9 184 résultats
97 p. : illus. ; 22 cm. Paperback Very good condition Exhibition catalog. Bibliography: p. 97.
196158500Smithsonian Institution Traveling Exhibition Service. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 28 pp. With 20 ills. 26 x 18 cm. -- with a bonus offer-- . Smithsonian Institution Traveling Exhibition Service paperback
15509, Mercatorfonds , 1990 2 delen in cassette, gebonden in grijs + zwart linnen, ge llustreerde stofomslagen, beide delen frontispice in kleur, 250 x 305 mm., 439 + 47 pp., 108 full colour platen en 245 z / w illustraties. ISBN 9061532140.
24149Galería Maeght, Barcelona, septiembre-octubre, 1993,28 p. principalmente láminas color ; 32 cm Catálogo de exposiciones : En español ;liste des prix joint
19999014173New York: Shepherd & Derom Galleries 1999. paperback. Fine Condition. Bound in publisher's original white stapled wrappers. Previous owner's name in ink on the front free endpaper. <br/><br/> Shepherd & Derom Galleries paperback
19999014173New York: Shepherd & Derom Galleries 1999. paperback. Fine Condition. Bound in publisher's original white stapled wrappers. Previous owner's name in ink on the front free endpaper. <br/><br/> Shepherd & Derom Galleries paperback books
415522 June and 1 October 1935; both on House of Commons embossed letterheads and from 5 Carlton Gardens S.W.1. English politician 1881-1965 and architect much of whose work was done in the United States. Both letters two pages quarto. Both letters docketed the first heavily so bearing the Society's stamp and with pin and staple holes in top left-hand corner. Second letter good first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success' but as these letters show the matter was not so clear cut. Bossom is one of a number of the Society's members to have provided financial guarantees for the exhibition and to have been asked to pay £68 15s 0d as a result. LETTER ONE: '. How much did the exhibitors pay towards the abnormal expense in connection with this Exhibition and what profit did they make out of it in the way of sales etc . Of course hind-sight is always better than foresight but looking at the matter now doesn't it seem very obvious that the ones who were to gain by this situation were those who were getting their goods out for sale and certainly they should be the ones who guaranteed the amount of the exhibition and not private members of the Society of Arts to anything like the extent they have been called upon to do. It does seem an example of rather unfortunate management don't you think for we had nothing whatever to gain by the matter and they had everything; and I must admit that when I went round the exhibition I was very much impressed by the great expense that had been undertaken to equip and arrange special lighting etc. . Needless to say I thought such expense was being born sic by the exhibitors otherwise I must frankly say I should have called the attention of the Society to what appeared to me to be a very expensive way of handling the situation.' LETTER TWO: Blossom encloses a cheque but asks that the point he has raised be brought before the Society's council. '. it is an abnormal situation for a learned body to hold and finance an exhibition which in fact in certain respects becomes a show-room for various manufacturers and who on this accound make considerable profit and yet the learned Society - . - bears the expense of providing not only the rooms for exhibition purposes but also the expense of erecting special stands etc. . I was for many years the Chairman of the Foreign Exhibitions Committee of the Architectural League of New York . I find that where the manufacturers have their goods exhibited they have to bear the expense of the setting . where the manufacturers have their names displayed on their goods I cannot see any possible reason why they should not bear the expense involved in the physical arrangements for the exhibition. It obviously is the most valuable advertising and in addition has caused sales to be made and by no process of reasoning can it be diverted into being a strictly artistic exhibition - it did resolve itself into a commercial one. . I was while on the Council of the Royal Society of Arts exceedingly keen on such an . Exhibition . Purely as a matter of interest is there existing any precedent at all for the expense of such a commerical exhibition being borne by a strictly learned body' Both letters signed 'Alfred C Bossom'. 22 June and 1 October 1935; both on House of Commons embossed letterheads, and from 5, Carlton Gardens, S.W.1. unknown
41631Antwerpen, Mercator & Noordstar, 2000 Geniet, originele uitgeversomslag, 28.4x20 cm., pagina's zonder nummering, geillustreerd in kleur.
