72 résultats
19641058834to. London and Paris: The Trianon Press 1964. 4to 103 pp. With 32 plates. Original quarter morocco marbled boards matching slipcase fine with a few small scuffs to the backstrip. § Limited to 525 numbered copies signed by the author of which this is number 512. The plates taken from Songs Visions Marriage Europe Urizen Milton and Jerusalem give a good introduction to and overview of Blake’s range. They are printed in six- and 8-color offset on paper especially manufactured to match the tint of the paper used by Blake. Bentley Blake Books Supplement page 291 issue B. The Trianon Press hardcover books
19641106604to. New York and Paris: The Orion Press with The Trianon Press 1964. 4to 103 pp. With 32 color plates. Original cloth dust-jacket slightly browned with mylar cover. Very good. § Trade edition of 1964 Trianon Press facsimile. The Orion Press with The Trianon Press hardcover books
19641080264to. New York and Paris: The Orion Press with The Trianon Press 1964. 4to 103 pp. With 32 color plates. Original cloth dust-jacket slightly browned with mylar cover. Very good. § Trade edition of 1964 Trianon Press facsimile. The Orion Press with The Trianon Press hardcover books
19641008994to. New York and Paris: The Orion Press with The Trianon Press 1964. 4to 103 pp. With 32 color plates. Original cloth in lightly soiled and chipped dust-jacket. Warmly inscribed from “Kay & Roger†Easson to a close friend. § The Orion Press with The Trianon Press hardcover books
196476494to. New York and Paris: The Orion Press with the Trianon Press 1964. 4to 103 pp. With 32 color plates. Original light blue cloth gilt-stamped backstrip pictorial dust jacket. Frontispiece detaching slight wear to dust jacket top board very slightly warped internally bright. Warmly inscribed to Kay Easson by a close friend Mary. Very good. § A fine trade edition of the 1964 Trianon Press facsimile. The Orion Press with the Trianon Press hardcover books
19706442London: Trianon Press 1970. First thus. Fine. Limited edition number 9 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/4 x 9 in; 298 x 230 mm. 28 pp. Ten color plates. Original quarter green morocco over marbled boards. In the original marbled board slipcase. <br /> <br /> "Through aphoristic declarations and accompanying emblem-like designs Blake argues for the essential unity of all religions as expressions of the "Poetic Genius" within all human beings." The William Blake Archive. Blake first etched the work in c. 1788 returned to it in 1795 and again in 1818. In this edition the plates were reproduced by the Trianon Press France using the collotype process with some water-color washes added by hand. The editorial matter was printed by the Imprimerie Darantiere Dijon and binding was by Engel Malakoff and the hand-made slip-case by Adine Paris. With a description and bibliographical history by Blake scholar Geoffrey Keynes. Fine. Trianon Press unknown
19701073694to. London: Trianon Press 1970. 4to 10 facsimile leaves and 5 pp. of commentary. Original full green morocco slipcase. Fine as issued. § Edition de luxe this being copy III limited to 36 copies specially bound with extra suites of the plates of an edition in all of 662 copies. Bentley Blake Books 5. All Religions are One c. 1788 is “a small tractate perhaps Blake’s first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination ‘is the true man’. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions.†Damon Blake Dictionary. Trianon Press unknown books
19701079804to. London: Trianon Press 1970. 4to 10 facsimile leaves and 5 pp. of commentary. Original quarter green morocco backstrip browned marbled boards with slipcase. § 351 of 662 copies including 36 de luxe copies numbered I-XXXVI 600 regular copies numbered 1-600 and 26 copies lettered A-Z reserved for the trustees of the William Blake Trust and the Publishers. This is copy 351. Bentley Blake Books 5. All Religions are One c. 1788 is “a small tractate perhaps Blake’s first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination ‘is the true man’. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions.†Damon Blake Dictionary. Trianon Press hardcover books
1963110688Folio. London: Trianon Press 1963. Folio 18 color facsimile leaves 8 pages commentary. Full blue morocco contents a bit foxed slipcase. § Edition de luxe #19 of an edition limited to 20 copies with additional proof sheets progressive plates original stencil etc. “America was the first of Blake’s books to name a place Lambeth in the imprint. which was an act of defiant courage. for the first time he designated one of his books as “a prophecyâ€. he concentrated particularly on the dramatic events in Boston. Blake continued his tale in Europe and then to make the cycle of continents complete he wrote “Africa†and “Asiaâ€giving a general title of all four: The Song of Los.†Damon Blake Dictionary. One of the rarest Trianon Press publications and the first de luxe edition we’ve seen in many years. Bentley Blake Books A9. Trianon Press unknown books
