421 résultats
187660905Philadelphia: Philadelphia Bank Note Company 1876. Oblong 32mo. 3.75 x 2.25 in. One engraved admission ticket on thick paper stock colour-tinted engraving on verso slight age toning very slight edgewear still NF copy from the library of Prof. Marvin Nathan. An original nicely engraved package ticket to the International Exposition in Philadelphia whose original face value was .50¢ each bearing the imprint of the Philadelphia Bank Note Company a depiction of Lady Liberty & Eagle on verso good for one admission at Money Gates. Philadelphia Bank Note Company, unknown
1876101959Small 3 1/2" x 5" oblong souvenir book embossed red cloth with gilt letters 24 accordion style panels with illustrations two double page. Some slight extremity wear internally bright and clean; very good plus. Somewhat scarce souvenir booklet with numerous illustrations of Philadelphia during the Centennial Exhibition. Illustrations include a panoramic view of Philadelphia Independence Hall the New Post Office Masonic Temple the United States Mint Girard College and the exhibition grounds for the Centennial Celebration. Geo. C. Renkauff,
1876303823Philadelphia Thomas Hunter 1876. 1876. Oblong small 4to 11 3/8" x 7 1/2". 6 color lithographs on 6 separate sheets. Very good few short tears. Views of Machinery Hall U.S. Government Building Horticultural Hall Agricultural Hall Judges Hall Main Building. No Binding. Very Good. Philadelphia, Thomas Hunter, 1876. unknown
187660903Philadelphia: Centennial Views New Excelsior American Views Peoples Series Underwood & Underwood George Barker H.L. Roberts & Co. American Scenery et al 1876-ca. 1926. Twenty-six albumen stereoview photographs 1 coloured sized 5.75 x 3 in. mounted on assorted stereograph boards sized 7 x 3.5 in. many w/ captions faintly w/in negative at lower fore-edge some w/ photographer’s imprint lower fore-edge of board many w/ decorative borders some w/ ink or pencil MS on verso occasional dustsoiling minor edgewear just a couple slightly over-exposed otherwise a good collection from the library of Prof. Marvin Nathan. The Centennial Board of Commissioners awarded the sole license for photography at the exposition just prior to the exhibition to Edward L. Wilson editor of The Philadelphia Photographer who partnered with his good friend William Notman a Scottish-Canadian Photographer as well as Adams of New York and John Fraser. The views included here include the Agricultural Building; Board of Finance Buildings; Machinery Hall interior with the Corliss Engine operating ni the distance; Horticultural Hall along with the Main Entrance and the Exposition grounds. One of the most interesting of the series shows the vast Main Building pavilion under construction with drainage pipes strewn around in the fore-ground while the immense trusses and structural elements slowly march towards the viewer. Most of these images were originally shot by the Centennial Photographic Co. who had proved to be quite successful during the Centennial and the photographers were in great demand through and after the Exhibition which featured over 10 million visitors. Released in a slightly reduced format and licensed out to Underwood & Underwood later Keystone and many others these offered visitors a cut-rate viewing experience. Barker 1844-1894 gained renown originally working for one of Ontario Canada’s leading photographers and later became well-known for his majestic photos of Niagara Falls before a Feb. 1870 destroyed his photo studio although the 800 stereoview negatives were preserved. He later began traveling to shoot views around the United States and released Exposition related images. See: Centennial Photographic Co. Free Library of Philadelphia Digital Collections 2022; James Cremer Woodmere Art Museum 2023; John L. Puckett Centennial Exposition of 1876: An Evolving Cultural Landscape 2023. Centennial Views, New Excelsior, American Views, Peoples Series, Underwood & Underwood, George Barker, H.L. Roberts & Co., Ameri hardcover
