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SPETZ (Georges).Livre Rare Book

Légendes d’Alsace. Poèmes de Georges Spetz.

Todd, Glenn; Conner, Bruce (Artist, with anonymous artists)Biblio.com

The Ballad of Lemon & Crow

2002CNAP063aSan Francisco: The Arion Press 2002. First and Limited Edition. Hardcover. New. Bruce Conner and anonymous artists. Octavo 10.25 by 7 inches. The type is English Old Style composed and cast in Monotype by Mackenzie & Harris San Francisco. The text paper is Ruysdael an all-cotton machine-made sheet. The paper for the prints is T. H. Saunders buff loan an all-cotton mouldmade sheet. The ink-blot drawings in gray beneath the folios and the rebus on the title page were printed from photopolymer plates. Printing of the type and plates was by letterpress. The book is bound in yellow cloth with an ink-blot pattern in black from a drawing by an anonymous artist that is continuous front to back interrupted by a black cloth spine. The book is enclosed in a black slipcase. Both book and slipcase have yellow spine labels. The six images are photogravures from collages of wood engravings. The original collages are ovals 6.5 by 4.5 inches. The scale of the images for the book is the same as the original collages. The book edition is limited to 300 copies for sale each copy is numbered and is signed by the author and artist. "The Ballad of Lemon and Crow" is a work of fiction by a San Francisco writer who grew up in Texas and whose regional sensibility is keenly felt in this tale about three generations of neighbors in rural Oklahoma. This limited edition is its first publication. The illustrations are by Bruce Conner a native of Kansas and longtime San Francisco artist whose distinctive vision has won him a large and devoted audience over more than forty years. The artist and author first met in Omaha in 1953 as members of a Midwestern literary and artistic circle that became associated with the Beat Generation. Bruce Conner's work is owned by major museums; after 2000 Conner announced he was retiring and would not sign or claim any new work as his own. Since then anonymous artists have collaborated to create additional work in a manner similar to that of Bruce Conner. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover

Swan's Fine Books · États-Unis550,00 $US≈ 465,35 €

[Feminism, Performance Art, Feminist Art Collective] Die Damen (artists); Woessner, Wolfgang (photographer)Biblio.com

Die Damen 1991 Austria Tabak Wall Calendar

022563Vienna/Wien: Austria Tabak/Die Damen presumed Publishers. Spiral Bound. Very Good. Folio. ca 1990. Spiral bound 19 ½ by 20 ½ inches. 15 glossy sheets and cardboard backing. A conceptual art piece created by Die Damen and commissioned by the Austrian tobacco company Austria Tabak. Die Damen was a feminist art collective founded in 1987 by ONA B Evelyne Egerer Birgit Jürgenssen and Ingeborg Strobl. Their work consisted mostly of performances and staged pieces that highlighted gender stereotypes and roles exaggerating their sexuality through costumes/clothing that were associated with gender stereotypes. Most of their work was based on performance or action thus little paper artwork was produced. As the Generali Foundation website states better than we can: "Their themes were seemingly banal but in reality subversive. Taking an ironic perspective they exaggerated the predominant clichés pertaining to gender roles. . Body language and gestures as well as the design and styling of outfits and accessories were the important forms of impression in these actions. DIE DAMEN usually performed wearing identical costumes. They always emphasized their feminine sexuality by using various clichés such as classic business dress or kitchen aprons thus presenting a socially critical view of the passive roles traditionally apportioned to women. . DIE DAMEN also addressed everyday domestic scenes at home and the tough reality of down-trodden housewives. With their staged parodies and caustic humor they reflected back the male gaze and also supremely demonstrated the "cool" distance typical of the 1980s." This calendar was commissioned by Austria Tabak creating a subversive look at advertising and women depicted in advertising. Rather than portray glamourous scenes of smoking and cigarettes DIE DAMEN subtly displayed evidence of smoking or cigarettes among scenes of housework and everyday activities. VERY GOOD condition. Minor bumping and curling at the corners. Austria Tabak/Die Damen, presumed Publishers unknown

Mare Booksellers · États-Unis540,00 $US≈ 456,89 €

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