19641015944to. Paris: Trianon Press 1964. 4to 56 pp. with a frontispiece and 15 color plates. Original color-printed wrappers covered in mylar some browning to wrappers sale slip from Bridge Books slipped in. § The original 1964 catalogue. Bentley BB 688. Trianon Press unknown books
19641012314to. Paris: Trianon Press 1964. 4to 56 pp. with a frontispiece and 15 color plates. Original color-printed wrappers covered in mylar. Wrappers slightly browned and curled; very good. § The original 1964 catalogue. Bentley BB 688. Trianon Press unknown books
1978107359Oblong folio. London: Trianon Press 1978. Oblong folio unlettered quarter morocco cloth worn. § The Trianon Press mock-up for the published edition which was limited to 376 copies. The first accurate reproduction of Blake’s seven engravings for the Divine Comedy first published in 1838. This new edition has an introduction and commentary by Geoffrey Keynes; three facsimiles of early states and monochrome reproductions of Blake’s watercolor designs for the plates. Bentley Blake Books Supplement 208. Trianon Press hardcover books
1976BIBLIO-57445Trianon Press Paris first edition 1976. One of 480 numbered ordinary copies from a total edition of 538. Quarter-morocco and marbled boards 4to. 5 facsimile plates 8 pp. From the Commentary: "The Book of Los was the first of the two small books executed by Blake mainly as etchings on copper to be printed as ordinary intaglio plates. The Book of Ahania was the companion volume. The title-pages of both books were dated by Blake 1795 so that they were probably the last ones to be produced in his Lambeth house. Each book exists in only a single copy. For this facsimile direct collotype negatives in the size of the originals were made from the volume in the British Museum. A proof printing was done from these and each plate was then expertly coloured in the Museum to make a faithful replica of the original. The direct collotype negatives were subsequently used again for the printing of the present facsimile the replicas being used as colour-guides for cutting the stencils and for colouring the plates." The book was printed "on Arches pure rag paper made to match the paper used by Blake. Copy no. X a misnumbering as roman numerals were reserved for the 32 special copies this being one of 480 numbered copies from a total edition of 538. Very Good in Very Good slipcase. Trianon Press, Paris, first edition, 1976 hardcover
19865004778MD: Trianon Pub. 1986. This is the scarce early second volume of this series -- this one has nude and cheesecake photos of TV stars of the day: Jamie Lee Curtis Sally Field Jane Seymor Goldie Hawn Julie Newmar et al. Scarce edition of this interesting magazine. 96 pp. First Edition. Soft Cover. Near Fine/No Jacket. Magazine. Trianon Pub. Paperback
1991LFA-126739133Un ouvrage de 338 pages, format 145 x 210 mm, illustré, relié cuir, publié en 1991, Editions Jean de Bonnot, très bon état
19776443London: Trianon Press 1977. First thus. Fine. Limited edition number 135 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/8 x 8 1/4 in; 290 x 210 mm. 154 p. Ten color plates. Original quarter brown morocco over cloth boards. In the original cloth slipcase.<br /> <br /> A singular collection of all portraits and related sketches of Blake his wife and places they lived by a range of artists to get at the character of the artist. "This compilation of portraits was a departure for the Trianon Press which had previously focused on facsimiles of Blake's illuminated books and designs. But with a text by Blake scholar Geoffrey Keynes who contributed commentary to the other facsimiles it continued Trianon's incomparable record of bringing all aspects of Blake's work and life to light" Union College. Fine. Trianon Press unknown
1930118374editions du trianon 1930 2 Paris, Editions du Trianon, 1930, 2 volumes de 165x220 mm environ, 241 et 348 pages, édition sur vélin pur fil du marais non numérotée, complet des 16 illustrations à pleine page de Joseph Hémard. Reliure signée de Guétant, demi maroquin rouge orangé à coins bordés de double filets dorés, dos à cinq nerfs portant titres et tomaisons dorés, caissons ornés, tranche de tête dorée, gardes marbrées, couvertures conservées. Coins frottés comme d'ordinaire, de légères griffures sur le papier marbré des plats, page de faux-titre du tome I dédicacée à l'encre par les amis du précédent possesseur de l'ouvrage, sinon bon état général, bel exemplaire.
