Newspaper Artists' AssociationBiblio.com
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0656387890.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333654111.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260557110.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265042593.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200319-5H0385508077<p>BRAND NEW. Excellent condition. Never read or opened. No remainder mark. 19-5H0385508077</p> Nan A. Talese hardcover
1995005268National Gallery of Art Washington DC with Yale University Press New Haven London 1995. Book. Fine Condition. Cloth. 419 pp. many illus. 235 in full color. Just the tiniest bit of dirt to the bottom edge otherwise a fine copy. Dustjacket is protected with a mylar cover. Published on the occasion of the exhibition from the National Gallery of Art Washington DC 15 October 1995-28 January 1996 Museum of Fine Arts Boston MA 21 February-26 May 1996 and The Metropolitan Museum of Art New York NY 20 June-22 September 1996. National Gallery of Art, Washington DC with Yale University Press, New Haven London Hardcover
2013Q-1880000377Lee & Low Books 2013-04-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Lee & Low Books hardcover
2001Q-1584300280Lee & Low Books 2001-05-10. Hardcover. New. In shrink wrap. Looks like an interesting title! Lee & Low Books hardcover
2011020377New York: Parkstone International 2011. Book and jacket in mint condition. 199pp. A magnificant collection of the great master Claude Monet's works with many full-colour full-page plates plus a concise biography of the man. A lavish volume. Very scarce in this condition. First Edition. Hard Cover. As New/As New. 11.25 x 9.75 inches. Parkstone International Hardcover
1960159886New York: Village Gate 1960. Vintage flyer announcing a series of performances by Nina Simone Geoffrey Holder Bill Harris the Ramsey Lewis Trio and Elly Stone at the Village Gate and a concert by Simone at Hunter College 1960.<br /> <br /> The Village Gate performances ran from September 8 through September 17 1960 and from September 19 through October 11 1960 with an additional announcement of a Nina Simone concert on October 21 1960 in the Main Hall at Hunter College.<br /> <br /> A arts polymath Geoffrey Holder was a dancer choreographer actor composer musician designer and painter. He made his Broadway debut in 1954 in the Truman Capote musical "House of Flowers" and was the principal dancer for the Metropolitan Opera in 1955-1956. Holder began his film career in 1957 and his best known as the villainous Voodoo henchman Baron Samedi in the 1973 James Bond film "Live and Let Die" directed by Guy Hamilton and starring Roger Moore.<br /> <br /> 8.5 x 11 inches. Near Fine with faint toning to the extremities. Village Gate unknown
198431391New York: Museum of Modern Art 1984. No stated edition. Accordion folded within laminated metal covers. Very good covers lightly soiled; internally fine. Stamps" and "Restaurants by City." Both mounted within magnetic covers produced by Magnaform Corp. New York. Each 3 inches high. "Stamps" contains 12 acetate pockets to hold stamps. "Restaurants by City" contains 21 panels on paper lined for addresses. "Restaurants by City" is housed in a metal case slightly scratched; unknown if "Stamps" also came with a case. Sold as a group. Can be sent outside the US for less than the default shipping rate. Museum of Modern Art unknown
Parmann, ØisteinIn Pristine Condition. unknown
Per SimonnæsIn Pristine Condition. unknown
198100507934Northwest Artists Workshop 1981. First Edition. Trade Paperback. Very Good/No Jacket. 4to - over 9¾" - 12" tall. Rare catalog of what is stated to be the first exhibition of artiist's books in Oregon Worldcat records only two copies none in the Northwest. 38pp. rivet bound printed rectos only and illustrated with 5 b/w xerox printed illustrations the cover plus one are in full color. 'Index was compiled from an exhibition of 'Artists' books' held at Northwest Artists Workshop from March 5 to April 5 1981' Exhibition curated by Tim Guest. light wear a 1/4' portion of the cover near the rivet is torn. Northwest Artists Workshop paperback
17-2454Oslo: Norwegian Visual Artists 2019. 8vo. ca 240 pp. Soft Covers. Very Good. Illustrated paper wraps. Minor crease at top right corner. Color and B&W plates throughout. Text in Norwegian.ISBN: 9771501446017.Collection from San Francisco Museum of Modern Art. Oslo: Norwegian Visual Artists, 2019. paperback
19385603.11938. Softcover. VG- light soiling to cover. Yellow spiral-bound wraps. Appx. 150 pp. Appx. 170 bw plates. Lists 906 works alphabetically by the artists who created them. Very useful since there are so many bw plates. paperback
