300 résultats
ABE-4450566152A unique and original artwork from the celebrated political satirist John Kent. This is a magnificent large drawing created for the issue of 15th December 1975. It measures 30" x 20" and is signed by John Kent. The episode depicts the then PM Harold Wilson and it was done in the style of a Tiger Tim comic strip. Beautiful clean artwork with no sign of a correction. Varoomshka was the blonde bombshell who appeared for many years in The Guardian. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Illustrator. Soft cover. Fine. paperback
16019New York: St. Mark's Church No Date. First edition. Loose Sheets. Good. Single sheet of 8 1/2 x 14" tall paper. Announcement poster / flyer for a group poetry reading at St. mark's Church in New York. Although not attributed the artwork is clearly attributed to George Schneeman. Featuring a series of floating "Hershey's Kisses" type candies with name tags emanating from the tops. each tag prints the name of one of the poets at this reading. The contributor list includes Tom Picard Piero Heliczer Bernadette Mayer Tom Weatherly Anne Waldman Dick Gallup Peter Orlovsky et al. In overall good condition with toning to the top inch or two of the flyer and a small chip at top right. Scarce Poetry Project and New York School ephemera. <br/><br/> St. Mark's Church unknown books
197830054Melano: Caos Press 1978. First edition. Paperback. Near Fine. Stiff illustrated stapled wrappers. 14 unnumbered pages. Poems by Kyger in English with side by side translations into Italian by Beltrametti. One of 330 copies printed. Near fine condition. The first copy we have handled. Caos Press paperback books
19606333Isle of Man 1960. Small quarto 18 x 23.5 cm. 90 pages; unpaginated. Forty-five pen and ink drawings some hand-colored on rectos only. Images are labeled on the pages with additional caption text on cards 6 x 19 cm. laid-in. An ownership label on the front paste-down states "Miss L.S. Garrad Rose Cottage Cronk Road Union Mills Isle of Man". Molluscs pictured include in common names the artist has employed Latin names throughout: mussels clams periwinkles snails scallops oysters and more. Larch S. Garrad 1936-2005 was Assistant Keeper at the Manx Museum on the Isle of Man and author of "The Naturalist in the Isle of Man" "Industrial Archaeology of the Isle of Man" and "A History of Manx Gardens." She was also the author of The Non-marine Molluscs of the Isle of Man published in three parts 1968 1972 1973 the first survey of Manx molluscs since Forbes' Malacologia Momensis 1838. We have not determined if these drawings were used in any of Garrard's illustrations or if the molluscs depicted were specific to the Isle of Man or more generally to Britain. A bit of bowing to the boards of the blue cloth binding otherwise fine. hardcover books
198253737Luxembourg: Imprimerie Saint-Paul 1982. First limited edition. Hardcover. Near fine. 176/225. Oblong Octavo. Unpaginated 28 leaves. Original illustrated cream paper-covered boards with gray and black lettering on cover white on spine. Gray endpapers. Title page with tan lettering. Printed to heavy paper. Inscribed "For Bettina ces signes en signe de haute amitié Arthur / 31/1/84" on verso of front free endpaper. Bettina Brendel was a German-American painter known for her computer-generated imagery. Edition of 250 with ten non-commecial copies marked HC fifteen numbered I to XV with an original ink and 225 copies numbered from 1 to 225. This is copy No. 176.<br /> <br /> Beautifully illustrated with eighteen high-quality offset reproductions of Arthur Unger's mysterious imagery one of them double-page and one on front cover. "Arthur Unger thus freed from the rules of calligraphic ideograms re-conquers the sign and draws from the present moment the physical energy that triggers his vision of the world. A feverish alchemist he constructs puzzles and traces enigmatic formulas objects of his fascination. The plastic rhythm underlies a kind of choreographic space that is animated by etheral creatures." Arnault Contains biographical notes exhibition history principal collection and publications at rear. Text in French. Minor wear to covers. Imprimerie Saint-Paul hardcover
19472110502150900628Rokumei-sha 1947. Soft Cover. Fine. Volume: 1 Rokumei-sha paperback
SW476-7231Early 20th century. Ephemera. Fine. Two lovely chinese watercolors each 148 x 190 mm showing an orchid with text in Chinese at the top right corner. Elegant and accomplished paintings each showing a spray of orchids on a single stalk in full color on white paper entirely hand-painted including text. A little age-toning along the edges otherwise fine suitable for framing. <br/><br/> unknown
1951290008451Chicago Illinois: Merrill Company 1951. Very good. Toned modern tape repair. Two 2 different issues of the same paper doll book with notable differences showing the publisher's changes from one issue to another in response to changes in the market. Each paper doll book is uncut and the publisher has used the same artwork; however large changes have occurred between the issues including typography title coloring and the order of outfit pages within. One of the books has two more leaves than the other. The two books include:<br /> <br /> "Polly and her Playmates". Chicago: Merrill Publishers 1951. Single vol. 12.75" by 10.25" 8 leaves of uncut outfit pages stapled in original illustrated covers with two uncut dolls on each cover.<br /> <br /> "4 Little Girls from School". Chicago: Merrill Publishers c.1951. Single vol. 12.5" by 10.25" 6 leaves of uncut outfit pages stapled in original illustrated covers with two uncut dolls on each cover. Merrill Company unknown
