UBAC, Raoul (1910-1985)Livre Rare Book
9 184 résultats
19501471DLM n° 34. UBAC. Décembre 1950: 3 LITHOGRAPHIES ORIGINALES en couleurs. - DLM n° 74/75/76. UBAC. Avril-mai-juin 1955: 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en double page et 1 en quadruple page. - DLM n° 105/106. UBAC. Mai-juin 1958: 9 LITHOGRAPHIES ORIGINALES en couleurs dont 1 en double page. - DLM n° 130. UBAC. Novembre 1961: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page. - DLM n° 142. UBAC. Mars 1964: 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page. - DLM n° 161. UBAC. Octobre 1966: 5 LITHOGRAPHIES ORIGINALES EN COULEURS. 2 LITHOGRAPHIES ORIGINALES EN NOIR en double page. - DLM n° 195. "MAEGHT ÉDITEUR". Décembre 1971: 1 lithographie originale en couleurs de Ubac et lithographies en couleurs de Mirò, Calder, Ubac, Tàpies, Chillida, Giacometti, Palazuelo, Bury, Riopelle, Gardy-Artigas, Le Yaouanc, Fiedler. - DLM n° 196. UBAC. Mars 1972: 6 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double page, 3 lithographies en noir. - DLM n° 251. UBAC. Février 1982: 2 LITHOGRAPHIES ORIGINALES. Très nombreuses reproductions photographiques d'œuvres (sculptures, pierres et ardoises gravées, peintures, dessins, etc.) en noir et en couleurs. Textes d' André Frénaud, Yves Bonnefoy, Georges Limbour, Jean Bazaine, Francis Ponge, Pierre Volboudt, Yves Bonnefoy, Gaëtan Picon, Claude Esteban. Premières éditions. Paris, Maeght éditeur. 9 volumes in-folio (380 x 280 mm) en feuilles.
18513220040<i>Engraved panoramic view measuring 460×235mm overall image 415×145 mm. </i><br /><br /><br />Steel-engraved panoramic view published by Boyd & Cannavan London Wall & J. H. Woodley in the City. Text beneath the image provides statistics for the building such as length 1848 feet and cost for use & maintenance £79800. the commity decided to add three feet of steps at on end to make the leanght up to a more satisfying 1851 feet Boyd & Cannavan
19697Arnold Rattenbury - 127 Kenilworth Court Lower Richmond Road SW15 London . For New Year 1971. 16pp. 16mo. Stapled. One minor manuscript correction. Aged and worn in lightly-stained card covers carrying six Bewick woodcuts in black with text lengthwise and upwards in red. The insides of the covers are red in colour and on the front inside cover is written 'love from Sim & Arnold'. Whether the hand is Rattenbury's or his wife's is not clear. Fourteen poems from 'Considering K 279 to K 284' to 'Koechel's Adoration'. John Lucas in his Guardian obituary 30 July 2007 singles out the present item as Rattenbury's finest poetic achievement: 'As a poet Arnold thought naturally in sequences and possibly the finest of these is Mozart Pieces a series of sonnets which began life in the early 1970s and which he went on adding to for the rest of his life.' Scarce: no copy on OCLC WorldCat apart from Ebook or COPAC. Arnold Rattenbury - 127 Kenilworth Court Lower Richmond Road SW15 [ London ]. For New Year 1971. unknown
1930HAY380951930-1931. Hanoï Imprimerie d'Extrême-Orient et pour la 2ème partie et l'annexe : Imprimerie Mac-Dinh-Tu / Le-Van-Tan. brochés. Excellent état. 3 volumes gds in-8. les débuts les premiers avions l'aviation militaire création d'un service civil les premiers vols sur Bréguet les missions les terrains liaison Hanoi-Saigon une mission au Laos bombardement aérien du pays Moi les liaisons postales aériennes etc. illustré de nombreuses planches de photos gravures et cartes dans et surtout hors-texte ; avec une grande gravure en frontispice et une grande photo du Sergent pilote Cao-Dac-Minh en frontispice du volume Annexe. unknown
39916Toronto. The Ontario Society of Artists. 