1939253351939. Softcover. VG Originally spiral bound this copy has been bound into cloth with the front cover pasted onto the front cloth. Farded red wraps. Appx. 65 pp. Appx. 82 bw repros. Lists 575 works. Includes prices. Introduction written by Walter Pach. Published to accompany the exhibition held at NY: Society of Independent Artists Mar. 29 to Apr. 19 1939. paperback
197760025New York: NYC WPA Artists Inc. Very Good. 1977. First Edition. Paperback. Softcover. 4to. First printing. Catalogue is in VG- condition; there are a few stains on covers and spine is rippling slightly. Edges of covers are lightly rubbed. One corner is creased. Interior is clean and binding is tight. Published to accompany an exhibition of the same name shown at the Parsons School of Design in 1977; contains reproductions of works done by artists of the NYC WPA. Painting and sculpture from 1934-43 are contrasted with the individual artist's later works. With text by Norman Barr Audrey McMahon Emily Genauer and Greta Berman. 101 pp. . NYC WPA Artists Inc paperback
202171198Santa Fe: The Press at the Palace of the Governors 2021. Limited edition. Near Fine. Duodecimo 19.5 cm Covers made from paper handmade by John Koller and marbled by Thomas Leech. Work of the press done by Thomas Leech and James Bourland. Two tipped-in reproduced photographs. Eight tipped-in reproductions of Dorothy's linoleum block prints. An elegant fine press limited edition featuring the writing of Ernie O'Malley and the art of Dorothy Stewart.<br /> <br /> "Santa Fe has been a center for artists and writers over the years. Most of them hailed from elsewhere. This was true in 1927 for the Philadelphia-native artist Dorothy Newkirk Stewart 194-1955 and in 1930 for my father the Irish militant nationalist author and poet General Ernie O'Malley 1897-1957." - Cormac K H O'Malley<br /> <br /> Number 78 in an edition limited to only one hundred books. Bound in the style of the popular travel journals that letterpress printer James Bourland produced for Palace Press. The Press at the Palace of the Governors unknown
51-2475Washington DC: 2009. Original cardboard box with individually packaged items. T-shirt is large. All in new condition: bronze medallion with stand; silkscreen t-shirt by Fairey; pin by Ann Hand Champagne flutes. Washington, DC: 2009 unknown
2017TK232805National Commission for Culture Manilla 2017. 1st Edition. SOFTCOVER. Medium size 4to format with two books in one. Main text 138pp on various types of paper with colour plates in text etc. 'Exhibition Installation' is a 32 page booklet on stiff paper of photos of the exhibition sewn on to the rear cover flap as issued. Text is in English throughout __CONDITION : A well preserved AS NEW unmarked and unread copy. . __We always ship in PROTECTIVE CARD PARCELS National Commission for Culture, Manilla paperback
2005TK233181Pace Wildenstein New York 2005. 1st Edition. HARDCOVER. Extra Large 4to. in thick board folder with yellow lettering to spine and colour plate pasted to front cover as issued. unpaginated approx. 48pp on thick art paper colour plates etc __CONDITION : A well preserved almost AS NEW unmarked copy slight sunning to spine and rear cover small spot of excess glue to spine - looks like a minor production flaw. . __We always ship in PROTECTIVE CARD PARCELS Pace Wildenstein, New York hardcover
20022194180308054Festival Mushroom Records 2002-11-26. Audio CD. Good. CD plays perfectly & the case looks good. Festival Mushroom Records unknown
51-3470Mount Hebron Wisconsin: Perishable Press Walter Hamady 2003. 4to 26 x 18.5 cm 10¼ x 7¼" pictorial tan cloth. No. 36 of 109 copies. 48 page surfaces 31 printed. Ten images by four illustrators printed in different sizes some repeated from eleven point dies made in Wisconsin. Handset type in five faces. Printed on/into five different mould-made papers four German one French in several colors. Press numbered. Cased by Scott Kellar in Chicago. Printed cloth over thin museum board. Illustrations by Jim Lee Henrik Drescher Peter Sis & David McLimans. Colophon: "Depression Dog is the 128th thin volume from The Perishable Press Limited the eleventh collaboration of author and printer. Ten here in the countryside and one at the once-great university via a seminar which produced READING in 1992. Makeshift it to say that the author's 'segmented loopin' shown in that book became the aegis-engine and raison d'etre of this one."Inadvertently the project went fallow while the publisher luxuriously read books all day every day for the first six months of 2002 then shamelessly segued to a mad assemblaging of objets trouves for the next five! We finish in time for the author's arrival on Thursday the 93rd day of this year."Toby Olson is an American writer based in Pennsylvania. He co-founded and taught at the Aspen Writers' Workshop and at Long Island University and The New School For