727 résultats
19742091502135414099Fubai-sha 1974. Soft Cover. Fine. Number of books: 1 Fubai-sha paperback
20002111902153102165Shogakukan/Sunrise 2000. Soft Cover. Fine. Number of books: 1 Shogakukan/Sunrise paperback
1910HALL510034Paperback. 1910. The following unsigned: Phylis Dare 2 of Lily Elsie and combined portrait of Julia Neilson & A.E. Anson. 9 postcard portraits all in very good condition. . paperback
1985534428593122799<p>Rare Near Fine Condition Limited Printed Mounted Arthurian Poster Excalibur Tournament of the Sword" 17 inches tall by 12 inches wide Circa 1985-90. Very few have survived. This Mounted on Cardboard with Plastic covering in clean handsome Near Fine condition. These were displayed on trees in Bear Park Upstate New York. Clean No writing. No tears bright and clean This was Arthurian play performed at Bear Mountain Park New York in the late 80s or early 90s. See all three of our Three Geese in Flight Book Scans of front and back cover and poster with a ruler.</p> Caliburn Actors Guild
199024142New York, Westport, London : Greenwood, 1990. XIII, 364 S. : Mit wenigen Abb. ; Gr.-8° , schwarzer Org.-Leinen /black cloth
1928AMA-605Delagrave, 1928. in 12, broché, couverture rempliée, petits défauts aux dos, envoi. 128 pp., illustrations.
1977310240NP: UNITED ARTISTS. Fine with no dust jacket. 1977. Printed cards. Set of 8 full-color PHOTO STILLS. 8" X 10" All fine. A Michael Ritchie film based on Dan Jenkins novel. B . UNITED ARTISTS. unknown
196534840New York: 1965. 1965. Very good. - A letter penned in dark blue ink filling a little more than one side of a sheet of Anne Jackson Wallach's blue 10-1/2 inch high by 7-1/4 inch wide personalized letterhead. There are a few light ink smudges to the letter with a small ink blot & red pencil notation at top right. Folded twice for mailing. Stapled to the letter is a carbon copy of a note about publishing part of the letter. Very good. <p>Anne Jackson Wallach and Eli Wallach were American film television and stage actors who often co-starred on and off Broadway. They were one of the best known acting couples in American theatre.<p>This is a splendidly impassioned letter addressed to Dick Ficks attacking a Saturday Evening Post article by James Atwater which hashed over at length the failure of "Has Anybody Here Seen Kelly" produced by Joseph E. Levine and David Susskind. The production ran one night and lost $650000. "What earthly good does it do to rehash mistakes and place blame Those of us who work in the theater know the odds when we sign contracts. Nobody sets out to fail. The most knowledgeable practitioners goof.Much more loot is invested in oil wells which are dry.trips to the moon which never come off.and wars which never pay off.why advertise the figures for a play which bombs"<p>The attached note is from a Post letters editor to LUV Press expressing her appreciation for the Wallachs giving permission to publish part of their letter. The Saturday Evening Post article appeared in the April 24 1965 issue. New York: (1965). unknown
196517668La Capitale 1965 In-4 broché, jaquette illustrée et rhodoïd, non paginé. Nombreuses illustrations en noir et couleurs, 10 planches de reproductions d’oeuvres Toulouse-Lautrec en couleurs contrecollées. Bien complet du programme et du 33 tours avec les voix de Gaby Morlay, Pierre Blanchar, Jean Cocteau, Edith Piaf et Margueritte Jamois. 1 ff. délié. Couverture un peu ternie
1930003114Hollywood CA: United Artists 1930. "HELL'S ANGELS" Original studio-stamped 1930 Pre-Code publicity photo of JEAN HARLOW & BEN LYON from Howard Hughes's iconic war film. Vintage gelatin silver single weight glossy roughly 8.25" x 10" Very Good to Fine only the tiniest of blemishes. Reverse with studio promotional info. . First Thus. Near Fine. Photograph. United Artists books
1935005365Chicago: Pepsodent Co. Printed by Gwindell Printing Co. Inc. 1935. First edition. Envelope. Fine. Colorful mock map of fictional town where Amos and Andy resided. The folding map which came in an envelope with a "letter both of which are included here measures 38.5 by 50 cm and it was issued by the popular radio program's sponsor Pepsodent. The show in its original incarnation was overtly Rascist playing into stereotypes of simple-minded clownish blacks and the title characters were in fact played by two white actors. In the map there is plenty of the imagery with this same flavor with the cartoonish denizens looking like buffoonish ants. Still in a strange way the town depicted captures something of the fanciful charm of the ideal small town. The map and the insert letter are pristine. The mailing envelope which features photo images of Correll and Gosden in black face has an address sticker on it and light soiling and wear. <br /><br /> Pepsodent Co. Printed by Gwindell Printing Co. Inc. books
19243114986NP: Warner Bros. Fine with no dust jacket. 1924. Photograph. On-set publicity PHOTOGRAPH from "How to educate a wife." 1924 Depicts actors Monte Blue and Marie Prevost hugging in bed with director Monta Bell in suit leaning into the shot. Fine. 7 1/4" X 9 1/2" White margins trimmed. Terrific behind the scenes publicity still. ; 7 1/4" x 9 1/2" . Warner Bros. unknown
