law adopted on June 21, 1934, Turks did not have surnames. They were born with one first name and were until the adulthood described only as sons or daughters of their parent's names. Later they were given titles such as Effendi (Sir), Bey (Chief) or Hanim (Madam) for higher classes, or they were given names according to their work or class. The names were not inherited by children until 1934, when the surname law was enforced. The map maker Ali received names Seref, the honourable, and Pasa, the dignitary. He was also known as Hafiz, the memorizer of Qur'an and Esref, Proud. So Ali Seref Pasa would have a meaning 'Honourable Dignitary Ali, and Hafiz Ali Esref, Memorizer of Qur'an, Proud Ali. Daruttibaa - Matbaa-I Amire Printing Press: The first press in the Muslim world, called Daruttibaa, was founded in Istanbul by Ibrahim Muteferrika in 1727, with a permission of Sultan Ahmeet III. It was located in Muteferrika's house. The first book was published in 1729 and until 1742 sixteen other works followed. After Muteferrika's death, the press was supressed for printing, as printed books were considered dangerous. In 1796 the press was purchased by the government and moved to Uskudar in Istanbul, and in 1831 finally to Beyazit, where it was renamed to Matbaa-i Amire in 1866. The press was closed in 1901 and was reopened in 1908 under the name 'Âmire' In 1927 the name changed to State Printing House. The press still exists and is known for publishing school and educational books. Extremely rare. Not in OCLC.; Not in TBMM Map Collection.
All volumes have dust jackets except Vol II ( The Frescoes by Mabel L Lang) There is some very light foxing throughout each of the volumes, and there is some light chipping and minor tears and wear to the jackets, but this is a nicely preserved set otherwise of this scarce and important work. ; 3 volumes in 4 parts as issued: Volumes I-III complete. ; 3 Volumes in 4 Parts; 4to 11" - 13" tall; Textually complete with all plates and illustrations called for. This massive work on Nestor's Palace was compiled following its excavation by the University of Cincinnati in the 1950s. Nestor was a figure immortalized by Homer, and his palace is believed to date back to 13000 B. C. It remained covered by an olive grove until the excavation, and this work details all of the finds, including tablets, seals and frescoes, etc.
Book has very light shelfwear else fine. DJ has 1 small tear (1/2 cm) near top of spine with light edgewear to extremities. Mild creasing along edges of DJ. ; Oxford Monographs on Classical Archaeology; 324 pages
The full title is :American Architecture of the Twentieth Century. A series of photographs and measured drawingsof modern civic, commercial and industrial buildings". New York: Architectural Book Publishing Company, 1927-1929. There are 139 plates in 3 Volumes of 7 Parts. Plates loose as issued in 3 portfolios:Vols.1 & 2 cloth Vol.3 (Part 7) paper covered boards with cloth spine. Seven parts, each containing 20 full page plates with title page and table of contents in Vols. 1 and 2. Virtually complete except for one plate (#10 in Vol.2 Part 6 illus. floor plan of Bellevue Psychiatric Hospital. This is one of five plates illustrating the building). Missing too is the preface by Lewis Mumford in Vol.3 (part 7). Portfolios 1 and 2 cloth spines split and frayed but complete, plates are generally very good although there is some minimal edge darkening and soil. A half a dozen plates in Volume 2 have small moisture stain on edge, not affecting image.Vol.3 (Part 7) Very Good overall condition. Spines of Vols.1 & 2 titled in gilt and Vol.3 (Part 7) reproduces title page on the cover. Contents of Volume 1 include Raymond Hood's American Radiator Building; McKenzie, Voorhees & Gmelin, New York Telephone Building; U.S. Army Supply Base in Brooklyn by Cass Gilbert & Grauman's Metropolitan Theatre by Wm. Lee Woollett. Volume 2, Part 4 entirely devoted to 4 buildings designed by Bertram Grosvenor Goodhue;& Holabird and Root, 333 North Michigan Avenue apartment building. 3 add'l.buildings in Volume 3 Part 7 including the Masters Apartments/Roerich Museum Building by Corbett, Harrison & MacMurray and the R.J. Reynolds Building in Salem, N.C. by Shreve & Lamb and the Stewart Building in New York by Warren & Wetmore. All buildings illustrated by photos, plans and details. Rarely seen this complete. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover two volume set with fine dust jackjets with no wear at all. Completely clean. Text in English. Profusely illustrated standard reference on traditional Islamic craft in Moroccan Architecture. Illustrated mostly in color. Table of Dynasties. Chronology. Glossary. Bibliography. 12" high X 10" wide, 508 & 582 pages. Large heavy books foreign postage will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
Paris, Jean Babtiste Coignard, 1690. 4to. In contemporary full calf with five raised bands and gilt lettering and ornamentation to spine. Upper part of spine missing small part of leather. Some scratches to boards. Internally fine anD clean. (24), 797 pp. 65 full page engravings included in the pagination.
