300 résultats
Large Folio, measuring 56cm x 39cm (15.5 inches x 22 inches). Original printed wrappers. Text is in Italian. [6], 72, [2] pages, plus 7 engraved plates, 5 of which are double-page. Wrappers chipped at extremities, occasional foxing, otherwise in very good condition. Scarce valuable resource on Ptolemaic Egypt. A scarce account, rarely seen in original wrappers, Pieralisi's treatise is a noteworthy study of the late Hellenistic Nile Mosaic of Palestrina, which depicts Ptolemaic Egypt and dates to circa 100 B.C. The author, Don Sante Pieralisi, was a librarian of the Barberini Library in Rome with access to many early scholars' works. The mosaic's history and construction are described, followed by a presentation of some early and compelling theories of interpretation and dating, by such scholars as Barthelemy, Antonio Nibby, Carlo Fea, and Cassiano dal Pozzo (secretary to Francesco Barberini who was largely responsible for its restoration). Much history of ancient Egyptian life can be drawn from the mosaic scenes, including the Nile's yearly flooding, Nubian hunters, mythical or extinct creatures, Egyptian-Roman trade, contrasts between peasant dwellings and palatial life, the rise of magnificent walled cities guarded by Egyptian soldiers, etc. Remarkable engravings reproduce details of the historic masterpiece. The celebrated Nile mosaic dates to circa 100 B.C. during rule of the Ptolemaic Dynasty, the last dynasty of Ancient Egypt (305 BC to 30 BC) and forms an interesting connections between ancient Egyptian and Roman civilizations, and the its essence of its design has, for several centuries, been the center of much speculation. Shortly after publication, the observations by Don Sante Pieralisi accompanied the mosaic on display in the Palazzo Barberini, where it had been placed by Prince Barberini after restoration mid-seventeenth century. Equally interesting is a chapter dedicated to the Rosetta Stone, the ancient stele decree issued at Memphis, also during the Ptolemaic dynasty. The author relates details of the French expedition to Egypt which uncovered it in 1799, and the controversial repossession and transfer to England following the Capitulation of Alexandria. He further presents important details of the temples of Apis, Serapis, and Venus at Memphis, other hidden tombs of Memphis, and pertinent Egyptian rulers.
1956843London: Collins 1956. Original dustjacket artwork for the First British Edition of Calvino's first novel. The novel told from a child's perspective paints the trauma of war torn Italy using a variety of impressive characters namely a young boy and his teenage sister who are depicted on the jacket. The only artwork we have seen associated with one of Calvino's books and quite dazzling in comparison to its American counterpart. Gouache on artboard with the image measuring 9.5 X 12 inches and the board measuring 10.5 X 15 inches; signed by artist Trevor Denning near lower right corner. Brief pencilled notation regarding measurments on the lower margin with the publisher author and translator's names overlaid and mounted to the piece on thick cardstock. The printers' instruction sheet for Collins is handwritten on pink stock affixed on verso. Collins unknown
1919006803Milano-Roma: Alfieri & Lacroix 1919. Limited First Edition. Portfolio. . Very Good. No. 186 of 250 limitation. Scarce -- only copy recorded on OCLC First Search at BNF! Elephantine folio 66 by 49 cm with pictorial element excluding margins of mounted sheet 43 by 28 cm. Title page preface table of contents followed by 20 plates depicting the Italian navy and sailors during the First World War. All leaves loose as issued. Nine of the plates depict the Italian navy in one way or another and 11 plates relate to the Serbian retreat during the war. Eight of the plates are portraits the remainder being action scenes. The artwork is broad stroked and has elements of Expressionism. Captured is both the heroism of the sailors and the grimness bleakness and suffering of war. The illustrations are two toned with the color varying but always solemn and dark in feel. Carpi 1886-1973 was a notable Italian artist who among other things helped design new stained glass windows for the Duomo in Milan. During the Second World War he was imprisoned by the Germans in a concentration camp an experience he recorded in sketches and writings -- thus in some sense a counterpart to this series of artwork covering the First World War. Portfolio folder with another Carpi illustration. With ribbon ties. Condition: the portfolio folder has been rebacked and had other restoration. Minor closed tearing to edges of leaves. The title and following leaf has light foxing. <br /><br /> Alfieri & Lacroix books
