9 183 résultats
189360194Chicago: W.B. Conkey Co. Publishers to the Exposition 1893. Two vols. 8vo. 506; 506 pp. Frontisp. both vols. With maps photo plates. 1st vol. -- Full dark brown morocco over beveled boards gilt ornamented borders gilt lettering & ownership stamp on front cover gilt lettering on spine gilt inner dentelles marbled endpapers t.e.g. minor rubbing edgewear front hinge tender rear hinge just starting very slight uniform interior toning as usual still VG- copy w/ presentation ALS on Conkey private letterhead presenting to Charles M. Kurtz dated Oct. 28th 1893; 2nd vol. -- Full flexible Bible calf dark purple silk moire endpapers gilt lettering stamped front cover & spine a.e.g. w/ dark maroon cloth d.j. backed in dark purple silk moire a F/F presentation copy from Conkey to Kurtz w/ inscription on half-title preserved in open-backed slipcase. First editions thus presentation copies and the second copy with publisher’s note indicating this was No. 91 of 275 Editor’s Deluxe copies signed & presented to Charles McMeen Kurtz 1855-1909 at the time one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. Conkey writes in the letter for the first volume to Charles Kurtz “I send you herewith a copy of the Catalogue which you may deem to file away as a reminder of many hours spent in order that others might see intelligently the grand work which you with others have done in the Art Department.†Walter Blakesley Conkey had founded the printing house in 1877 occupied many different job printers and in 1890 absorbed the Illinois Printing & Binding Co. and in Jan. 1893 signed the contracts awarding him exclusive rights for printing the myriad of catalogues and handbooks for the Columbian Exposition receiving a deposit of $ 10000. W.B. Conkey Co., Publishers to the Exposition, hardcover
195425036Paris Mourlot 1954 Affiche lithographiée signée à droite dans la planche, Paris, Mourlot, 1954, 70 x 50 cm.
187739388Stockholm 1877. Tvær-folio. Samt. halvlæderbind med forgyldt tekst på permer. Med 55 plancher, de fleste vandskjoldede. Folio oblong. Contemporary half calf bindig with gilt lettering to boards. With 55 plates depicting the World exhibition of 1876. Most plates with dampstaining.
187739388Stockholm 1877. Tvær-folio. Samt. halvlæderbind med forgyldt tekst på permer. Med 55 plancher de fleste vandskjoldede. Folio oblong. Contemporary half calf bindig with gilt lettering to boards. With 55 plates depicting the World exhibition of 1876. Most plates with dampstaining. hardcover
19671493Paris, Maeght éditeur, 1967-1982. 7 volumes in-folio (380 x 280 mm) en feuilles, couvertures illustrées. ENSEMBLE DE 30 LITHOGRAPHIES D'ANTONI TÀPIES. - DERRIÈRE LE MIROIR n° 168. TAPIES. Novembre 1967 (7 lithographies originales en couleurs). - DERRIÈRE LE MIROIR n° 175 (5 lithographies originales en couleurs et 3 lithographies originales en noir). - DERRIÈRE LE MIROIR n° 180 (1 lithographie originale en couleur se déroulant sur 28 pages). - DERRIÈRE LE MIROIR n° 200 (4 lithographies originales en couleurs en double page). - DERRIÈRE LE MIROIR n° 210: MONOTYPES (24 pages entièrement réalisées en lithographie dont 4 lithographies originales et 3 d'interprétation). - DERRIÈRE LE MIROIR n° 234 (2 lithographies originales en couleurs en double page). - DERRIÈRE LE MIROIR n° 253 (1 lithographie originale en triple page. Ultime numéro de la revue). TIRAGES ORIGINAUX POUR TOUS LES VOLUMES. Très nombreuses reproductions d'œuvres et documents photographiques. Textes de: Michel Tapié, Jacques Dupin, Julio Cortazar, Pierre Volboudt, Georges Raillard, Poème de Joan Brossa.
1867129235Paris, E. Dentu, impr. Imprimerie générale Ch. Lahure 1867 2 volumes. In-folio 37,5 x 26,5 cm. Reliures demi-basane rouge, dos lisses ornés de filets dorés, 280-480 pp. 60 livraisons de 16 pp., imprimé sur 3 colonnes, moitié texte, moitié gravures., tables des matières, sommaires. Accrocs en tête et en pied de dos, intérieur très frais.
