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19852080302106808520Not Available 1985. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1957118337Calgary: Calgary Exhibition & Stampede Board. 1957. Poster. very good. Original un-mounted poster 41 1/4" X 13" with black metal hanger at top. Shrinkwrapped on foamcore. This historic poster is in very good condition. 1957 Calgary Exhibition & Stampede Board. unknown
1925elala680Paris: Éditions DArt Ch. Moreau 1925. 1925. folio. ff. 3. 48 plates. loose sheets as issued in quarter cloth bd. portfolio with ties. some wear to portfolio paste-downs stained library blindstamp on title. Including lighting designs by Edgar Brandt Genet & Michon Sue & Mare Raymond Subes René Lalique &c. A second series with 50 plates was also published. Hardcover. Paris: Éditions DArt Ch. Moreau, 1925. Hardcover
1908223677Bruxelles : G. van Oest 1908. First Edition. Hardback. Provenance; Newhouse galleries with their bookplate. Good to very good copy in the original gilt-blocked leather-backed pictorial cloth boards. Spine bands and panel edges somewhat rubbed and toned as with age. Remains quite well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 272 pages; Limited edition; number 470 of only 500 copies. Physical description; xvi 272 p. 103 leaves of plates : ill. ; 37 cm. Notes; Many of the plates are accompanied by guard sheets with descriptive letterpress. Includes bibliography. Subjects; Order of the Golden Fleece. Art & Painting - Belgium - Flanders - Bruges - Exhibitions. Bruxelles : G. van Oest hardcover
1900101161Paris: Ludovic Baschet 1900. Hardcover. All volumes tight and clean with slightly varying color leather bindings; overall very good with modest sunning and chafing to spine heads. A consecutive run of 10 volumes. Octavos in half leather and marbled paper boards; illustrations; 24 cm. Approx. 300 page per volume; chiefly b&w illustrations. Marbled edges. In French. Handsome leather bindings. Original issues; not reprints. The series ceased in 1914 and purportedly comprised at least 16 volumes. Postage cost billed at our cost. Please inquire. Set weighs 15 lbs. ¶ Salons; Art -- France -- Paris -- Exhibitions. Art. Beeldende kunsten. Line blocks. Collotypes prints Exhibition catalogs. Ludovic Baschet hardcover
189461008San Francisco: H.S. Crocker Co. 215-219 Bush St. 1894. Fifteen parts in one vol. Oblong folio. 13.5 x 10.25 in. 240 pp unpaginated. 227 photo plates 13 double-page. Recent black cloth Portfolio No. 13 cover mounted on front cover as title endpapers renewed all fascicles were bound in adjustable slide post-binder as evidenced by discrete slits at gutter margin some occasional minor tears slight edgewear to textblock from thumbing textblock cropped poorly diagonally when originally bound still a VG- copy from the library of Prof. Marvin Nathan. First edition of this exceptional and complete photographic souvenir series capturing the California Midwinter International Exposition which was the first World’s Fair in San Francisco’s Golden Gate Park prior to the Earthquake & Fire. Taber 1830-1912 was the official photographer of the Fair and he has captured with vividness the excitement and variety of the events in the Fair with night shots of the Electric Tower piercing the darkness the action in the Forty-Niner Mining Camp which featured “Monarch†the stuffed Grizzly Bear who was showcased in the venue along with logging scenes at Lake Tahoe Hopfields in Ukiah CA the bedraggled Apache confined to the “Arizona Indian Village†along with a portrait of a Chinese Opium Den in San Francisco’s Chinatown. H.S. Crocker Co., 215-219 Bush St., hardcover
192160991San Francisco CA New York & London: Published for The Panama-Pacific International Exposition Co. by G.P. Putnam’s 1921. Tall thick 8vo. 8.5 x 10.8 in. xvii 1 387 1; x 416; xi 1 410; xi 1 397 1; vii 1 266 170 pp. With 1 large folding colour panoramic view of the PPIE 60 colour plates 539 photo plates & illustrations. Uniformly bound in brick-red cloth lozenge gilt illustration front cover by Perham Wilhelm Nahl 1869-1935 of the famed “Thirteenth Labor of Hercules†forcing the giant cliffs apart gilt lettering on spines t.e.g. minor shelfwear occasional light foxing & toning still a VG bright set from the library of Prof. Marvin Nathan. First edition of this expansive and lavishly illustrated report on the very successful 1915 Panama-Pacific International Exposition in San Francisco CA which managed to attract not only 19 million visitors some of them on weekly or monthly basis but also squeak out a profit of $ 1 million or approx. $ 35 million in 2024 dollars just a rounding error for one of the Bay Area tech giants. Along with extensive details on the organizing construction operations and advertising for the Fair the author has included extended sections on examining the role of Women and the Women’s conferences and building at the PPIE as well as the impact of significant breakthroughs in treating infectious diseases such as Yellow Fever and the Plague and their importance to San Francisco as well. Published for The Panama-Pacific International Exposition Co., by G.P. Putnam’s, hardcover
