Weber, A. PaulAntiquariat.de
15 962 résultats
198765044(1987). Druck einfarbig in Rotbraun auf festem Maschinenbütten (28,5 x 21,5 cm), Motiv 5,2 x 4,9 cm.
198765056(1987). Druck einfarbig in Stahlblau auf festem Maschinenbütten (28,5 x 21,5 cm), Motiv 4,8 x 4,7 cm.
1995100135875L'HARMATTAN 1995 304 pages 13 4x2 4x21 4cm. 1995. Broché. 304 pages.
1885366856Edinburgh: privately printed 1885. First Edition. Softcover. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Series; Bibliotheca curiosa. Physical description; 38 p. ; 18 cm. Notes; With a reproduction of the t.-p. of an undated edition: The rare and most vvonderful thinges which Edward Webbe an Englishman borne hath seene and passed in his troublesome trauailes in the citties of Ierusalem Dammasko Bethelem and Gallely . London Printed by Ralph Blower for Thomas Pauier & are to be solde at his shop in Corn-hill at the Signe of the Cat and parrats ouer against Popeshead alley nere the Royal exchange 1610. Bibliography: p. 5. Subjects; Middle East Description and travel ; Early works to 1800. Russia Description and travel ; Early works to 1800. Middle East Description and travel. Russia Description and travel. Genres; Bibliography. Biography. Edinburgh: privately printed paperback
1769OB1016<p>London: Printed for J. Dodsley. MDCCLXIX 1769. Hard Cover. xvi 200 p.; 18 cm. Schlosser Magnino La Letteratura Artistica p. 656 points out that this was a defense of Sir Joshua Reynolds and introduced many English travelers to Italian painting. "Winckelmann realised that much of its text is derived from a similar book written a little earlier by the eminent painter Anton Mengs" but it was the text by Webb that influenced classicism in England. This copy is bound in full contemporary calf with a new spine. A gift note to Jane North is dated 1772. Very Good; spine misdated "1749." Stock#OB1016.</p> Printed for J. Dodsley..., hardcover
1760223920London : printed for R. and J. Dodsley in Pall-mall MDCCLX. 1760 1760. First Edition. Hardback. Manuscript notation to the front endpaper. Finely bound in full contemporary aniline calf. Raised bands gilt-cross bands. Bands and panel edges somewhat rubbed and toned as with age. Scans on request. ; 8vo 8"" - 9"" tall; 200 pages; Physical description; xvi 200 p. ; 8vo. Subjects; Painting - Appreciation - Early works to 1800. Art criticism - Early works to 1800. Aesthetics - Early works to 1800. Painting - Criticism and interpretation - Early works to 1800. Painting - History - Early works to 1800. Painting - Appreciation and connoisseurship. London : printed for R. and J. Dodsley, in Pall-mall MDCCLX. [1760] hardcover
1528582330.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Vol.in 8°bross.edit.Nuovo
1334863210.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Die umfassende Darstellung über Dinglinger. Die Juwelengarnituren Augusts des Starken, Kabinettstücke u. Pretiosen, Frühwerke bis 1701, Reife Werke 1701-1720, Spätwerke 1720-1731, verschollene-, zweifelhafte- u. ausgeschiedene Werke und Nachfolge. Mit umfangreichen Quellen- u. Urkundenverzeichnis. Freitag 2313.
Bross., cm 30x21, pp 115, 117 ill. prevalentem. b/n.
London, Printed by Bradbury and Evans, 1839. 4to.; 2 hs., 452 pp. Encuadernación en tafilete verde claro, de la época, con ruedas en los planos y lomera profusamente ornada.
2002Q-1579220495Stylus Publishing 2002-01-02. Paperback. New. In shrink wrap. Looks like an interesting title! Stylus Publishing paperback
287 p. Profusely illustrated with maps, drawings and maps. Map endpapers. 4to. Original full cloth binding. Original priced dust jacket. Hardbound. Very good. W2 LStk
17870056311787 Paris et Liège, desoer, 1787. In-8 (203 X 130 mm) veau fauve granité, dos à nerfs, caissons dorés ornés de fers dorés, chainettes dorées en queue, pièce de titre maroquin fauve, coupes et coiffes filetées or, tranches rouges (Reliure de l'époque) ; XXXII-380 pages, (1) f. blanc. MANQUE le premier feuillet de faux-titre.
