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19044100202Cincinnati: Tom Jones Publishers of Scenic Souvenirs 1904. Soft cover. Fine. Small Sized Collection of Black/white Views of the World's Fair. size 4&1/4"x3&1/4".Bound in dark gray heavy paper with gold lettering. About 24 views in accordion format. Top opens up with flaps opening to each side pictures accordion out from top picture. FINE. Binding tight and square with minor bumping to corners. Not marked in any way and very bright and clean. Picture available upon request. All items carefully wrapped and sent boxed. <br/> <br/> Tom Jones Publishers of Scenic Souvenirs paperback
2013Q-1423184815Disney Press 2013-09-17. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2013Q-1423164555Disney Press 2013-01-08. Paperback. New. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2013Q-1423164083Disney Press 2013-06-04. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2013Q-1423164075Disney Press 2013-06-04. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2013Q-1423171357Disney Press 2013-05-28. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
2013Q-1423163923Disney Press 2013-05-07. Paperback. New. In shrink wrap. Looks like an interesting title! Disney Press paperback
0815000030.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1984013795Tokyo: Seymour Chwast and Milton Glaser /G.I.P. Publisher 1984. Wraps. Good. Color illustrated wraps. Unpaginated. All text in Japanese. Color and black and white illustrations throughout. Small square folio. Two works bound dos a dos presenting the art and graphic arts of Seymour Chwast and Milton Glaser perhaps for an exhibition. This includes posters ads and other art. Both Chwast and Glaser are noted graphic designers and founders of Push Pin Studios. Glaser is known for his I heart NY logo a psychedelic Bob Dylan poster and other works that blend art with graphic appeal. GOOD condition. Wraps faded with minor soiling. Moderate creasing curling and wrinkling mostly along the extremities. Small tape repair to the upper spine and cover. Minor tearing along the spine. Seymour Chwast and Milton Glaser /G.I.P. , Publisher unknown
2013T217137Mead Gallery Coventry 2013. 1st Edition. SOFTCOVER. 8vo in stiff card covers 80pp on glossy art paper colour plates etc __CONDITION : NEW unread and unmarked copy hint of tanning to leaves. . __We always ship in PROTECTIVE CARD PARCELS Mead Gallery, Coventry paperback
2012a4885Tompkins Square 2012-11-06. Audio CD. Like New. Complete 3 CD set liners and booklet all in Excellent condition. Tompkins Square unknown
200070944AB2000. London Wooldd Galery c2000. 16 cm x 235 cm. 63 pages. With many colour illustrations throughout the book. Illustrated Softcover. Very good condition with only minor signs of external wear. Includes for example the following artists: Ben Young / Rosie James / Fiona Morley / Serge Alvarez / Michel Maly / Russell West etc etc. paperback
19880826W296866Overlook Press. Very Good. 1988. Paperback. 0879512946 . Oversize paperback lightly edge worn rubbed and marked.; 11.0 X 8.5 X 0.5 inches; 176 pages . Overlook Press paperback
1988Q-0879512946Overlook Press 1988-04-04. Paperback. New. In shrink wrap. Looks like an interesting title! Overlook Press paperback
91081Woodblock Print Calendar for 1937 - 12 sheets<br /> Onchi KÅshirÅ æ©åœ°å四郎 Kawakami Sumio å·ä¸Šæ¾„生 Maekawa Senpan å‰æ‘åƒå¸† et al artists<br /> Nihon Hanga KyÅkai 日本版画å”会 Japan Print Association<br /> n.p.<br /> ShÅwa 12 æ˜å’Œ12å¹´ 1937<br /> <br /> 12 sheets 24.7 x 12.6cm each illustrating one month of the year ShÅwa 12 æ˜å’Œ12å¹´ 1937 in original color woodblock prints. Known to be published annually by the Nihon Hanga KyÅkai 日本版画å”会 Japan Print Association which issued calendars with the same format until at least ShÅwa 19 1944. The top section is the calendar with dates and below it an original artwork both done in the style of the artist all of whom were established in the field of woodblock printmaking. All but one of the names are written vertically in Japanese in ink on the rear in the lower right hand corner. Hanko are found in “Guide to Modern Japanese Woodblock Prints: 1900-1975†by Helen Merritt and Nanako Yamada as indicated.<br /> <br /> The Nihon Hanga KyÅkai 日本版画å”会 Japan Print Association still in existence today was established in January 1931 when the Japan Creative Print Association SÅsaku Hanga 創作版画 formed in 1918 merged with the Western Print Association YÅfÅ« Hangakai 洋風版画会 formed in 1929 attracting independent artists.