190462227St. Louis MO: n.p. 1904. Oblong 4to. 10.25 x 7 in. 24 pp unpaginated. on thick black paper stock 27 mounted silver gelatin photographs nearly all sized 3.25 x 5.5 in. annotated below or alongside in white ink manuscript. Contemporary self-printed black paper covers white lettering printed on front cover title in white ink manuscript punch-sewn at spine w/ red silk braid minor edgewear slight bumping to 1 corner minor over-exposure to some of the images still a VG exemplar. An original vernacular souvenir photo album created by an unknown amateur photographer documenting their tour of the famed 1904 St. Louis World Louisiana Exposition World’s Fair using their own camera -- typically after paying an entrance fee as inaugurated at the 1893 Columbia Exposition over 10 years before. The album opens with views of the Palace of Liberal Arts Festival Hall and the fountains Terrace of the States Electricity Palace Education and more. Along with many of the general public fair-goers these photographs reflect a fascination with the ethnological “Human Zoo†exhibits at the Exposition including the Igarrote-Filipino Village with one young child striding in the fore-ground the Philippine Restaurant and view of the Village with huts temple and walled city. Also featured are a few of the Japanese tea garden and pavilion and the Chinese temple exterior and interior. The photographer also captured the Life-Saver’s Exhibit by the Lifesaving Service; the Jefferson City Guards marching in front of the Austria & Sweden Buildings as well as the entrance to “the Pike†with visits to the Japanese Roof Garden Restaurant Beer Garden and German Coffee House. [n.p.], unknown
19662091202133106302Japan World Exposition Association 1966. Soft Cover. Fine. Volume: 1 Japan World Exposition Association paperback
19292092902144000467Not Available 1929. Soft Cover. Fine. Number of books: 1 Not Available paperback
188235602New York: D. Appleton and Company 1882. First Edition. Hardcover. Good. Octavo. 1 vi 610 pages 3 pages advertisements 1. Errata page located between pages 342 343. Green cloth hardcover with illustrated gilt title inside a gilt circle on the front cover. Gilt title on the spine. Some rubbed spots to the cloth covers and spine. Light edge wear to the cloth extremities. The frontispiece is vertically creased and foxed. Pages 7 and 8 are loose. Binding cords visible in several sections but no other loose pages. Hinges are in good condition. Small piece of tape on the edge of pages 321 and 327. Light toning to the text. <br /> <br /> Illustrated with frontispiece engraved portrait of H. I. Kimball 4 plates in text folding "Plat of the Grounds and Buildings International Cotton Exposition Atlanta" engraved plate - "The Compound Tubular Steam Boiler Gold Medal Awarded." 2 more engraved plates a few illustrated advertisements and a folding plan - "Model of the Willimantic Company's Works at Willimantic Conn." Detailed contents make up this comprehensive report including history speeches reports agricultural sections a variety of forms and documents lists of groups awards committee members and much more. <br /> <br /> A nice inscription written on the front blank end sheet from Samuel Inman one of Atlanta's leading citizens of the period Inman Park in Atlanta is named after Samuel Inman. Inscription reads - "Henry S. Cave Compliments of Saml M. Inman Treasurer Atlanta Ga. June 23 1884." H. S. Cave from Atlanta inscription is written on the verso of the frontispiece. Another owners name in pencil on the front paste down "Augusta Wylie King." A later owner's address mailing label located in the upper left corner front paste down. From the New Georgia Encyclopedia:<br /> <br /> Atlanta held its first exposition named the International Cotton Exposition in Oglethorpe Park in 1881. The city then had fewer than 40000 residents and the primary sense in which the first exposition was “international†was the display of cotton plants from around the world. Nevertheless Atlantans were eager to host the 1881 exposition to promote investment and to help the city toward its goal of becoming an industrial center which was a primary component of Grady’s “New South†concept. Although attendance was lower than expected fewer than 200000 in paid attendance during its two-and-a-half-month run city leaders demonstrated that they could work together to host a major event and that Atlanta was serious about its role in textile production at a time when the North was beginning to grow dissatisfied with the efficiency of southern cotton processing. The exposition displayed new crop planters and cotton seed cleaners along with a model of Eli Whitney’s original cotton gin and speakers addressed the crowds about agricultural technology and political reforms. D. Appleton and Company hardcover
