FROST & REED, LtdMareMagnum
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4to., First Edition, with numerous fine coloured reproductions; original blue wrappers, upper wrapper with mounted coloured reproduction (repeated from text), wire-stitched as issued, a near fine copy. With Private View card loosely inserted.
4to., First Edition, with numerous fine coloured reproductions, interleaved with silverskin guards; original blue wrappers, upper wrapper with mounted coloured reproduction (repeated from text), comb-bound as issued, a near fine copy.
4to., First Edition, with numerous fine coloured reproductions, interleaved throughout with silverskin guards; original blue wrappers, upper wrapper with mounted coloured reproduction (repeated from text), comb-bound as issued, a near fine copy. With Private View card loosely inserted.
4to., First Edition, with numerous fine coloured reproductions; original blue wrappers, upper wrapper with mounted coloured reproduction (repeated from text), wire-stitched as issued, a near fine copy.
4to., First Edition, with numerous fine coloured reproductions; upper wrapper blocked and lettered in gilt, wire-stitched as issued, a near fine copy. With Private View card loosely inserted.
4to., First Edition, with numerous fine coloured reproductions; upper wrapper with mounted coloured reproduction (repeated from text), wire-stitched as issued, a near fine copy.
4to., First Edition, with numerous fine coloured reproductions; pictorial wrappers, lettered in gilt, wire-stitched as issued, a near fine copy. With Private View card loosely inserted.
Oblong 4to., First Edition, with numerous fine coloured reproductions; blue wrappers, upper wrapper with mounted coloured illustrations (repeated from text) and lettered in gilt, wire-stitched as issued, a near fine copy. With Private View card loosely inserted.
This is a fine hardcover copy with no wear, without dust jacket as issued. Completely clean inside and out. This catalog was prepared to accompany the exhibition at Gagosian Galleries in Beverly Hills, California from October 24 to December 9, 2006. Essays by Thyrza Nichols Goodeve, Lawrence Douglas, and Alexander George Illustrated in color with 46 plates, fold-outs. Exhibition history. 12" high X 9" wide, 128 pages. This book will be securely packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. The page edges of the text block are starting to yellow. This catalog was prepared to accompany the exhibition at Feature Inc. / Feature Art Gallery in New York from March 4 to May 3, 2004. Text and photographs by the artist Tom Friedman. 10" square, 94 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.
This is a fine hardcover copy without dust jacket as issued, with no wear at all. Completely clean. Illustrated throughout in color. 11" high X 10" wide, 271 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light cover wear. Completely clean. Text in English and German. This monograph was prepared to accompany the traveling exhibition which opened at the Milton Keynes Gallery in England from April 11 to June 21, 2009. The exhibition also appeared at the Museum of Contemporary Art in Detroit and the Kunstmuseum Bern. Exhibition curated by Susanne Friedli of the Kunstmuseum Bern. Contributions by Mathias Frehner, Marsha Miro, Thomas McEvilley, Nelly Jaggi, Jean-Hubert Martin, Joel Fisher, Gerhard Johann Lischka, Viola Maria Michely, Peter J. Schneemann, and Nicola Mullerschon. Illustrated mostly in color, some black & white. Biographical Sketch. Bibliography. Scarce. 9" high X 7" wide, 264 pages. Heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Ouvrage complet en 2 tomes: xxix,440 + xlvii,490 pp., 26cm., brochure originales (qqs. taches, qqs. petites manques de papier aux ods, bien protégées par une couv. de papier cristal), texte et intérieur frais, pages pour la plupart non coupées, bon état, rare, B94661
Tome 1 (des 2): xxix + 440 pp., 26cm., reliure cart. d'époque (plats marbrés, dos en cuir avec titre doré), feuilles de garde marbrées, cachet, peu de rousseurs, bon état, rare, B100966
This is an about very good softcover copy in the original stiff gray printed wrappers with light wear. Spine is worn, but binding firm. Completely clean inside, covers have a little light toning. Text in French. This is a sale catalog for an auction held in Amsterdam in 1911 at Frederik Muller & Cie. The sale consisted of a collection of Marine paintings and drawings, relating to Holland in the 17th and 18th centuries. 36 works in the sale. 11 works illustrated in black & white. Artists in the sale included J. Bellevois, P. Blauw, J. Boon, J. van Diest, H. Kobell, W. van de Velde (12 works), A. Willaerts, R. Nooms dit Zeeman, and A. Zeiesnis. 11" high X 8" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with almost no wear. Completely clean. Text in French. Illustrated in color and black & white. This catalog was prepared to accompany the exhibition at the Fondation de l'Hermitage from March 22 to June 1, 1986. Curated by Francois Daulte. Essay by Pierre Descargues. Chronology by Martine Jaquet. Rodolphe Theophile Bosshard (1889- 1960) was a Swiss modernist painter. Bibliography. 11" high X 9" wide, 207 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Fine English Paperback. Pbo. Dust wrapper. 4to. (32 x 23 cm). In English and Turkish. 165, [2] p. B/w photos. "Who is a photographer? Any high-wire artist without a wire, any conductor without an orchestra, any realistic dreamer with a bit of persistence who, whether confusedly or not, has the feeling, the courage - it only takes a slight movement of the index finger - to stop the world. He blocks it, wedges it, lays it out. For good. Makes it solid. That is where the work of art begins: when it's over. When the photo has been taken, printed, chosen. Sold, I might say." F.M.R. "Photography means power. One of the greatest powers is that of writing History. This is dangerous ground for the honest practitioner. Now I come to a word I would have preferred never to use: responsibility. This time, the witness is the verdict. The penalty is severe: it defies time, gong well beyond those involved in the tragedy and affecting us and our children's children." (F.M.R.). François-Marie Banier became known as a poet and novelist in the 1960s, but later he