542 résultats
245610London: G. Bqalne. Hard Cover. Good binding. Previous owner name; no pencil or ink markings in text; one-half leather and marbled boards; binding is cocked; light to moderate edgewear to extremities; digital images can be made available upon request. Good binding. G. Bqalne unknown books
245611London: G. Balne. Hard Cover. near Very Good binding. Previous owner name; no pencil or ink markings in text; light scattered foxing in text and on endpapers; one-half leather and marbled boards; light edgewear to extremities; digital images can be made available upon request. near Very Good binding. G. Balne unknown books
177726884London England: Printed for the Company of Stationers 1777. Twenty-two issues of this yearly British almanac bound in one volume; consecutive and inclusive from the 1777 issue to 1797. These are printed in red & black have the tax stamps on the margins of the title pages and are of 32 pages' length with exceptions or notes as below: 1782: On page 31 the section "VI Rebus by Mr. R. Richardson of Frosterly" has been solved with the manuscript letters & names of clues neatly written at the margins. 1786: pgs 1-2 15-32; However another issue is bound after this incomplete issue that is entire in 48 pages. These almanacs are noted on the title pages as printed for the Company of Stationers; and this "extra" issue is noted on the title page as "Printed for T. Carnan in St. Paul's Church Yard; who after an expensive Suit in Law and Equity by the unanimous Opinion of the Judges of the Court of Common Please dispossessed the Stationers' Company of their pretended exclusive Privilege of Printing Almanacks which they had usurped for two Centuries; a convincing Proof that no unjust Monopoly will ever stand the Test of an English Court of Justice." 1788: pgs 1-2 15-32 only. 1793 Misbound pages out of order and complete 32 pages. 1795: A name of "Old Batholomew" has been added in ms. at the 4th Sept. in the monthly almanac pages section. 1797 pgs 1-16 only. "The existence of the Ladies' Diary or the Woman's Almanack an 18th century English magazine devoted largely to problems and puzzles in mathematics indicates that stereotypes about the inability of women to understand and enjoy mathematics were less strongly believed in the 18th century than they are today.The Ladies' Diary became one of the widely read 18th century magazines devoted to the popularization of science and mathematics; these were addressed mainly to readers with no specialized training in the subjectsThe Ladies' Diary differed from these others primarily in the language used in some of the problems--language which reminds the reader that the problems were addressed to women" from the excellent overview of the magazine its influence & impact by Teri Perl San Francisco State Univ. Historia Mathematica 6 1979 article on the 'Diary' Indecipherable by us previous owner name on back endpaper.Approx. 4" x 6 3/8" size; bound in marbled-paper covered boards leather corners edges tinted yellow; spine covering gone; wear to the edges tips of the binding; bottom cord of top board let go; the block still solidly sewn some edges trimmed close; contents generally clean and in good condition. . First Edition. Hard Cover. Good. Printed for the Company of Stationers hardcover books
1931011629Paris: Draeger Freres 1931. Soft cover. Very Good. A lot of 4 annual catalogs from the preeminent French house of wine each strikingly illustrated or designed by various French artists. The 1932 issue is illustrated by Edy Legrand. Black paper cover is an oval cut out that reveals pictorial underneath. It is missing its right lower quadrant and is split in the upper right quadrant. The 1934 catalogue is designed by French artist Alfred Latour. Spiral bound. Clear plastic spiral spine tanned and the covers a tad soiled. The 1936 catalogue is designed and illustrated by French artist A. M. Cassandre. Spiral bound plastic toned covers slightly soiled. The 1955 catalogue is designed by Alfred Latour with color reproductions of paintings by Andre Marchand. Spiral bound. The pages and colored plates in all the issues are near fine. 1955 catalogue from the preeminent French house of wine. Strikingly designed by Alfred Latour with color reproductions of paintings by Andre Marchand. Spiral bound. Near fine. Draeger Freres unknown books