Social Research and since 1975 Temple University.The 128th book of the Perishable Press. Text from an unfinished novel by Toby Olson. Selected as one of "Fifty Books of the Year" 2003 AIGA American Institute of Graphic Art New York City.Walter Hamady born 1940 is an American artist book designer papermaker poet and teacher. He is especially known for his innovative efforts in letterpress printing bookbinding and papermaking exemplified in the productions of The Perishable Press Limited and the Shadwell Papermill founded by Hamady in the mid-1960s. In 1966 Hamady joined the faculty of the University of Wisconsin Madison where he would teach papermaking letterpress printing and bookbinding for more than three decades.Walter Hamady born 1940 is an American artist book designer papermaker poet and teacher. He is especially known for his innovative efforts in letterpress printing bookbinding and papermaking exemplified in the productions of The Perishable Press Limited and the Shadwell Papermill founded by Hamady in the mid-1960s. In 1966 Hamady joined the faculty of the University of Wisconsin Madison where he would teach papermaking letterpress printing and bookbinding for more than three decades.Walter Hamady born 1940 is an American artist book designer papermaker poet and teacher. He is especially known for his innovative efforts in letterpress printing bookbinding and papermaking exemplified in the productions of The Perishable Press Limited and the Shadwell Papermill founded by Hamady in the mid-1960s. In 1966 Hamady joined the faculty of the University of Wisconsin Madison where he would teach papermaking letterpress printing and bookbinding for more than three decades. Mount Hebron, Wisconsin: Perishable Press (Walter Hamady), 2003 hardcover
91081Woodblock Print Calendar for 1937 - 12 sheets<br /> Onchi KÅshirÅ æ©åœ°å四郎 Kawakami Sumio å·ä¸Šæ¾„生 Maekawa Senpan å‰æ‘åƒå¸† et al artists<br /> Nihon Hanga KyÅkai 日本版画å”会 Japan Print Association<br /> n.p.<br /> ShÅwa 12 æ˜å’Œ12å¹´ 1937<br /> <br /> 12 sheets 24.7 x 12.6cm each illustrating one month of the year ShÅwa 12 æ˜å’Œ12å¹´ 1937 in original color woodblock prints. Known to be published annually by the Nihon Hanga KyÅkai 日本版画å”会 Japan Print Association which issued calendars with the same format until at least ShÅwa 19 1944. The top section is the calendar with dates and below it an original artwork both done in the style of the artist all of whom were established in the field of woodblock printmaking. All but one of the names are written vertically in Japanese in ink on the rear in the lower right hand corner. Hanko are found in “Guide to Modern Japanese Woodblock Prints: 1900-1975†by Helen Merritt and Nanako Yamada as indicated.<br /> <br /> The Nihon Hanga KyÅkai 日本版画å”会 Japan Print Association still in existence today was established in January 1931 when the Japan Creative Print Association SÅsaku Hanga 創作版画 formed in 1918 merged with the Western Print Association YÅfÅ« Hangakai 洋風版画会 formed in 1929 attracting independent artists.<br /> <br /> January - Hiratsuka Un’ichi 平塚é‹ä¸€ 1895-1997 created the woodcut of a bearded Daikokuten 大黒天 god of good fortune and wealth holding aloft an Uchide no Kozuchi 打ã¡å‡ºã®å°æ§Œ lucky mallet with the name Mt. Yudono 湯殿山 a Shinto shrine in Yamagata prefecture within the work. Hiratsuka initially studied watercolor and later ventured into painting and printmaking. He was prolific in the latter contributing to numerous periodicals and collaborating with Onchi and Maekawa Senpan among others later influencing the younger generation as a teacher including his student Maeda Masao å‰ç”°æ”¿é›„. The artist’s seal of ‘un’ é‹ can be found in Merritt p. 285. His works are held at the Art Institute of Chicago as well as other museums.<br /> <br /> February - Maeda Masao å‰ç”°æ”¿é›„ 1904 - 1974. This winter-themed woodcut of skiers on a snowy hill reflects the artist’s Hokkaido birthplace and childhood. A student of Hiratsuka Un’ichi 平塚é‹ä¸€ he was an active member of printmaking groups and contributed to a number of compiled works. The technical skills and details for which he is known are shown in his well-known work from the 1930s Hokkaido Hakkei 北海é“八景 8 Views of Hokkaido. His hanko seal of “masa†“政†is in Merritt p 294.<br /> <br /> March - Katsuhira Tokushi å‹å¹³å¾—之 1904-1971. It is fitting that the artists depicts the March 3rd festival of Hinamatsuri é››ç¥ã‚Š or Girl’s Day in Japan as he got his start as an artist carving wood dolls. Largely self-taught he exhibited his works in a number of competitions and often created prints on the theme of Akita prefecture where he grew up. His seal of “toku†得 is in Merritt p.291.