shifted focus to play a central role in photography and painting. For Banier the streets are not just places where he takes photographs but at the same time his studio. Camera in hand he impulsively plunges into life, sometimes in the streets of Paris, sometimes in cities in other countries. For him the reality of life is more creative than the created. His portrait photographs, whether they depict people who are unknown, or artists and other famous figures, are masterpieces of light, expression and graphic balance. His portraits capturing people ranging from Beckett to Nicole Kidman completely expose their natural state. As he clicks the shutter release, everything is not over but instead newly beginning. It may cost Banier years for these photographs to mature and be accepted. He never views photography as capturing a frozen moment. At the end of the 1980s Banier began writing directly onto the image in seemingly disorganized sentences arranged one after the other or linked together, telling stories that might be dramatic, cheerful or melancholy. His photographs thereby acquired a completely new appearance and new story. Consequently these photographs are not observed in the ordinary way. Instead they sweep you into them and make you a part of the story. The words both alter the image and lend a completely different dimension of creativity. Banier began to combine writing, painting and photography in his work. Ink, paint and drawing are the new episodes in moments and stories that he captured in the past. In Banier's photographs, as words, paint and images spread over the photograph, syntheses that both conceal and reveal the image emerge as riddles that require solving afresh each time. François-Marie Banier's photographs are each works created from life and relating to life, presenting nobility, drama, happiness and unhappiness in a sensitive balance that may be ironic or tragic. Actually these works that express all times are a balance of the relationship between photography, light, writing and pictures. François-Marie Banier's photographs are 'True Stories' capturing images of a lost moment that will never return or be found again.
This is a very good softcover copy with light wear. Covers a bit sunned. Completely clean inside. Text in French. This massive catalog was prepared to accompany the exhibition at the Centre Pompidou from mid March to mid June 2001. Exhibition curated by Mark Francis. Essays by Mark Francis, Catherine Grenier, Jean-Michel Bouhours, Martine Lobjoy and Chantal Beret. Checklist. Bibliography. Illustrated in color and black & white, hundreds of illustrations. 11" square. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with just light wear. Completely clean. Text in ITALIAN. This catalog was prepared to accompany the exhibition at Studio Durante in Rome in February 1991. Essays by Giorgio Franchetti and Salvatore Scarpitta. Illustrated in color with 13 plates. Checklist of the exhibition with 13 works catalogued. 11" high X 8" wide. This book will be securely wrapped and shipped with tracking.
This is near fine softcover copy with almost no wear. Completely clean inside and out. Spine uncreased, probably unused. This catalog was prepared to accompany the exhibition at the Whitney Museum in New York from mid December 1986 to the end of March 1987. Lengthy text covers Storr's whole career. 11" high X 8" wide, 145 pages, 145 illustrations in black and white. Selected exhibitions and bibliography. Chronology. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with light cover wear. One small spot on the top left corner of the mustard colored wrappers. Very clean inside. Text in French. This catalog was prepared to accompany the exhibition at the Bibliothèque Marmottan in Paris in 1976. Essays by Bruno Foucart and Albert Besancon. The exhibition explored the modern style of the sculptural program at the Parc des Princes. The sculptors involved were Joseph Bernard, Max Blondat, Ernesto Cano da Maya, Raymond Couvegnes, Nathan Imenitoff, Frederick Auguste Bartholdi, Paul Landowski, Jacques Lipschitz, Marcel Loyau, Oscar Miestchaninoff, Paul Moreau-Vauthier, Alfred Muller, and Paul Troubetzkoy. Illustrated in black & white with usually one plate per artist. Checklist with 60 works catalogued. 9" high X 8" wide, 26 pages. This book will be securely packed and shipped with tracking.
This is a very good softcover copy with light wear. Formerly in the collection of a prominent Italian Renaissance art historian whose name is on the title page. Otherwise completely clean. Text in ITALIAN. This catalog was prepared to accompany the exhibition at the Uffizzi of the drawings of Andrea Boscoli (ca. 1560- 1607). Illustrated with 34 black & white plates. Catalogue of 92 works with lengthy entries. Bibliography. 10" high X 7" wide, 52 text pages + plates. This book will be securely packed and shipped with tracking.
This is a fine hardcover copy with no wear. Completely clean inside and out. Text in English and Italian. This catalog was prepared to accompany the exhibition at the Barbara Mathes Gallery from November 2011 to January 2012. Essays by Elena Forin, Gillo Dorfles, and Cecilia Lucia Dealessi. Over 100 color plates. Bibliography. Biographical sketches of the artists. 11" high X 8" wide, 191 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is an almost very good softcover copy with some cover wear. The covers are toned, spine darkened. Completely clean inside. This catalog was prepared to accompany the exhibition at the Arts Council in 1974. This was the second exhibition in the series. Introduction by Andrew Forge. Illustrated in black & white with reproductions of 203 works. Includes work by over 130 British painters. 10" high X 8" wide. Corrigenda sheet laid in. This book will be securely packed and shipped with tracking.
This is a fine softcover copy with a fine printed mylar wrapper with a large color image of Cindy Sherman as a circus juggler. Completely clean. Text in English. This number of Le Journal No. 11 September 2020, is dedicated to coverage of the Cindy Sherman retrospective at the Fondation Louis Vuitton in the fall of 2020. Articles by Bernard Arnault, Suzanne Page, etc. Illustrated mostly in color. 12" high X 9" wide, 64 pages. This book will be securely wrapped and shipped with tracking.
