179 résultats
1762249483Paris: de l'Imprimeries de H.L. Guerin & L.F. Delatour 1762. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. Contemporary drab wrappers uncut . Fine. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. From Description des arts et métiers. de l'Imprimeries de H.L. Guerin & L.F. Delatour] unknown books
177646404168Montpellier, Martel Aîné, 1776 ; in-4, broché, sans couverture. 86 pp., 14 pp., 3 tableaux dépliants.Éloge de M. Haguenot. pp. 5 à 17.POITEVIN. Sur les Modifications de l’air & de la chaleur dans la fermentation spiritueuse. pp. 19 à 24.MONTET. Mémoire sur les Eaux de Roubine. pp. 25 à 38.JOYEUSE. Analyse de deux substances minérales, l’une pyriteuse, l’autre bitumineuse, qui se trouvent dans le territoire de Pont St. Esprit. pp. 39 à 48.MOURGUE. Résultat général des observations météorologiques, agronomiques & physiques, faites à Montpellier & dans les environs pendant l’année 1775. pp. 49 à 61, 1 tableau dépliant.GENSSANE. Sur l’origine des paillettes d’or que l’on trouve dans les rivières aurifères du Languedoc. pp. 63 à 67.Éloge de M. Venel. pp. 69 à 86.Liste de Messieurs de la Société Royale des Sciences pour l’année 1775. Montpellier, Martel, 1775. 13 pp. y compris le titre et 2 grands tableaux dépliants.
1798014463Paris Chez Hyacinthe Langlois, libraire 1798 Demi-reliure à coins
17605757Gottingen: Wittwe Vandenhoeck 1760. Published 1760-1791 general title page of Vol. 1 dated 1768. Folio. 12 volumes bound in 3 each volume in 4 parts each with its own title page. Indices. With numerous folding tables throughout. Frontispiece portrait of Putter. Cont. vellum over boards extremities a bit rubbed and a little chipping to the spine of Vol. 3 but quite a nice set. A key set for the study of German law by one of the foremost legal scholars of his day. Putter 1725-1807 taught law at Marburg and Gottingen. Ten years after Volume 12 a fourth physical volume was added. It has 3 parts i.e. parts 13-15 printed in 1801-1809. Wittwe Vandenhoeck hardcover books
1782298728London: J. Stockdale; R. Faulder 1782. First Edition. Half Leather. Very Good binding. 8vo.; in an attractive later binding of red half-goat over marbled boards with raised bands with morocco label lettered vertically; with marbled endpapers; 2 49 1 pages.~~A note on this rather interesting binding: we assume that the binder was charged with binding a group of different books to a uniform size -- the title page is trimmed and mounted and all the other leaves are folded neatly to fit the bottom edge and then the leading edge over it. Rather astonishing actually.~~This is Ritson’s first book in which he attacks Thomas Warton’s History of English Poetry in such vitriolic tones -- Warton is a pretender a cheater and a liar -- as to cause quite a contretemps in late 18th century English literary circles. One assumes this actually pleased Ritson as he went on the next year to attack Samuel Johnson and George Steevens. Eventually Ritson went complete mad barricading himself in his rooms at Gray’s Inn and setting fire to a pile of manuscripts. Very Good binding. J. Stockdale; R. Faulder unknown
178343848Lyon: chez Jean-Marie Bruyset Pere & Fils. A. 1783. 12mo. 17x 9.5cm Volume 5. In original full mottled calf real raised bands panels ornated full gilt decorated marbled endpapers edges stained red in contemporary binding style some wear on the edges hollow binding with the rear marbled endpaper re-used to line the hollow out recess which continue from page 30 the back interior box glued. – When opened the interior hollowed recess is not noticeable however the book is uncommonly light in very good sound condition. very good. These hollow book boxes were common before after the second war in the book stals on the banks of the Siene. They were made from broken sets which were common in that era and were considered a great keepsake in the growing tourist trade. As a bookseller you never had any money to hide away however we did keep the cash register float in a book box made from a small folio “Boy’s Own Annual 1912†for about forty years shelved with the reference and bibliography section behind the counter until it fell apart in complete exhaustion. chez Jean-Marie Bruyset Pere & Fils. A. unknown