1984mon0002862899Underwood-Miller 1984-01-01. Hardcover. Very Good. 1.0000 9.5000 6.5000. Stated first edition. Dust jacket shows very minor wear. Otherwise a pristine copy. FINE condition. Underwood-Miller hardcover
1984mon0003041773Underwood-Miller 1984-01-01. Hardcover. Like New. 1.0000 9.5000 6.5000. Stated first hardcover edition SIGNED by Jack Vance on the title page. Fine in jacket. Underwood-Miller hardcover
1962036628Washington: Oak Ridge National Laboratory / United States Atomic Energy Commission 1957 1962 1962. 1st Edition . Hardcover. Very Good. 4 Pp Very Large Multifold Chart And Single Sheet With The 1962 Revision. Green Card Binder With 3 Brads. Light Wear And Browning At Edges. Handwritten College Ownership Note At Top Of Front Cover. <br/> <br/> Oak Ridge National Laboratory / United States Atomic Energy Commission 1957 1962 hardcover
197184564New York: Harper & Row Publishers 1971. First Edition. First Printing. Square octavo 16cm; pictorial cloth boards; dustjacket; 100pp; illus. Slight forward lean else a clean Near Fine copy. Dustjacket is unclipped priced $3.95 gently spine-sunned lightly shelfworn with a few small tears and creases and a longer 1.25" tear to upper rear panel; Very Good. The last in a trilogy of collaborative works between Joseph Pintauro and Sister Mary Corita Kent preceded by To Believe in God and To Believe in Man. 84565. Harper & Row, Publishers unknown
193757594Portland OR: Howard Fisher The Oregon Journal ca. 1937-1947. Five original pen & ink cartoon drawings sized from 13.25 x 18.5 in. up to 14 x 19 in. executed on thick card stock w/ one embossed “Glarco No. 1†at outer fore-edge 1 w/ “Strathmore†blind stamp at upper corner all camera-ready for printer still retaining some pencil annotations & ruling at outer fore-edges of image four of the five signed at lower fore-edge one twice both with signature and the artist’s iconic beaver in checkered pants minor dustsoiling light toning to fore-edges of a couple still NF exemplars. These five exceptional original political cartoon drawings reflect not only the impact of the automobile and importance of automobile travel in the World War II-era Pacific Northwest but also offer an intriguing quick snapshot of many issues we still confront as a society today. The first shows a uniformed policeman setting on a bedstead with looming anthropomorphic license plate trying to convince a resistant driver hiding under his covers to renew his license plates. License plates at the time were issued annually with necessary fees to pay for road maintenance policing and also ensured that automobiles were drivable with many municipalities requiring safety inspections. The next two both address the public safety issues of traffic accidents and the toll on pedestrians against the backdrop that at the time few municipalities or states actually required driver’s training for licenses and in the late 1930’s and 1940’s accidents fluctuated from 75 to 125 fatalities per 100000 registered vehicles as opposed to less than 20 in the 2000’s. One shows driving tips and encouraging safer speeds while the other graphically includes a skeletal skull as a front grille at night hurtling towards a pedestrian in the rain. The fourth cartoon announces “Oregon’s tourist business will be lifted toward the $ 50000000 mark†and trees and fish all welcoming automobile travelers speeding towards the “Great Oregon Outdoors.†By the early 1940’s tourism driven by automobiles was the third largest business in the state and would further expand following World War II and later construction of the Interstate Highway system. The final cartoon touts the move to build the Sullivan Gulch Expressway which would later become the Banfield Freeway named after T. harry Banfield and I-84 with development around the Lloyd Center and other apartment housing. The site was one of the largest “Hooverville†shantytown during the Great Depression housing at one time over 300 living in 130 shanties and only really finally closed during World War II. Fisher 1890-1962 attended college in Eastern Washington later studied art at the Portland Art Museum and by 1919 had begun working as cartoonist with The Oregon Journal Newspaper where he would remain until retiring in 1956 publishing over 9300 editorial cartoons. His trademark was an impish beaver wearing one-suspender checkered trousers signed about two-thirds of his drawings with none usually dated but often dating with matter incidental to the events of the week. His topics ranged from the New Deal to Truman Eisenhower World War II War Atrocities local events and more. The University of Washington and University of Oregon both have portions of original Fisher political cartoons and caricatures. See: Historic Editorial Cartoon Exhibit The Oregonian 1850-2000 Oregon Historical Society March 23 2014; Peter Kelley Captured in Ink: Historical Cartoons and Caricatures UW News June 27 2018; Howard Fisher Cartoons Editorial Cartoons MSS 1702 Oregon Historical Society Research Library. Howard Fisher, The Oregon Journal], unknown
Book is in excellent condition with slight age-toning to cover edges as the only blemish. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Publisher's page shows N.A.P.