Augsburg, Andreas Pfeffel, 1753. Small folio. Cont.full calf. Raised bands. Gilt titlelabel. A paperlabel pasted on upper compartment. Engraved frontispiece, title with large engraved vignette. (8),204 pp. and 17 large folded engraved plates. The 6 first plates a little dampstained in upper right margin, otherwise fine and clean, printed on good paper. 2 rubberstamps on title.
Jena, Christian Henrich Cuno, 1751. 4to. Contemp. hcalf. Raised bands. Compartments tooled in blind. Titlelabel with lettering. A paperlabel pasted on spine. With the monogram of Frederik V on red background on covers. Stamp on foot of title-page. Title-page in red/black. (12),196,(8) pp., 31 folded engraved plates.
A La Haye. Paris, chez Desaint, 1765. Small8vo. Cont. full mottled calf. Back richly gilt. Top of spine end with a little wear. XVI,326 pp.
Living Arts magazine was edited by Theo Crosby and John Bodley. Designed by Gordon House. Published by The Institute of Contemporary Arts in association with Tillotsons (Boulton) Ltd. © 1963. The front and back covers are from a photograph taken by Robert Freeman of a setting arranged by Richard Hamilton in connection with his "Urbane Image" essay which was also in this publication. The Living City catalogue which was included in this, the second issue of Living Arts, was produced by members of the Archigram Group, Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron and Michael Webb with Ben Fether and Peter Taylor. — Testi: Crosby Theo, Bodley John. F.to: 21x21; pagg. 128; COL e BN; rileg. brossura. Editore: Institute of Contemporary Arts, London, 1963.
Madrid, Ediciones Cigüeña, 1946 - 1955. Noventa y cinco múmeros en ocho volúmenes en folio; 45 pp. de promedio por número. Numerosas ilustraciones fotográficas, dibujos y planos arquitectónicos. Encuadernación uniforme en media tela.
Madrid, Litografía de F. Pérez y J. Donon, 1847. Catorce láminas, de 56 x 37 cms., dibujadas y litografíadas por Van Halen, contenidas en nueve fascículos con la descripción impresa de los monumentos y lugares representados. Rastros marginales antiguos de humedad.
New English Original cloth bdg. by Legatoria Rigoldi SNC. Oblong folio. (36 x 47 cm). In English. 16, [1] p. text,1 full paged b/w map in text (Byzantivm nunc Constantinopolis), 8 folding color plts. of panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). 1100 copies were printed in Italy. Numbered copy. 357/1100. Printed on handmade paper by Cartiere Enrico Magnani S.p.A. Preface.; Historical setting.; Images of Istanbul, I: A wedding procession. II: Entertainment in a Harem (women dancing and playing dance music). III: Ladies going to a bathhouse. IV: An imperial residence. V: Arrival of the Crimean Embassy. VI: Sultan embarking on a hunt. VII: Sultan going to Friday prayer. VIII: Procession of the Queen Mother. Images of imperial Istanbul. Facsimile Edition of eight panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). Published by Ahmet Ertug. Photographic reproduction of originals by C. Hüttel. Translation of captions from German by Ali Özdamar.
Jena, (1781). 4to. Cont. hcalf w. traces of use. Lower part of t-p. cut of, thus lacking year of printing. Old owner's name on t-p. (""T.Hansen""). A few leaves w. very minor brownspotting. (12), 200, 47 (second part), (12) pp., 35 folded engr. plates.
(Wien, ab. 1840). Folio. Cont.hcalf. Containing 27 fine double-page engr.plates. (35 x 49 cm.). G.Schinnerle sculpsit.
First edition, 4to (270 x 215 mm), 5, [11]pp., with the final advert leaf, [20]pp., 83 engraved plates (the contents of which are well represented in the title), some light foxing throughout, some minor worming to upper blank margin of first few leaves, recent calf calf, red morocco label to spine. Archer, 240.1; Harris, 640.
Bruxelles, Simonau et Toovey, 1851. Large folio. (54 x 36 cm.). Contemp. hcalf. Gilt spine. Gilt lettering. Stamps on title-page. Lithographed title-page. (6) pp. and 8 lithographed plates, 2 of which are in colour ( views of La Caserne du Petit Chateau). A marginal dampstain to 1 plate.Bound in is an autographed manuscript by a Danish engineer-officer describing the ""Caserne du petit chateau i Bruxelles opførte i Aaret 1852"". Folio. (26 x 22,5 cm.). (24) pp. Handwritten in black ink on paper. With construction-figures in the text and tables with building costs. MS dated Copenhagen 1855.
Roma, Dai Tipi dello Stesso Canini, 1841. Royal8vo. Cont. full cloth. Extremities with traces of use. Joints with tears. (8),327,(1) pp. and 40 fine steel-engraved plates. Text a little brownspotted.