1956. Soft cover. oblong8vo 17x 23cm 44p. with c.50 illustrations colour illustrated wraps numerous annotations in pencil throughout including rear wrapper Courtice name in red on the upper cover contemporary newspaper clipping pinned to rear endpaper wrapper edges worn bottom half wrap split at the spine very good - with 5 colour illustrated chirstmas cards 4 signed "Alex' 2 address envelopes and 2 note paper sized sheets with full notations one is a conté drawing of a shell one sepia one back presumable by Courtice - a very interesting annotated association copy. agc Includes a Bertram Brooker 1885-1955 Memorial Exhibition with list of works in his honour. An interesting association copy belonged to artist Rody Kenny Courtice with her annotations the exhibit including one of her paintings. Laid in are a series of five cards addressed to the Courtice's with four signed by A.Y. Jackson signed "Alex" and "Uncle Alex". Rody Kenny Courtice born Roselyn Margaret Kenny; 1891 1973 was a Canadian painter and teacher. She was associated with the Group of Seven early in her career but later moved away into a more individualistic style. She was active in associations of artists and worked for the professionalization of their occupation. Toronto. The Ontario Society of Artists. 1956 unknown
189536172Chicago: Adler Art Publishing Company 1895. Hardcover. Fair. Oblong folio. 193 pages. Brown cloth hardcover with gilt illustration on the front cover. Fair condition only. Spine missing and boards are held together by an old linen tape repair on the spine. Covers are scuffed partly affecting the gilt illustration on the front cover. The right front flyleaf front blank end sheet and title page are detached. Original end sheets are chipped around the edges. Some light soiling and stains to the front and back end sheets. Faint toning to the early pages in the text. Interior contents are mostly clean. Interior contents clean. Previous owner inscription on the front blank end sheet "Lou C. Wylie 570 Spring Street Atlanta Ga." Beneath that inscription is another "My Aunt by Marriage David Y Wylie." "Augusta Wylie King" written on the rear end sheet. The Wylie and King families were prominent citizens in Atlanta history. <br /> <br /> Scarce. Not in the Georgia Derenne catalog. 15 copies located in OCLC. From wikipedia: The Cotton States and International Exposition was a world's fair held in Atlanta Georgia United States in 1895.1 The exposition was designed "to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and Europe."1 The Cotton States and International Exposition featured exhibits from six states including various innovations in agriculture and technology and exhibits about women and African Americans.1 President Grover Cleveland presided over the opening of the exposition remotely by flipping an electric switch from his house in Massachusetts on September 18 1895.1 The event is best remembered for the "Atlanta Compromise" speech given by Booker T. Washington on September 18 promoting racial cooperation.1. Adler Art Publishing Company hardcover
190053064Paris: Publisher not identified 1900. First edition. 4to. 28 cm. x 19 cm 102 pp. portrait frontispiece with tissue guard illustrations in text 10 plates with tissue guards 1 of these in color. Original printed wrappers. Neat ownership signature of a member of the jury of classe 5 on the blank reverse of the half-title page. Fine as new. A history of photography and processes which includes two chapters by Léon Vidal - one is a history of photogravure and the other on color photography. Details several other photomechanical processes and their inventors. Illustrations include those by Robert Demachy and by Puyo. <br /> <br /> There are several issues of this report three of which vary only in size; a fourth a later issue has a slightly different wording to the title and is dated 1903. Étienne-Jules Marey was the president of the committee.<br /> <br /> Roosens and Salu No. 3704. Publisher not identified unknown
1911100851Souvenir pamphlet 8vo colored printed pictorial wrappers illustrated 16 pp. Folded and creased down the middle with a little wear at the fold some minor rubbing to wrappers normal aging; otherwise very good. This is a scarce piece of ephemera commemorating the 1911 groundbreaking ceremony by President William H. Taft for the exhibition in the Golden Gate Park. While the purpose of the exhibition was to celebrate the completion of the Panama Canal it seemed to function more as a worlds fair held in San Francisco. It took over three years to construct and the exhibition ran from February through December 1915. There are a number of black and white photographs in the booklet including a double page panoramic view of the city of San Francisco. The activities of the ceremony are recorded in this pamphlet which feature speakers songs marches and what they had for dinner Blair-Murdock Co.,
