72 résultats
198995152Stuttgart: Ernst Klett Verlag, 1989. 28 cm ; kart.
1976110686Small 4to. London: Published by the Trianon Press for the William Blake Trust 1976. Small 4to 62 pp. and 11 plates with descriptions. Quarter morocco with cloth covered boards. § Edition limited to 438 numbered copies this being 1 of 26 copies for the Trustees. A study of William Blake’s Laocoon which he first started sketching in the early 19th century with illustrations reproduced by the collotype process. This volume completes the series begun by the William Blake Trust in 1951. Not found in Bentley’s Blake Books or the Supplement. Published by the Trianon Press for the William Blake Trust hardcover books
19721106813 volumes. London: Trianon Press 1972. 3 volumes folio with 116 color facsimile leaves reproduced by collotype and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Marbled boards morocco backstrips slipcases backstrips stained slipcases worn internally a fine set as issued. § Edition limited to 518 copies in all including 100 copies for Paul Mellon personally of which 12 copies were a super de luxe issue in three volumes with extra material 36 copies were a de luxe issue also with extra material but in sheets unbound18 copies were hors commerce contents unrecorded and 352 copies either bound in 3 volumes in slipcases or as a single set of the loose sheets in a box. This is copy #37.The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems.Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf—then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919.The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon’s collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. Trianon Press hardcover books
1972110461Folio. London: Trianon Press 1972. Folio with 116 color facsimile leaves reproduced by collotype and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Original sheets marbled boards morocco backstrip lettered in giltquarter brown morocco box. § Edition limited to 518 copies in all including 100 copies for Paul Mellon personally of which 12 copies were a super de luxe issue in three volumes with extra material 36 copies were a de luxe issue also with extra material but in sheets unbound18 copies were hors commerce contents unrecorded and 352 copies either bound in 3 volumes in slipcases or as a single set of the loose sheets in a box. This is #370.The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems.Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf—then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919.The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon’s collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. Trianon Press hardcover books
197291063 volumes. London: Trianon Press 1972. 3 volumes folio with 116 color facsimile leaves reproduced by collo-type and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake's pencillings and the tone of the paper. Marbled boards morocco backstrips slipcases a very good set as issued. § Limited to 220 copies thus; 100 copies were issued unbound in Port-folio and 36 de luxe copies with extra material. The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems.Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf—then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919.The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon’s collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. Trianon Press hardcover books
199839679France: Alain De Gourcuff. New. 1998. Hardcover. 2909838307 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE - Text in English. 30 color illustrations. -- with a bonus offer-- . Alain De Gourcuff hardcover
1993PMV529004QParis: Ed. de la Réunion des musées nationaux 1993. Hardcover. Good/Good. 250 x 310 x 34 cm. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Ed. de la Réunion des musées nationaux hardcover
1993Q-2711827747Reunion des musees nationaux 1993-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Re?union des muse?es nationaux paperback
1996LFA01bd7Un ouvrage de 56 pages, format 140 x 210 mm, illustré, broché couverture couleurs, publié en 1996, Editions d'Art Lys, bon état
195713901ARTHAUD 1957 237 pages in8. 1957. broché. 237 pages. Ouvrage illustré sur le château de Versailles et ses dépendances (Trianon) publié dans la collection 'Les Beaux pays' par Arthaud. Il contient 184 héliogravures et une couverture de Chapelain-Midy
192921473Grenoble, éditions B. Arthaud Succr de J.REY 1929 In-4 relié 27,5 cm sur 26. Bon état d’occasion.
19428800Editions Alpina 1942 157 pages in8. 1942. broche. 157 pages. Ouvrage de l'écrivain et critique d'art Raymond Escholier publié par les éditions Alpina offrant une évocation de Versailles. Le livre traite du château des jardins des Trianons du Musée et de la ville accompagné de rappels historiques. Il est richement illustré de photographies en héliogravure et de planches en couleurs
1998LFA-126711378Un ouvrage de 192 pages, format 235 x 305 mm, illustré, broché couverture couleurs, publié en 1998, Editions Art Lys, bon état
1990LFA-126742622Un ouvrage de 192 pages, format 220 x 290 mm, illustré, broché couverture couleurs, publié en 1990, Editions Art Lys, bon état
1999GITc328Paris Editions du Chêne, Hachette Livres 1999. Grand in-8 carré 295pp imprimées sur 2 colonnes. reliure éditeur papier toilé bleu roi bradel, titre doré sur le dos, sous jaquette illustrée. Abondante illustration en couleurs d'après les photographies de Nicholas d'Archambaud. Bel exemplaire.