This is a very good softcover copy with just light wear. SIGNED by the artist, Abelardo Morell, in ink on the half title-page. Not inscribed to anyone, just signed. This catalogue was prepared to accompany the exhibition at the Isabella Stewart Gardner Museum from September 18, 1998 to January 3, 1999. Introduction by Jill S. Medvedow. Essays by Charles Simic and Jennifer R. Gross. Illustrated in black & white. Uncommon signed. 10" high X 12" wide, 63 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
74456aafBerne, Impr. Rösch & Schatzmann, 1908, in-4to, 147 p. avec le plan et 25 vues de l'exposition, brochure originale.
116013Genève, Galerie Engelberts 1969, 180x165mm, frontispice, broché. Bel exemplaire.
116523Genève, Galerie Engelberts 1977, 180x165mm, broché. Tirage à 700 exmplaires.
1994EEzz8415f(Salzburg), Salzburger Kunstverein 1994. 4°, 72 S., mit zahlr. teils farb. Abb. im Text u. auf Tafelss., OKart., Rü. leicht rissig, Umschl. mit Gebrauchsspuren, innen tadellos. Künstler: Parveen Adams, Valie Export, John Miller, Orlan, August Ruhs, Kaja Silverman. - In Beilage: Symposium Salzburger Kunstverein (zur gleichnam. Ausstellung). 4°, 88 S., mit s/w-Abb. im Text, OKart., guter Zustand. Text beider Werke in Deutsch und Englisch.
This is a fine hardcover copy without dust jacket, as issued, with no wear at all. Completely clean. Essay by Kenneth E.Silver 'What About Brad? Lichtenstein's Men'. Illustrated in color. Exhibition checklist with 27 works catalogued. 9" high X 6" wide, 32 pages. This book will be securely packed and shipped with tracking.
19922090202118109097Silk Road Exhibition Executive Committee NHK Art 1992. Soft Cover. Fine. The book is in fine condition. Silk Road Exhibition Executive Committee NHK Art paperback
19922081002108803791NHK art 1992. Soft Cover. Fine. Number of books: 1 NHK art paperback
6504Le cherche midi Volume broché couverture glacée au format 12x19env , ensemble en parfaite condition , 175 pages .
This is a very good softcover copy of this exhibition catalog with almost no wear. Very clean inside and out. Illustrated in black & white with texts by Duane Michals. Portaits of Warren Beatty, Andy Warhol and Bill Brandt. 11" high X 8" wide, about 12 pages.
33916Stockholm, Imprimerie Centrale 1878, 235x155mm, VIII - 554pages, broché. Rousseurs.
1994562712Boston: Boston University Art Gallery 1994. Softcover. Near Fine. Exhibition catalog. Exhibition and catalog by Kim Sichel. Essay by Edmund Barry Gaither. Oblong small quarto. 45pp. Illustrated from photographs. Pictorial wrappers. Just a bit of wear on the wraps near fine. Text includes biographical statements by featured photographers including Herbert Collins Hakim Raquib and Lou Jones. Published on occasion of the exhibition in Boston at the Boston University Art Gallery March 5 - April 10 1994. Boston University Art Gallery unknown
1994508142Boston: Boston University Art Gallery 1994. Softcover. Very Good. Exhibition catalog. Exhibition and catalog by Kim Sichel. Essay by Edmund Barry Gaither. Oblong small quarto. 45pp. Illustrated from photographs. Printed wrappers modestly worn very good or better. Text includes biographical statements by featured photographers including Herbert Collins Hakim Raquib and Lou Jones. Catalog for a 1994 exhibition at the Boston University Art Gallery. (Boston University Art Gallery) unknown
199452927Boston: Boston University Art Gallery 1994. First edition. Small 4to. 5 44 pp. b&w plates from photographs. Photo-illustrated stiff wrappers. Price sticked on rear wrapper; near fine. Documentary photography and the African American experience by Kim Sichel; Seeing ourselves by Edmund Barry Gaither. African Americans in Boston: a demographic survey. Artists' statements and chronologies: Herbert Collins Paul Rowell Margaret Sutermeister Jules Aarons Irene Schwachman Polly Brown Beverly Conley Lou Jones Hakim Raquib. <br/><br/> Boston University Art Gallery unknown books
19482092902137304363Arusu 1948. Soft Cover. Fine. Size: 26cm Arusu paperback
19592092902137306159Bijutsu shubbansha 1959. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19912092902141203303Hanashiro Publishing Company 1991. Soft Cover. Fine. Number of books: 6 Hanashiro Publishing Company paperback