1 389 résultats
P., Société d'éditions géographiques, maritimes et coloniales, 1931. In-4 broché avec couverture à rabats, 215 pp.- XII hors-textes. Non coupé. Petit manque de papier en bas du dos.
Paris, Éditions de la Réunion des Musées nationaux, 1967; in-8 carré (211 x 236 mm), 360 pp., broché, couverture illustrée. Catalogue d'exposition, Ministère d'État Affaires Culturelles, Ville de Paris. Paris, 27 octobre 1967-29 janvier 1968. Très nombreuses illustrations en noir et blanc.
This is a very good softcover set of the catalogues for the Second and Third International Sculpture Symposiums of Baltimore, the second one in 1976 and the third one in 1980. Generally clean, but a small tan stain to the edges of a few pages of the first catalog. Statements by Robert du Bourg, Director of the symposium. Illustrated in black & white. Lists of symposium participants. 8" high X 11" wide, 43 & 68 pages. These books will be securely wrapped and shipped with tracking.
This is a very good hardcover copy bound in black moire cloth boards and pink cloth spine. The spine and edges of the black cloth front board are sunned. Completely clean inside. Text in Basque and Spanish, with English summaries at the end. This catalog was prepared to accompany the exhibition in Spain in 1997. The title of the exhibition translated to English would be: "The Veiled Face: Transvestism and Identity in Art". Artists included in the exhibition: Claude Cahun, Robert Gober, Nan Goldin, Juan Hidalgo, Michel Journiac, Jurgen Klauke, Zoe Leonard, Urs Luthi, Lisette Model, Pierre Molinier, Catherine Opie, Pierre et Gilles, Man Ray, Humberto Rivas, August Sander, Cindy Sherman, Andy Warhol, and Joel-Peter Witkin. Illustrated in black & white and color. Bibliography. Filmography. 10" high X 8" wide, 341 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine softcover copy with no wear at all. Completely clean. Text in English and Polish. This catalog was prepared to accompany the exhibition in Warsaw at the Center for Contemporary Art, Ujazdowski Castle, from July 12, 1998 to January 24, 1999. Curator Milada Slizinska. Illustrated in black & white and color. Bibliography. Exhibition history. 10" high X 7" wide, 76 pages. Passport application form laid in. This book will be securely wrapped and shipped with tracking.
A clean, unmarked book with a tight binding. Slight wear to cover. 7 1/4"w x 10 1/4"h. Many color photos.
New Turkish Paperback. 4to. (30 x 21 cm). In Turkish. 120 p., b/w and color ills. Isiga tutunmak.
8vo., First Edition, with numerous plates; original pictorial wrappers, crease-mark on upper cover else a very good, clean copy. Scarce catalogue of an important loan exhibition that ran from 7 December 1968 to 26 January 1969.
New English Paperback. 4to. (27 x 22 cm). Edition in English. 304 p., b/w photos. Ismail Saray. [Album of photographs]. Text by Begüm Akkoyunlu Ersöz, Duygu Demir, Antony Hudek, Sezin Romi, Yusuf Taktak. Although Ismail Saray participated in numerous exhibitions across Turkey and Europe throughout the 1970s until the 1990s, with an increasingly political conceptual practice, he remained on the fringes of the art system, both locally and internationally. Saray's dissident stance against the system and critical attitude towards art's institutionalization, his status as a state employee, his bohemian lifestyle, self-imposed exile in the aftermath of the 1980 coup d'état, as well as the short-term memory of the historiography of art in Turkey obscured his significant artistic practice. SALT has been researching the context of Saray's life and practice since late 2012 with the conviction that the he holds a canonical place in the artistic and cultural environment of the 1970s and early 1980s in Turkey. His works have an international resonance with the advanced practices of the time in addition to displaying an acute sense of place. Comprised of documents and audio-visual materials, the artist's archive was processed and digitized by SALT and made available online at SALT Research. The first phase of the project was shared in the form of an exhibition titled From England with Love, Ismail Saray at SALT Galata in Istanbul and later at SALT Ulus in Ankara (2014-2015). Aiming to rescue his artistic output from passing into oblivion, the exhibition brought together Saray's works and archival materials, and was his first and only retrospective in Turkey. Similarly, the Ismail Saray book, which is the first monographic publication on the artist, brings together artworks and selected documents from the Ismail Saray Archive at SALT Research, encompassing his output from his student years in the 1960s up to the SALT exhibition. The book is edited by Duygu Demir, an independent curator and PhD candidate in art history at MIT, and Sezin Romi, Senior Librarian and Archivist at SALT Research and Programs, and designed by Okay Karadayilar. Editions of the book will be available in both Turkish and English in March. In addition to texts by the editors, the book includes essays by Antony Hudek, Begüm Akkoyunlu, and Yusuf Taktak, along with excerpts from interviews conducted with Mustafa Altintas, Handan Börüteçene, Cengiz Çekil, Ahmet Öktem, and Saray himself during the research process. While Demir's article focuses on Saray's artist books and other paper-based works, Hudek examines And Journal of Art and Art Education, published by Saray and his wife and collaborator Jenni Boswell-Jones, within the context of the art world in the UK. Akkoyunlu takes a look at a series of seminal exhibitions Saray participated in Istanbul from the 1970s to the 1990s, tracing the transformation of exhibition-making into an independent practice among artists. Romi's interview with the artist around institutional historicization deliberates on the archival process and the making of the exhibition at SALT. Taktak's exhibition review from 1979, written under a pseudonym, combined with the periodical testimonies from fellow artists, falls in line with the book's fundamental purpose of providing a nuanced contextual background that allows for a more lucid assessment of Saray, as well as providing the grounds for historical analysis.
