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1936ZB1283116Cleveland: Perlmuter Printing Company 1936. 16 pp. original illustrated paper wrappers spine rubbed small triangular piece lost at the lower right hand corner of the front cover rear cover lightly soiled else very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. (Cleveland): Perlmuter Printing Company unknown
mon0000066319Palais International des Beaux-A. paperback. Acceptable. in x in x in. Paperback. Cover is badly worn corner is bent. Spine is tight. Pages are clean no markings notes or stains. Ships from Friends bookstore to benefit Beaverton Oregon library. Palais International des Beaux-A paperback
20022081002108800774West Japan Newspaper Company 2002. Soft Cover. Fine. Number of books: 1 West Japan Newspaper Company paperback
19752111902156000415All Japan Airankai 1975. Soft Cover. Fine. The book is in fine condition. All Japan Airankai paperback
20002090202118202521Shiga Prefecture Azuchi Castle Archaeological Museum 2000. Soft Cover. Fine. The book is in fine condition. Shiga Prefecture Azuchi Castle Archaeological Museum paperback
19732090202118203659Not Available 1973. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2005KOS031002896th joint tour exhibition Committee 2005. Soft Cover. Fine. KOS03100289 6th joint tour exhibition Committee paperback
19902110502151102873Japan Photographers Association 1990. Soft Cover. Fine. Number of books: 1 Japan Photographers Association paperback
191326706Tegicigalpa: Tipografia Nacional 1913. Wraps. Good. 26 pages. Printed yellow wrappers. 7 3/4 x 11 inches. Browned paper uncut and unopened. Dampstaining near spine in several places throughout. A scarce publication. Wraps. Rough english translation: "Regulation of the Honduras Section at the Panama-Pacific International Exposition San Francisco California 1915: approved by supreme agreement of May 28 1913 . followed by the Regulations and Rules for Reporting and Guidance of Those Who Claim to Participate in she dictated by the President of The Expresada Exposicon And Corrected And Approved By The Same Tipografia Nacional unknown
188136186Philadelphia: Nagle & Ryckman 1881. First Edition. Wraps. Fair. Folio sized wraps approximately 14" x 10." 24 pages. Illustrated. Two page illustration in the middle. Original illustrated covers with contents printed on the front. Fragile condition. Fair condition. Very old tape repairs to the covers and pages 1 and 2 with old tape stains upper corners first 3 pages. Front cover chipped on the edge. Pages have some creasing and small edge tears. Contents generally clean. Atlanta businessman H. I. Kimball was the Director General of the International cotton Exposition. This exposition preceded the more famous Atlanta Cotton States exposition in 1895. From the New Georgia Encyclopedia:<br /> <br /> Atlanta held its first exposition named the International Cotton Exposition in Oglethorpe Park in 1881. The city then had fewer than 40000 residents and the primary sense in which the first exposition was “international†was the display of cotton plants from around the world. Nevertheless Atlantans were eager to host the 1881 exposition to promote investment and to help the city toward its goal of becoming an industrial center which was a primary component of Grady’s “New South†concept. Although attendance was lower than expected fewer than 200000 in paid attendance during its two-and-a-half-month run city leaders demonstrated that they could work together to host a major event and that Atlanta was serious about its role in textile production at a time when the North was beginning to grow dissatisfied with the efficiency of southern cotton processing. The exposition displayed new crop planters and cotton seed cleaners along with a model of Eli Whitney’s original cotton gin and speakers addressed the crowds about agricultural technology and political reforms. Nagle & Ryckman unknown
190961345Seattle WA: n.p. 1909. Four original photographs 3 silver gelatin & 1 albumen sized 3.75 x 4.5 in. to 3.75 x 5 in. with three mounted on dark brown w/ white border studio board 4th on beige embossed studio board all w/ title caption manuscript annotations on versos minor soiling edgewear some thumbing minor spotting to albumen image still a VG group of photographs. An exceptional quartet of vernacular souvenir photographs capturing events & sights at the Alaska-Yukon-Pacific Exposition. These open with an image of one of the most popular Pay Streak attractions the Indigenous People’s villages attractions featuring the Igorrotes from the northern Philippines. The Igorrote Village showed traditional dwellings daily activities such as dances meal preparation weaving and farming and followed the pattern of earlier appearances at the 1904 St. Louis World’s Fair and 1905 Lewis & Clark Centennial Exposition. The Pay Streak included as well the Cairo & Oriental Village geisha girls in the Japan Village exhibit the Formosa Tea Parlor the Chinese Village as well as a roller-coaster like scenic railway the Temple of Palmistry the very popular Eskimo Village the Battle of Gettysburg Cyclorama and more. The balloon ascension photo captures the “Captive Balloon†which was tethered southeast of the main A-Y-P grounds from which photographer Vern Grinnold was able to capture his aerial photo of the grounds. The other two depict the Forestry Building which was one of the largest log houses ever built featuring a frontage of 320 feet and designed by Charles Saunders and George Lawton; along with the Administration Building. n.p., unknown