19322004270356xbvkParis, Éditions du Trianon, MCMXXXII (1932). Frontispice-plate in original-etching with aquatinta, 89 (1) pages on thick uncut Japan-paper. - Publisher's Japan-paper-wraps with blue-grey dustjacket; 8vo.(ca. 17,5 x 11 cm).
193014491930 plaq. in-8 couronne, couv. recto ill., lég. mouill. en queue, 51 p., début 20 ème girard éd.,
198710811222 separate plates. Paris: Trianon Press for the Blake Trust 1987. 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: “The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake’s original achievements.†Trianon Press for the Blake Trust unknown books
1987107738Paris: Trianon Press for the Blake Trust 1987 Publisher’s proofs in a box including three copies of vol. 2 in variant bindings one copy of vol. 1 black and white reproductions and a suite of progressive proofs of plate 2. All within a quarter morocco box with gilt backstrip and marbled boards. § A unique publisher’s proof set lacking the rest of the text. A complete set would include:The de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. Colophon verso of the title page: “In addition to the 387 copies of William Blake’s Illustrations of the Book of Job and Colour versions of Blake’s Book of Job designs issued and published by the William Blake Trust five copies containing extra material have been specifically made up for those most closely concerned with bringing the publication to completion. This copy is for Robert Essick.†The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon quoted above. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Materials added to box 4 by Essick:i. Xerox of the typescript of Lindberg’s commentary.ii. Xerox of the typescript of Lindberg’s essay on the New Zealand set.iii. Xerox of the typescript of Keynes’ introductory essay.iv. A set of loose Job reproductions housed in a paper folder inscribed in pencil as follows: “This set of proofs was given to me by John Commander Secretary of the Trust to help with my preparation of the catalogue of the states of the Job plates. It contains unpublished materials. R. N. Essick Summer 1983.â€Acquired Aug. 1987 from the William Blake Trust gift. BBS pages 198-99 this issue not recorded. For proofs of Essick’s essay see under Blake Trust/Trianon Press Facsimiles Production Materials.Idem. Trade issue housed as above but in cloth slipcases boxes and bindings. Two slipcases with contents as in the first two slipcases above. Colophon verso of the title page: “This publication of William Blake’s Illustrations of the Book of Job is limited to 387 copies: 22 copies lettered A-V contain additional material and are specially bound; 250 copies numbered 1-250; 50 copies numbered i-l; 65 copies numbered I-LXV are reserved by The William Blake Trust. This is copy 171â€. Acquired May 1987 from the William Blake Trust gift. BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
19871106893 huge black slipcases. Paris: Trianon Press for the Blake Trust 1987. 3 huge black slipcases with contents in various formats see below. In perfect condition as issued. § Edition limited to 365 copies in three different formats and a super de luxe edition limited to 22 sets of which this is #D. The super de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Bentley BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
1957123810Folio. London: Trianon Press 1957. Folio with 9 color plates and 156 illustrations. Original quarter morocco a superb copy virtually mint preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies this is #219. A very scarce book in good let alone fine condition as the size of the book and the fact that it was not issued with a box or a slipcase eve means most copies are more or less worn. This was the first time that Blake’s Biblical illustrations had been brought together. The catalogue raisonné was compiled by Sir Geoffrey Keynes and comprises virtually every Biblical painting by Blake in existence. Bentley Blake Books 681. Trianon Press unknown books
19741252491974. London: Trianon Press 1974. <br /> <br /> Folio 25 color plates 8 proofs and commentary at the end. Original quarter brown morocco slipcase fine. <br /> <br /> § Limited to 500 copies of which this is No. 289. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. This is the facsimile of Lord Cunliffe's copy and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy also published in facsimile by Trianon. "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements." Martin Butlin Bentley Blake Books A82. unknown
19511252551951. London: Trianon Press 1951. <br /> <br /> 4to 6 ix text and 100 color plates. Original blue cloth folding box repaired very good.<br /> <br /> § Limited to 516 copies this is #351. The first of the magnificent series of facsimiles by the Trianon Press of Blake's illuminated books edited by Geoffrey Keynes. Bentley Blake Books 78. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown
