206 résultats
19511091744to. London: Trianon Press 1951. 4to 6 ix text and 100 color plates. Original blue cloth folding box worn very good. § Limited to 516 copies. The first of the magnificent series of facsimiles by the Trianon Press of Blake’s illuminated books edited by Geoffrey Keynes. Bentley Blake Books 78. Butlin noted in the Blake Quarterly: “The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake’s original achievements.†Trianon Press hardcover books
1269611974. London: Trianon Press 1974. <br /> <br /> Folio 25 color plates 8 proofs and commentary at the end eight color facsimile trial proofs twelve pages of text plus an extra suite of fourteen states of plate B collotype proofs and a matching guide-sheet and stencil. Original full brown morocco slipcase. As new. <br /> <br /> § De luxe copy #XXVI of 32 with extra material proofs stencil etc. Limited to 558 copies including 32 de luxe copies numbered I-XXXII 500 regular copies number 1-500 and 26 regular copies lettered A-Z reserved for the Trustees of the William Blake Trust and the publishers. This is a combined facsimile of Lord Cunliffe's copy copy B and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy copy E which was the first Trianon Press Blake facsimile published in 1951 see above. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. Bentley BB A82. unknown
19741252491974. London: Trianon Press 1974. <br /> <br /> Folio 25 color plates 8 proofs and commentary at the end. Original quarter brown morocco slipcase fine. <br /> <br /> § Limited to 500 copies of which this is No. 289. Jerusalem is the longest of Blake's prophetic books and tells of the fall of Albion Blake's embodiment of man or the Western World. This is the facsimile of Lord Cunliffe's copy and Kerrison Preston's proofs; the coloring differs markedly from the Stirling copy also published in facsimile by Trianon. "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements." Martin Butlin Bentley Blake Books A82. unknown
19511252551951. London: Trianon Press 1951. <br /> <br /> 4to 6 ix text and 100 color plates. Original blue cloth folding box repaired very good.<br /> <br /> § Limited to 516 copies this is #351. The first of the magnificent series of facsimiles by the Trianon Press of Blake's illuminated books edited by Geoffrey Keynes. Bentley Blake Books 78. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown
3584London: printed in Paris at the Trianon Press for the Trustees of the William Blake Trust 1974. Limited to 32 deluxe copies with extra material proofs stencil etc. 25 colour plates printed using the collotype and hand-stencil method 8 proofs and commentary by Geoffrey Keynes at the end 8 colour facsimile trial proofs 12 pages of text plus an extra suite of 14 states of plate C & D with a matching guide-sheet and pochoir stencil. Folio original full brown morocco in the original morocco edged marbled paper covered slipcase. Very slight fading to spine otherwise extremely good.The longest of Blake’s prophetic books which tells of the fall of Albion Blake’s embodiment of man or the Western World. Six copies were printed between 1820 & 1827 and a further 4 copies were printed posthumously. This is the facsimile of Lord Cunliffe’s copy copy B and Kerrison Preston’s proofs; the colouring differs markedly from the Stirling copy which was the first Trianon Press Blake facsimile published in 1950.Bentley Blake Books A82. One of only 32 deluxe copies printed in Paris at the Trianon Press for the Trustees of the William Blake Trust unknown
28596A Paris, rue de Verneuil, sans date (XIXe). In-8 relié demi-toile (26,7 x 18 cm), plats marbrés, 16 pages imprimées, 16 planches illustrées d'une vue gravée sur acier par Budzilowicz, et contenant un petit texte explicatif.-130g.L. - Intérieur frais, bon état
26758UNBOUND Piece of Paper Signature on page of Elsie de Wolfe. Signature and paper are in GOOD condition heavy glue mounting stains on back of page. SIGNED NOTE Elsie de Wolfe Signature ON NOTEPAGE SIGNED Elsie de Wolfe Mendl Villa Trianon VERSAILLES 1936 IN BLUE INK She was Born December 20 186523 July 12 1950 was an American actress interior decorator nominal author of the influential 1913 book The House in Good Taste4 and a prominent figure in New York Paris and London society. According to The New Yorker "Interior Design as a profession was invented by Elsie de Wolfe."5 During her married life the press usually referred to her as Lady Mendl. De Wolfe's 1926 marriage to diplomat Sir Charles Mendl was page-one news in the New York Times. Shortly after her marriage she scandalized French diplomatic society when she attended a fancy-dress ball dressed as a Moulin Rouge dancer and made her entrance turning handsprings In 1926 the New York Times described de Wolfe as "one of the most widely known women in New York social life" and in 1935 as "prominent in Paris society." Her morning exercises were famous. In her 1935 autobiography de Wolfe wrote that her daily regimen at age 70 included yoga standing on her head and walking on her hands. Signed by Author. Unbound. paperback
1957123810Folio. London: Trianon Press 1957. Folio with 9 color plates and 156 illustrations. Original quarter morocco a superb copy virtually mint preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies this is #219. A very scarce book in good let alone fine condition as the size of the book and the fact that it was not issued with a box or a slipcase eve means most copies are more or less worn. This was the first time that Blake’s Biblical illustrations had been brought together. The catalogue raisonné was compiled by Sir Geoffrey Keynes and comprises virtually every Biblical painting by Blake in existence. Bentley Blake Books 681. Trianon Press unknown books