190960778Seattle WA: Seattle Electric Co. Publicity Dept. 1909. 12mo. 64 i.e. 62 pp. w/ 1 “memoranda†leaf removed. With numerous illustrations and maps including map keys. Illustrated softcovers A-Y-P Exposition logo on front cover lettering in red & black minor dustsoiling edgewear still G copy w/ pencil annotations prices and remarks in last few leaves and itemized lunch for $ 2.25 on back cover by Amelia S. Sullivan Helen Sullivan or Mrs. William Sullivan w/ additional notes on steamship visit to Vancouver and Victoria B.C. First edition of this rare souvenir handbook guide detailing how to see the sights in Seattle and at the Alaska-Yukon-Pacific Exposition. The maps include those for the Exposition Ballard Edgewater & Union Bay Queen Anne Hill Capitol & Renton Hill along with West Seattle and Beacon Hill. Worldcat locates 3 copies U of AK Fairbanks Claremont WA State Lib. Seattle Electric Co., Publicity Dept., paperback
190963387Seattle WA Portland OR & San Francisco CA: Lowman & Hanford Idealdruck Edward H. Mitchell Co. Portland Postcard Co. Robert A. Reid Publisher 488 Arcade A. Sims 1909. 4to. 9 x 10.5 in. 80 pp unpaginated. on thick black paper w/ slot inserts in each leaf for holding four postcards back-to-back. With 82 colour-printed black & white printed photo chromolithograph & 1 suede-leather postcards. Padded faux alligator skin black cloth rounded corners gilt lettering stamped on front cover slight shelfwear occasional minor rubbing & creasing to a couple of the postcards still a NF exemplar. A marvelous postcard souvenir album filled with postcards assembled by a young Port Angeles teenager chronicling the 1909 Alaska-Yukon-Pacific Exposition. The postcards encompass the views from the gardens to Mt. Rainier the Alaska Monument 7 Hawaii Building Arctic Brotherhood Building Canadian Government Building the Emergency Hospital Building Machinery Hall Manufactures Building Forestry Building many of the States Buildings and courts. In addition there are views of the Japanese Building the “Tokio Cafe†leading to the Japanese Village Nanaimo Building and a number of nighttime shots of the Exposition. Four of the postcards depict the Siberian and Alaskan Indigenous peoples on display at the Exposition with images of baby’s in furs and Indigenous Peoples standing in front of A-Y-P pavilions. The printed photo postcard of the Daughters of the American Revolution Building at the A-Y-P includes note on verso addressed to Juanita Shelpman 1896-1974 at the time a daughter of a Port Angeles barber and later a music teacher in Vancouver WA later married to the rather flighty orchestra leader Lewis Kincheloe 1892-1978. Lowman & Hanford, Idealdruck, Edward H. Mitchell Co., Portland Postcard Co., Robert A. Reid, Publisher, 488 Arcade, A. Sims, hardcover
190959318Seattle WA: Robert A. Reid Publisher 488 Arcade 1909. Oblong 4to. 12.5 x 9.5 in. 54 pp unpaginated. photo-illustrated title. With photographic illustrations throughout 1 large double-page panorama of Arctic Circle & Formal Garden 1 large map at rear of the Exposition. Gray-illustrated softcovers yapp fore-edges panoramic mounted photo cover art of Exposition decorative gilt & black lettering slight shelfwear very slight rubbing still NF copy. First edition of this very scarce photographic souvenir chronicling the Alaska-Yukon-Pacific Exposition. The photos encompass the Manufactures Building Forestry Building many of the States Buildings and courts. In addition there are views of the Japan Exhibit the Formosa Tea House sponsored by the Japanese Imperial government to justify controlling present-day Taiwan the Japanese Village the Pay Streak attractions which included a roller-coaster like scenic railway the Temple of Palmistry the Oriental Village the Igorrote Village wherein Philippine natives were on display as well as the decidedly racist “Dixieland†attraction putting a shiny gloss on the antebellum South and “festivities and pastimes of the negro in the Sunny South.†No copies in Worldcat. Robert A. Reid, Publisher, 488 Arcade, paperback
19982251Moraga California: Hearst Art Gallery Saint Mary's College of California 1998. Near Fine. 10 x 8-1/4 inches. 12pp inside wrappers. Light grey stapled wrappers printed in full color. Color illustrations. Minor wear to wrappers else fine. Hearst Art Gallery, Saint Mary's College of California unknown
1990159516San Francisco: San Francisco Art Institute 1990. Vintage flyer for a 1990 art exhibition and happening held on Friday May 4 1990 at the San Francisco Art Institute Lecture Hall.<br /> <br /> 11 x 8.5 inches. Very Good plus with eight small pinholes. San Francisco Art Institute unknown