<br /> <br /> January - Hiratsuka Un’ichi 平塚é‹ä¸€ 1895-1997 created the woodcut of a bearded Daikokuten 大黒天 god of good fortune and wealth holding aloft an Uchide no Kozuchi 打ã¡å‡ºã®å°æ§Œ lucky mallet with the name Mt. Yudono 湯殿山 a Shinto shrine in Yamagata prefecture within the work. Hiratsuka initially studied watercolor and later ventured into painting and printmaking. He was prolific in the latter contributing to numerous periodicals and collaborating with Onchi and Maekawa Senpan among others later influencing the younger generation as a teacher including his student Maeda Masao å‰ç”°æ”¿é›„. The artist’s seal of ‘un’ é‹ can be found in Merritt p. 285. His works are held at the Art Institute of Chicago as well as other museums.<br /> <br /> February - Maeda Masao å‰ç”°æ”¿é›„ 1904 - 1974. This winter-themed woodcut of skiers on a snowy hill reflects the artist’s Hokkaido birthplace and childhood. A student of Hiratsuka Un’ichi 平塚é‹ä¸€ he was an active member of printmaking groups and contributed to a number of compiled works. The technical skills and details for which he is known are shown in his well-known work from the 1930s Hokkaido Hakkei 北海é“八景 8 Views of Hokkaido. His hanko seal of “masa†“政†is in Merritt p 294.<br /> <br /> March - Katsuhira Tokushi å‹å¹³å¾—之 1904-1971. It is fitting that the artists depicts the March 3rd festival of Hinamatsuri é››ç¥ã‚Š or Girl’s Day in Japan as he got his start as an artist carving wood dolls. Largely self-taught he exhibited his works in a number of competitions and often created prints on the theme of Akita prefecture where he grew up. His seal of “toku†得 is in Merritt p.291.<br /> <br /> April - Onchi KÅshirÅ æ©åœ°å四郎 1891–1955 contributed a print of two butterflies with blocks of blue. HIs accomplishments throughout the first half of the 20th century begin with his eminence as a printmaker. Onchi was an innovator who domesticated the ideals of abstraction and "creative printmaking" in Japan when still in art school. From his early years working with Takehisa Yumeiji 竹久夢二 among others he began a long career as a printmaker book designer and book illustrator. From the very beginning of his life in the arts he was the center and focus of the Creative Print Movement SÅsaku Hanga 創作版画 surrounding himself with fellow artists who took inspiration from his dedication to the cause of self-expression. His works are held in institutions internationally.<br /> <br /> May - Henmi Takashi 逸見享 1895 -1944 depicted an image of a red carp flag over a house which suggests the May 5th holiday originally known as Boy’s Day in Japan. A book designer poet and artist he was an active member of the Creative Print Movement SÅsaku Hanga and founding member of Nihon Hanga KyÅkai. His work is collected by the British Museum; his hanko ‘Takashi’ 享 is within the artwork.<br /> <br /> June - Yamaguchi Susumu å±±å£é€² 1897-1983 portrays two frogs in water for the June calendar sheet with his hanko within the artwork. A native of Nagano prefecture his first job out of school was at a post office. He completed his first woodblock print soon after having taught himself. In 1920 he moved to Kyoto and began studying at the Aoibashi Western Painting Institute under established painter Kuroda Seiki é»’ç”°æ¸…è¼ 1866-1924. His first international exhibition was just 5 years later and after his woodcuts received accolades he devoted himself to printmaking. His works are held internationally including the British Museum and the Ringling Museum of Art.<br /> <br /> July - Fujimori Shizuo 藤森é™é›„ 1891-1943 shares his abstracted illustration of a bright blue river surrounded by yellow and light green scenery. He was a schoolmate of Onchi and helped with his issues of the seminal work the art magazine Tsukuhae Tsukubae æœˆæ˜ at Tokyo School of Art in about 1914-5. In 2019 the Fukuoka Art Museum ç¦å²¡å¸‚美術館 Fukuoka-shi Bijutsukan held an exhibit of his work from the magazine. He was a founding member of Nihon Hanga KyÅkai and contributed to numerous important works. His hanko ‘S’ is within the woodcut.<br /> <br /> August - The red flower illustrated by Azechi UmetarŠ畦地 梅太郎 1902-1999 in the woodcut for August may well be a cliff flower as Azechi was a mountain climber as well as an artist. Originally from Shikoku he later worked in Tokyo and was mainly self-taught as a printmaker. His hanko ‘ウ’ is in Merritt p. 281. His works are held at the Art Institute of Chicago MOMA MFA Boston and others.<br /> <br /> September - The still life of fruits and nuts by Koizumi Kishio å°æ³‰ç™¸å·³ç”· 1893-1945 incorporates the artist’s hanko izumi ‘泉 with “Kiso†underneath it Merritt p. 295. Originally a calligrapher he later studied painting and woodblock carving and carved his own prints as well as others. A member of a number of printmaking groups he contributed to well-known compilations and completed his own 32 Views of Mt. Fuji the “Holy Mountain†Fugaku SanjyÅ« Rokkei è–峰富岳三åå…景.