2005136255Osnabruck: Feliz-Nussbaum Haus 2005. First edition. Softcover. 74 pages. Exhibition catalog for a show that ran June 26 through August 28 2005 at the Felix-Nussbaum Haus and then September 24 through December 3 2005 at the Museum of Are Ein Harod. Text in English German and Hebrew. Includes numerous black and white images. A fine copy in wrappers. Signed and inscribed by Abramson on the title page and rather uncommon as such. Feliz-Nussbaum Haus unknown books
1836WRCAM52991N.p. but near present-day Prampram Ghana 1836. Three pencil sketches on wove paper each approximately 7 x 10 inches. Central vertical crease to each drawing the first two titled in a contemporary hand in pencil to verso the third similarly titled below the image. Very good. An attractive set of skillfully-executed original pencil sketches featuring British colonial structures in Prampram Gold Coast present-day Ghana likely between 1819 and 1836. The sketches are titled in pencil as follows: "Commandant's Residence Pam Pram Gold Coast" "Lower Town Pam Pram from the Upper Town" and "Abandoned Fort at Appolonia from the Beach." <br> <br> The Union Jack flies proudly in the foreground of the sketch of the Commandant's residence. Officially Great Britain colonized the Gold Coast region from 1867 until the independence of Ghana in 1957 though the British had maintained and controlled forts along the West African coastline since long before 1867. Fort Appolonia in the extreme southwestern corner of the country had been a British trading and military outpost from 1691 until 1819 and then again from 1836 onwards when it changed hands from the British to the Dutch then back to the British again. As such if the artist here labeled Fort Appolonia as "Abandoned" he or she must have sketched the fort during the period it was shuttered between 1819 and 1836. <br> <br> A fascinating trio of original sketches offering unique views from a rarely- visualized period in British colonial affairs in West Africa. unknown books
1576393Lyons: J. Quadratius for A. de Harsy 1576. Sm. 8vo. 80424pp. With the final 2 blank leaves. Index. Cont. vellum soiled. One leaf with a marginal repair touching a shoulder note. The 12 books of medicine of Alexander of Tralles was a 6th century classic and was often reprinted in both Greek and Latin. Our Latin translation by Johann Gunther first appeared at Strasbourg in 1549. Wellcome Medical Library I #214. See Stillwell. AWAKENING INTEREST IN SCIENCE 1450-1550 III #265. BL French STC p. 10. (J. Quadratius, for) A. de Harsy hardcover books
176626741Paris: La Compagnie des Libraires Associés 1766. Octavo. 1f. title 3 preface 4 named cast list 5-34 pp. With decorative woodcut head- and tailpieces to pp. 5 and 33.<br/><br/>Disbound. Very light foxing and mottled browning title and p. 34. Rare. Not in Sonneck. Worldcat 3 copies only at Cornell Southern Methodist University and the National Library of Australia. This edition contains the one-page preface which appeared in the 1765 edition published by Duchesne.<br/><br/>Le petit-maître was first performed at the Comédie-Italienne in Paris on October 7 1865. "The opera which exposed the morals of 18th-century society was performed 12 times in the first month and was praised by the Mercure de France for being in the French taste." Barry S. Brook et. al. in Grove Music Online. La Compagnie des Libraires Associés unknown books
1766WRCLIT53976London: . Reprinted with Some Additions. 1766. x9-332pp. plus errata. Octavo. Contemporary calf rather worn and chipped. Internally very good and crisp. Second edition revised after the first of the preceding year. A wide-ranging summary of particular interest for its treatment of the Wilkes controversy. "An inflammatory piece of party-work which hath engrossed a much greater share of public attention that it seems to have merited" - Sabin. This work is also occasionally credited to H. Cotes. SABIN 32177. ESTC T89749. ... Reprinted, with Some Additions... unknown books
1983257195New York: Sarabande Press 1983. Limited Edition numbered 18 of 33. Disbound. Near Fine binding. Marsha Eva Gold. Signed by Clampitt Gold and the designer and printer Joe Marc Freedman on the colophon. A beautifully designed accordion binding on handmade paper designed by Marsha Eva Gold; housed in designed paper portfolio; an elegant production housed in a cloth drop-back box with marbled paper trays and maroon morocco title label;. Near Fine binding. Sarabande Press unknown books
1997188620New York: AndersonGold Films 1997. VHS TAPE. VHS T-55 video-cassette in case with original labels on cover of case and top of cassette 54:35 minute running time. First-ever documentary about gay men and lesbians on the job. Played the 1997 Sundance Film Festival. AndersonGold Films unknown books