187660793Philadelphia: Published for the Centennial Catalogue Co. by John R. Nagle & Co. Printed at the Riverside Press 1876. 8vo. 383 1 pp. With woodcut-engraved frontispiece woodcut engravings text illustrations floor plans illustrated ads. Illustrated printed softcovers cover art illust. of the Main Building minor chipping head & foot of spine wear to corners old ink price on front cover still G copy from the library of Prof. Marvin Nathan. Sixth & revised edition of this informative catalogue guide to the 1876 Centennial Exhibition main building which encompassed 21.5 acres constructed of prefabricated pieces with a wood and iron frame resting on a substructure of 672 stone piers and observation towers. It did manage to remain as an exhibit and community space until being demolished in 1881. Published for the Centennial Catalogue Co., by John R. Nagle & Co., Printed at the Riverside Press, paperback
1867List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown
189320828Chicago 1893. Very good condition. Genuine Oil Painting executed at the Fair in less than three minutes by our celebrated Lightning Artist in the same manner in which he paints them on our machines". <br /> <br /> Signed advertising trade card with real landscape oil painting laid down on front and at verso wood engraving of the Walter A. Wood steel wheel binding harvester with steel bundle carrier in use harvesting a field of wheat. The verso with signed inscription from Walter A Wood above the wood engraving and the date in pencil below "Hoosick Falls June 14 1910". <br /> <br /> Trade card most likely made for the World's Columbian Exposition of 1893 held in Chicago to commemorate the 400th anniversary of Columbus's landing in the New World. The oil painting 6 3/4 x 4 1/2" laid down on card stock 9 x 7 unknown
1893303812New York Home Insurance Company 1893. 1893. First edition. 8vo. Frontispiece and over 50 b/w illustrations. Original stiff color pictorial wrappers. Very good. 32 pages. Notable for the description and illustrations of the Columbian Exposition as well as for the information on Columbus American history etc. plus facsimile signatures of Columbus and all the Presidents of the United States among others. 1st Edition. Soft cover. Very Good. New York, Home Insurance Company, 1893. paperback
189360902Chicago IL & Philadelphia PA: George Barry 1893. 8vo. 383 1 pp. Map frontispiece’s. With 336 black & white plates text illustrations. Half-calf over contemporary marbled boards black & gilt spine label minor scuffing to marbled boards pastedowns & inner hinges repaired still VG copy from the libraries of Franka Johnson and Prof. Marvin Nathan w/ ownership markings on ffep. First edition stated of this relatively uncommon guidebook to the paintings and art exhibited at the 1893 Columbian Exposition. The Art Gallery featured an impressive international group of artists including Winslow Homer William Chase Walter Crane Childe Hassam Adeolphe Marais Amanda Sewell Kenyon Cox and over 100 others. Charles McMeen Kurtz 1855-1909 at the time was one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 907 1st ed. George Barry, hardcover
189359216Chicago: A. Wittemann 67 & 69 Spring St. 211 & 213 Wabash Ave. The Albertype Co. 1893. Oblong 12mo. 7.25 x 4.25 in. 13 leaves unnumbered. With 12 sepia- and aqua-tinted photogravure plates. Embossed limp brown covers raised lettering w/ gilt highlights on front cover punch-sewn at gutter margin w/ blue silk ribbon yapp edges slight curving to cover very minor shelfwear still NF copy. First edition of these nicely executed photogravure images of the magnificent Columbian Exposition in 1893. The historic World’s Fair which ran almost six months with grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris. These photogravures depict the Machinery Hall Admin Building and Court of Honor the Lagoon The Art Palace Woman’s Building the Japanese Hooden Palace on Wooded Island The Krupp Gunworks building and even the Monastery of “La Rabida.†Adolph Wittemann and his brother Herman began working as printers in New York in 1867 and first started printing books and postcards under the Albertype name in 1887. Adolph acted not only as agent finding customers for their services but taking photographs across the country to be made into postcards. See: World’s Columbian Exposition Collection Ryerson & Burnham Archives Art Institute of Chicago 2002; Annie Schentag Photography at the World’s Fair: Construction “Official†Images Architourism Cornell University 2011. A. Wittemann, 67 & 69 Spring St., 211 & 213 Wabash Ave., The Albertype Co., unknown