1919006803Milano-Roma: Alfieri & Lacroix 1919. Limited First Edition. Portfolio. Very Good. No. 186 of 250 limitation. Scarce -- only copy recorded on OCLC First Search at BNF! Elephantine folio 66 by 49 cm with pictorial element excluding margins of mounted sheet 43 by 28 cm. Title page preface table of contents followed by 20 plates depicting the Italian navy and sailors during the First World War. All leaves loose as issued. Nine of the plates depict the Italian navy in one way or another and 11 plates relate to the Serbian retreat during the war. Eight of the plates are portraits the remainder being action scenes. The artwork is broad stroked and has elements of Expressionism. Captured is both the heroism of the sailors and the grimness bleakness and suffering of war. The illustrations are two toned with the color varying but always solemn and dark in feel. Carpi 1886-1973 was a notable Italian artist who among other things helped design new stained glass windows for the Duomo in Milan. During the Second World War he was imprisoned by the Germans in a concentration camp an experience he recorded in sketches and writings -- thus in some sense a counterpart to this series of artwork covering the First World War. Portfolio folder with another Carpi illustration. With ribbon ties. Condition: the portfolio folder has been rebacked and had other restoration. Minor closed tearing to edges of leaves. The title and following leaf has light foxing. Alfieri & Lacroix unknown
197027948New York: Museum of Modern Art 1970. First edition. Loose Sheets. Fine. Sold here unframed is an original hand - signed screenprint by artist Robert Indiana entitled The American Four. This is number 3 of 200 hand-numbered and signed copies. In fine as-new condition. Printed on heavy stock paper. A noted work by the artist see Robert Indiana Prints: A Catalogue Raissone 1951 - 1991 by Sheehan pp 39. Gorgeous vivid red and white and blue design. A delightful colorful and iconic print. Measures 26" square. Printed by Edition Domberger KG Filderstadt. Purchased from a private collector in upstate New York. Museum of Modern Art unknown books
Woodblock "kawaraban" broadside illustrating the arrival of Commodore Perry's four American vessels at Uraga in 8 July 1853, featuring a prominent stylized portrait of Perry himself and one of his formidable "black ships". All text is in Japanese. Thin hand-made laid paper measuring approximately 35,5 x 27cm. Small tears at folds and margins, some professional repair to verso, otherwise in very good condition, with clear imagery. A pleasing example of an uncommon variant. A contemporary broadside to alert Japanese civilians of the arrival of Commodore Perry's formidable American vessels. News was travelling fast by word of mouth along the coast and trade routes, and also began being illustrated with the "kawaraban" - broadsides with woodblock prints - for distribution. Naturally, Edo commoners were curious to learn about the imposing vessels that suddenly appeared within sight of their city.] The Japanese named the American vessels "kurofune" (black ships) for the colour of the hulls which were covered in tar and for the black smoke from the coal-fired steam engines. four "Black Ships"
Original miniature self-portrait painting by Roosevelt family member Maud Sutton Pickhard (née Fortescue 1880-1961), in a most elegant daytime "best" dress, signed MSP by the artist. As she looks fairly young in this image, had a London address, and at the time was still using the title "Mrs," the painting was made no earlier than 1900 and presumably in 1908 or earlier while she was still married. Inscribed in manuscript to verso "No 1. Title: A Study in Silver. Artist: (Mrs) Maud F Sutton Pickhard R.B.A. Flat 8, 31 Buckingham Gate S.W." Mounted in a large oval pendant with copper frame over glass, expertly crafted with six copper pins securing the cloth covered cardstock mount into the frame, measuring approximately 8 x 7 x 0,5 cm. Contained in a recent purpose-made clamshell box with foam padding for protection. Very slight age-toning to frame, otherwise in Very Good to Near Fine, original condition. A remarkable miniature oval self-portrait pendant with numerous illustrious Roosevelt connections, the artist herself being a published female author, little-known for her skill as a painter. The artist was a published female author born into the prominent Roosevelt family through rather scandalous circumstances. She is first cousin to President 'Teddy' Roosevelt, and first cousin once removed to Miss Eleanor Roosevelt. She is also twice connected to President Franklin D. Roosevelt, through lineage as fifth cousins once removed, and more closely through Eleonore's marriage to Franklin. Maud Sutton Pickhard née Fortescue (born 25 August 1880 in Manhattan, died 1961) was the illegitimate child of U.S. Congressman Robert Barnwell Roosevelt, Sr. (1829-1906) and his Irish immigrant mistress Marion Theresa "Minnie" O'Shea Fortescue (1849-1902).