18959279Atlanta: J. P. Stevens & Bro. ND circa 1895. 1st ed. 1895. 8vo. 8-panel accordian fold-out affixed to front pastedown each with multiple labeled engraved B & W illustrations of landmark buildings in Atlanta. Original embossed grey cloth with black decorative title and border front cover. Some soil covers a 2" tear top of spine else a very good book. A scarce fragile production. 1st Edition. Hardcover. Very Good. Atlanta: J. P. Stevens & Bro. (ND, circa 1895). 1st ed. hardcover
1911100851Souvenir pamphlet 8vo colored printed pictorial wrappers illustrated 16 pp. Folded and creased down the middle with a little wear at the fold some minor rubbing to wrappers normal aging; otherwise very good. This is a scarce piece of ephemera commemorating the 1911 groundbreaking ceremony by President William H. Taft for the exhibition in the Golden Gate Park. While the purpose of the exhibition was to celebrate the completion of the Panama Canal it seemed to function more as a worlds fair held in San Francisco. It took over three years to construct and the exhibition ran from February through December 1915. There are a number of black and white photographs in the booklet including a double page panoramic view of the city of San Francisco. The activities of the ceremony are recorded in this pamphlet which feature speakers songs marches and what they had for dinner Blair-Murdock Co., books
187858603Paris: E. Neurdein Editeur Photographie 1878. Seven albumen cabinet card photos. Oblong 8vo. 6 x 3.8 in. mounted on 6.5 x 4.6 in. beige studio cards red & black printed captions red woodcut borders all w/ manuscript annotations on versos minor bowing to boards still VG set w/ bright sharp images. Seven souvenir albumen cabinet card photos chronicling the third great Paris World’s Fair proclaiming through pomp and events that the Third Republic had rebounded from the Franco-Prussian War and the Commune Revolt. The Exposition was far larger than any previously held occupying over 66 acres featuring an Avenue des Nations elaborate exhibition palaces the completed head of the Statue of Liberty and the first Exposition to feature outdoor electric lighting with massive arc lights. These images include the an updated public aquarium featuring undersea grottoes inspired by Jules Verne stories the Palais de Trocadero the Palais du Champ de Mars statue of the Republic the Galerie du Travail showing stoves weaving machines and more; as well as the statuary in the Grande Galerie Italienne. Etienne Neurdein 1832-after 1915 and his brother Louis Antonin 1840-after 1915 were intrepid traveling photographers throughout French Northern Africa particularly the Sahara and Algeria in the 1870’s and also known for portraiture and monuments photos. They were later awarded the status as official photographers of both 1889 and 1900 Paris Exposition Universelle. See: Arthur Chandler Heroism in Defeat The Paris Exposition Universelle of 1878 World’s Fair Magazine Vol. VI No. 4 1986; Orientalist Photography: Part One -- 19th Century Neurdein Brothers Twicemodern in Photography Jan 27 2013. E. Neurdein, Editeur Photographie, hardcover
2081002109000092Living Dolls and Kisaburo Matsumoto Exhibition Executive Committee N.A. Soft Cover. Fine. Number of pages: 252p Size: 26cm Living Dolls and Kisaburo Matsumoto Exhibition Executive Committee paperback
1837101397<p>1837. Paris imprimerie Crapelet 1837. 95 pp. 363 items described. Wrappers. <strong>The first 21 pages of the present catalogue contain a notice on Spanish painting. </strong>Don Alejandro María Aguado y Ramírez de Estenoz 1st Marquis de Las Marismas del Guadalquivir Seville June 29 1784 Gijon April 14 1842 Spanish banker was born of Old Christian parentage originally from La Rioja at Seville. He began life as a soldier fighting with distinction in the Spanish War of Independence first against French then on the side of Joseph Bonaparte. After the Battle of Baylen 1808 he entered the French army in which he rose to be colonel and aide-de-camp to Marshal Soult. He was exiled in 1815 and immediately started business as a commission-agent in Paris where chiefly through his family connections in Havana and Mexico he acquired in a few years enough wealth to enable him to undertake banking. The Spanish government gave him full powers to negotiate the loans of 1823 1828 1830 and 1831; and Ferdinand VII. rewarded him with the title of marquis the decorations of several orders and valuable mining concessions in Spain. Aguado also negotiated the Greek loan of 1834. In 1828 having become possessed of large estates in France including the Château Margaux famous for its wine he was naturalized as a French citizen. He died at in Spain on April 14 1842 leaving a fortune 'computed at 60000000 francs and a splendid collection of pictures which at his death was sold by auction.</p>