1894LIST109Various Places 1894. Sammelband of thirteen reports each with original front wrapper or wrappers bound-in; in half-calf with gilt titles on spine. Very Good. Includes: <br /> <br /> Guillouard Louis. Rapport sur les travaux du comiteÌ deÌpartemental du Calvados. Caen: Ch. Valin 1893. 19 pp. printed gray wrapper; <br /> <br /> Drouet Paul. Souvenir du neuvieÌ€me CongreÌ€s international des ameÌricanistes tenu en 1892 aÌ€ Huelva Espagne et de l'exposition reÌtrospective de Madrid. Caen: Delesques 1893. 56 pp. printed pink wrapper; <br /> <br /> Bazenerye Armand. QuatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌs du Cher et de l'Indre chargeÌs d'assurer la participation. Bourges; M.H. Sire 1894. 38 pp. with illus. b/w frontispiece in printed green wrapper; <br /> <br /> Kerros Ernest de. QuatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique. ComiteÌ du FinisteÌ€re…. Brest: A. Dumont 1894. 35 pp. in printed gray wrapper; <br /> <br /> Sarran d'Allard Louis de. Le QuatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique dans les CeÌvennes. Anduze: Castagnier 1893. 35 pp. in printed wrapper; <br /> <br /> Couret Alphonse. Rapport d'ensemble sur les travaux du comiteÌ orleÌanais pour la ceÌleÌbration du quatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique. OrleÌans: G. Michau 1893. 15 pp. printed wrapper; <br /> <br /> Couret Alphonse. L’Exposition Hispano-Orleanaise de la rue Jeanne-d’Arc. Orleans: Michau 1892. 15 pp. printed wrapper; <br /> <br /> Couret Alfonse. Les Relations d'OrleÌans avec l'Espagne et les Espagnols au sieÌ€ge d'OrleÌans en 1428-1429. Orleans: Michau 1892. 13 pp. printed wrapper; <br /> <br /> Plante Adrien. Le CongreÌ€s de Huelva. Orthez: J. Goude-Dumesnil 1893. 44 pp. printed wrapper;<br /> <br /> Hospital Pierre. QuatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique . Rapport aÌ€ M. le marquis de Croizier . sur les travaux du ComiteÌ en 1892-93…. Clermont-Ferrand: G. Mont-Louis 1894. 16 pp. printed wrapper; <br /> <br /> Barghon de Fort-Rion François de. Le Portugal au quatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique et aÌ€ l'Exposition de Madrid 1892. Paris: Chez les principaux libraires 1895. 38 pp. printed wrapper; <br /> <br /> Laville Auguste. QuatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique … Comite du Var …. Toulon: Isnard 1894. 26 pp. with two albumen prints of decorative medallions tipped in printed wrappers; <br /> <br /> Terris Jules de. QuatrieÌ€me centenaire de la deÌcouverte de l'AmeÌrique. Comite de Vaucluse. Bar-le-Duc: Bertrand 1894. 16 pp. printed wrappers. <br /> <br /> An interesting collection of imprints showing the French involvement in the Columbian Exposition. All reports related to the 400th anniversary of the discovery of America by Christopher Columbus given by various governmental or academic committees documenting French participation in the exposition celebrating the same in Madrid and Huelva the Spanish port from which Columbus departed. Some with manuscript signatures or dedications from the author to the Marquis de Croizier. Volume presumably from Croizier’s library. One see above Laville with photographic prints tipped in.<br /> <br /> Generally very good with boards rubbed corners bent one pamphlet tearing at fore-edge. OCLC finds no or fewer than five North American holdings for most reports one unrecorded. unknown
189861010Chicago: Rand McNally Co. 1898. 8vo. 497 1 pp. 1 large folding Birds-eye colour pictorial map bound in at rear sized 25.5 x 20.5 in. with only slight edgewear. Original three-quarter brown calf over dark blue pebbled cloth gilt lettering & bands on spine t.e.g. minor shelfwear light rubbing ex-lib markings on endpapers stamp embossed in blind on title still a VG crisp copy. First edition of this surprisingly scarce report which served to provide the final history and financial analysis of the 1893 Columbian Worlds Fair. Higinbotham provides numerous tables explaining expenses amount of visitors to the fair specific exhibition costs final disposition of exhibits and much more. Of particular interest is that this copy still retains the original pictorial map Birds-Eye view based upon earlier versions and issued with this report. The pictorial map features a numbered list of attractions listed below which carefully correspond to those depicted in the map such as the “Ferris Wheel†erected by George Washington Gale Ferris Jr. as the centerpiece to the Midway Plaisance. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 221 3 different versions issued. [Rand McNally Co., hardcover