1998007202New York : Henry Holt 1998 1997 1998. 1st Edition 1st Printing. Hardcover. Fine/Fine. 1st American edition 1st printing ; 192 pages : illustrations some color ; 19 cm ; ISBN: 080505894X alk. paper; 9780805058949 alk. paper LCCN: 97-47173 ; LC: PR5823; Dewey: 828/.809; B ; OCLC: 38024090; "Oscar Wilde was one of the first and unquestionably one of the greatest self-publicists ever. Above all and with that exceptional streak of modernity which characterises much of Wilde's life and works he understood the power of the image in his campaign of promoting himself. As early as his Oxford days he had himself photographed with his contemporaries in loud check suits of the latest fashion. Later when he toured America to lecture on aesthetics in 1882 almost as soon as he landed he commissioned Napoleon Sarony the best portraitist in New York to photograph him in fur coat and velvet suit; and in not one or two poses but at least twenty-seven. The Wilde Album now publishes more of these images of Oscar than have ever been seen together before as well as later photographs some previously unpublished from the family archive showing Oscar his family and his friends. There are also rare snapshots of Oscar in his last years in Italy taken most probably by a friend using Oscar's own camera which we know he owned from a letter of 1900." ; black cloth in color photographic dustjacket ; "The most comprehensive collection of photographs and images of Wilde--compiled by his only grandson." ; "Merlin Holland is a journalist and has spent the last twenty years researching his grandfather's life. He lives in London with his wife and son." ; important collection of never-before seen photos artwork and other Wildeana ; FINE/FINE <br/> <br/> New York : Henry Holt, 1998, 1997 hardcover
198656255Albuquerque NM: Bishop Printing Company. Very Good in Very Good dust jacket. 1986. Hardcover. In lightly rubbed dust jacket in protector ; Signed by both author and artist both signatures certified with embossed stamps. Also signed and inscribed by artist on front free endpaper. Blue cloth hardback color and B&W illustrations. First archival printing limited to 500 copies; 4to ; 37 pages; Signed by Author & Illustrator . Bishop Printing Company hardcover
2659427American Vision Press. NEW. 2005. SIGNED by the author to half-title page. Matt-finish hardcover. No dust jacket issued. 682pp. Index. American Vision Press hardcover
461696James Willert Publisher. First Edition; First Printing. Trade Paperback. Very Good/None. Blue cloth stamped in silver no DJ as issued. #250 of 500 copies. Signed and warmly inscribed by Willert. 4 page prospectus for the book inside with a typed letter signed by Willert laid-in. Bottom corners lightly bumped. James Willert, Publisher paperback
196430340New York: Lorenz and Ellen Gude 1964. First Edition. Paperback. Very Good. True first edition of Berrigan's first major book. Cover design by Joe Brainard. Edited by Ron Padgett. One of 300 copies. This one unnumbered like most copies we have handled. A clean very good copy in stapled wrappers. Paper loss to rear blank cover in one corner. Important New York School debut. Lorenz and Ellen Gude paperback books
200729335HBDJ 1st SIGNED LIMITED EDITION #178/250 Copies 2007 Stated 1st Edition FINE- CONDITION 258 pgs Epilogue lite wear. is brought Back to Life as Ghastly walking Cadaver & BECOMES INTERNATIONAL SENSATION HAILED BY THE PRESS AS THE AMAZING MR. CORPSE DESPITE HIS GHOULISH APPEARANCE HE IS LIVING THE DREAM<br /><br /><br /> Delirium Books IN hardcover
199542871Oregon: Darkside Press 1995. Hardcover. Very Good plus/No DJ. Limited numbered edition. Signed by author editor and illustrator. Pages are otherwise unmarked. Binding is square and tight. Boards are clean minor wear to edges. Text block is lightly soiled. PICTURES PROVIDED UPON REQUEST. Darkside Press hardcover
1984012067Friendswood Texas: Hackney Publishing Co 1984. 288pp/illus. Black boards with gilt title and decoration on front and gilt titles on spine are on this very attractive book. This book is about "a medal and the early airmen who sought to achieve the distinction of wearing it. The history of the coveted Pour le Merite is explored diligently and in-depth. "Clean . First Edition. Hard Cover. Fine/No Jacket. 8vo - over 7¾" - 9¾" tall. Hackney Publishing Co Hardcover