2789Impression en lithographie par l'Atelier Bellini. 1975. Dim: 740 x 500 mm
2789Impression en lithographie par l'Atelier Bellini. 1975. Dim: 740 x 500 mm
Paris, Librairie Illustrée, Montgrédien & Cie, Éditeurs, 1900; in-folio (280 x 378 mm), 4-324 + 38 pl. hors-texte, 4-324 + 40 pl. hors-texte, 4-324 + 37 pl. hors-texte, relié demi-cuir, colorie vermillon, dos orné de filets et de fleurons dorés, à 5 nerfs, tranches jaspées. Les 3 volumes. Encyclopédie du Siècle, présentée par M. Alfred Picard, commissaire général de l'Exposition de 1900, avec la collaboration d'écrivains spéciaux et des meilleurs artistes. Ouvrage vendu sous forme de parution périodique. Sommaire : Tome 1. - Histoire - Organisation - Généralités ; Organisateurs et Visiteurs ; les Champs Élysées ; les Quais de la Seine : ponts et passerelles ; le Champ de Mars ; l'Esplanade des Invalides ; le Trocadéro ; les Travailleurs de l'Exposition ; Autour de l'Exposition ; Encyclopédie du Siècle et Musées centennaux. Tome 2. - Histoire - Organisation - Généralités ; Organisateurs et Visiteurs ; les Champs Élysées ; les Quais de la Seine : ponts et passerelles ; le Champ de Mars ; l'Esplanade des Invalides ; le Trocadéro ; le Bois de Vincennes ; Colonies ; les Nations étrangères ; les Grandes attractions ; Variétés ; Visiteurs ; les Musées et les Manufactures nationales ; Encyclopédie du Siècle et Musées centennaux. Tome 3. - Histoire - Organisation - Généralités ; les Champs Élysées ; le Cours-la-Reine ; les Rives de la Seine : ponts et passerelles ; le Champ de Mars ; l'Esplanade des Invalides ; le Trocadéro ; l'Annexe de Vincennes ; Colonies ; les Nations étrangères ; les Grandes attractions ; Variétés ; Organisateurs et Visiteurs ; les Musées et les Manufactures nationales. Très nombreuses illustrations en noir et blanc in et hors-texte doubles, dépliantes ou pas et quelques-unes en couleurs hors-texte doubles, dépliantes ou pas.
1900_201900821Paris, Librairie Illustrée, Montgrédien & Cie, Éditeurs, 1900 ; in-folio (280 x 378 mm), 4-324 + 38 pl. hors-texte, 4-324 + 40 pl. hors-texte, 4-324 + 37 pl. hors-texte, relié demi-cuir, colorie vermillon, dos orné de filets et de fleurons dorés, à 5 nerfs, tranches jaspées. Les 3 volumes. Encyclopédie du Siècle, présentée par M. Alfred Picard, commissaire général de l'Exposition de 1900, avec la collaboration d'écrivains spéciaux et des meilleurs artistes. Ouvrage vendu sous forme de parution périodique. Sommaire: Tome 1. - Histoire - Organisation - Généralités; Organisateurs et Visiteurs; les Champs Élysées; les Quais de la Seine: ponts et passerelles; le Champ de Mars; l'Esplanade des Invalides; le Trocadéro; les Travailleurs de l'Exposition; Autour de l'Exposition; Encyclopédie du Siècle et Musées centennaux. Tome 2. - Histoire - Organisation - Généralités; Organisateurs et Visiteurs; les Champs Élysées; les Quais de la Seine: ponts et passerelles; le Champ de Mars; l'Esplanade des Invalides; le Trocadéro; le Bois de Vincennes; Colonies; les Nations étrangères; les Grandes attractions; Variétés; Visiteurs; les Musées et les Manufactures nationales; Encyclopédie du Siècle et Musées centennaux. Tome 3. - Histoire - Organisation - Généralités; les Champs Élysées; le Cours-la-Reine; les Rives de la Seine: ponts et passerelles; le Champ de Mars; l'Esplanade des Invalides; le Trocadéro; l'Annexe de Vincennes; Colonies; les Nations étrangères; les Grandes attractions; Variétés; Organisateurs et Visiteurs; les Musées et les Manufactures nationales. Très nombreuses illustrations en noir et blanc in et hors-texte doubles, dépliantes ou pas et quelques-unes en couleurs hors-texte doubles, dépliantes ou pas.