189360899Chicago & Philadelphia PA: Globe Bible Publishing Co. 1893. Thick oblong 4to. 11.25 x 9 x 2.25 in. 528 2 pp. including over 250 photo plates all w/ facing explanatory text and Exposition map. Half-black embossed calf over blue cloth gilt lettering front cover spine decorated in blind gilt lettering decorated endpapers expertly rebacked very minor chipping loss head of spine some scuffing offsetting from inner-joint glue at gutters still a VG copy from the library of Prof. Marvin Nathan. First edition of this splendidly illustrated photographic guidebook of the 1893 Columbian Exposition and perhaps the most detailed of all of the illustrated view books to the Chicago World’s Fair. The majority of the pavilions are well-detailed and the Arnold photographs meticulously document the splendor of the Fair. Along with the immense Ferris Wheel which towered over the Exposition there also are images of the Street in Cairo Egyptian Wedding Sudanese villagers Egyptian belly-dancers the Chinese theatre and the Alaskan Kwakiutl Indians together with their totem polls and native dress. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1667. Globe Bible Publishing Co., hardcover
189360749New York: Charles Scribner’s Sons 1893. 8vo. 10 123 1 pp. Title w/ sepia-tinted vignette. With frontisp. plates and illustrations throughout. Beige-coloured softcovers w/ gray illustrated linen d.j. flaps folded and affixed on versos of front & back covers cover art of young woman at the 1893 World’s Fair fresh in Morning tired and seated at Noon and asleep in a chair by Night minor dustsoiling thumbing splitting at joints of spine ex-lib stamps on pastedown title and rear still G/G- copy w/ The Library Company of Philadelphia bookplate on front pastedown dated 12/5/1893 stamped “Duplicate Sold†from the library of Prof. Marvin Nathan. First edition of this nicely illustrated anthology detailing each artist’s experiences and visits to the Columbian Exposition. Millet 1848-1912 displayed work at the 1893 Columbian Exposition and died with the Titanic; Mitchell 1845-1918 was a publisher architect & artist who records his observations of Fair visitors; Low 1853-1932 was a noted Albany NY muralist and Barbizon landscape painter; Gibson 1850-1896 was a noted magazine artist and natural history illustrator whose illustrations graced Harper’s Weekly Scribner’s Monthly and Century magazines and noted for his drawings of the buildings and landscape at the 1893 World’s Fair published by Scribner’s; Smith 1838-1915 traveled extensively exhibited later at the 1901 Pan-American Exposition in Buffalo and also had contributed earlier to the 1876 Centennial Exposition in Philadelphia. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 930. Charles Scribner’s Sons, paperback
189360955Chicago & New York: Rand McNally & Co. 1893. Oblong 4to. 11.5 x 9 in. 226 pp unpaginated. with photo plates throughout. Publisher’s maroon-coloured cloth over beveled boards decorative gilt lettering & illustration on front cover minor soiling light bumping to corners minor spotting & very light stain spot on back cover still VG- copy from library of Prof. Marvin Nathan w/original purchase invoice dated Jan. 30 1996 from the inimitable Charles B. Wood III bookseller. First edition of this nicely illustrated photographic souvenir of the 1893 Columbian Exposition including many depicting the ethnic villages and groups which acted as curiosities on the Midway Plaisance including West Africans Samoan singers Syrians Inuit the Turkish bazaar tent Ceylon tea house and more. Rand McNally issued this in several formats although this 226 pp. version was the most expansive. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1596. Rand, McNally & Co., hardcover