1987107738Paris: Trianon Press for the Blake Trust 1987 Publisher’s proofs in a box including three copies of vol. 2 in variant bindings one copy of vol. 1 black and white reproductions and a suite of progressive proofs of plate 2. All within a quarter morocco box with gilt backstrip and marbled boards. § A unique publisher’s proof set lacking the rest of the text. A complete set would include:The de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. Colophon verso of the title page: “In addition to the 387 copies of William Blake’s Illustrations of the Book of Job and Colour versions of Blake’s Book of Job designs issued and published by the William Blake Trust five copies containing extra material have been specifically made up for those most closely concerned with bringing the publication to completion. This copy is for Robert Essick.†The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon quoted above. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Materials added to box 4 by Essick:i. Xerox of the typescript of Lindberg’s commentary.ii. Xerox of the typescript of Lindberg’s essay on the New Zealand set.iii. Xerox of the typescript of Keynes’ introductory essay.iv. A set of loose Job reproductions housed in a paper folder inscribed in pencil as follows: “This set of proofs was given to me by John Commander Secretary of the Trust to help with my preparation of the catalogue of the states of the Job plates. It contains unpublished materials. R. N. Essick Summer 1983.â€Acquired Aug. 1987 from the William Blake Trust gift. BBS pages 198-99 this issue not recorded. For proofs of Essick’s essay see under Blake Trust/Trianon Press Facsimiles Production Materials.Idem. Trade issue housed as above but in cloth slipcases boxes and bindings. Two slipcases with contents as in the first two slipcases above. Colophon verso of the title page: “This publication of William Blake’s Illustrations of the Book of Job is limited to 387 copies: 22 copies lettered A-V contain additional material and are specially bound; 250 copies numbered 1-250; 50 copies numbered i-l; 65 copies numbered I-LXV are reserved by The William Blake Trust. This is copy 171â€. Acquired May 1987 from the William Blake Trust gift. BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
19871106893 huge black slipcases. Paris: Trianon Press for the Blake Trust 1987. 3 huge black slipcases with contents in various formats see below. In perfect condition as issued. § Edition limited to 365 copies in three different formats and a super de luxe edition limited to 22 sets of which this is #D. The super de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Bentley BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
198710811222 separate plates. Paris: Trianon Press for the Blake Trust 1987. 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: “The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake’s original achievements.†Trianon Press for the Blake Trust unknown books
1081121987. Paris: Trianon Press for the Blake Trust 1987. <br /> <br /> 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. <br /> <br /> § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: "The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake's original achievements.". unknown
193014491930 plaq. in-8 couronne, couv. recto ill., lég. mouill. en queue, 51 p., début 20 ème girard éd.,
16942Broché - 15,5 x 22,5 - 367 pp - année 2005 - Editions De Fallois Paris - illustrations -
0331992477.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
185813398Versailles Brunox 1858. Small 8vo-oblong. Orig. full cloth gilt. 32 pp. 12 engraved plates and 2 lithographed Plans. A little brownspotted. hardcover
185848186Couverture rigide. Reliure toile de l'éditeur. Format 11 x 17 cm, à l'italienne. 32 pages. 14 planches. Rousseurs.
185813398Versailles, Brunox, 1858. Small 8vo-oblong. Orig. full cloth, gilt. 32 pp., 12 engraved plates and 2 lithographed Plans. A little brownspotted.
Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 5) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 79 pp. Edition originale tirée à 885 ex. Un des 800 n° sur papier d'Auvergne, fait à la main. Cinquième volume de la collection.
Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 2) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp. Fortes rousseurs. Edition originale tirée à 885 ex. Un des 800 n° sur papier d'Auvergne, fait à la main. Cinquième volume de la collection.
Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 6) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp. Edition originale tirée à 885 ex. Un des 800 n° sur papier d'Auvergne, fait à la main. Cinquième volume de la collection.
19322004270356xbvkParis, Éditions du Trianon, MCMXXXII (1932). Frontispice-plate in original-etching with aquatinta, 89 (1) pages on thick uncut Japan-paper. - Publisher's Japan-paper-wraps with blue-grey dustjacket; 8vo.(ca. 17,5 x 11 cm).
29270Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 5) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 79 pp.
30403Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 2) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp. Fortes rousseurs.
29271Paris, Editions du Trianon, Collection Réceptions posthumes, (N° 6) 1932. In-12, broché, couverture bleu imprimée et rempliée, planche en frontispice (gravure de Joseph Hémard), non coupé, 107 pp.