188053063Paris: Impr. Nationale 1880. First edition. 8vo. 67 pp. Original printed wrappers which are toned at the edges with a few chips and creases. Text is unopened. INSCRIBED by the author. Alphonse Davanne is a most important figure in the early history of photography. Born 1824 in Paris he was a founding member of the Société Française de Photographie the first photographic society in the world and subsequently its vice president and then president. His early collaborations were involved with photolithography and by 1854 he had mastered that process. His next experiments were on developing a direct positive process. Davanne served as the president of the jury for the photographic section of this International Exhibition.<br /> <br /> Largely concerned with the history cameras and equipment and the latest advances in photomechanical processes etc. <br /> <br /> Roosens and Salu No. 3697. Impr. Nationale unknown
192532877Paris: Vaugirard 1925. First edition. Original wrappers 480 pages plus unnumbered advertisements folding plates. Small chip at the top of the spine else fine. Vaugirard unknown
190963387Seattle WA Portland OR & San Francisco CA: Lowman & Hanford Idealdruck Edward H. Mitchell Co. Portland Postcard Co. Robert A. Reid Publisher 488 Arcade A. Sims 1909. 4to. 9 x 10.5 in. 80 pp unpaginated. on thick black paper w/ slot inserts in each leaf for holding four postcards back-to-back. With 82 colour-printed black & white printed photo chromolithograph & 1 suede-leather postcards. Padded faux alligator skin black cloth rounded corners gilt lettering stamped on front cover slight shelfwear occasional minor rubbing & creasing to a couple of the postcards still a NF exemplar. A marvelous postcard souvenir album filled with postcards assembled by a young Port Angeles teenager chronicling the 1909 Alaska-Yukon-Pacific Exposition. The postcards encompass the views from the gardens to Mt. Rainier the Alaska Monument 7 Hawaii Building Arctic Brotherhood Building Canadian Government Building the Emergency Hospital Building Machinery Hall Manufactures Building Forestry Building many of the States Buildings and courts. In addition there are views of the Japanese Building the “Tokio Cafe†leading to the Japanese Village Nanaimo Building and a number of nighttime shots of the Exposition. Four of the postcards depict the Siberian and Alaskan Indigenous peoples on display at the Exposition with images of baby’s in furs and Indigenous Peoples standing in front of A-Y-P pavilions. The printed photo postcard of the Daughters of the American Revolution Building at the A-Y-P includes note on verso addressed to Juanita Shelpman 1896-1974 at the time a daughter of a Port Angeles barber and later a music teacher in Vancouver WA later married to the rather flighty orchestra leader Lewis Kincheloe 1892-1978. Lowman & Hanford, Idealdruck, Edward H. Mitchell Co., Portland Postcard Co., Robert A. Reid, Publisher, 488 Arcade, A. Sims, hardcover
190563010Portland OR: n.p. 1905. Oblong 12mo. 7.25 x 5.25 in. 40 leaves unnumbered. on thick black paper stock. With 25 silver gelatin photos on Velvet Velox Kodak paper mounted w/ silver corners sized 3.25 x 5 in. 1st leaf w/ reverse duplicate on verso. Padded black ribbed cloth album faint lettering stamped on front cover minor edgewear rubbing some minor bumping to corners slight curling to photos still a VG exemplar from the library of A. Rodney Eckerson 1930-2024 former purchasing agent for the Port of Portland. This souvenir photo album features 25 original photographs documenting two couple’s 1905 visit to the Lewis & Clark Centennial Exposition which marked the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The album opens with two photographs of the Forestry Building composed entirely of giant Douglas Fir logs; while the following photos capture the giant lagoon constructed from Guild’s Lake the Foreign Exhibits Building Agriculture and Horticulture Palace the U.S. Government Building at the end of the Bridge of Nations and Frederic Remington’s sculpture “Coming through the Rye†later renamed “Off the Trail†of four wild cowboys coming into town. Of special interest is one woman standing at the base of one of the several Native Alaskan totem poles on the shore of Guild’s Lake during the Exposition and later moved to Sitka National Historical Park in Sitka Alaska. Vernacular photo albums composed by amateur photographers during the run of the Exposition are quite uncommon and most fairgoers relied on Robert Reid Shogren and the Kiser Bros. for their souvenir images. n.p., hardcover