1939003113Los Angeles: 20th Century Fox 1939. THE HOUND OF THE BASKERVILLES. Original Vintage gelatin silver publicity photograph single weight 8" by 10.25" in Near Fine condition. Los Angeles: 20th Century Fox Studios 1939. This Sidney Lanfield crime detective mystery was the first of the Rathbone-Bruce Sherlock Holmes films of which eventually there were 14. Very Good to Fine. Original vintage publicity photos from this series such as this studio-stamped on the back are highly desirable and rarely encountered in this condition. Fine. Photograph. 20th Century Fox books
1996LFA-126747638Un ouvrage de 528 pages, format 245 x 330 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 1996, La Mémoire du Cinéma Français, bon état
1933016008Paris Art & Action 1933 En feuilles
19573115006NP: Columbia Pictures. Very Good with no dust jacket. 1957. Poster. Original half-sheet film poster for this 1957 b-movie production. 19 1/4" X 13 3/4" Close to near fine on card-stock with fold at center. Traces of faint wear at margins. Blurb reads - "This Is a picture about DOPE!"; 8vo 8" - 9" tall . Columbia Pictures unknown
1941152318New York: Grosset and Dunlap 1941. Hardcover. Later printing. SIGNED on the front endpaper by actors Tyrone Power and Joan Fontaine who starred in Anatole Litvak's 1942 film adaptation with a third inscription by radio personality Tom Breneman to the front pastedown. A contemporary owner annotation in holograph pencil to the front endpaper notes the book as a "'Gift from Sardis - June 5 1942.'"<br/><br/>Breneman hosted a popular morning radio show from 1941-1948 broadcast from Sardi's Restaurant on Hollywood Boulevard. The show underwent many name changes but was best known as "Breakfast in Hollywood" and featured unscripted interviews with contemporary stars including Jimmy Durante Andy Devine and Orson Welles.<br/><br/>Very Good plus in a Very Good dust jacket. Board edges lightly frayed with a small bump to the top fore-edge of the front board and a few tiny splashes to the top page edges. Jacket front flap is separated from the rear panel with a light dampstain to the rear flap fold and chips to the crown and top edge of the rear panel. Grosset and Dunlap unknown books
1940225431940. Archive of original publicity and candid photographs of 20th-century Black entertainers ca. 1940s-1970s. 12 silver gelatin prints and half-tone publicity stills various sizes but majority are 8 x 10 in. several with photographer or agency stamps press captions or printed credit on versos or margins. This collection assembles portraits film stills and candid images of major African American performers whose careers spanned stage screen music and comedy during the mid-20th century-a period when Black entertainers broke barriers in Hollywood television and popular music often while confronting systemic racism in the entertainment industry.<br /> <br /> Identified in this group are: Isaac Hayes captured in a close-cropped press portrait with typed caption lauding his career as "composer singer actor black Moses of soul" at the height of his 1970s popularity; Harry Belafonte in a film still depicting him in a tense scene in 1959's film Odds Against Tomorrow; Sidney Poitier pictured in a still embracing Barbara Mcnair in the 1970 movie They Call Me Mister Tibbs; Dick Gregory the pioneering Black comedian and outspoken civil rights activist in a studio portraits; Moses Gunn known for his commanding stage presence and roles in films such as Shaft 1971; and John Marriott a veteran character actor of stage and screen seen in formal portrait.<br /> <br /> Also included are images of additional African American performers: a stylish mid-century nightclub or stage portrait of an unidentified singer in tuxedo; a sharply dressed man standing before a theater facade adorned with posters of entertainers including Kit Kara and Rio; and a candid street scene outside the famed Savoy Ballroom in Harlem showing two men shaking hands beneath the marquee at "600 Savoy 598." Smaller prints depict a saxophonist in performance and a lobby card for comedian Hot Ashes. Together these photographs trace a lineage of African American artistry across genres-popular music jazz theater film and stand-up-during an era when representation in mainstream media was both a political act and a cultural breakthrough. Light handling wear some corner creases and press crop marks; overall very good. unknown