Fine English Paperback. Pbo. 4to. Fully color ills. 40 p. In Turkish. Istanbul. [=Istanbul Paintings Exhibition].
Catalogue bilingue français-anglais de l'exposition d'aquarelles et dessins de Joseph Mallord William Turner (1775-1851) présentée en 1994 au Palais des beaux-arts de Charleroi, réalisée par la Tate Gallery, le British council et le Palais des beaux-arts de Charleroi: 85 oeuvres provenant de l'important legs fait à l'Etat par l'artiste, avec descriptions, commentaires et reproductions couleurs; préfaces de Nicholas SEROTA, directeur de la Tate Gallery, et du conservateur Laurent BUSINE; introduction de Ian WARRELL, spécialiste de l'artiste; chronologie; bibliographie. Exemplaire avec photo originale d'un monsieur (Laurent Busine ?) devant l'affiche de l'exposition. Bilingue anglais / français
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the The Museum of Modern Art from April 3 to September 7, 2015. It was then shown in Washington D.C. at the Phillips Collection from September 10, 2016 to January 17, 2017. The exhibition was curated by Leah Dickerman and Elsa Smithgall. With contributions by Elizabeth Alexander, Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Jodi Roberts, Patricia Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams, and Kevin Young. Illustrated throughout in color. 12" high X 10" wide, 191 pages. A fine unused copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good softcover copy with only light wear. Very clean inside and out. Spine not creased, binding firm. Text in Italian. This catalog was prepared to accompany the exhibition of etchings by Jacques Callot and Stefano della Bella, in Siena at the Palazzo Publico, during the summer and early fall of 1976. Extensive bibliography. Many black & white illustrations. Introduction by Aldo Cairola. 9" high X 8" wide, 309 pages.
Catalogue de l'exposition présentée en 1979 à la Galerie Adrien Maeght, consacrée à ces peintures "entomologiques" que réalisait le peintre et graveur Jacques Poli (1938-2002) à partir de 1976: 8 reproductions à pleine page en noir et 6 en couleurs, deux lithographies originales: couverture et double page intérieure; accompagnées de 4 textes écrits par l'oulipien Georges PEREC (1936-1982) pour cette publication: "au départ, il n'y aurait qu'un accident minuscule [...]", "Tentative d'inventaire provisoire de quelques uns des mots évoqués par la vision des tableaux de Jacques Poli", "Enumérations, 2", "11 x (11 + 11) + 11" et d'un court extrait des "Souvenirs entomologiques" de Jean-Henri FABRE sur la mante religieuse; liste des 20 oeuvres exposées. Français
This is a very good hardcover copy bound in illustrated boards, without dust jacket, as issued. This copy has an original drawing, in black marker, of the bird that occurs throughout his work, by the artist, Jaime Hayon, on the front endpaper (see photos). Wear to top edge of spine. Thin pale stains to top edges of front and back endpapers. Otherwise completely clean. This monograph was prepared to accompany the exhibition at the Groninger Museum from October 12, 2013 to March 30, 2014. Exhibition curated by Mark Wilson and Sue-an van der Zipp. Illustrated in color and black & white. Green silk page-mark present. 11" high X 8" wide, 189 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a very good hardcover copy without dust jacket as issued, with just some wear to the covers. Completely clean. Illustrated mainly in sepia. Text in English. Illustrated with full page and full color reproductions of the brothers' alterations of the Goya's Disasters of War suite. Stated first edition. 11" high X 15" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a near fine softcover copy with almost no wear. Completely clean inside and out. Text in Italian and German. Curated by Rudy Chiappini, Director of the Museo d' Arte Moderna, Città di Lugano. Essays by Chiappini, Luigi Cavadini and Xavier Tricot. Illustrated in black & white with 138 plates + 60 color plates. The etchings are reproduced in b/w, the lithographs in color (red). Biographical sketch by Barbara Paltenghi. Exhibition history. Bibliography. 