1990159588San Francisco: Art Lick Gallery 1990. Vintage flyer advertising San Francisco-based Art Lick Gallery circa 1990.<br /> <br /> The Art Lick Gallery was opened by artists David Seibold and Luiz da Rosa in 1989 and was at that time the only art gallery located in the Castro District. Founded just as the catastrophic impact of the AIDS crisis was beginning to be fully appreciated in the national media and during an unprecedented attempt at censoring art particularly queer art the gallery served as a safe haven for the LGBTQ art community as well as a bulwark against attacks to the community. In Seibold's own words the gallery was "an alternative to 'downtown' gallery spaces places that sometimes present art work as being so precious and intimidating that it's really unapproachable."<br /> <br /> Notable among the exhibitions held at Art Lick were Christopher Enzi's "Inferno & Other Scenes" Jerome Caja's "Compact" and the group exhibition "Eros." The shows held at the gallery which included both group and one- and two-person shows proved essential not only to the Castro community but also to the queer community at large during a period often described by many without hyperbole as a time at war. The gallery closed after Seibold's death in 1992.<br /> <br /> 8.5 x 11 inches. Near Fine with some light edgewear. Art Lick Gallery unknown
193653024London: New Burlington Galleries / Women's Printing Society Ltd 1936. First Edition. Slim octavo 24cm; pictorial wrappers saddle-stitched; 311pp. French gallerist and art dealer Pierre Loeb's copy with "Exemplaire de Pierre Loeb" in red ink on title page by E.L.T. Mesens along with his signature and those of the following individuals associated with the exhibition directly beneath: Shiela Legge André Breton Jacqueline B. Jacqueline Lamba Breton's wife Roland Penrose David Gascoyne Humphrey Jennings Hans Arp and George Reavey. Light external wear and dust-soil wrappers starting to pull away from staples with some scattered discoloration to rear wrapper; a few very light pencil marks in-text else contents quite fresh; Very Good. Housed in a custom clamshell case. Well-preserved catalog of the first Surrealist art exhibition in England organized by artist Roland Penrose and poet David Gascoyne and held at the New Burlington Galleries from June 11th - July 4th 1936. A ground-breaking event described alternately as chaotic indecent and inspiring the organizers assembled nearly 400 paintings and sculptures by 71 Surrealist artists including Hans Arp Jacqueline B. Hans Bellmer Constantin Brancusi Alexander Calder Salvador Dali Marcel Duchamp Alberto Giacometti René Magritte Joan Miró Paul Nash Pablo Picasso Man Ray Yves Tanguy and others. The three-week event was a true spectacle involving Dalí delivering a lecture and nearly passing out while wearing a full deep-sea diving suit Sheila Legge's performance as "The Phantom of Sex Appeal" in Trafalgar Square and poet Dylan Thomas circulating among the guests at the opening offering them cups of boiled string. In addition to listing all 392 works in the exhibit the catalog features a cover illustration by Max Ernst an English-language preface by André Breton translated by Gascoyne and an introduction by Herbert Read. A significant copy signed by several artists and presented to French gallerist Pierre Loeb one of the great champions of Surrealism. On its own a somewhat elusive catalog rarely seen with such a collection of signatures the auction record showing the last such copies for sale in 1976 George Hugnet's copy signed by nine and 1973 Suzanne Malherbe and Claude Cahun's copy signed by 11. 53024. New Burlington Galleries / Women's Printing Society, Ltd unknown
189534282Atlanta: Walter G. Cooper 1895. First Edition. Broadside. Good. Folio broadsheet. Approximately 13.5" x 7.75." Multiple folds. Three columns with 25 paragraphs of information regarding the upcoming Cotton States Exposition in Atlanta. Small torn section midway down the third column with some missing print. Broadside includes an illustrated Atlanta Cotton States Exposition envelope with stamp ca. 1895 addressed to the Narragansett Herald Narragansett Pier R. I. These promotional piece informs editors of newspapers on the progress and planned events for the Exposition to be held from September 18 to December 31 1895. <br /> <br /> The Cotton States and International Exposition was a world's fair held in Atlanta Georgia United States in 1895.1 The exposition was designed "to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and Europe."1 The Cotton States and International Exposition featured exhibits from six states including various innovations in agriculture and technology and exhibits about women and African Americans.1 President Grover Cleveland presided over the opening of the exposition remotely by flipping an electric switch from his house in Massachusetts on September 18 1895.1 The event is best remembered for the "Atlanta Compromise" speech given by Booker T. Washington on September 18 promoting racial cooperation.1. Walter G. Cooper unknown