189360192Chicago IL: C.D. Arnold World’s Columbian Exposition Department of Photography 1893. Oblong 4to. Seventeen albumen photographs mounted sized from 7 x 8 up to 7 x 8.5 in. on 9.5 x 8 in. printed studio board photographer’s imprint w/in negative of image and lower corners of board titles imprinted at lower blank board of each image Columbian Exposition medal stamped on versos minor edgewear slight rubbing very minor over-exposure on a few images still a VG bright set of original images. A group of very scarce mounted souvenir albumen photographs shot at the World’s Columbian Exposition in 1893 when patrons carrying small Kodak cameras were required to pay $ 2.00 license fee to bring a camera onto the grounds and no cameras or tripods able to shoot larger than 4 x 5 in. images were allowed. Most visitors bought the printed photo album versions wealthier ones would buy entire souvenir photo albums filled with Arnold images and yet others could buy them as individual mounted shots depicting their favorite or preferred venues. The 1893 Chicago World’s Fair ran almost six months featured grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris which could carry 2160 patrons when fully loaded. The “On the Midway†photo shows the Ferris wheel still under construction which much of the structure still clad in scaffolding. Others depict throngs of visitors individual exhibits and some Buildings just newly finished such as the U.S. Government Building featuring scaffolding off to the side for future installation to be completed. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be an excellent architectural photographer so so became the Chief of the Fair’s Dept. of Photography. See; Thomas Yanul Charles Dudley Arnold Photographer 1844-1927 Official Photographer Chicago Columbian & Pan-American Expositions 2001. C.D. Arnold, [World’s Columbian Exposition, Department of Photography], unknown
189360898Chicago & New York: Rand McNally & Co. 1893. Oblong 4to. 11.75 x 9.2 in. 100 pp unpaginated. with photo plates throughout. Cloth-backed publisher’s boards printed cyanotype lozenge illust. of the Columbian Exposition front cover decorative blue & white lettering minor soiling scuffing expertly rebacked rear flyleaf renewed faint tidemark to some leaves at fore-edges still G copy from library of Prof. Marvin Nathan. First edition of this nicely illustrated photographic souvenir of the 1893 Columbian Exposition including many depicting the ethnic villages and groups which acted as curiosities on the Midway Plaisance including West Africans Syrians Inuit the Turkish bazaar tent Ceylon tea house and more. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1723. Rand, McNally & Co., hardcover
189460987Chicago: Wabash Publishing House W.B. Conkey Co. 1894. Tall thick 8vo. 1196 pp. Photo frontisp. nearly 100 photos & text illusts. illust. initials. Pictorial green cloth gilt illustration & lettering front cover & spine minor scuffing edgewear couple minor bumped corners front inner hinge starting still VG- copy from library of Prof. Marvin Nathan. First edition of this massive compilation of addresses and reports presented at the Colombian Exposition. Of particular interest is the amount devoted to eastern religions including Hinduism Buddhism Bramo-Somaj Shintoism Confucianism Zoroastrianism as well as Islam. The editor has included papers on the role of Buddhism in Siam and Japan the development of Confucianism extracts from the Koran and more. Of particular interest are the papers presented by African-Americans on the “American Negroe’s†role in Christianity including addresses by Bishop Arnett of the African Methodist Ethiopian Church as well as Fannie Barrier Williams on the “Religious Duty to the Negro†and “The Catholic Church and the Negro Race†by J.R. Slattery of Baltimore. Fannie Williams was a vociferous proponent of education for African-American women writing that in terms “of employment colored women bear a distressing burden of mean and unreasonable discrimination . . . colored women can find no employment in this free America.†As African-Americans were almost entirely excluded from the 1893 Columbian Exposition these papers and addresses offer just a few of the efforts by the Black community to engage with attendees. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 2256. Wabash Publishing House, [W.B. Conkey Co.], hardcover