197383986Moskva: Izd-vo "Nauka" Glavnaia. red. vostochnoi lit-ry 1973. Hardcover. Very Good. 623p. Original black cloth. 22cm. Russian text; English summary at pages 621-623. Translated into Russian by L. A. Khanlarian. <br/><br/> Izd-vo "Nauka," Glavnaia. red. vostochnoi lit-ry hardcover books
197983006Moskva: Nauka 1979. Hardcover. Near Fine. 133p. Original black cloth. 26cm. Minor wear. Facsimile reproduction of the unique scroll of a draft copy of the Arabic text of a waqf document dated 1299 from Bokhara and supplemented by an old Persian translation made before 1661. Brief 3 1/2 page English summary at end. Both documents were in the Central State Archive in Tashkent. <br/><br/> Nauka hardcover books
173048567London: Printed for J. Peele at Locke's Head in Pater-Noster-Row 1730. 1st printing. Disbound with binding remnants along spine. Now housed in an archival mylar sleeve. Age-toning a VG copy. 35 1 blank pp. Signed at end: "R. M." Headpiece & decorative initial capital letter p. 3. Headpiece p. 34. 8vo signed in 4s. 7-1/2" x 4-3/4" <br/><br/> Printed for J. Peele, at Locke's Head in Pater-Noster-Row unknown books
199146408NY: Knopf 1991. Hardcover. Very good. First Edition. ix 336pp index. Very good hardback in a very good dustjacket. Signed by Fizdale on the half title page. <br/><br/> Knopf hardcover books
19671333285Oxford: Clarendon Press 1967. Hardcover. Octavo; G; Hardcover; Spine blue with gold print; Boards in blue cloth with gold print wear to corners and spine caps stain to top portion of spine scratches shelfwear; Text block has spotting to edges and endpapers mild bump to top corner else clean and tight; xii 374 pages. 1333285. FP New Rockville Stock. Clarendon Press hardcover books
5858xxxvi 366 pp. one leaf but lacking as is often the case the 12-page schedule of sale & the 80-page author index. 8vo cont. speckled calf two corners a bit worn joints a little cracked but strong flat spine gilt red morocco lettering piece on spine. Paris: Gogué & Née de la Rochelle 1785. The rare sale catalogue of the great library of books and early manuscripts many illuminated founded by Henri François d'Aguesseau 1668-1751 Chancellor of France a man of great learning. According to the preface of the catalogue he had acquired the collection of the poet Florent Chrestien 1541-1596 and his son Claude b. 1567. His library passed to his second son Jean Baptiste Paulin d'Aguesseau Marquis de Mannoevre 1701-84 who considerably enlarged it. Between the two generations they created a most remarkable collection. The father and son employed fifteen versions of their coat-of-arms on their bindings. The sale included 5583 lots and was sold over a 57-day period. Payne and the Marquis de Méjanes were major buyers. Very good copy with some minor foxing. Short tear due to a paper flaw to title but with no loss of text. Bookplate of the great French bookseller Georges Heilbrun. As mentioned above this copy lacks - as does the Grolier Club copy - the schedule of sale and index but it does have a final leaf in which the auctioneers promise to deliver the index at no charge by the end of May 1785 to anyone who requests a copy. ❧ Gustave Brunet Dictionnaire de Bibliologie Catholique col. 405-"cette vaste réunion d'ouvrages importants." Grolier Club Printed Catalogues of French Books Auctions.1643-1830 318-lacking both the schedule of sale and author index. Guigard II p. 173. Peignot p. 76. unknown books
613836 pp. Small 8vo attractive antique calf-backed paste paper boards spine gilt red morocco lettering piece on spine. Paris: Musier 1774. The uncommon sale catalogue of a distinguished collection belonging to Antoine Antonin duc de Gramont 1722-1801 who inherited the title in 1745. 106 lots thoroughly described including works by Albani Guerchin Wouwermans Jordaens Watteau etc. Nice copy despite inoffensive marginal worming to first five leaves. ❧ Lugt 2348. hardcover books