190459618Portland: Wonderland Souvenir Company F.H. Kiser 425 Abington Building June 1904. Oblong 4to. 12.5 x 9.5 in. 160 unpaginated pp. Photo-illustrated title page photo-illustrated throughout each with facing page of explanatory text. Original embossed dark-blue-green cloth white lettering on front cover very minor shelfwear slight rubbing minor bumping to couple corners a VG bright copy. First edition of this very scarce photographic souvenir intending to promote the Pacific Northwest for the Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The Kiser Brothers have included an excellent photographic tour from Mt. Shasta on the south to Mt. Baker on the north encompassing a number of images of the Columbia River Gorge. Also present are images of salmon fishing salmon cannery Northwest Coast Native Americans the Portland Hotel Seattle Waterfront Tacoma and shipping as well as views of the Dalles City sternwheeler sailing through the Cascade Locks Mount Rainier and more. Fred H. Kiser was an accomplished mountaineer and promoter who was one of the most successful and widely known landscape and commercial photographers in the American West during the opening decades of the 20th century. He and his brother Oscar operated the Lewis & Clark Official Photographic Company at the Exposition which gave them their start and he became well known for his images of National Parks and the picturesque Columbia River Gorge. Wonderland Souvenir Company, F.H. Kiser, 425 Abington Building, hardcover
190961345Seattle WA: n.p. 1909. Four original photographs 3 silver gelatin & 1 albumen sized 3.75 x 4.5 in. to 3.75 x 5 in. with three mounted on dark brown w/ white border studio board 4th on beige embossed studio board all w/ title caption manuscript annotations on versos minor soiling edgewear some thumbing minor spotting to albumen image still a VG group of photographs. An exceptional quartet of vernacular souvenir photographs capturing events & sights at the Alaska-Yukon-Pacific Exposition. These open with an image of one of the most popular Pay Streak attractions the Indigenous People’s villages attractions featuring the Igorrotes from the northern Philippines. The Igorrote Village showed traditional dwellings daily activities such as dances meal preparation weaving and farming and followed the pattern of earlier appearances at the 1904 St. Louis World’s Fair and 1905 Lewis & Clark Centennial Exposition. The Pay Streak included as well the Cairo & Oriental Village geisha girls in the Japan Village exhibit the Formosa Tea Parlor the Chinese Village as well as a roller-coaster like scenic railway the Temple of Palmistry the very popular Eskimo Village the Battle of Gettysburg Cyclorama and more. The balloon ascension photo captures the “Captive Balloon†which was tethered southeast of the main A-Y-P grounds from which photographer Vern Grinnold was able to capture his aerial photo of the grounds. The other two depict the Forestry Building which was one of the largest log houses ever built featuring a frontage of 320 feet and designed by Charles Saunders and George Lawton; along with the Administration Building. n.p., unknown
27466Couverture rigide. Bon/1827. in-8. Paris Mme Huzard 1827 in-8 de 4 222 pages et 2 tableaux repliés exemplaire broché sous couverture muette couverture déchirée et salie Unique édition de ce rapport rédigé par Héron de Villefosse. mouillure en bas des 100 premières pages. unknown
