1 389 résultats
BREST, Ed. Passerelle - 1995 - In-12 carré - Broché - Couverture jaune muette - Introductions de Bruno Chevillote et Alain Beraud - Photographies NB HT - Non paginé (environ 30 pages) - Très bel exemplaire, comme neuf
Originalbrochiiert, 372 S., 24 x 28 cm. Biblio. Guter Zustand. [PLC-2]
PARIS, Galerie Miromesnil - 1978 - Catalogue d'exposition du 27 avril au 15 juin 1978 - In-8 carré - Broché - Couverture rempliée illustrée en couleurs - Traduction de l'italien par Evelyne Balboni - Reproductions NB hors texte - Non paginé (environ 80 pages) - Très bel exemplaire
Catalogue en 2 volumes de l'exposition itinérante organisée en 1987 par l’Administration de l’art du Ministère de la communauté flamande et les Musées royaux d’art et d’histoire de Bruxelles; par Sergio PURIN, Miriam LAMBRECHT et Micheline RUYSSINCK: 1/ Textes sur l'histoire et les civilisations du Mexique ancien, illustrés de photos et croquis; cartes; tableau chronologique; glossaire; bibliographie; 2/ Catalogue proprement dit de 346 n°s avec photos, notices et commentaires. Exemplaire bien complet des 2 volumes. Français
This is a fine hardcover copy in a near fine dust jacket with virtually no wear. Completely clean inside and out. Essays by Donelson F. Hoopes and Maurizio Marini. Chronology. Exhibition history. Bibliography. Checklist with 122 works catalogued. All illustrated, most with full-page color plates. 10" high X 11" wide, 143 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with only light wear. Completely clean. Binding firm. This catalog was prepared to accompany the exhibition at the Drawing Center in New York from April to July 2009. Illustrated throughout in black & white. 11" high X 8" wide, 182 pages. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhbition at Temple Contemporary, Tyler School of Art, Temple University from April 25 to July 12, 2019. Hannah Wilke (1940- 1993) was a graduate of Tyler School of Art. Essays by Lauren Rosenblum, Andrew Sharlatt and Marsie Sharlatt. Illustrated mostly in color, some black & white. Biographical sketch. Checklist of the exhibition with 29 works catalogued. 10" high X 8" wide, 63 pages. This book will be securely packed and shipped with tracking.
8vo., First Edition, with coloured and monochrome photographs throughout; pictorial wrappers, backstrip lightly sunned else a near fine copy. The catalogue lists 181 lots with index of artists.
Exhibition catalogue of photographs. 262 pages. Bibliography and Index of Photographers. Light wear to cover extremities and light scuffing to surface of back cover.
8vo., with 50 sepia-toned plates (a number full-page) and folding plan coloured in outline; original wrappers printed in blue, covers lightly dust-soiled else a very good, clean copy. With the separately issued Corrigenda leaf (dated January 1946) printed in red, and a typescript sheet on The Mersey Tunnel loosely inserted. EARLY ISSUES ARE UNCOMMON IN THIS CONDITION.
4to., First Edition, text on laid paper, with a coloured frontispiece and numerous coloured and monochrome reproductions (a number full-page) in the text; original printed wrappers, wire-stitched as issued, coloured illustration mounted on front wrapper, covers lightly dust-soiled else a very good, clean copy. The catalogue lists 75 items, including works by Cotman, Pyne, Daniell, Rowlandson, Palmer, Girtin, Turner, Flint, Allingham. Howitt and others.
A clean, unmarked book with a tight binding. Full brown cloth boards with gilt illustration. Previous owner's name label inside. Price-clipped dust jacket. 8 1/4"w x 11 1/4"h. 140 pages. Many photos and illustrations.
New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 107 p., b/w and color ills. Ask-i nebi. Hilye-i Serif.