696929 pp. 8vo 206 x 132 mm. disbound stitched as issued. Paris: Henry & Olivier 1815. The scarce catalogue of an auction directed by Bon-Thomas Henry 1766-1836 first a painter then a respected dealer and tasteful collector. The supposed consigner "La Baronne de Vez" was very probably fictitious. This sale consisting mostly of Northern pictures offered 76 lots of paintings and 11 lots of engraved stones. Henry has contributed informative descriptions for most of the pictures. Attributed here to P. de Hooch lot 36 now at the Frick is today credited to Hendrik van der Burgh. Nice copy a little foxed. Stamp of the Bibliothèque Heim on upper wrapper. ❧ Lugt 8764. Oxford Art online Henry-"He studied under Charles Landon and Jean-Baptiste Regnault. In 1793 he began to deal in pictures and until 1812 spent part of his time travelling abroad mainly in Italy to increase his knowledge of art. In October 1816 he was appointed Commissaire-expert des Musées Royaux a post he held until his death. Between 1810 and 1830 he assembled an eclectic collection purchasing either privately or at sales among them the posthumous sales 1826 and 1827 of Vivant Denon. His tastes in Italian art ranged from the work of Fra Angelico to that of the 17th-century Bolognese masters.In 1834 Henry offered a large part of his collection to the town of Cherbourg and on 29 July 1835 a museum to house his works was opened on the second floor of the Hôtel de Ville; it was later named the Musée Thomas-Henry.". unknown books
6449viii 268 pp. 8vo early 19th-cent. marbled boards spine defective. Amsterdam: P. Yver 1785. The extremely rare French edition there was an edition in Dutch the same year of this catalogue of an impressive sale. A contemporary annotator has supplemented it with prices buyers' names and commentary on the artworks almost all dismissive in the margins. Van Slingelandt 1701-82 a great patron of the arts who lived in Dordrecht amassed one of the most notable Dutch painting collections of the 18th century. This heavily annotated volume is the first and most important part of the sale describing 701! paintings along with eight drawings. The second part of drawings and sculptures followed shortly thereafter. Van Slingelandt's collection consisted of Old Masters and contemporary Dutch artists some of whom the collector himself patronized. The present catalogue details the works of Asselijn Bakhuizen Berghem J. Brueghel père et fils Cuyp 38 lots Dou van Dyck Jordaens Metsu Netscher Adrian and Isaac van Ostade Potter Rembrandt Rubens Ruysdael Steen Teniers ter Borch Wouwerman etc. etc. All lots are priced with buyers' names. It is clear the annotator viewed and attended the sale. For almost every item he has provided the name of the buyer. The annotator likely a connoisseur has written generally disparaging comments on the works for sale deriding them as copies or incorrectly attributed: "mauvais" "bizarre" "lourd" "médiocre" "not by Rembrandt." There are additional remarks on condition and provenance which are very interesting. The rare positive observation praises the work of a young artist or salutes a master's finest painting. This sale presided over by Pierre Yver 1712-87 and Abraham Delfos 1731-1820 the preeminent Dutch art dealers of the period was attended by many of their competitors including Pierre Fouquet who frequently purchased on behalf of the famous French expert Jean Baptiste Pierre Lebrun 1748-1813 as corroborated by several annotations in this copy. Lebrun solidified his position as the leading dealer in Netherlandish pictures by purchasing directly from the source and was buying heavily at sales such as these. Other notes indicate there were dealers from Brussels Lyon Antwerp Amsterdam Germany the Hague and Rotterdam. An extremely interesting annotated copy. A few of the annotations are cropped. ❧ Lugt 3936. Oxford Art online Delfos & Yver. hardcover books
699232 pp. 8vo 195 x 129 mm. late 19th-century marbled boards spine a bit rubbed red morocco lettering-piece on spine. Paris: Bonnefons & Henry 1818. A very scarce sale catalogue mostly priced; we locate no copy in North America. A later 19th-century pencil inscription in the present copy as well as in two other inscribed catalogues suggests that the contents of this auction belonged to the art collector Hippolyte de Livry 1765-1834 - not to be confused with the author of the same name. Our Hippolyte had previously dispersed a portion of his collection through the expert and art critic Charles Landon in 1814 one sale but in two parts Lugt 8473 & 8515. The present catalogue details 134 lots of paintings by Boilly S. Bourdon Le Brun Guido Reni B. van der Helst Lairesse Largillière Oudry Leprince van Spaendonck D. & A. Teniers Tintoretto J. Vernet Veronese Vouet etc. and various curiosities lots 119-134 including sculptures clocks vases and drawings. Each painting is listed with measurements. In very good condition. Engraved bookplate of Georges Pannier 1853-1944 the Parisian art dealer and collector of auction catalogues on the front paste-down and stamp of the Bibliothèque Heim on verso of title. ❧ Lugt 9325. hardcover books
