Blake, William Trianon PressBiblio.com
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19511252551951. London: Trianon Press 1951. <br /> <br /> 4to 6 ix text and 100 color plates. Original blue cloth folding box repaired very good.<br /> <br /> § Limited to 516 copies this is #351. The first of the magnificent series of facsimiles by the Trianon Press of Blake's illuminated books edited by Geoffrey Keynes. Bentley Blake Books 78. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown
199839679France: Alain De Gourcuff. New. 1998. Hardcover. 2909838307 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE - Text in English. 30 color illustrations. -- with a bonus offer-- . Alain De Gourcuff hardcover
19681075951968. London: Trianon Press 1968. <br /> <br /> 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly flaked.<br /> <br /> § Copy #14 with the first three volumes bound in morocco. From an edition of 726 total copies including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding and 26 reserved copies lettered A-Z. Volume I is an introductory volume followed by three volumes of plates. <br /> <br /> "In about 1818 Blake revised For Children: The Gates of Paradise giving the work the new title of For the Sexes: The Gates of Paradise and adding three new text plates at the end Plates 19-21. All twenty-one plates are intaglio etchings/engravings. Plates 19-20 contain brief interpretive statements keyed by number to the preceding design plates. The final plate is addressed to Satan as the "God of This fallen World." Blake Archive. Bentley BB 48. unknown
19723555London: printed in Paris at the Trianon Press for the William Blake Trust 1972. No. VI of 50 de luxe copies. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving; together with a set of plates showing progressive stages of the collotype and hand stencil process with guide sheet and stencil. Edition de luxe limited to 50 copies with additional proof sheets progressive plates and original stencil etc. 2 vols. 4to and small 4to. full brown morocco in original marbled paper covered slipcase. Near fine prospectus inserted loose.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. One of only 50 de luxe copies with additional material printed in Paris at the Trianon Press for the William Blake Trust unknown
19771073811977. London: Trianon Press: 1977. <br /> <br /> 4to 155 pp. 51 plates. Original full brown morocco slipcase. A fine copy.<br /> <br /> § #5 of 36 de luxe copies signed by Keynes of a total edition of 562 copies. The definitive work about and reproducing all known portraits of Mr. and Mrs. Blake. Not in G.E. Bentley's Blake Books or its supplement. unknown
19741252491974. London: Trianon Press 1974. <br /> <br /> Folio 25 color plates 8 proofs and commentary at the end. Original quarter brown morocco slipcase fine. <br /> <br /> § Limited to 500 copies of which this is No. 289. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. This is the facsimile of Lord Cunliffe's copy and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy also published in facsimile by Trianon. "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements." Martin Butlin Bentley Blake Books A82. unknown
19763552London: Printed at the Trianon Press for the Trustees of The William Blake Trust 1976. No. 156 of 480 ordinary copies in addition there were 32 deluxe copies and 26 copies for the Trustees and publishers. 5 colour facsimile plates made using the collotype and hand-stencil process at the Trianon Press in Paris. Printed on Arches pure rag paper to match the paper used by Blake. 4to. quarter brown morocco marbled paper boards in a marbled paper covered slipcase. Very good.The companion volume to the <em>Book of Ahania </em>printed by Blake in Lambeth in 1795.<em> </em>A facsimile of the only known copy of <em>The Book of Los</em> in the British Museum.<br>In his commentary Geoffrey Keynes writes: “the philosophic message of this small book is hidden in apocalyptic verbiage calculated to puzzle Blake’s small audience. Blake seems to have sensed this obscurity as soon as it was completed and as far as is known he never made another copy.or referred to it.â€<br>Bookplate of Alexander Stone on front pastedown. Bentley <em>Blake Books</em> supplement p. 62. Printed at the Trianon Press for the Trustees of The William Blake Trust hardcover
19733550London: Trianon Press 1973. No.243 of 808 copies. 4to 6 colour facsimile plates reproduced in Paris at the Trianon Press using the collotype and hand-stencil process one black and white illustration plus 5 pp. of commentary by Geoffrey Keynes. 4to. original quarter dark blue morocco marbled paper covered boards in the original marbled paper covered slipcase. A very good bright copy. Booklabel of Elaine Klemen.A facsimile of the only known copy of The Book of Ahania which was owned by Lessing Rosenwald. The original frontispiece was supplied for this facsimile by its owner Geoffrey Keynes. <br>The Book of Ahania continues the story of the Book of Urizen. As Keynes writes: “Ahania the feminine Emanation of Urizen signifies Pleasure in Blake’s system.the poem begins with.a new character Fuzon who.signifies Passion.Fuzon attacks Urizen.with a fiery globe.Urizen was sorely wounded in the loins and.in his agony at losing his source of pleasure he seized on Ahania calling her Sin.Urizen seeks vengeance on Fuzon creating in the process the Serpent of Materialismâ€. Bentley <em>Blake Books</em> A15 Trianon Press hardcover