<br /> <br /> October - Shimozawa KihachirŠ下澤木鉢郎 1901-1986 was born Shimoyama KihachirŠ下山木鉢郎 but took on the surname Shimozawa after marrying the eldest daughter of woodblock artist Shimozawa Bunpei 下澤文平. His work is known under both names and often bears the character hachi ‘鉢†within a red hexagon as it does here in the October print of autumn foliage as viewed through a window. He was a watercolor artist as well as a printmaker; his work in both were awarded numerous prizes over the years. Institutions in Japan hold his works as well as the British Museum which holds 6 of his prints and the MFA Boston which holds 3.<br /> <br /> November - Maekawa Senpan å‰å·åƒå¸† 1888-1960 was one of the most important of all the mid-century SÅsaku Hanga 創作版画 Creative Print Movement artists. Senpan whose penname was Sugimura KÅtarÅ æ‰æ‘廣太郎 was an established wood block print artist as well as a manga artist. His lovely blue-gray depiction of a branch of berries adorns the November calendar with his hanko ‘han’ 帆 Merritt p. 295.<br /> <br /> December - Kawakami Sumio å·ä¸Šæ¾„生 1895-1972 was a self-taught and well-known artist whose work is held internationally as well as in his namesake museum in Tochigi Prefecture. He was an important figure in the SÅsaku Hanga 創作版画 Creative Print Movement and in the December calendar portrays the Epiphany; his hanko is incorporated into the roof of the stable.<br /> <br /> There is a hole in the upper right hand corner where the calendar pages were attached. Otherwise fine condition. Some fading and wrinkled areas. A lovely set of woodcuts by the most important SÅsaku Hanga printmakers of the time. unknown
19942352181106012Life Times & Music 1994-09-26. Audio CD. Like New. CD plays perfectly & the case looks good. Life Times & Music unknown
2012Q-1607065320Image Comics 2012-06-19. Paperback. New. In shrink wrap. Looks like an interesting title! Image Comics paperback
2011Q-0736427236RH/Disney 2011-07-12. Hardcover. New. New. In shrink wrap. Looks like an interesting title! RH/Disney hardcover
1995005268National Gallery of Art Washington DC with Yale University Press New Haven London 1995. Book. Fine Condition. Cloth. 419 pp. many illus. 235 in full color. Just the tiniest bit of dirt to the bottom edge otherwise a fine copy. Dustjacket is protected with a mylar cover. Published on the occasion of the exhibition from the National Gallery of Art Washington DC 15 October 1995-28 January 1996 Museum of Fine Arts Boston MA 21 February-26 May 1996 and The Metropolitan Museum of Art New York NY 20 June-22 September 1996. National Gallery of Art, Washington DC with Yale University Press, New Haven London Hardcover
1002111022071Windham Hill. Vinyl. Very Good. CD plays perfectly & the case looks good. Windham Hill unknown
195420-26660New York Ballantine Books 1954-01-01. Paperback. Good. Pink-tinted cover. Good condition with wear on covers and spine. New York, Ballantine Books paperback
75-5606New York: Associated American Artists Gallery 1972. 8vo. Soft Cover. ca. 100 pp. B&W Plates. Very Good with Creasing Abrasions. Ex-Library. Loosely Laid In: 16 pp. stapled Wrap Supplement to the Catalogue Raisonne Will Barnet: Lithographs Serigraphs 1973-1979Provenance: From the library of the San Francisco Gallerist Pasquale Iannetti. New York: Associated American Artists Gallery, 1972 paperback
197110939Berkeley: The Print Mint 1971. A collection of psychedelic comix edited by Barbara Mendes who used the pseudonym Willy Mendes. Mendes was also involved in the Print Mint comic It Ain’t Me Babe the first comic produced entirely by women. The contributors to this title include Trina Robbins Kim Deitch S. Clay Wilson Bill Griffith Robert Williams and others.<br /> <br /> Comic book format 9 ¾†x 7†32 p. Rubbing to covers slight ripple. The Print Mint unknown
20032045170214029Hip-O Records 2003-09-23. Audio CD. Like New. CD plays perfectly & the case looks good. Hip-O Records unknown
23459London: Ward Lock & Tyler no date circa 1870s. . "Beeton's Boy's Own Library". Hardback. Professionally rebound in maroon cloth with gilt spine titles and bands. The pictorial cloth from the original binding in nicely laid-on to the front. With one hundred and twenty illustrations by Harrison Weir T. W. Wood and other artists principally from drawings made in the Zoological Gardens Regent's Park. Contents: a little spotting. A few light smudge marks and small marks to edges. Some corners lightly curled/creased. Last page of text browned/dotted. Otherwise pages generally very good and clean. Previous owner's inscription dated 1873. Boards: very good. Light blemishes to front. A very good tight copy of this scarce title. 440 pp. London: Ward, Lock, & Tyler, (no date, circa 1870s). hardcover