<br /> <br /> April - Onchi KÅshirÅ æ©åœ°å四郎 1891–1955 contributed a print of two butterflies with blocks of blue. HIs accomplishments throughout the first half of the 20th century begin with his eminence as a printmaker. Onchi was an innovator who domesticated the ideals of abstraction and "creative printmaking" in Japan when still in art school. From his early years working with Takehisa Yumeiji 竹久夢二 among others he began a long career as a printmaker book designer and book illustrator. From the very beginning of his life in the arts he was the center and focus of the Creative Print Movement SÅsaku Hanga 創作版画 surrounding himself with fellow artists who took inspiration from his dedication to the cause of self-expression. His works are held in institutions internationally.<br /> <br /> May - Henmi Takashi 逸見享 1895 -1944 depicted an image of a red carp flag over a house which suggests the May 5th holiday originally known as Boy’s Day in Japan. A book designer poet and artist he was an active member of the Creative Print Movement SÅsaku Hanga and founding member of Nihon Hanga KyÅkai. His work is collected by the British Museum; his hanko ‘Takashi’ 享 is within the artwork.<br /> <br /> June - Yamaguchi Susumu å±±å£é€² 1897-1983 portrays two frogs in water for the June calendar sheet with his hanko within the artwork. A native of Nagano prefecture his first job out of school was at a post office. He completed his first woodblock print soon after having taught himself. In 1920 he moved to Kyoto and began studying at the Aoibashi Western Painting Institute under established painter Kuroda Seiki é»’ç”°æ¸…è¼ 1866-1924. His first international exhibition was just 5 years later and after his woodcuts received accolades he devoted himself to printmaking. His works are held internationally including the British Museum and the Ringling Museum of Art.<br /> <br /> July - Fujimori Shizuo 藤森é™é›„ 1891-1943 shares his abstracted illustration of a bright blue river surrounded by yellow and light green scenery. He was a schoolmate of Onchi and helped with his issues of the seminal work the art magazine Tsukuhae Tsukubae æœˆæ˜ at Tokyo School of Art in about 1914-5. In 2019 the Fukuoka Art Museum ç¦å²¡å¸‚美術館 Fukuoka-shi Bijutsukan held an exhibit of his work from the magazine. He was a founding member of Nihon Hanga KyÅkai and contributed to numerous important works. His hanko ‘S’ is within the woodcut.<br /> <br /> August - The red flower illustrated by Azechi UmetarŠ畦地 梅太郎 1902-1999 in the woodcut for August may well be a cliff flower as Azechi was a mountain climber as well as an artist. Originally from Shikoku he later worked in Tokyo and was mainly self-taught as a printmaker. His hanko ‘ウ’ is in Merritt p. 281. His works are held at the Art Institute of Chicago MOMA MFA Boston and others.<br /> <br /> September - The still life of fruits and nuts by Koizumi Kishio å°æ³‰ç™¸å·³ç”· 1893-1945 incorporates the artist’s hanko izumi ‘泉 with “Kiso†underneath it Merritt p. 295. Originally a calligrapher he later studied painting and woodblock carving and carved his own prints as well as others. A member of a number of printmaking groups he contributed to well-known compilations and completed his own 32 Views of Mt. Fuji the “Holy Mountain†Fugaku SanjyÅ« Rokkei è–峰富岳三åå…景.<br /> <br /> October - Shimozawa KihachirŠ下澤木鉢郎 1901-1986 was born Shimoyama KihachirŠ下山木鉢郎 but took on the surname Shimozawa after marrying the eldest daughter of woodblock artist Shimozawa Bunpei 下澤文平. His work is known under both names and often bears the character hachi ‘鉢†within a red hexagon as it does here in the October print of autumn foliage as viewed through a window. He was a watercolor artist as well as a printmaker; his work in both were awarded numerous prizes over the years. Institutions in Japan hold his works as well as the British Museum which holds 6 of his prints and the MFA Boston which holds 3.<br /> <br /> November - Maekawa Senpan å‰å·åƒå¸† 1888-1960 was one of the most important of all the mid-century SÅsaku Hanga 創作版画 Creative Print Movement artists. Senpan whose penname was Sugimura KÅtarÅ æ‰æ‘廣太郎 was an established wood block print artist as well as a manga artist. His lovely blue-gray depiction of a branch of berries adorns the November calendar with his hanko ‘han’ 帆 Merritt p. 295.<br /> <br /> December - Kawakami Sumio å·ä¸Šæ¾„生 1895-1972 was a self-taught and well-known artist whose work is held internationally as well as in his namesake museum in Tochigi Prefecture. He was an important figure in the SÅsaku Hanga 創作版画 Creative Print Movement and in the December calendar portrays the Epiphany; his hanko is incorporated into the roof of the stable.<br /> <br /> There is a hole in the upper right hand corner where the calendar pages were attached. Otherwise fine condition. Some fading and wrinkled areas. A lovely set of woodcuts by the most important SÅsaku Hanga printmakers of the time. unknown