11" high X 10" wide, 297 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Catalogue de l'exposition présentée en 1990 au Musée du Petit Palais, à Paris, par l'Association française d'action artistique, mettant l'accent sur l'évolution et les thèmes dominants de l'oeuvre du peintre, dessinateur et graveur belge James Ensor (1860-1949): 232 n°s avec notices, commentaires et reproductions en noir et en couleurs (vignettes et planches), précédés de textes de Robert HOOZEE sur les débuts de la carrière de l'artiste ("paysages, intérieurs, natures mortes 1880-1887"), de Gisèle OLLINGER-ZINQUE sur "Le Christ-Ensor ou l'identification au Christ dans l'oeuvre d'Ensor", de Stephen Charles McGOUGH sur "L'entrée du Christ à Bruxelles en 1889", de Herwig TODTS sur le grotesque et les masques dans son oeuvre, de Lydia M.A. SCHOONBAERT sur ses dessins, de Sabine BOWN-TAEVERNIER sur ses eaux-fortes, de Dominique MOREL sur l'influence de l'art français sur sa peinture et sur sa fortune critique en France, avec citations; illustrés de vignettes en noir et d'1 planche couleurs double page; chronologie; bibliographie. Exemplaire accompagné du "petit guide" de l'exposition rédigé par Dominique MOREL et illustré de vignettes en noir. Français
Originalbrochiiert, 372 S., 24 x 28 cm. Biblio. Guter Zustand. [PLC-2]
This is a near fine softcover copy with almost no wear. This catalog was prepared to accompany the 1985 exhibition at Michael Werner Gallery. This softcover volume includes the dense four-page The Diary of Izumi Shikibu plus nine color tipped on plates. 12" high X 8" wide, about 30 pages. This book will be securely wrapped and shipped with tracking.
This is a fine softcover copy with no wear at all. Signed in ink, by the artist, James Rosenquist, and briefly inscribed, on the title-page just above his printed name. Otherwise completely clean. This catalog was prepared to accompany the exhibition at Acquavella Galleries in New York from February to March 2010. Essay by Sarah Celeste Bancroft. Exhibition checklist with 21 works. All illustrated in color. 10" high X 9" wide, 47 pages. A fine signed copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine as new softcover copy with no wear at all, still in the publisher's shrinkwrap, unopened. This catalog was prepared to accompany the exhibition at Acquavella Galleries in New York from February to March 2010. Essay by Sarah Celeste Bancroft. Exhibition checklist with 21 works. All illustrated in color. 10" high X 9" wide, 47 pages. This book will be securely wrapped and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket with virtually no wear. As new. Completely clean. This massive catalog was prepared to accompany the retrospective exhibition at the Guggenheim Museum in 2003-04. Organized by Walter Hopps and Sarah Bancroft. 270 illustrations with 182 in color. Chronology. Bibliography. 10" high X 12" wide, 414 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is an about very good hardcover copy in a very good dust jacket with light wear. Slender folio sized book with a slight lean to the spine. Completely clean inside and out. Text in English and French. This catalog was prepared to accompany the exhibition at the Galerie Thaddaeus Ropac in Paris in the fall of 1992. Essay by Ann Hindry. Illustrated in color with a dozen plates including a fold-out. 12" high X 9" wide, 50 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is an almost very good hardcover copy with a like dust jacket. Signed in ink, by the artist, James Surls, on the front endpaper, and dated 9/22/04. Not inscribed to anyone just signed and dated. Small moisture stain to the bottom of the spine of the jacket and lower corner of rear jacket panel, and also the other lower corner of the book only. This catalog was prepared to accompany the exhibition at the Meadows Museum, Southern Methodist University from January 24 to April 20, 2003. Illustrated in color and black & white. 12" high X 9" wide, 176 pages. This book will be securely packed and shipped with tracking.
