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IN 8 CARRE. BR [BE]. 76 PP. ENV 80 ILL DONT QQS EN COULEURS. [BE]
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Inscribed on half title page by Bill Reid Leo Hoens and then inscribed to same on title page by purchaser Richly illustrated in colour and black and white with photos and drawings. Clean and unmarked with light scuffing, bit of curl to front cover corners. 192 pages.
Book is in excellent condition with uncreased covers and spine, appears unread, slight indication of shelf war only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 58 pages, b&w and color photos.
- 6 novembre 1889, 11,1x13cm, un billet. - Billet autographe de remerciement signé du peintre et illustrateur Ernest Ange Duez, à l'occasion de sa promotion au rang d'officier de la Légion d'honneur. [ENGLISH DESCRIPTION ON DEMAND]
- 12 décembre 1912, 17,5x21cm, une feuille. - Billet autographe signée du peintre Albert Besnard, un an avant sa nomination à la tête de l'Académie de France à Rome. Une feuille, deux portraits du peintre issus de coupures de presse joints. "Je n'ai pas de pensée en ce moment [...] Dans la Nature tout est gris. La couleur est une exception : c'est ce qui la rend si belle. Vélasquez ? Rubens ? Les non-coloristes seuls mettent de la couleur partout A Besnard 12 déc 1912" [ENGLISH DESCRIPTION ON DEMAND]
- 21 avril 1911, 11,1x15,1cm, Un feuillet. - Billet autographe signé du peintre George Desvallières au directeur du "Mois littéraire et pittoresque", pour l'autorisation de la reproduction d'un tableau. Un feuillet. [ENGLISH DESCRIPTION ON DEMAND]
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 463 p. Binyil kirilmasi. Dün ve yarin mercek altinda.
Fine English Paperback. Pbo. 463 p. Large 8vo. (23.5 x 16 cm). Binyil kirilmasi. Dün ve yarin mercek altinda.
Book is in excellent condition; new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 132 pages with full color prints throughout including work by Robert Bateman, Charles Greenough Chase, Guy Coheleach, Don Richard Eckelberry, Owen J. Gromme, Lars Jonsson, J. Fenwick Lansdowne, Roger Tory Peterson, Maynard Reece, Peter Scott, Keith Shackleton, Arthur B. Singer, George Miksch Sutton, Kent Ullberg and a great many others.
Large quarto in black DJ; 95 p, b&w illus; 29 cm. Art; West Africa. || Beautiful b&w illustrations of West African Art.
Reichlich illustriert.
Square octavo in black stamped wrappers with metal ring; (unpaged) : chiefly illus. ; 24 x 25 cm Body art; Body piercing -- Pictorial works. // "First published in Australia by Wakefield Press"--T.p. verso.
Contains plates in black and white. 31x24.5 cm. XXXIV+80 pages. Gilt hardcover in dust jacket in cardboard box. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Folio 47p., illus. Hardcover Good condition in fair d.j. fair
COLLEMIERS, Imprimerie Barré - 2002 - In-8 - Broché - Couverture illustrée - Iconographies en couleurs en texte et HT - 173 pages - Bon exemplaire
Paris, Société Historique et Littéraire Polonaise de Paris, 1992. Catalogue de l'exposition à Paris, Trianon de Bagatelles du 21 mai au 30 aout 1992. In-4 broché, couverture illustrée de 359 pages. Abondante reproductions hors texte et dans le texte, en noir et en couleurs. Bel exemplaire. Rédaction du catalogue : Xavier DERYNG.
- Gayzag Zakarian, Paris 1970, 19x26,5cm, reliure de l'éditeur. - Edition originale. Reliure de l'éditeur en pleine toile grise, dos lisse. Envoi autographe signé de Paolo Boni au critique d'art Gerhardt Weber. Riche iconographie. Très légères piqûres sans gravité sur les plats de la reliure. [ENGLISH DESCRIPTION ON DEMAND]
1 vol. in-8 carré cartonnage éditeur, Elytis, 2005, env. 100 pp. Bon état pour cet exemplaire accompagné d'un dessin sur papier noir, dédicacé à l'écrivain bordelais Michel Suffran (pliure et petite fente au dessin) Français
Small folio in color illus glossy wraps; 80 p. : ill. (some col.) ; 31 cm. Includes bibliographical references (p. 79). Contents: Books as art : an introduction ; Books as art : a few examples / Timothy A. Eaton -- Audacious artifice : a brief overview of 20th century book art / Alexandria Anderson-Spivy -- The tradition of the fine press limited edition artist's book / Charles H. Hine III -- The book alone : object and fetishism / Buzz Spector -- Books as art : 1960 to now / Martha Wilson. || Artist books, Artists' books -- Exhibitions.
Hardcover, 312 pages., 560 colour ill., 240 x 280 mm, Languages: English. fine! ISBN 9781912554416. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. 'The Best Sculptor' is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world?s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.
Hardcover with dusjacket, 147 pages, 245 x 245 x 16 mm, Illustrated. FINE. ISBN 9789042949706. Hans Memling's altarpiece for the high altar of Santa María la Real in Nájera (1483-1494) must have been one of the most spectacular Flemish art works in the Iberian Peninsula. Only three panels survive in the Antwerp Royal Museum of Fine Arts : God surrounded by singing and music-making angels. The retable?s central theme was the mystery of the Assumption of the Blessed Virgin. The iconography of the whole has been described by Jovellanos at the end of the 18th century. From c. 1482 on, dozens of monumental altarpieces dedicated to the Assumption of the Virgin in conjunction with Christological themes have been created throughout Spain. They focus on the complex role of the Holy Virgin, her triumph and glorification. It was a common belief that she was the only human to have borne up bodily into heaven. Although ?Maryam? was held in very high esteem by Muslims too ?and as such, she was a interreligious ?bridge?--, her role as Theotokos or Mother of God was a point of conflict. During the last phase of the Reconquista, to Iberian Christians, the Assumption served as an image of the Church/Faith Triumphant, not as a conciliatory belief.
Broche, couverture d' editeur illustre n/b, 22,5x28cm, s.p.(+/- 180pp), illustre en couleur et n/b. Scultptures et oeuvres sur papier.