Fine English Paperback. Pbo. Dust wrapper. 4to. (32 x 23 cm). In English and Turkish. 165, [2] p. B/w photos. "Who is a photographer? Any high-wire artist without a wire, any conductor without an orchestra, any realistic dreamer with a bit of persistence who, whether confusedly or not, has the feeling, the courage - it only takes a slight movement of the index finger - to stop the world. He blocks it, wedges it, lays it out. For good. Makes it solid. That is where the work of art begins: when it's over. When the photo has been taken, printed, chosen. Sold, I might say." F.M.R. "Photography means power. One of the greatest powers is that of writing History. This is dangerous ground for the honest practitioner. Now I come to a word I would have preferred never to use: responsibility. This time, the witness is the verdict. The penalty is severe: it defies time, gong well beyond those involved in the tragedy and affecting us and our children's children." (F.M.R.). François-Marie Banier became known as a poet and novelist in the 1960s, but later he shifted focus to play a central role in photography and painting. For Banier the streets are not just places where he takes photographs but at the same time his studio. Camera in hand he impulsively plunges into life, sometimes in the streets of Paris, sometimes in cities in other countries. For him the reality of life is more creative than the created. His portrait photographs, whether they depict people who are unknown, or artists and other famous figures, are masterpieces of light, expression and graphic balance. His portraits capturing people ranging from Beckett to Nicole Kidman completely expose their natural state. As he clicks the shutter release, everything is not over but instead newly beginning. It may cost Banier years for these photographs to mature and be accepted. He never views photography as capturing a frozen moment. At the end of the 1980s Banier began writing directly onto the image in seemingly disorganized sentences arranged one after the other or linked together, telling stories that might be dramatic, cheerful or melancholy. His photographs thereby acquired a completely new appearance and new story. Consequently these photographs are not observed in the ordinary way. Instead they sweep you into them and make you a part of the story. The words both alter the image and lend a completely different dimension of creativity. Banier began to combine writing, painting and photography in his work. Ink, paint and drawing are the new episodes in moments and stories that he captured in the past. In Banier's photographs, as words, paint and images spread over the photograph, syntheses that both conceal and reveal the image emerge as riddles that require solving afresh each time. François-Marie Banier's photographs are each works created from life and relating to life, presenting nobility, drama, happiness and unhappiness in a sensitive balance that may be ironic or tragic. Actually these works that express all times are a balance of the relationship between photography, light, writing and pictures. François-Marie Banier's photographs are 'True Stories' capturing images of a lost moment that will never return or be found again.
This is an about very good softcover copy, the covers sunned near the spine. Essay by Andrea Fraser. Illustrated in black & white with 52 plates. Exhibition history. Bibliography. 6" square. This catalog will be securely wrapped and shipped with tracking.
New English Paperback. Oblong 4to. (23 x 29 cm). In English and Turkish. 120 p., 78 numerous b/w photos. Opium women.= Hashas kadinlari. [Album of photographs]. Peface by Melanie Light. The genre of documentary has been marked by a sense of the urgent photographer-camera as-virtual witness of the traces of wrongs being done which should be righted. The lingering sense of Melih Arican's book, however, is one of a sense of temporality encouraged to unfold. Ten years in the shooting, there is also an insistent sense that what is photographed is a trace of something which has been going on, who knows for how long, given space in the cultivation of the textures of these, images.
This is a very good hardcover copy without dust jacket as issued, with just light wear. Completely clean inside and out. Text in English. Illustrated in color. 10" high X 8" wide. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with just light cover wear. Completely clean inside, a few faint marks on the rear cover. This catalog was prepared to accompany the exhibition at the Pulitzer Arts Foundation from July 29 to October 15, 2016. Exhibition curated by Tamara H. Schenkenberg. Illustrated in color and black & white. Checklist. 9" high X 6" wide, 32 pages. This book will be securely packed and shipped with tracking.
An Exhibition Held at the Thomas Fisher Rare Book Library, University of Toronto, 19 January -21 March, 1998 Book
This is a very good softcover copy in the original illustrated wrappers, printed with one of Penck's images in black and red. Very clean inside and out. Lower right rear corner bumped. This catalog was prepared to accompany the exhibition at the Museum Boymans-van Beuningen in the fall of 1979. Text in German and Dutch. Illustrated in black & white with installation photos of the exhibition of Penck's paintings. Texts by several scholars. 12" high X 9" wide, 83 pages.
This is a fine softcover copy in stiff white wrappers with the title in orange on the front cover. Completely clean inside and out. Text in Spanish and English. This catalog was prepared to accompany the exhibition at the Centro de Arte Contemporaneo de Malaga from September 3 to November 7, 2004. Includes transcript of a paper given by Art & Language members Michael Baldwin, Charles Harrison and Mel Ramsden at Kings College, London on June 4-5, 2004. Illustrated throughout in color with photographs of Miguel Cereceda's sculpture and paintings. 10" high X 8" wide, 123 pages.
Revue illustrée en noir et en couleurs, agrafée, consacrée à l'Expo 58 et aux atouts de la Belgique (Transports, Sabena, SNCB, Congo, etc). Bon état. [ARCH]
in-12, 110 pages, illustrations, broche, couverture illustree. Tres bel exemplaire, bien complet de la carte dépliante. [MI-12][MI-30-car]
grand in-8°, 128 pp., illustrations n/b, broche, couverture illustree. Catalogue des expositions organisees par la Bibliothèque Publique et Universitaire de Neuchâtel et l'Association Pôle Nord, a Bruxelles. Bel exemplaire [DV-7] Bel exemplaire
grand in-8 carré, 27 pp., nombreuses illustrations n&b, broché, couverture illustree. Bel exemplaire. [WE-2] Ausstellungskatalog