189360965Chicago IL: C.D. Arnold 1893. Oblong 4to. Two albumen photographs sized 4.5 x 3.75 in. featuring upper scalloped corners mounted on 10 x 8 in. embossed studio board w/o photographer’s imprint beveled edges textured boards simulating framed in board slight overexposure still two VG images from the library of Prof. Marvin Nathan. These two scarce souvenir albumen photograph capture World’s Columbian Exposition in 1893 with throngs of visitors strolling through the manicured grounds. Vernacular photography and personal cameras were strictly controlled at the 1893 White City with nearly all who had not paid the $ 2.00 camera fee forced to store them in lockers before entering the grounds. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had shot the 1901 Pan-American Exposition and had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be such an excellent architectural photographer he became the Chief of the Fair’s Dept. of Photography. C.D. Arnold, hardcover
189350588N.P.: Printed in German 1893. 8vo. 12 pp unpaginated. 12 gray colour-tinted lithograph plates bound in accordion-style format nice sharp images and all captioned. Red cloth portfolio black lettering & decoration on front cover minor soiling shelfwear still VG- copy. First edition of this nicely printed lithographic souvenir album of the Columbian Exposition celebrating the 400th anniversary of Columbus’ arrival in the New World. The images include The Machinery Hall and the lagoon the Art Building Mining Building Agricultural Building Manufacture and Decorative Arts Building Gun Boat at the World’s Fair and many others. Printed in German, hardcover
189360194Chicago: W.B. Conkey Co. Publishers to the Exposition 1893. Two vols. 8vo. 506; 506 pp. Frontisp. both vols. With maps photo plates. 1st vol. -- Full dark brown morocco over beveled boards gilt ornamented borders gilt lettering & ownership stamp on front cover gilt lettering on spine gilt inner dentelles marbled endpapers t.e.g. minor rubbing edgewear front hinge tender rear hinge just starting very slight uniform interior toning as usual still VG- copy w/ presentation ALS on Conkey private letterhead presenting to Charles M. Kurtz dated Oct. 28th 1893; 2nd vol. -- Full flexible Bible calf dark purple silk moire endpapers gilt lettering stamped front cover & spine a.e.g. w/ dark maroon cloth d.j. backed in dark purple silk moire a F/F presentation copy from Conkey to Kurtz w/ inscription on half-title preserved in open-backed slipcase. First editions thus presentation copies and the second copy with publisher’s note indicating this was No. 91 of 275 Editor’s Deluxe copies signed & presented to Charles McMeen Kurtz 1855-1909 at the time one of Halsey Ives’s Assistants in the Fine Arts Department of the 1893 World’s Columbian Exposition Art Director of the 1894 St. Louis Exposition and later Museum Director at the Buffalo Museum of Art 1905-1909. Conkey writes in the letter for the first volume to Charles Kurtz “I send you herewith a copy of the Catalogue which you may deem to file away as a reminder of many hours spent in order that others might see intelligently the grand work which you with others have done in the Art Department.†Walter Blakesley Conkey had founded the printing house in 1877 occupied many different job printers and in 1890 absorbed the Illinois Printing & Binding Co. and in Jan. 1893 signed the contracts awarding him exclusive rights for printing the myriad of catalogues and handbooks for the Columbian Exposition receiving a deposit of $ 10000. W.B. Conkey Co., Publishers to the Exposition, hardcover
189361864Chicago IL & St. Louis MO: Union News Company Agents; Engraved and printed by Woodward & Tiernan Printing Co. 1893. 12mo. 6.4 x 5 in. 80 leaves unnumbered. including printed title 79 photo plates. Gray-blue cloth-backed cyanotype-illust. w/ illustrations minor edgewear slight dustsoiling minor wear to couple corners age-toning to back cover still VG copy w/ former ownership markings dated 1893 on ffep. First edition of this well-illustrated photographic souvenir of a visit to the Columbian Exposition by Todd 1858-1926 who at the time was a photographer for the British Columbia Dept. of Agriculture based in Victoria BC. He includes images of many of the buildings & halls the fountain attractions lighting at night the Midway Plaisance with view of the Ferris Wheel and other attractions as well as photos of most of the State buildings. See: Dybwad & Bliss Annotated Bibliography: World’s Columbian Exposition Chicago 1893 1992 1676 revised & interchanged with other photos in bigger and smaller formats sometimes in cloth. Union News Company, Agents; Engraved and printed by Woodward & Tiernan Printing Co., hardcover
