Caricature - AnonymeBiblio.com
56 résultats
1871261BB1871. Paris Edouard Blot 1871 50 : 315 cm. Lithographie avec texte typographique de Jules Choux. unknown
196018626AB1960. Munich Lehmann 1960. 30 : 255 cm. 184 pages witht 315 Illustrations. Original cloth with original illustrated slip-case. The illustrations are by Dore Gillray Rowlandson >Hogarth Gavarni Gulbrnnsson Toulouse-Lautrec and others. hardcover
1870254BB1870. Paris 1870 54 : 34 cm. Original lithographie. Faustin Faustin Betbeder dit Soissons 1847 - vers 1914 dessinateur-lithographe. - légèrement froissé et poussiéreux. unknown
1871259BB1871. Paris Puissant 1871 585 : 395 cm. Lithographie avec texte typographique. Bords supérieur et inférieur légèrement froissés. unknown
1871257BB1871. Paris Cheval 1871 42 : 52 cm. Lithographie Estampe en couleurs. Collection de caricatures et de charges pour servir à l'histoire de la guerre et de la révolution de 1870-1871. unknown
1932CARICATU000955Arts et M�tiers Graphiques Paris. 15 Septembre 1932. First edition. Quarto. 148 pages. Numerous illustrations some in colour. Introduction by Jean Giraudoux. Essays by various writers. Text in French.Covers a bit creased. Very good indeed. Arts et M�tiers Graphiques, Paris. 15 Septembre, unknown
190013597AB1900. Paris Baschet 1900. 31 : 24 cm. 45 pages with many illustrations. Contemporary boards coloured illustrated front wrapper bound in. Includes cartoons by J.-L. Forain Caran d'Ache Henri Pille Willette Godefroy Guillaume and F. Fau. hardcover
1871258BB1871. Paris Madré 1871 62 : 47 cm. Lithographie colorée. Un peu poussiéreux avec un pli moyen. unknown
183520141AB1835. 17th off 19th parts in 9 Volumes. London Tilt 1835-1841 Tilt and Bogue 1842-1843 Bogue 1844-1853. 1835 - 1853. 165 : 11 cm. With 3 off 5 2 handcoloured many-folded frontispiece and 172 off 195 etched platges by George Cruikshank wood-engraved text illustrations. Full brown polished calf on five raised bands spine decorativly richly gilt ornamented two back labels gilt ruled board edges inside dentelles marbeld end-papers signed Rivierre & Son. First edition of an almost complete set in a stunning signed binding. - George Cruikshank's Comic Almanack was the most important of a number of comic almanacks of the late Regency period which parodied and subverted the popular almanack genre to poke fun at their educational aspirations and at society at large. The almanac is illustrated throughout with caricatures by Cruikshank with his usual satirical flair and comic wit on full display. - Without volume 1850/1851 volume 1848/49 as often smaller all uniformely bound in same sicze. - Besides the missing volume still a desireable set in a beautiful binding in almost perfect condition. - MORAL: Wile we venerate what is deserving of veneration let us not forgetm that quacjery knavery bigotry and superstition always merit exposure and castigation. hardcover
181619894AB1816. Second edition. London Martin 1816. 215 : 135 cm. Title Dedication 188 pages 15 hand-coloured aquatint platesdrawn and etched by Rowlandson. Full brown morocco on 5 raised bands spine with gilt floral decoration two title-labesl boards with gilt filets inside dentelles top edge gilt marbled end-papers signed Root and Son 'Humorous narrative of the experiences of an officer in the Peninsula War illustrated by the pre-eminent cartoonist Thomas Rowlandson'. - "To the Subalterns of the British Army. Gentlemen I shall I trust be acquitted of any servile view when in dedicating this humble Essay to the Subalterns of the British Army I adopt the only means in my powers of shewing how much I honour and admire them. I have the honour to be Gentlemen With the greatest respect Your most obedient Servant The Author." Dedication. - With Exlibris Almeric Hugh Paget 1st Baron Queenborough - Almeric Hugh Paget 1st Baron Queenborough GBE 14 March 1861 22 September 1949 was a British industrialist and Conservative Party politician. He was a founder of the Military Massage Service and the Cambridgeshire Battalion of The Suffolk Regiment and treasurer of the League of Nations Union. And Exlibris of C. Robert Bignold. - Ocassionally some minor stains otherwise a fine copy of this curious work on the Napoleon wars in Spain. hardcover
192314760AB1923. London Heinemann 1923. 28 : 22 cm. VIII pages 51 2 coloured mounted plates one coloured plates signed and dated 1923. Original cloth. One of 350 numbered copies with the additinal 51st plate in colour signed and dated by the artist. Imprint signed by the artist. The critic Beerbohm 1872-1956 was named by "The Times" as "the greatest of English comic artists" and named by the critic Edmung Wilson as "the greatest.portrayer of personalities- in the history of art". - Binding loosened inner joints broken binding stained back browned. hardcover
1870255BB1870. Paris ca. 1870 44 : 28 cm. Gravure sur bois coloré avec un text typographique. Planche accompagnée d'un texte de Victor Hugo et d'une complainte signée F. P. unknown
1871263BB1871. Paris. Semaine et Fils 1871 555 : 43 5 cm. Lithographie en couleurs. Bord supérieur avec déchirure d'environ 2 cm. Etait plié au milieu un peu poussiéreux. unknown