18573220484<p><em>Small folio; pp. 4 vii i 3-300 4 'Index' with two chromolithographic frontispieces showing the exterior and interior of the exhibition building bound within the preliminaries; numerous wood-engraved illustrations throughout the text; a little browned and spotted in places; in the original publisher's red cloth ornamented and lettered in gilt blind-stamped fleurons in the corners; hinges repaired and overall a good copy.</em></p><p>1857 was a turning-point in the history of art appreciation. The exhibition with its 16000 items on display made the public aware of the fabulous wealth of pictures by old masters and objects of art of every kind hidden away in English country houses and at the same time it opened up a new period of art-historical studies. The preface is at pains to extol the education value of the exhibition and to make known to the people of England the art-wealth of their own country and by inducing a greater familiarity with the beautiful to increase and extend its refining influence.</p><p>gThe Art-Treasures Examinerg contains a series of articles probably under the editorship of the journalist William Blanchard Jerrold who contributed articles on various subjects. Other contributors included Henry Ottley on art criticism schools of painting and engraving; the poet Charles Swain contributing short plays on art; James Astbury Hammersley on watercolour art; George Jackson on photography; Charles Allen Duval on the spirituality of art; G.W. Anthony 'Peregrine Sketchly' on British landscapes and modern painting; a 'History of Caricature' by the radical Dr Robert Blakey and possibly as the most interesting contribution a series of fourteen autobiographical articles by Henry Merritt 1822–1877 the picture conservator and art critic who had risen from a very poor background: 'Where my shoes came from was never satisfactorily explained'.</p><p>British landscape painters and the modern gallery by gBritish Art and Artistsg; a gHistory of Caricatureg by the radical Dr Robert Blakey gModern Galleryg by G.W. Anthony and possibly as the most interesting contribution a series of fourteen autobiographical articles by Henry Merritt 1822–1877 the picture conservator and art critic who had risen from a very poor background: 'Where my shoes came from was never satisfactorily explained'.</p> Manchester, Alexander Ireland & Co., 22, Market Street, … W. H. Smith & Son, 186, Strand, London,
192723301NP 1927. Softcover. vg. Oblong 8vo. Unpaginated 24pp. Stapled printed wraps as issued. Rare exhibition catalogue of the "Erste Frühjahrsschau für angewandte Kunst" which was held in Berlin in 1927. Illustrated with 10 tipped-in b/w photographic reproductions of metal ceramic glas wood weaving and ivory art works. "Erste Frühjahrsschau für angewandte Kunst in Berlin zeigt Musterarbeiten aus verschiedenen Materialgruppen vorwiegend Einzelstücke.Angestrebt wird den Begriff und das Unterscheiden von gut und schlecht in Material Form Farbe und Ausführung weiten Kreisen näher zu bringen dadurch Produktion und Absatz wertvoller Dinge zu steigern wertloses zurückzudrängen. Vertreten sind Einzelarbeiten aus Keramik Glas Metall Holz Weberei und verwandten Materialgruppen." Photographs show art work by Prof. L. Gies O. Douglas Hill & A. Ehlers Prof. E. Scharff Prof. C. O. Czeschka E. Lettrè W. Raemisch Prof. M. Läuger Werkstätten der Stadt Halle Kunstgewerbeschule Burg Giebichenstein and Prof. Th. A. Winde. Minor creasing sunning and staining on wraps. Small stain on margins of bottom and fore edge of first 5 pages. Text in German. Overall very good condition. Scarce. NP unknown
187657711Philadelphia PA: National Publishing Co. 1876. One oblong atlas folio hand-coloured lithograph sized 26 x 20.5 in. still retaining fairly wide borders printing above & below centered image w/ hand-coloured border some minor toning & aging from original backing minor tidemark to upper left corner edgewear slight tears very minor predation scuffing to blank right margin still a nice strong image retaining some of the original colouring. First edition variant issue of this scarce birds-eye view of the buildings and sites at the first World’s Fair in the United States celebrating the Centennial. This depicts the trees grass shrubs pedestrians horse-drawn carriages and walking paths with labels below for the Horticultural Hall Main Exhibition Building Memorial Hall Agricultural Hall Ladies Pavilion Machinery Hall and others. These beautiful birds-eye views were presented to subscribers of the “Centennial History†by sales agents who were also sent extra circulars and liberal commissions as indicated in the margins. These were apparently issued in different sizes and formats with the Huntington hand-coloured copy containing all the text including the imprint at the lower fore-edge and both the Huntington and American Antiquarian Society copies have smaller margins. Bourquin 1808-1897 was a Swiss-American pioneering Philadelphia lithographer who specialized in county maps and atlases but also was known for his innovative lithography and by 1876 maintained between 6 and 20 skilled lithographers to produce portraits and prints. National Publishing Co., unknown