189661002Atlanta GA; Littleton NH & New York: B.W. Kilburn James M. Davis; Cotton States and International Exposition Co. 1896. Two original albumen stereoview photographs sized 6 x 3 in. mounted on pink-tinted studio board sized 7 x 3.5 in. photographer’s imprint & captions in blank alongside image and on verso former ownership markings in Spanish on one minor soiling to fore-edges of 2nd image some shelfwear still VG- exemplars from the library of Prof. Marvin Nathan. Two scarce original albumen stereoview photographs of livestock and horse tricks at the 1895 Cotton States & International Exposition which featured the resurgence of the “New South†including the first pavilion sponsored for and by African-Americans the Atlanta Negro Building which covered 25000 square feet and was filled with exhibits of Black workers artists authors and introduced by a Jubilee Singers performances. Unfortunately their accomplishments were largely overshadowed by Booker T. Washington’s notorious “Atlanta Compromise†speech which opened the Fair counseling African-Americans to seek economic security before political or social equality. Benjamin Kilburn 1827-1909. and his brother Edward b. 1830 initially operated their business together until Edward retired in the 1870’s and by 1872 they had a large photographic stereoview card factory one block from the Littleton trains station. Young salesmen carried the stereoviews on the trains and by the early 20th-Century the company was the most extensive producer of stereoview photographs purchasing images from such photographers as William H. Rau the Kiser Bros. and others. B.W. Kilburn, James M. Davis; Cotton States and International Exposition Co., unknown
189548150Portland: Leighton and Frey Souvenir View 1895. Hardcover. Very good. Hardcover. 9 by 5.75 inches 9 by 48 inches unfolded. Publisher's cloth back boards lettered in gilt. Lettering dulled with some minor spots of loss to the spine else a very good example with images in fine condition. Containing nine 9 by 5 black and cards most with multiple images each labeled: "General View; Fine Arts Building; Agricultural Building Manufactures and Liberal Arts Building Machinery Hall; Transportation Building AuditoriumGovernment Building; Fire Building Women's Building Georgia State Building and Negro Building; Administration Building and Main Entrance Minerals and Forestry Building; Peachtree Street Henry W. Grady Monument Post Office & Custom House; Aragon Hotel Grand Opera House Marietta Street Kimball House; Ballard House W.H. Inman's Residence Equitable Building Residence of Major Mimms Grady Hospital. <br/><br/> Leighton and Frey Souvenir View hardcover
189536172Chicago: Adler Art Publishing Company 1895. Hardcover. Fair. Oblong folio. 193 pages. Brown cloth hardcover with gilt illustration on the front cover. Fair condition only. Spine missing and boards are held together by an old linen tape repair on the spine. Covers are scuffed partly affecting the gilt illustration on the front cover. The right front flyleaf front blank end sheet and title page are detached. Original end sheets are chipped around the edges. Some light soiling and stains to the front and back end sheets. Faint toning to the early pages in the text. Interior contents are mostly clean. Interior contents clean. Previous owner inscription on the front blank end sheet "Lou C. Wylie 570 Spring Street Atlanta Ga." Beneath that inscription is another "My Aunt by Marriage David Y Wylie." "Augusta Wylie King" written on the rear end sheet. The Wylie and King families were prominent citizens in Atlanta history. <br /> <br /> Scarce. Not in the Georgia Derenne catalog. 15 copies located in OCLC. From wikipedia: The Cotton States and International Exposition was a world's fair held in Atlanta Georgia United States in 1895.1 The exposition was designed "to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and Europe."1 The Cotton States and International Exposition featured exhibits from six states including various innovations in agriculture and technology and exhibits about women and African Americans.1 President Grover Cleveland presided over the opening of the exposition remotely by flipping an electric switch from his house in Massachusetts on September 18 1895.1 The event is best remembered for the "Atlanta Compromise" speech given by Booker T. Washington on September 18 promoting racial cooperation.1. Adler Art Publishing Company hardcover