189536095Atlanta: Atlanta City Council. American Pub. & Eng Co. Atlanta 1895. First Edition. Wraps. Fair. Stapled wraps. 24 pages. Illustrated with photograph of the 1895 Cotton States Exposition Fort Walker at Grant Park View on North Pryor Street Grant Park Views State Capitol and downtown views. Fair only. Spine is taped. Piece of old tape on the frontispiece and top of page 24. Toning and light creases to the paper. A promotional brochure highlighting the advantages of living and working in Atlanta with special attention paid to the Cotton States Exposition. Atlanta City Council. American Pub. & Eng Co., Atlanta unknown
188235602New York: D. Appleton and Company 1882. First Edition. Hardcover. Good. Octavo. 1 vi 610 pages 3 pages advertisements 1. Errata page located between pages 342 343. Green cloth hardcover with illustrated gilt title inside a gilt circle on the front cover. Gilt title on the spine. Some rubbed spots to the cloth covers and spine. Light edge wear to the cloth extremities. The frontispiece is vertically creased and foxed. Pages 7 and 8 are loose. Binding cords visible in several sections but no other loose pages. Hinges are in good condition. Small piece of tape on the edge of pages 321 and 327. Light toning to the text. <br /> <br /> Illustrated with frontispiece engraved portrait of H. I. Kimball 4 plates in text folding "Plat of the Grounds and Buildings International Cotton Exposition Atlanta" engraved plate - "The Compound Tubular Steam Boiler Gold Medal Awarded." 2 more engraved plates a few illustrated advertisements and a folding plan - "Model of the Willimantic Company's Works at Willimantic Conn." Detailed contents make up this comprehensive report including history speeches reports agricultural sections a variety of forms and documents lists of groups awards committee members and much more. <br /> <br /> A nice inscription written on the front blank end sheet from Samuel Inman one of Atlanta's leading citizens of the period Inman Park in Atlanta is named after Samuel Inman. Inscription reads - "Henry S. Cave Compliments of Saml M. Inman Treasurer Atlanta Ga. June 23 1884." H. S. Cave from Atlanta inscription is written on the verso of the frontispiece. Another owners name in pencil on the front paste down "Augusta Wylie King." A later owner's address mailing label located in the upper left corner front paste down. From the New Georgia Encyclopedia:<br /> <br /> Atlanta held its first exposition named the International Cotton Exposition in Oglethorpe Park in 1881. The city then had fewer than 40000 residents and the primary sense in which the first exposition was “international†was the display of cotton plants from around the world. Nevertheless Atlantans were eager to host the 1881 exposition to promote investment and to help the city toward its goal of becoming an industrial center which was a primary component of Grady’s “New South†concept. Although attendance was lower than expected fewer than 200000 in paid attendance during its two-and-a-half-month run city leaders demonstrated that they could work together to host a major event and that Atlanta was serious about its role in textile production at a time when the North was beginning to grow dissatisfied with the efficiency of southern cotton processing. The exposition displayed new crop planters and cotton seed cleaners along with a model of Eli Whitney’s original cotton gin and speakers addressed the crowds about agricultural technology and political reforms. D. Appleton and Company hardcover
189531889St. Louis: C. B. Woodward 1895. First Edition. Hardcover. Fair. Oblong quarto. 48 leaves. Illustrated with photographs by C. D. Arnold. Dual colored cloth hardcover with gilt stamped title on the front cover. Floral decorated end sheets. Cloth covers lightly soiled shelf worn and scratched. Interior contents have light foxing and or soil to a few of the photographs. Hinges are cracked but the text block is still secure. Contents include various buildings and exhibits including "Receiving the Liberty Bell"; "United States Infantry Camp"; various views of buildings around the lake "Atlanta Brewing and Ice Company"; "Shooting the Chutes"; "Indians on the Midway" and much more. The Cotton States Exposition was held on the grounds of current day Piedmont Park. A fair or better copy. C. B. Woodward hardcover
1995221859London.: Barry Davies Oriental Art. 1995. Profuse colour photographic plates unpaginated indices. Text in English and Japanese. 29.7 x 21cm. A very good paperback copy. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine. . Barry Davies Oriental Art. paperback
1996221856London.: Barry Davies Oriental Art. 1996. Profuse colour photographic plates 126pp selected bibliography index. Text in English and Japanese. 32.5 x 22.5cm. Price list loosely inserted a very good hardback in dustjacket. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine. . Barry Davies Oriental Art. hardcover
1990221852London.: Barry Davies Oriental Art. 1990. Foreword by Oliver Impey introduction by Malcolm Fairley. Profuse colour photographic plates unpaginated. 30 x 21cm. Sunned dustjacket spine a very good hardback copy. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine. . Barry Davies Oriental Art. hardcover