1904028082Athens 1904. 1st Edition 1st Printing. Soft cover. Fair. 9 3/4" X 7" Oblong. Blue Gray Covers Printed In Black With Title Within Art Nouveau Border Contents Consists Entirely Of Captioned Plates With Caricatures Of Persons In Athens. No Text Other Than Captions In Plates Some Of Which Are Signed Westerman. Covers Worn Spine Chipped And Torn. Worldcat Locates 7 Institutional Holdings. <br/> <br/> paperback
194637627Belgrad: бopбa 1946. First edition. Softcover. g. Quarto. Unpaginated. 4pp Title and list of contents; 51 leaves plates 2pp. Original illustrated wrappers. This striking collection of 51 anti-Nazi and anti-Capitalist caricatures were originally published in the Serbian press between January 1945 and May 1946. They not only mock the Nazi leaders the defeated German army and their Serbian collaborators but also King Peter II of Yugoslavia deposed by the Yugoslavia's Communist Constituent Assembly on 29 November 1945 and the Orthodox church. The post-WWII caricatures aim at mocking the American and West European leaders as well as the whole capitalist system. Rare book not listed on OCLC. Moderate age-toning and minor creasing on wrappers. Closed tear at lower margin of title page. Moderate foxing and age-toning along paper margin. Text in Serbian. Wrappers and interior in overall good condition. бopбa unknown
0364611162.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390660567.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
028225756X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365890634.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365878782.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
194511744AB1945. Grenoble and Paris Arthaud 1945 295 : 24 cm. 60 pages 1 leaf With 50 partly coloured full-page illustrations by Samivel. Original illustrated boards. First edition. - Numbered copy of a small edition with the wonderful caricatures of mountain climing skiing and the alpine live. - Edges a bit puped otherwise fine. - Ecrivain poète humoriste graphiste dessinateur. on retrouve tous les talents de Samivel dans ce touchant album avec en plus la philosophie de l'observateur et l'humilité du pratiquant de la montagne. hardcover
1390446174.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
190000039DISPLAY AD MEASURING 15" BY 12" for R. Faerch's Tobaksfabrik Holstebro ca. 1900. This black & White advertisement for this Danish Chewing Tobacco Company depicts a donkey pulling a cart with 2 Africans one of which is holding a long stick dangling a pack of chewing tobacco in front of the donkey. A typical but highly stylized and quite good bit of the racist art of the times. RARE. R. Faerch's Tobaksfabrik 1900 unknown
036572842X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191163734New York: Kenny Publishing 1911. First Edition. First printing. Inscribed by Edward Le Roy Rice on front endpaper: "To my very dear friend Arthur Moreland with the author's best wishes" signed datemarked New York City May 6 1911. Quarto. Blue cloth-covered boards with photographic pictorial insets; decorative titling in gilt; 1436618pp; illus. Slight external rubbing; internally clean tight and unmarked with mild toning to text; a sound Very Good or better copy. <br /> <br /> An indispensable biographical reference to minstrel performers of the 19th and early 20th centuries. Rice 1871-1938 himself the son of a noted blackface performer became not only a performing minstrel but also a producer impresario and noted scholar of the history of minstrelsy. He published no fewer than four books on the subject and the current work remains the only comprehensive contemporary biographical encyclopedia of the minstrel stage including many lesser-known performers whose names have by now been all but lost to history. This copy is inscribed to one such performer Arthur Moreland a successful dramatic actor who made the shift to minstrelsy in the mid-1870s and of whom Rice states: ".he has long been recognized as the premier interlocutor a stock character in blackface shows serving the role of Master of Ceremonies and straight man in minstrelsy and the legitimate successor of Wm. H. Bernard who retired in 1872." Quite a nice copy of a book which while never especially uncommon is seldom encountered in nice condition. We have seen very few signed or inscribed examples.<br /> <br /> NOTE: This volume includes hundreds of photographic portraits of its subjects many of which can only be described as deeply offensive. Indeed there is no escaping the offensiveness of blackface performance. Yet despite the supremacist and subjugational roots of minstrelsy its lasting impact on American literary theatrical and musical culture is also undeniable. As the most popular form of stage entertainment in America from roughly the 1870s to the 1920s minstrelsy unquestionably shaped and reflected American middle-brow attitudes towards race but it also served as a gateway to legitimate African-American musical and dramatic expression as well as establishing many of the conventions for vaudeville and by extension modern comedic performance. At Lorne Bair Rare Books we generally don't handle intentionally discriminatory or racist materials unless we feel they offer legitimate avenues for research. It is clear to us that the current work given its historical scope and reference value falls into this category. Kenny Publishing unknown