1960224801960. African America Film and Entertainment Photo Archive of Black Entertainers Musicians Actors & Comedy Figures 1950s-1970s including Otis Redding Dinah Washington and Brock Peters. An archive of 9 original gelatin silver and glossy studio prints black and white measuring 10" x 8". Produced for press and promotional use in the United States during the mid 20th century. This archive comprises promotional portraits of major and lesser known Black entertainers. Multiple framed headshots feature blues and soul music legends Otis Redding and Dinah Washington as well as veteran character actors Brock Peters Moses Gunn John Marriott Thomas Anderson and gospel composer Howard A. Roberts. Additional images include a staged comedy scene produced by Laff Records featuring two older Black men in comedic poses surrounding a man in drag and a candid interview style photo of an unidentified Black entertainer at a desk with rotary telephone.<br /> Otis Redding and Dinah Washington headshots capture their poised midcentury publicity style: Washington smiles hair pinned with flower and pearls exuding jazz elegance; Redding presents a three quarter confident gaze in a dark suit. Otis Redding and Dinah Washington were among the most influential African American vocalists of the mid-20th century each achieving extraordinary success in a tragically abbreviated career. Redding hailed as the "King of Soul" became a defining figure of Southern soul with hits like "These Arms of Mine" and "Sittin' On The Dock of the Bay" the latter recorded just days before his death in a 1967 plane crash at the age of 26. His electrifying performance at the Monterey Pop Festival expanded his appeal beyond Black audiences and cemented his place in American music history. Washington known as the "Queen of the Blues" and "Queen of the Jukeboxes" crossed genres from gospel to jazz to pop with chart-topping hits in the 1950s earning a Grammy Award and influencing generations of vocalists with her dramatic phrasing and interpretive command. She died of an accidental overdose in 1963 at just 39 years old. Though their styles differed-Redding's raw emotive soul contrasting with Washington's polished versatility-their shared legacies lie in the groundbreaking commercial and artistic success they achieved in a racially segregated industry and in the profound cultural loss their premature deaths represented.<br /> <br /> The archive also includes studio portraits of lesser-known but notable Black figures: Brock Peters who achieved both stage and screen fame including pivotal roles addressing race in American culture; Moses Gunn a prominent character actor and Shakespearean performer; John Marriott and Thomas Anderson performers whose careers bridged regional theatre and early television. These studio shots display Peters with contemplative expression; Gunn looking directly toward the camera with intensity; Roberts identified by "Howard Roberts" printed beneath his image alongside performing arts agency credit; Thomas Anderson and John Marriott similarly styled in classic studio poses. The Laff Records comedic photograph shows two older men flanking a man in drag. Laff Records was an LA-based imprint which produced raunchy comedy records by Black comic icons such as Richard Pryor and Redd Foxx and was a vital platform which elevated subversive Black expression in a time of segregation and censorship. The final print shows a Black man at a desk holding a telephone receiver-a press snapshot suggestive of an interview or managerial context. Minor toning to margins on two prints; small creases at corners of three; image clarity remains strong; agency or studio credits legible. Overall very good condition. unknown
1993309442NY: DC COMICS. Fine with no dust jacket. 1993. First Edition; First Printing. Paperback. First edition. SIGNED in silver ink on front cover next to their portraits by actors Walter Koenig Mr. Chekov and by James Doohan 'Scotty'. Fine in stapled pictorial printed wrappers. 10" X 6 3/4"; 10" x 6 3/4"; Signed by Actor . DC COMICS. paperback
1977AMO-2072François Truffaut / Charles Denner etc. Néstor Almendros (photographe). PHOTOGRAPHIES / L'HOMME QUI AIMAIT LES FEMMES. Ensemble de 15 tirages argentiques 25,3 x 20,2 cm noir et blanc. Papier Kodak. Tirages de l'époque, photos de presse non tamponnées au verso. Cote manuscrite au stylo au verso pour chaque photo (une seule photo n'est pas cotée). Excellent état (photographies très peu ou pas manipulées restées jusque là sous enveloppe). ON JOINT : 1 tirage identique avec annotations de tirage au verso. ON JOINT : Jeu B - 12 photos couleurs d'exploitation 27 x 21 cm, sous enveloppe. Complet. Excellent état, pas de trace d'affichage ni trous de punaise. Sortie en salle : 27 avril 1977 Synopsis : Bertrand est autant amoureux des femmes que de l'idée même de la femme. Pour lui, toutes les femmes sont uniques et irremplaçables. Elles sont à la fois l'œuvre de sa vie, son inspiration artistique et la cause de sa mort. Mais si Bertrand est un amoureux insatiable, c'est qu'une profonde blessure est restée en lui. Celle que lui a causé une mère distante et froide, tout d'abord, et dont il ne parviendra jamais à se faire aimer. Et puis celle que lui a infligé Véra en le quittant. Depuis que Véra est partie, Bertrand erre de femme en femme, les collectionnant pour ne pas s'y attacher. Une passion qu'il résume par ces mots : « Les jambes de femmes sont des compas qui arpentent le globe terrestre en tous sens, lui donnant son équilibre et son harmonie. » SUPERBE ENSEMBLE. Autres photos sur demande.