190163092Buffalo NY & Chicago IL: Mackson; Lyman 1901. Archive of 46 original albumen photographs sized from 3 x 6 in. up to 4 x 6 in. all of the images smaller than 4 x 5 in. on albumen paper stock many w/ embossed photographer’s stamps several w/ photographer’s imprint w/in negative some w/ small rubber stamp at lower fore-edge of verso as well as pencil manuscript annotations identifying subject inventory nos. w/ in negatives of several a few w/ evidence of having been previously mounted a couple w/very slight dog-eared corners 1 w/ closed tear at lower fore-edge a couple w/ image evidencing poor process chemicals still an exceptional group of images. This set of photographs was created by two different Illinois & Missouri photographers at the 1901 Pan-American Exposition in Buffalo NY -- both of whom had lived and worked in Chicago at the beginning of the 1890’s offering reasonably priced “unofficial†vernacular images of the 1893 Columbian Exposition World’s Fair followed by the Pan-American World’s Fair. The fair featured a range of acts and attractions featured at the Exposition which included Bostock’s Trained Wild Animals “A Trip to the Moon†“Cleopatra’s Temple†Henry Roltair’s illusionist show “House upside down†and the Battle of Missionary Ridge Cyclorama. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. It is sadly largely remembered as the scene of the tragic assassination of President McKinley. Vernacular souvenir photos are quite scarce and these have an unusual sharpness in light of the fact that like the 1893 Columbian all were prevented from bringing in tripods to shoot the Exposition. One of the photographs captures African natives from the Midway’s “African Village†which incorporated Africans from the colonial empires of Great Britain Belgium Germany & France along with participants from Georgia who were “staged†in the “Old Plantation†representing the enslavement of African-Americans in North America. Another Black History exhibit included was the “Negro Exhibit†previously exhibited at the 1900 L’Exposition Universelle in Paris depicting the accomplishments of formerly enslaved people and languished at the far back of the Manufacturers and Liberal Arts Building. Samuel Lyman 1854-1939 was an intrepid tinkerer junk dealer and photographer who shot souvenir photos for his customers during the Columbian Exposition in 1893. Two of his sons Joseph Lyman 1887-1953 and Harry Lyman 1883-1940 became successful photographers in Kansas City MO during the Roaring 20’s. Mackson fl. 1885-1910 immigrated from Russia into Chicago in the 1880’s and operated a small photo studio there until about 1900 before relocating to Kansas City and St. Louis MO during the opening decade of the 20th Century operating photography studios in both cities. See: The Midway Buffalo New York Uncrowned Community Builders 2025. Mackson; Lyman, unknown
1994WRCLIT75713Toronto: Natural Heritage / Natural History 1994. 2782pp. Quarto. Full morocco details below original front wrapper bound in. Some tanning to binding extremities but a very good copy. First edition. Inscribed and signed by the authors on the half-title. This copy is in a special binding executed by Stanley M. Sherman commissioned by the recipient and completed by Sherman in May of 1985. The binding is full gray morocco with six horizontal colored morocco onlays creating a body of water with a backdrop of land and snow-covered mountains and smaller onlays of two people with equipment in a canoe rowing from left to right and with a printed paper onlay on the rear board of a caribou. The title and authors' names are stamped in blind on the upper board and a smaller blindstamped label is affixed to the spine. The marbled endsheets incorporate two pockets on each pastedown made to accommodate various documents including three t.ls.s. 3pp and one a.l.s. 2pp. from Hoyle to the recipient leading up to publication relating to information the recipient provided for the book and to the books completion and publication. Copies of two letters from the recipient to Hoyle are present as are several related items. Also present is the itemized descriptive invoice handwritten in ink by Sherman for the preparation and binding of the book $810. Sherman whose training as a binder overlapped his distinguished career as an architect and city planner is a member of the Canadian Bookbinders and Book Artists Guild and the British Guild of Book Workers. He trained with Tom Albro and began making commissioned bindings in 1986. He has had one-man shows at the Walters Art Museum 2006 and the District of Columbia Public Library 2012. Natural Heritage / Natural History unknown books
1936030111London 1936 Faber and Faber Hardcover 1st Edition
207589S.l., s.d. (1900) 176 cartes postales de format 9 x 14 cm,
Folio, in legatura originale con titolo impresso in oro ai piatti e al dorso. Ex libris Giovanni Treccani degil Alfieri.