19112761911 br, in-12, mq coiff. de queue, fig.,cliché, plans, 110 p, bernard éd,
1999PMV501504ZParis: Association française d'action artistique ; Réunion des musées nationaux 1999. Trade paperback. Good/Not issued. 240 x 300 x 20 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Association française d'action artistique ; Réunion des musées nationaux paperback
19723555London: printed in Paris at the Trianon Press for the William Blake Trust 1972. No. VI of 50 de luxe copies. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving; together with a set of plates showing progressive stages of the collotype and hand stencil process with guide sheet and stencil. Edition de luxe limited to 50 copies with additional proof sheets progressive plates and original stencil etc. 2 vols. 4to and small 4to. full brown morocco in original marbled paper covered slipcase. Near fine prospectus inserted loose.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. One of only 50 de luxe copies with additional material printed in Paris at the Trianon Press for the William Blake Trust unknown
19726961London: printed in Paris at the Trianon Press for the William Blake Trust 1972. Letter L of 26 copies reserved for the Trustees of the William Blake Trust and teh Publishers. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving. 2 vols. 4to and small 4to. quarter brown morocco with marbled paper covered boards in original marbled paper covered slipcase. A very good copy.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic†and “If any could desire what he is incapable of possessing despair must be his eternal lotâ€.Bentley <em>Blake Books </em>202. printed in Paris at the Trianon Press for the William Blake Trust hardcover
19751052184to. London: Trianon Press 1975. 4to 8 plates 8 pp. commentary by Keynes with another plate plus 22 additional progressive proof plates and with a metal pochoir stencil mounted at the end. Full brown morocco prospectus inserted a fine copy in slipcase. As new. § #28 of 32 de luxe copies with the extra plates showing the progressive stages of the collotype and hand-stencil process. The total edition was limited to 458 copies. One of the richest and most elaborate Trianons. Bentley Blake Books A137. “The Song of Los completes the cycle of the four continents. the complete work tells the story of mankind from Adam to the Last Judgment the triumph of death and the general resurrection caused by the revolution.†Damon Blake Dictionary. Trianon Press unknown books
19751231508vo xxvii xxviii. London & New York: Oxford University Press 1975. 8vo: xxvii xxviii 27 pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Original blue cloth with lettering in silver to backstrip original blue cloth slip case with illustrations tipped onto top and bottom covers. § Trade edition in the best binding also issued without slipcase and in paperback. Plates printed in 6 and 7-color offset by Fernand Chenot Imprimerie Modern du Lion Paris on paper especially manufactured to match the tint of that used by Blake. Bentley Blake Books Supplement p. 100. Oxford University Press hardcover books
19751075898vo xxvii xxviii. Designed by Arnold Fawcus and produced by The Trianon Press Paris. London & New York: Oxford University Press 1975. 8vo: xxvii xxviii 27 pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Paper covered boards in slipcase fine. § Trade edition German language edition. Plates printed in 6 and 7-color offset by Fernand Chenot Imprimerie Modern du Lion Paris on paper especially manufactured to match the tint of that used by Blake. Bentley Blake Books Supplement p. 100. Oxford University Press hardcover books
19751075858vo xxvii xxviii. London & New York: Oxford University Press 1975. 8vo: xxvii xxviii 27 pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Original blue cloth with lettering in silver to backstrip original blue cloth slip case with illustrations tipped onto top and bottom covers. § Trade edition in the best binding also issued without slipcase and in paperback. Plates printed in 6 and 7-color offset by Fernand Chenot Imprimerie Modern du Lion Paris on paper especially manufactured to match the tint of that used by Blake. Bentley Blake Books Supplement p. 100. Oxford University Press hardcover books
19681075944 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies this is the de luxe advance publisher’s copy including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
19681075954 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies this de luxe copy unnumbered out of series including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