1872036246Munich / Berlin: Friedrich Bruckmann 1872. 1st Edition Reprint. Hardcover. Very Good . 97 Pp With Mounted Plates. Red Cloth Heavily Embossed In Gilt Beveled Edges With Double Borders Embossed In Blind All Edges Gilt Cloth Endpapers. Bookplate Of Leopold Duke Of Albany. Inscription On Second Free Endpaper From Queen Victoria Of England To Her Son Leopold "For Dear Leopold From Illegible Two Words Dea---- ---A---A Shortened Name Used By Queen Victoria Osborne January 1 1873." Leopold Was Then A Student At Oxford. A Fine New Year's Gift With What May Be Viewed As Exceptionally Romantically Maternal Germanic-Victorian Plates. <br/> <br/> Friedrich Bruckmann hardcover
1800JC12526France late 1800s and early 1900s. Ephemera. Very Good. More than 200 original drawings variously pen and ink crayon and other mediums; on onion skin paper heavy cardstock etc.; sizes vary but average is about 13x10 inches. By various artists some signed with caption notes mark-up for publication and stamps of the various magazines. A little wear some light chipping along the edges and occasional soiling; but overall in VG or better condition suitable for display. <br/><br/>Artwork for French satirical journals and other fugitive publications including Frou Frou Jean qui Rire et al; showing ladies' fashions Paris street scenes and cafes cartoons historical social political ads including some elaborate hand-lettering humor some of it risque. An extraordinary trove of fin de siecle artwork much of it of exceptional quality. unknown
1800JC12526France late 1800s and early 1900s. Ephemera. Very Good. More than 200 original drawings variously pen and ink crayon and other mediums; on onion skin paper heavy cardstock etc.; sizes vary but average is about 13x10 inches. By various artists some signed with caption notes mark-up for publication and stamps of the various magazines. A little wear some light chipping along the edges and occasional soiling; but overall in VG or better condition suitable for display. <br/><br/>Artwork for French satirical journals and other fugitive publications including Frou Frou Jean qui Rire et al; showing ladies' fashions Paris street scenes and cafes cartoons historical social political ads including some elaborate hand-lettering humor some of it risque. An extraordinary trove of fin de siecle artwork much of it of exceptional quality. unknown books
1940140944630New York: Simon and Schuster 1940. First edition. First edition. First printing with title page dated 1940 and no additional printings indicated on copyright page. xiv 380 1 pp. Bound in publisher's red cloth with gilt lettering. Near Fine with light rubbing along edges and to gilt in Very Good price-clipped dust jacket with thin closed tear near head small stain to rear panel toning along edges of flaps. Nice shape overall. Rare as a first printing.<p>An engaging and accessible volume on mathematics. This first edition lays claim to the first published use of the now era-defining term "google" or as it was originally the "Googolplex". Kasner describes with good humor both the immense breadth of the number the Googolplex represents and the coinage of the term itself from the mouth of his nine-year-old nephew. Simon and Schuster unknown
Tibet, circa 1955-60. Set of six (6) original pastel portraits a of Tibetan natives, by world renowned artist Goray Douglas, with signature. Each is individually framed behind glass. Images measure approximately 32.5 x 25cm. Gold colour frames measure approximately 40 x 50 cm. Very Good Condition, exceptionally well rendered pastel paintings on grey paper laid to a wide margin mounts. These are not reprints. These are SIX RARE ORIGINAL PAINTINGS by Douglas Goray. This set includes six very distinct and striking real personalities from the artist's "Faces of the Hills" collection, an immense work in which he portrayed 350 individual Tibetan and Burmese subjects with exquisite likeness. Douglas is a noted Darjeeling artist, a master of portraiture, revered for his documentation of native peoples.