200016600New York: Museum of the City of New York 2000. 1st. Hardcover. New. 11.6x9.0x2.7in. 2 volumes in slipcase. <br>619pp 8.26lb 11.6x9.0x2.7in <br>EXTRA SHIPPING CHARGES NECESSARY Museum of the City of New York hardcover
197958503(London), Thames and Hudson, (1979). 143 S.Mit zahlr. tls. farb. Abb. 4to. OPp.
500175971Gallimard 144 pages 12x1x17cm. Sans date. Broché. 144 pages.
2003500098190Du Rocher éditions 2003 237 pages 22 4x2 2x13 8cm. 2003. Broché. 237 pages.
1987Q-0898627257The Guilford Press 1987-06-08. Hardcover. New. In shrink wrap. Looks like an interesting title! The Guilford Press hardcover
199914392Escudo De Oro 1999 317 pages in8. 1999. Broché. 317 pages. À mi-chemin entre le récit de voyage et le recueil de contes l'ouvrage de Washington Irving nous fait découvrir l'Alhambra à travers des descriptions des lieux des réflexions personnelles et la retranscription de légendes maures et espagnoles. L'auteur invité à séjourner plusieurs mois au palais en 1829 rassemble des histoires de spectres de princesses et de personnages cupides ou honnêtes mêlant réalité et imaginaire
201054602Impex Rec., 2010. IMP 8302 CD Digipak
Full leather Fair in very good dust jacket. medium to heavy wear on maroon col ored cloth cover with gold embossed due to age. Pages yellowing b ut clean. 491 p. Work, Its Rewards and Discontents. Audience: Gen eral/trade.
19202138677Cambridge: Cambridge University Press 1920. XV, (1), 524, (2) Seiten. 8° (17,5-22,5 cm) Orig.-Leinenband mit goldgeprägtem Rückentitel. [Hardcover / fest gebunden].
Hardcover 316 Seiten, 22,5 x 17 cm, 275 Abb. in Farbe. Leinenband. Englisch / Niederländisch. ISBN 9783897904699. Evert Nijland (geb. 1971) zählt zu den führenden Schmuckkünstlern seiner Generation. In den 1990ern im Umfeld von Konzeptkunst und Minimalismus an der Gerrit Rietveld Academie in Amsterdam ausgebildet, entwickelte Nijland einen üppigen, überbordenden Stil, der sich (kunst-)historischer Quellen bedient und doch radikal in der Gegenwart verankert ist. Die Zusammenarbeit mit verschiedenen Kunsthandwerkern ist für Nijland charakteristisch. Sie ermöglicht ihm die Einbindung so unterschiedlicher Materialien wie Porzellan, Holz, Textil oder Stahl in seine Werke. Insbesondere sein Einsatz von Glas im Schmuck ist beispiellos. Die Publikation bietet in opulenten Aufnahmen einen aufregenden Überblick über 20 Jahre Schmuckschaffen von Evert Nijland. Ein Highlight sind spannende Bildmontagen, in denen der Schmuck von Werken der abendländischen Kunst überlagert wird, die Nijland als Referenz und Inspirationsquelle dienen. Evert Nijlands Arbeiten sind in führenden Museen weltweit vertreten, darunter das Nationaal Zilvermuseum, Schoonhoven (NL), das Musée des Arts décoratifs et de la Mode, Marseille (FR), das TextielMuseum, Tilburg (NL), das MMK Museum, Arnhem (NL), CODA Museum, Apeldoorn (NL), mima, Middlesbrough Intitute of Modern Art (GB), Collectie Marjan en Gerard Unger, Rijksmuseum, Amsterdam (NL), Glass Museum, Tacoma, WA (US), The Museum of Fine Arts, Houston (US), the Museum of Arts and Design, New York (US), Study Collection Royal College of Art, London (UK), Victoria and Albert Museum, London (UK), Mint Museum of Crafts & Design, Charlotte, NC (US), Stedelijk Museum, Amsterdam (NL), Schmuckmuseum Pforzheim (DE).