18842111902160200730Nakano Kei kura 1884. Soft Cover. Fine. Volume: 1 Nakano Kei kura paperback
1958339Paris, Maeght éditeur, 1958. In-folio (380 x 280 mm) en feuilles, 28 pages. 4 LITHOGRAPHIES ORIGINALES de MIRO, GIACOMETTI, TAL-COAT, MARC CHAGALL avec "PAYSAGE AU COQ", une exceptionnelle lithographie en couleurs à double page (M208) et des reproductions de Braque, Bonnard, Matisse, Picasso, Kandinsky, Mirò, Léger et Bazaine. Tirage original. DLM édité en juin 1958 pour l'exposition d'œuvres monumentales de Bonnard, Matisse, Braque, Chagall, Picasso, Kandinsky, Brancusi, Léger, Mirò, Giacometti, Bazaine, Tal Coat et Ubac.
19042578VERMOT 1904 1 Paris, Vermot, 1904, fort in-8, maroquin rouge à grains longs, fin motif décoratif doré encadrant les plats, dos à quatre nerfs orné, double filets sur les coupes, décor intérieur doré, tranches dorées, couverture conservée, (RICHARDOT), 732 pp.
60077aafParis, Imprimerie Impériale, 1857, gr. in-8vo, 2 ff. + 511 p. + 2 planches dépl. (Plan d'ensemble de l'exposition / Plan de la cérémonie de cloture le 15 novembre 1855), qqs rousseurs épars, qqs lignes rouges, tirage sur beau papier (Hollande?) epais, pt. timbre rouge ‘N’ avec tête d'aigle sur le faux-titre ainsi ce texte en bleu ‘Admirable travail / monument de la première exposition !’, reliure en demi-chagrin à nerfs verte, dos orné de caissons doré et orné d'une abeille, plat devant avec texte doré ‘Don de S.A.I. le Prince Napoléon Président de la commission impériale’, le verso aux armes de Napoleon. Qqs pt. traces d'usage et ou tâches, en tout un très bel exemplaire avec 3 tranches dorées.
1796129611Imprimerie du Cercle-Social, Paris, 1796. 314, [6] S. ; 312, [6] S. ; 19 x 13,5 cm ; Halbleder.
1961350Paris, Maeght éditeur, 1961. In-folio (380 x 280 mm) en feuilles, 28 pages. 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en triple page et 3 en double page. Texte de René Char "Dansez, montagnes" et de Jacques Dupin "Nouvelles peintures de Miro. Exposition de 46 peintures récentes. Tirage original.
100091A Paris, chez Guillaume Desprez, Imprimeur & Libraire du Roi et chez Jean Desessartz, Libraire, 1732, 1 volume in-4 de 260x180 mm environ, xxx-740 pages, (4) ff. ( fautes et omissions, approbations et privilège), plein veau marbrée cognac, dos à nerfs portant titres dorés sur pièce de titre en maroquin bordeaux, gardes marbrées, tranches jaspées, impression sur 2 colonnes. FEUILLET X, EN DOUBLE APRES LA TABLE. Edition originale complète des 4 planches dépliantes annoncées. Une tache sur la tranche supérieure, traces brunes sur le cuir sur la bordure supérieure, petits trous et galerie de vers sur un nerf, des épidermures, rousseurs et pages légèrement brunies, manque de papier sur un coin p. 671, manque la première garde blanche, deux angles un peu "tapés" sinon bon état.
This is a very good copy of the original catalog for the 1929 Girl Scouts Loan Exhibition, which has been bound in dark gray cloth, with red and gilt title label on the spine. The original green and gilt printed catalog cover bound in. Completely clean outside. Inside covers generally clean, but a few marks to front cover lower left, and one page with old tape repairs. This repaired page has a plate on each side (no.570-71), and the repairs are on either side of the photograph just touching its' border. A few pages have very faint tan streaks on them, possibly from the binding process. Also a few abrasions to texts. Otherwise very clean and fresh. Preface. Short texts introduce the sections. Texts by George S. McKearin, Andrew Varick Stout, Louis Guerineau Meyers and E.T.H. 926 works in the exhibition. All reproduced in black & white photographs. This historic exhibition was held at the American Art Galleries in New York from September 25th to October 9, 1929. 10 1/2" high X 7 1/2" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
19172092902141000926Not Available 1917. Soft Cover. Fine. Size: B5 Not Available paperback