1834D4554London 1834-1835. Hardcover. Near Fine. Bound by Delarue Cornish and Rock of London. Lavishly embossed contemporary black morocco gilt-stamped border and detail on boards and spine inside gilt dentelles a. e. g. pink moire endpapers; 4to; approx. 100 heavy cardstock leaves in different colors many with a decorative blind-stamped border. Joints lightly scuffed else fine. Showcases manuscript poetry and a wonderful array of artwork by numerous contributors as a few signed or initialed pieces attest names mentioned include Phillis S. Samuel and Caroline Samuel. With 11 engravings 8 of them hand-colored and 7 original pencil drawings 12 original paintings watercolors and gouaches 4 original silhouettes. Very nicely accomplished images of birds and animals landscapes portraits of women some in oriental dress and scenes like a group of men drinking and smoking at a table. A pleasing collection including an original trompe l'oeil piece that appears to be a collaged collection of cards. <br/><br/> hardcover
1885006223London: R. H. Porter 1885-1897 1898. First edition. Half Morocco. Very Good. 4to. 26 by 18 cm. 421 color plates which are either hand-colored lithographs or chromolithographs. Photogravure portrait frontis. The greatest number of plates were drawn by Archibald Thornburn. The survey includes many birds that are infrequent visitors to Britain making it very complete. With generally short texts on each species this is primarily a visual source work. Publisher's half morocco. Pebbled cloth on boards. Condition: pencilled numbers on the plate that relate to an organizing system of a prior owner. Light scuffs and wear to the binding. Occasional light foxing. <br/><br/> R. H. Porter unknown books
1898006223London: R. H. Porter 1898. First edition. Half Morocco. Very Good. 4to. 26 by 18 cm. 421 color plates which are either hand-colored lithographs or chromolithographs. Photogravure portrait frontis. The greatest number of plates were drawn by Archibald Thornburn. The survey includes many birds that are infrequent visitors to Britain making it very complete. With generally short texts on each species this is primarily a visual source work. Publisher's half morocco. Pebbled cloth on boards. Condition: pencilled numbers on the plate that relate to an organizing system of a prior owner. Light scuffs and wear to the binding. Occasional light foxing. R. H. Porter unknown
198484246Anthoensen Press the Limited Editions Club. As New. 1984. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- - Corresponds to ASIN: B001F3I68Y. SIGNED by the ARTIST LIMITED EDITION OF 1500 COPIES. Xxxii 306 4 pages; 22 silkscreens by Sol Lewitt. -- with a bonus offer-- . Anthoensen Press, the Limited Editions Club hardcover
1920D7114Berlin and Charlottenburg mostly 1920s-1930s. Hardcover. Fine. Custom linen box gilt-stamped lettering "Werbeentwürfe - E. Teschemacher" in brown leather label affixed to front board; about 16 x 20 inches; contains mock-ups preliminary and finished illustrations and designs for houses advertisements bookplates letterheads calendars announcements and more -- even hand-painted decorative motifs in Art Nouveau-style. Various sizes on paper heavy cardstock and onionskin; and in ink pencil or full-color painting. Some duplicates but well over 100 distinct designs. Highlights include full-color paintings for Tiergarten Nuremberg a tiger's face Aerozon Fabrik women's swimwear; and ink drawings for Minimax "Das Schönste Geschenk!" Moton a pesticide Rapsch Kriegsbund der Offizierfrauen. Numerous pencil drawings range from hastily brain-stormed sketches to typographic experiments and detailed streetscapes and scenes. Some projects are available from start to finish -- a pencil sketch turned presentation in ink and the final printed product. <br/><br/>Erich Teschemacher was an architect painter poster artist and graphic designer educated at Unterrichtsanstalt des Kunstgewerbemuseums in Berlin. He was married to the commercial artist Marga Renner and echoes of her resonate in this collection as well: a notebook of 10 embroidery designs in pencil and color and two different exhibition announcments for a show of modern residential interiors. hardcover