59282 p.l. 280 pp. 8vo cont. green sheep-backed marbled boards spine lettered in gilt. Paris: A. Labitte 1873. The first and most important private collection ever formed exclusively devoted to festivities; this sale catalogue has remained an indispensable work of reference to the present day. The 1200 lots are arranged under the sixteen different countries in which these festivities took place except for two amazing special sections: the first catalogues thirty-eight books published between 1515 and 1559 describing festivities and solemnities in honor of Emperor Charles V. The second describes almost 400 pieces concerning festivities held during the French Revolution offered in one lot but catalogued separately on pp. 259-277. Ruggieri d. 1885 was the last of a long line of Royal and Government "artificers" i.e. pyrotechnists which had been founded in 1730 when five Ruggieri brothers transferred themselves from Bologna to Paris. Fine and attractive copy. Original printed upper wrapper bound-in. ❧ Blogie col. 126. hardcover books
61592 p.l. 72 pp. Small 8vo cont. red sheep-backed marbled boards extremities slightly rubbed spine gilt green morocco lettering piece on spine. Amsterdam: P. Yver 1774. bound with: -. Catalogue d'un precieux Cabinet de Desseins Coloriés & Non-Coloriés des plus célebres Maîtres Hollandois & Flamands &c. De même que d'une tres belle Collection d'Estampes de Choix. Parmi lesquelles il y a quelques Petits Oeuvres & des Ouvrages d'Estampes Reliées & non-Reliées presque Toutes Premieres Epreuves & des mieux conservées.La Vente s'en fera le Lundi 16 de Janvier 1775 & les Jours suivants.Par les Courtiers. 2 p.l. 235 1 78 pp. 8vo. Amsterdam: P. Yver 1775. The rare sale catalogues largely priced in a contemporary hand of this comprehensive collection of 17th-century Dutch and Flemish pictures prints and drawings. These are the French editions bound together there were editions in Dutch published simultaneously. The first catalogue 124 lots with most buyers' names and fully priced consists exclusively of Dutch paintings mostly 17th-century by artists such as Berchem Eeckhout van Goyen Lairesse Maas Metsu Potter Steen Teniers van de Velde Elder & Younger Wouwerman Wynands etc. The contents of each painting are described along with comments and measurements. According to the contemporary annotator Yver Amstel and Fouquet bought many of the lots. Devoted to drawings and prints the second catalogue 1545 lots fully priced in a contemporary hand as well as the annotator's comments on several lots describes 1006 drawings 537 prints and two armoires. The majority of the contents are gathered in 17 recueils A-Q but the pieces were sold separately. The remaining lots were either grouped into 24 livres or offered individually. Despite the exceptional volume of artworks the catalogue frequently offers descriptions of the contents quality and condition of the lots. Fine copies copiously annotated. Engraved bookplate of the Parisian art dealer Georges Pannier 1853-1944. ❧ I. Lugt 2323. II. Lugt 2349. hardcover books
720220 pp. 8vo 198 x 125 mm. modern aubergine cloth head of spine a little worn title on upper cover. Paris: Félix & Regnault-Delalande 1822. An extremely rare auction catalogue inventorying the collection of an obscure painter active at the turn of the century. A contemporary annotator has written in the surname for this anonymous sale on the title-page corroborating Lugt's attribution. An 1817 almanac of Paris records a painter with the same surname working at rue de Rohan 6. Viglianis also exhibited a landscape at the 1814 Salon - no. 948 in the exhibition livret. 184 lots consisting primarily of prints lots 1-132 by artists such as Bartolozzi Bervic Bloemaert Cochin Le Bas Desnoyers Earlom Green Ingouf Massard Morghen Strange Wille Woollett etc. We then find original engraved plates by a number of contemporary artists. The final section of drawings includes the work of Bruandet S. Gessner H. Robert and "Joseph Pascal Viglianis" presumably the seller. With the list of vacations on the final page. A very rare catalogue in fine condition. In the characteristic binding of the Bibliothèque Heim. ❧ Lugt 10220. hardcover books
173510359Amsterdam: Aux depens de la Compagnie 1735. First edn. 12mo pp. 276. aeg. Bound in contemporary calf elaborately stamped on both covers rebacked with new end papers and the original spine laid down. Some light water stain to the top margin o/w a very nice little book. Scarce the OCLC lists 2 Paris printings of the same year noting just three copies. This not listed. A piece of fiction about the Roman court of Nero. Aux depens de la Compagnie unknown books