196516006Kestner Gesellschaft, Hannover, 1965. 182 Seiten + Abbildungsteil + Werbung, ca. 21x16,5 cm, OBroschur. Auf dem Vorsatz Zeichnung mit Kugelschreiber von Janssen (Motiv: Selbstporträt). Datiert (3.5.66), unleserlich gewidmet und signiert. Katalog zur Ausstellung vom 9.12 1965 - 9. 1.1966 in der Gesellschaft. Der empfindliche helle Einband etwas verschmutzt. Auf dem Titelblatt handschriftlicher unterhalb von Janssens Namen eine Adresse und Telefonnummer. Gutes Exemplar. With a dedicated and signed drawing by Janssen.
1892474490Edinburgh : T. and A. Constable 1892. 1st edition. Hardcover. Provenance: Respective bookplates of Richard Campbell Eric N. Geijer and George Evans. From a limited edition of 250 copies. Very good copy in two-tone gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: xxiv 116 p. CXVIII leaves of plates : ill. some col. coats of arms ; 29 cm. Subjects: Heraldry Exhibitions. Heraldry Great Britain. Edinburgh : T. and A. Constable hardcover
15638EAGLE Mary Cavanaugh Oldham Editor. The Congress of Women held in the Women's Building at the World's Columbian Exposition Chicago USA 1893 with Portraits Biographies and Addresses. Los Angeles 1894. Later California printing. Large encyclopedic volume in black cloth publisher's binding with fraying to cloth edges and fading to spine. Interior pages clean and tight. Accompanied by a commemorative silver salver try from the Columbian Exposition and featuring an image of the Women's Building. As part of the Columbian Exposition a world's fair hosted in 1893 the Women's Congress convened to establish a building constructed by and for women to promote the work of women architects artists writers and entrepreneurs. Touted as "the greatest event of its kind in history" the Women's Congress released these commemorative pieces to spread awareness and raise profits to support women's work. unknown books
4048Vve Jules Renouard, Paris, 1865. In-12, demi-reliure, viii-481 pp. Avertissement pour la troisième édition. - Avertissement de l'éditeur (édition de Bruxelles). - Préface de la première édition - I. Ouverture de l'exhibition. - 2. Le palais de l'exhibition - Les Maîtres anciens : Ecoles du Midi - Les ...
1820816171820 A Paris, chez Depélafol, Librairie, Rue des Grands-Augustins -1820 - 10 vol in-8 ( 23,5 x 17 cm), cartonnage éditeur brun avec étiquette de titre et de tomaison au dos. Très nombreuses gravures en et hors texte dont certaines rempliées et d'autres en couleurs. 413 + 236 + 292 + 315 + 320 + 260 + 278 + 288 + 315 + 268 pages. PHOTOS SUR DEMANDE
D17552Autograph diary written in pencil signed by Miss Elizabeth Woods of Bowling Green Kentucky. 135 pp. Well educated wealthy American woman's account of seeing Europe; mostly Paris France. Her Southern sensibilities were shocked at seeing a white woman at the same table with a black man. Turns out he was a minister from Haiti and the lady was his wife. Miss Woods saw the Paris Exposition several times; saw Sarah Bernhardt perform; saw President Kruger of South Africa; saw a street where Jews were not allowed to come out after 6pm; describes fancy balls and dinners; shopping for clothes.much of interest. Worn oil cloth binding. Numerous accounts of "charming" or "lovely" people. <br/><br/> hardcover
D17552Autograph diary written in pencil signed by Miss Elizabeth Woods of Bowling Green Kentucky. 135 pp. Well educated wealthy American woman's account of seeing Europe; mostly Paris France. Her Southern sensibilities were shocked at seeing a white woman at the same table with a black man. Turns out he was a minister from Haiti and the lady was his wife. Miss Woods saw the Paris Exposition several times; saw Sarah Bernhardt perform; saw President Kruger of South Africa; saw a street where Jews were not allowed to come out after 6pm; describes fancy balls and dinners; shopping for clothes.much of interest. Worn oil cloth binding. Numerous accounts of "charming" or "lovely" people. <br/><br/> hardcover books
187660903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