140944240San Francisco: Damaged Goods Company 1981. Complete run of an important San Francisco punk magazine. Issues 1-12/13 plus "October 1980 Special Free Edition" about a show at The Western Front. All issues in large tabloid format 11.5" x 17.5" the third being slightly smaller dimensions. Very Good overall with most issues having a horizontal fold in the middle some more distinct than others toning light wear and occasional edge-chipping. Foxing to wraps of third issue. Notes in ink on rear wrap of #7. Very rare as a run.<br /> <br /> <p>Dubbing itself "The Magazine That's Not for Everyone " Damage was a calendar of events for San Francisco with interviews reviews and features showcasing the tail end of punk's first wave and its splitting into post-punk new wave no wave and hardcore scenes. This would prove very eventful as the city was a hotbed of creativity during this period with a number of acts that were sonically ahead of everywhere else even New York and London. Highlights include a collage by Flipper's Will Shatter a list of "Items" by Jello Biafra and an article on his campaign for SF mayor photos of punk fashion at the Society for Mandatory Modern Dress Show updates on performance art in the city an article on the Tokyo punk scene interviews with Crime X The Dead Boys Flipper The Mo-dettes Circle Jerks DNA Gang of Four Flipper The Undertones Public Image Limited Bruce Conner in two parts the Dils Black Flag The Cramps Magazine the Go-Gos Lydia Lunch Adam and the Ants Stiff Little Fingers Madness The Specials Tuxedomoon the dB's The Bags and the Bush Tetras. Damaged Goods Company unknown
1920D7114Berlin and Charlottenburg mostly 1920s-1930s. Hardcover. Fine. Custom linen box gilt-stamped lettering "Werbeentwürfe - E. Teschemacher" in brown leather label affixed to front board; about 16 x 20 inches; contains mock-ups preliminary and finished illustrations and designs for houses advertisements bookplates letterheads calendars announcements and more -- even hand-painted decorative motifs in Art Nouveau-style. Various sizes on paper heavy cardstock and onionskin; and in ink pencil or full-color painting. Some duplicates but well over 100 distinct designs. Highlights include full-color paintings for Tiergarten Nuremberg a tiger's face Aerozon Fabrik women's swimwear; and ink drawings for Minimax "Das Schönste Geschenk!" Moton a pesticide Rapsch Kriegsbund der Offizierfrauen. Numerous pencil drawings range from hastily brain-stormed sketches to typographic experiments and detailed streetscapes and scenes. Some projects are available from start to finish -- a pencil sketch turned presentation in ink and the final printed product. <br/><br/>Erich Teschemacher was an architect painter poster artist and graphic designer educated at Unterrichtsanstalt des Kunstgewerbemuseums in Berlin. He was married to the commercial artist Marga Renner and echoes of her resonate in this collection as well: a notebook of 10 embroidery designs in pencil and color and two different exhibition announcments for a show of modern residential interiors. hardcover books
21860S.l.n.d. [vers 1840-1850]. In-plano, [25] pl. montées sur onglet (feuillet: 46,5 x 35 cm environ, image : 35,5 x 25 cm environ), demi-basane maroquinée façon long grain bleue, plats de percaline bleue, double filet doré en encadrement sur les plats, au centre du premier plat la mention "prières manuscrites" dorée [remploi ?] (épidermures et frottements, quelques petites pâles rousseurs).
JC6232Very Good. Album of 21 pen-and-ink portraits on laid paper after illustrations to Aliprando Capriolo's 1596 Ritratti di Cento Capitani Illustri. Approximately 185 x 143 mm each tipped to larger sheets of wove paper. Small folio Italy: n.d. ca 18th century. Cased in full 18th-century Italian Neapolitan brown calf over pasteboard tooled in gold all-over covers with two outer border rolls surrounding three double-ruled panels filled with rolls and solid tools decorated with silver paint now mostly oxidized inner panel with tulip tools at corner surrounding cartouche of gouges with center lozenge of floral tools spine with raised bands in seven compartments with cherub tool rebacked preserving original spine later endpapers and edge gilding. For binding cf. BL c154g12/Davis 859; BL c27e18; Davis III 380. <br/><br/>An 18th-century Italian album of 21 pen-and-ink portraits based on Aliprando Capriolo's Ritratti di Cento Capitani Illustri 1596. These copies were probably made from Pompillio Tottis edition of Capriolo Ritratti et Elogil di Capitani Illustri 1636. Totti altered Capriolos engravings adding the coats of arms seen in many of the portraits here. Portraits include Tamerlane Gattamelata Roberto Sanseverino and the condottieri Vitelli brothers. The binding is in a style common to the Salvioni workshop. Davis Gift III 380 which Foot suggests was bound in an unknown Neapolitan workshop shows the same wide outer roll on the covers. hardcover