1984008113Friendswood Texas: Hackney Publishing Co 1984. 288pp/illus. Black boards with gilt title and decoration on front and gilt titles on spine are on this very attractive book. This book is about "a medal and the early airmen who sought to achieve the distinction of wearing it. The history of the coveted Pour le Merite is explored diligently and in-depth. "Clean . First Edition. Hard Cover. Fine/No Jacket. 8vo - over 7¾" - 9¾" tall. Hackney Publishing Co hardcover
196421110601San Francisco: The Auerhahn Press 1964. First and Limited Edition. Hardcover. Near fine/very good . Van Aver Philip. First edition in book form one of 205 copies quarto size 22pp. signed by Brother Antoninus with prospectus. A heart-wrenchingly beautiful paean by one famous poet Brother Antoninus William Everson 1912-1994 to another John Robinson Jeffers 1887-1962 upon his death. "The great tongue is dried. / The teeth that bit to the bitterness / Are sheathed in truth. / For the poet is dead." <br /> <br /> For those who may not know the Auerhaun Press was founded by Dave Haselwood who relates its beginnings in the opening pages of the "Auerhahn Press Bibliography" thus: "During the Summer of 1958 I drifted around San Francisco talking endlessly with painters such as Robert LaVigne and Jesse Sharpe & poets Lamantia McClure Wieners and reading all the live poetry & prose I could get my hands on. It was at this time that it occurred to me that the press could mean a great many things some personal some in a larger context: - I had reached the point where complete physical involvement in something important to me was absolutely necessary. The press could fill that requirement" pp. 5-6. Andrew Hoyem joined the Press and became a partner; his meticulous attention to detail and skill at design and layout are evident here which would become hallmarks of his work at the Arion Press. <br /> <br /> ___DESCRIPTION: Bound in quarter purple leather over ivory paper-covered boards white paper spine label with gilt lettering title page in purple and black the introduction "Note" and poem both with a two-line purple initial capital each stanza of the poem interspersed with a small purple circle signed by Brother Antoninus on the blank following the last page of the text; binding quarto size 10 3/4" by 8 1/8" unpaginated with twelve leaves; one of 205 copies unnumbered. The dust wrapper of plain white the prospectus a single sheet folded once to four pages an illustration on the front page in purple by Philip Van Aver text on the third page with purple initial capitals the second and final pages blank measuring 8 9/16" by 5 1/2" when closed. <br /> <br /> ___CONDITION: Volume near fine and could likely be deemed fine the boards clean other than light offsetting where the paper meets the leather and a tiny speck at the fore-edge bottom corner of the front board straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some light offsetting to the paste-down endpapers and a few very small spots of foxing to the same else fine. The dust wrapper a bit better than very good mostly clean other than a few light stray marks light edgewear mostly at the head and tail but with a fair amount of sunning to the spine and back panel; the prospectus fine clean utterly without wear or soil. <br /> <br /> ___CITATION: Auerhahn Press bibliography no. 24; Bartlett and Campo no. A20. <br /> <br /> ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Auerhahn Press hardcover
1956843London: Collins 1956. Original dustjacket artwork for the First British Edition of Calvino's first novel. The novel told from a child's perspective paints the trauma of war torn Italy using a variety of impressive characters namely a young boy and his teenage sister who are depicted on the jacket. The only artwork we have seen associated with one of Calvino's books and quite dazzling in comparison to its American counterpart. Gouache on artboard with the image measuring 9.5 X 12 inches and the board measuring 10.5 X 15 inches; signed by artist Trevor Denning near lower right corner. Brief pencilled notation regarding measurments on the lower margin with the publisher author and translator's names overlaid and mounted to the piece on thick cardstock. The printers' instruction sheet for Collins is handwritten on pink stock affixed on verso. Collins unknown