1985009559Paris Gallimard NRF 1985 In-4 carré Cartonnage toilé et jaquette illustrée de l'éditeur
1930012910Paris 1930 In-12 agrafé, couverture illustrée
1979AMO-2530Dossier de presse pour le film Série Noire d'Alain Corneau (1979), avec Patrick Dewaere, Marie Trintignant, Myriam Boyer, etc. Photographies argentiques d'époque 24 x 18 cm, certaines avec montages calque en vue des recadrages etc. Affichette de présentation à la presse (couleur), feuillet dactylographié polycopié à destination des journalistes à l'occasion du XXXIIe festival international du film à Cannes (10 au 24 mai 1979), par Alain Corneau, Synopsis du film à destination des journalistes (dactylographié polycopié). Photographe de plateau : Etienne George. « Étienne a su saisir des instants de tournage rares » (Bertrand Tavernier). Ce dossier contient : - 1 affichette de présentation à la presse (en couleurs) imprimée recto/verso. Format 30 x 23 cm. - 1 feuillet polycopié à destination des journalistes pour le festival de Cannes 1979 - 1 synopsis du film polycopié à destination des journalistes - 6 tirages argentiques noir et blanc 24 x 18 cm avec calques de recadrage et indications. - 3 tirages argentiques en couleurs 24 x 18 cm (Patrick Dewaere et Marie Trintignant) - 1 tirage argentique noir et blanc 24 x 18 cm (Alain Corneau seul pendant le tournage) - 1 tirage argentique noir et blanc 24 x 18 cm (Alain Corneau avec P. Dewaere et Bernard Blier) - 7 tirages argentiques noir et blanc 24 x 18 cm (scènes du tournage) - 1 diapositive couleur 24 x 36 mm (Patrick Dewaere tenant le pistolet et tenant en joue la vieille) Franck Poupart (Patrick Dewaere), excentrique et imprévisible représentant de commerce, rêve d'une vie plus aventureuse. Quand sa femme Jeanne (Myriam Boyer) le quitte et qu'il perd son emploi après une nuit en cellule, il saute le pas : avec le soutien des beaux yeux de Mona (Marie Trintignant), une prostituée de 16 ans, il va commettre un crime. Il tue sa tante (qui est aussi sa maquerelle), lui vole ses économies (100 000 francs), et abat sur les lieux du crime un pauvre immigré au chômage, Tikidès, pour faire croire à un cambriolage qui a mal tourné. Mais quand Jeanne revient et que son patron Staplin (Bernard Blier) commence à avoir des soupçons, Franck, de plus en plus fou, se retrouve dans une situation ingérable. Il finira par étrangler sa femme et se faire voler son butin par Staplin. Mais qu'importe, il a eu ce qu'il voulait, une aventure et une femme, Mona. Le désespoir des personnages reste baigné d'une tonalité sarcastique et d'un humour surréaliste. "Difficile de trouver les mots, les phrases exactes pour décrire ce que l'on ressent physiquement après Série noire, tant on en sort épuisé, lessivé... Comme si l'on avait réellement participé à ce qui vient de se passer." (Bertrand Tavernier). Les photos de tournage sont là pour témoigner de ce road movie à la limite du surréalisme. Bel ensemble, peu commun. Important : Nous cédons le support uniquement (objet physique) et en aucun cas les droits de reproductions sur l'ensemble des photographies. La librairie L'amour qui bouquine ne peut être tenue pour responsable de l'usage qui est fait des tirages photographiques vendus. Ces tirages sont tous certifiés originaux d'époque (il ne s'agit pas de retirages modernes).
1942003091CALIFORNIA: Paramount Studios 1942. Hammett Dashiell Author Stuart Heisler Director Joseph Latimer Screenplay Veronica Lake Alan Ladd Actors. ORIGINAL PRESSBOOK FOR "THE GLASS KEY." Los Angeles CA: Paramount Studios 1942. Original pressbook for the 1942 Film Noir classic film adapted from Dashiell Hammett's 1931 novel of the same name. Near Fine condition center fold barely visible trifling edge wear no cuts absolutely complete. Exceedingly scarce and a remarkable survival in this fresh original condition. From the collection formed by Robert Osborne erstwhile host of Turner Classic Movies. 14 pages 12.25 x 15 inches. . First Edition. Printed Wrappers. Near Fine. Paramount Studios paperback books