JC6232Very Good. Album of 21 pen-and-ink portraits on laid paper after illustrations to Aliprando Capriolo's 1596 Ritratti di Cento Capitani Illustri. Approximately 185 x 143 mm each tipped to larger sheets of wove paper. Small folio Italy: n.d. ca 18th century. Cased in full 18th-century Italian Neapolitan brown calf over pasteboard tooled in gold all-over covers with two outer border rolls surrounding three double-ruled panels filled with rolls and solid tools decorated with silver paint now mostly oxidized inner panel with tulip tools at corner surrounding cartouche of gouges with center lozenge of floral tools spine with raised bands in seven compartments with cherub tool rebacked preserving original spine later endpapers and edge gilding. For binding cf. BL c154g12/Davis 859; BL c27e18; Davis III 380. <br/><br/>An 18th-century Italian album of 21 pen-and-ink portraits based on Aliprando Capriolo's Ritratti di Cento Capitani Illustri 1596. These copies were probably made from Pompillio Tottis edition of Capriolo Ritratti et Elogil di Capitani Illustri 1636. Totti altered Capriolos engravings adding the coats of arms seen in many of the portraits here. Portraits include Tamerlane Gattamelata Roberto Sanseverino and the condottieri Vitelli brothers. The binding is in a style common to the Salvioni workshop. Davis Gift III 380 which Foot suggests was bound in an unknown Neapolitan workshop shows the same wide outer roll on the covers. hardcover books
195342288N. P.: Original Cover artwork by Frank Uppwall 1953. 1953. First edition. Original artwork by Frank Uppwall 1900 - rendered in oil on art board. A single sheet measuring 24" x 36 3/4" dry mounted to an art board for an overall size of 27" x 40." Signed by the artist at the lower center of the painting. This is a colorful and stunning cover painting for Charles Willeford's "Pick-Up" his second book issued as a paperback original by Beacon in 1955. A nihilistic early novel following "the pilgrimage of two lost and self-destructive lovers through the depths of San Francisco from cheap bars and rooming houses to psychiatric clinics and police stations" Polito Robert editor Crime Novels: American Noir of the 1950s Library of America. Though the image at the far right of the painting is the most recognizable the artwork first saw publication as the wrap-around cover art for George Weller's "Highway Episode" published by Royal Giant # 21 in 1953. Upwall's painting ranks among the earliest original artwork for a Willeford novel of which we are aware. Included with this original artwork are first edition copies of "Pick-Up" in fine condition and "Highway Episode" in very good condition. The artwork is in fine condition beautifully mounted and framed. Original Cover artwork by Frank Uppwall, 1953. paperback
1805007272Paris: Chez J. E. Gabriel Dufour. Printer: L'Imprimerie de Crapelet 1805. First Edition. Full Calf. Very Good. Large paper copy! Elephantine Folio 52 by 33 cm. 112 pp. With 72 engraved plates of tropical birds. Plates were actually printed in color with hand-coloring then augmenting that color to create exquisitely beautiful depictions of birds. Light scattered foxing a bit more on the text leaves than the plates. Generally though the plates read quite clean and they are always bright and fresh. Binding rebacked with original spine mostly preserved and laid on but the rebacking obvious along the joints. And there is some loss and cracks to the mounted original spine. Rubbing along the edges. Still the full diced calf binding which is contemporary remains attractive especially with its impressed diamond pattern. Chez J. E. Gabriel Dufour. Printer: L'Imprimerie de Crapelet unknown
1970153176Los Angeles: Warner Brothers Records 1970. Original photographic artwork assemblage for Van Morrison's classic 1970 album with original double exposure photograph by David Gahr designed by Janet Planet and used by Warner Brothers Records as shooting artwork for the album cover.<br /> <br /> Production annotations in manuscript marker and pencil at bottom of board below the image. Annotations on verso noting "Van Morrison 'Cover' 1884" in manuscript marker with the "1884" being the album catalogue number and "the band street choir" just below in manuscript pencil.<br /> <br /> Gahr was a preeminent photographer of folk blues jazz and rock musicians for over four decades whose subjects include the likes of Bob Dylan John Lennon Miles Davis Bruce Springsteen Janis Joplin Peter Seeger and many many others. His work was regularly featured in the seminal rock magazine "Crawdaddy."<br /> <br /> Building on the critical successes of "Astral Weeks" 1968 and "Moondance" 1970 Morrison's fourth studio LP featured the highest charting single of his career "Domino." Originally titled "Virgo's Fool Street Choir" the LP was renamed prior to release without Morrison's consent by Warner Brothers.<br /> <br /> Photograph mounted on board with a clear acrylic overlay. Original black paper overlay included but not attached.<br /> <br /> Photograph 13 x 19 inches mounted to board as created measuring 15.5 x 24 inches. Near Fine. Warner Brothers Records unknown