189861010Chicago: Rand McNally Co. 1898. 8vo. 497 1 pp. 1 large folding Birds-eye colour pictorial map bound in at rear sized 25.5 x 20.5 in. with only slight edgewear. Original three-quarter brown calf over dark blue pebbled cloth gilt lettering & bands on spine t.e.g. minor shelfwear light rubbing ex-lib markings on endpapers stamp embossed in blind on title still a VG crisp copy. First edition of this surprisingly scarce report which served to provide the final history and financial analysis of the 1893 Columbian Worlds Fair. Higinbotham provides numerous tables explaining expenses amount of visitors to the fair specific exhibition costs final disposition of exhibits and much more. Of particular interest is that this copy still retains the original pictorial map Birds-Eye view based upon earlier versions and issued with this report. The pictorial map features a numbered list of attractions listed below which carefully correspond to those depicted in the map such as the “Ferris Wheel†erected by George Washington Gale Ferris Jr. as the centerpiece to the Midway Plaisance. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 221 3 different versions issued. [Rand McNally Co., hardcover
189360899Chicago & Philadelphia PA: Globe Bible Publishing Co. 1893. Thick oblong 4to. 11.25 x 9 x 2.25 in. 528 2 pp. including over 250 photo plates all w/ facing explanatory text and Exposition map. Half-black embossed calf over blue cloth gilt lettering front cover spine decorated in blind gilt lettering decorated endpapers expertly rebacked very minor chipping loss head of spine some scuffing offsetting from inner-joint glue at gutters still a VG copy from the library of Prof. Marvin Nathan. First edition of this splendidly illustrated photographic guidebook of the 1893 Columbian Exposition and perhaps the most detailed of all of the illustrated view books to the Chicago World’s Fair. The majority of the pavilions are well-detailed and the Arnold photographs meticulously document the splendor of the Fair. Along with the immense Ferris Wheel which towered over the Exposition there also are images of the Street in Cairo Egyptian Wedding Sudanese villagers Egyptian belly-dancers the Chinese theatre and the Alaskan Kwakiutl Indians together with their totem polls and native dress. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1667. Globe Bible Publishing Co., hardcover
186453725London: Day & Son 1864. First Edition. Large octavo 26cm. Publisher's embossed cloth-covered boards decoratively titled in gilt on spine and front cover; xxiv447pp; 431 wood-engraved text-figures; 39 inserted leaves of engraved plates most folding. Neatly rebacked; some spotting and soiling to boards spine cloth slightly dulled. Endpapers soiled with faint marginal tidemark to preliminary leaves but in all a tight complete Very Good copy. Ownership signature on front endpaper of a William John Lafferty Belfast dated 1866. <br /> <br /> A significant work infrequent in commerce. Especially valuable for its coverage of early railway technology an area in which the author was himself expert as he had served as a Consulting Engineer for the Great North of Scotland Railway as early as 1853. The book's four divisions - Railways; Textile Machinery; Metal and Wood Manufacturing Machinery; and "Machinery in General" are each profusely illustrated with both text figures and folding plates. The final plate at end of text is a "General Plan of the Western Annex" where mechanical exhibits were housed. Day & Son unknown
190023855Paris 1900. Hardcover. Very good condition. A photographic record of a young American man's tour of Europe and the Paris Exposition accompanied by many beautiful street images of Paris.<br /> <br /> The silver gelatin prints of Paris by the unidentified photographer include wonderful images of Notre Dame cathedral the Eiffel Tower the Opera House Toreador Palace the Church of the Madeleine the Champs Esys and the Arc de Triumph. There are many street scenes including the Rue de Rival L'Avenue de loper Place de la Republic monuments and architecture.<br /> <br /> The tour begins in Scotland and includes a departure at the train station wonderful shot of the train and passengers waiting on the platform as well as thatched roof cottages and gardens castles Edinburgh and London. It concludes with images of the main square in Brussels the Belgian country side and Holland including the iconic windmill shot. The final shot is on board ship the photographer with 2 fellow travelers looking very proud of himself.<br /> <br /> The album 8 x 6". Images 3 x 3 1/2" loosely inserted into card stock mounts. Very good condition; previous owner book plate Michael E. Kate. Three quarter leather and buckram boards the spine leather lacking but the binding intact. hardcover