19321603<p>Cover title : "Les Artistes Musicalistes se Présentent" Approximately 40 pp. 1 glossy plate in color ; illus. in black and white with texts in French including manifestos and lists of works by member artists. Oblong 8vo. Very good. Saddle stapled silver foil wrappers printed in red surfaces a bit rubbed and oxidized but surprisingly bright. 1603</p><p><em>Catalog for the December 1932 - January 1933 presentation at Galerie de la Renaissance in Paris including works by Maurice Barret Gustave Bourgogne Jean Carlu Da Silva Bruhns Arne Hosek Henri Valensi and others. The book is striking production with dynamic typography and page designs throughout including an attractive application of Cassandre's "Le Bifur" on the reflective metallic covers. According to our own rough translation the group's manifesto ""It is clear to everyone that the key characters of the beginning of this century are: the applications of science and generalized dynamism which bring into their orbit : rhythm harmony synthesis etc. etc. However the art offering the most dynamism rhythm harmony science synthesis. is Music. For this we realize here that from the aesthetic point of view the musical spirit predominates. Thus we demand "Art must be musicalized". In reality this influence of Music has already developed but unconsciously in all the arts among all artists who can say they are 'sensitive and creative' and simultaneously in several countries." Scarce</em></p> [Impr. de Vaugirard]
181952180Portland OR: n.p. July 18 1902. One panoramic silver gelatin photograph printed on matte finish thick photographic stock sized 8 x 24 in. preserved in the original dark stained wood frame sized 10.25 x 26.5 in. with very faint title inscription in white ink below image in clear cursive hand very minor damage & loss to the very lower right corner of image still VG copy expertly cleaned with new archival backing. This exceedingly scarce original photograph records the site selection inspection by the Lewis & Clark Exposition Board of Directors July 18 1902 the day after the Site Subcommittee had recommended on July 17 1902 that the Board choose City Park for the Exposition site. In fact many different sites were proposed at the meeting including Henry Corbett’s preference for City park while the Ladd interests advocated for a site along Hawthorne Boulevard. Nonetheless the Board adjourned into executive session and as a result of a last minute proposal by Henry Dosch it decided that they would examine the Guild’s Lake site in detail as evidenced by this photograph showing the several board members standing upon the Electric Railway line tracks on the Willamette Heights next to the land proposed for development by the Scottish-American Investment Company. When the Board reconvened after an August hiatus the vote was 6-2 in favor of Guild’s Lake. Robert Livingstone who owned the Scottish-American Investment Company set about with his real estate development partners Russell & Blyth to build a group of Arts & Crafts homes designed by Emil Schacht in the Willamette Heights subdivision which would inspire Portland residential architecture in the decades following the Exposition. Peter Guild 1797-1870 led his family over the Oregon Trail in 1847 lost a herd of cattle to the Oregon Territorial militia during the Cayuse Indian War and eventually homesteaded on Guild’s Lake constructing a large octagon block house which proved to be a very popular Public House and later the site for the 1905 Lewis & Clark Exposition. See: Jim Heuer & Roy Roos The Emil Schacht Houses in Willamette Heights: The Cradle of Arts and Crafts Architecture in Portland 2002 pp. 2-10; Thacher The Site of the Lewis and Clark Exposition The Pacific Monthly Vol. 7 pp. 210-212; Finn J.D. John Long-lost Guild’s Lake was Once Portland’s Water Wonderland Offbeat Oregon October 21 2012. n.p., unknown
190516204Paris Vermot 1905 1 in-12 Paris, Vermot, 1905, in-12, plein maroquin à grains longs rouge, dos à nerfs orné, titre doré, plats encadrés d'une double frise florale et ornés du macaron de la République française, gardes en papier marbré, bordées de maroquin rouge doré, tranches dorées, 872 pages, (Richardot).
1964744Paris, Maeght éditeur, 1964. In-folio (380 x 280 mm) en feuilles, 32 pages. 4 LITHOGRAPHIES ORIGINALES EN COULEURS D'ELLESWOTH KELLY dont 2 en double page (56 x 28 cm), 1 LITHOGRAPHIE ORIGINALE EN NOIR en double page. 9 reproductions. Exposition de 13 peintures et 2 sculptures de KELLY à la Galerie Maeght en novembre 1964. Texte de Dale Mc Conathy. Premier et unique tirage. Édition originale.
10524Paris, Imprimerie Nationale, 1902-1903 - 8/ 9 volumes(manque T. III) - in-4 - Brochés (T. IV débroché) - Couvertures blanches imprimées et illustrées d'une vignette en noir - Certaines couvertures jaunies - Exemplaire non coupé - Nombreuses Photographies & illustrations PP HT NB - Complet du Volume VIII, Pièces annexes & 9, sous emboîtage, Plans Généraux.Envoi autographe avec mention offert " à Monsieur DESTIEUX-JUNCA, Sénateur, Signé Alfred Picard