1758H6IG81I49TLCSaxony 1758. 8vo. Brown morocco Lyon ca. 1900 with gold-tooled turn-ins marbled end-papers headbands and ribbon marker in green red and yellow gilt edges signed by Louis GUÉTANT. With title-page printed in red and black and 16 numbered double-page engraved plates. 87 pp. First edition in French published one year after the first German edition of the first work attributed to David Cranz missionary in the Moravian United Brethren best known for his 1765 description of Greenland. The present work gives a history of the United Brethren their beliefs and their practices both in Europe and in their missions in America. The church was established in 1457 but the book concentrates on its history since its establishment in Herrnhut Saxony near the Moravian border under Count Nikolaus Ludwig von Zinzendorf in 1722. Under his guidance the church set up their mission in Greenland in 1733 and a 1747 act of Parliament under George II granted them permission to practice their religion freely in the British colonies in America. The illustrations show ordination induction baptism communion marriage exorcism an agape feast and other activities in the Moravian Church as well as their missionary work among black slaves in the West Indies 2 plates American Indians probably in Pennsylvania and native Greenlanders.With the gold-stamped leather armorial bookplate of Noé de Salvert. In very good condition with occasion light marginal foxing. The beautiful binding by the deluxe binder Louis Guétant active in Lyon ca. 1895-ca. 1920 is in fine condition with only a couple scratches on the back cover. A rare and important primary source for the Moravian United Brethren with remarkable plates of Greenland Eskimos American Indians and black West Indian slaves.l Brunet I col. 1258; James Ford Bell B-426; Sabin 7935 see also 97851 & note before 97846; KVK 3 copies; BN-OPALE plus 2 copies; Kirchenlexikon XVI cols. 324-336; not in Arctic Bibliography; Barbier; Church; Eberstadt; JCB; Quérard; Streeter. ABE CAT Alaska Canada & Greenland hardcover
1719LV2044Lugduni Batavorum Leiden Netherlands:: Apud Samuelem Luchtmans 1719. 1719. 8vo. xl 748 118 pp. Engraved half title plate by F. Bleyswyk Bleyswyck red and black title with printer’s device woodcut decorative initials and tailpieces index; occasional light foxing. Original gilt and blind-stamped full calf five raised bands with gilt-stamped maroon spine piece; worn joints cracked but reinforced with painted Kozo paper. Ownership blind emboss stamps on first and last few leaves including title. Binding worn internally very good. This Compendium of Roman History by Velleius is an early edition of Dutch classical scholar Pieter Burman the elder. His history written in a rhetorical style covered the period from the end of the Trojan War to the death of Livia in 29 A.D. and most useful for the period from the death of Julius Caesar in 44 B.C. to the death of Augustus in 14 A.D. Bryan Michael. Bryan’s Dictionary of Painters and Engravers Volume 1. G. Bell 1903. p. 145. "Velleius Paterculus’ short work is the earliest surviving attempt on the part of a post-Augustan historian to survey the history of the res publica from its origins to his own times. In a period from which no other contemporary historical narrative survives in more than meagre fragments Velleius’ work is uniquely important. It is a critical counter to the later accounts of Tacitus Suetonius and Cassius Dio not simply because it offers a different view of Tiberius but because Velleius saw continuity where later authors saw only radical change which destroyed the Republic and put monarchy in its place. For other reasons too Velleius occupies a unique position in Roman historiography." – See: Eleanor Cowan ed. Velleius Paterculus: Making History Classical Press of Wales 2011. Apud Samuelem Luchtmans, 1719. hardcover books
1775038076Rome Circa 1775 1775. 1st Edition 1st Printing. No Binding. Very Good. Original Etching . Original Etching Trimmed To 3/16" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> unknown
176745831Geneve 1767. Original blue cardboard binding with contemporary handwritten paper title-label to spine. Pencil-numbering to inside of boards. A very nice and clean copy. Woodcut vignette to title-page. With the ex-libris of the notes Danish book collector K.F. Plesner to inside of front board. <br/><br/><em>Rare first edition of this interesting anonymously written continuation of Voltaire's Candide which wraps up the adventures of the hero. "Turning his back on both Voltarian satire and scepticism the novelist proposes a moralistic fable - the focal point of which is a rehabilitation of Leibniz's Theory of Optimism. The main body of the novel tells the story of Candide and his new wife the noble Zénoïde in their sumptuous Copenhagen townhouse. Before achieving this happy state however the couple endures various trials and tribulations reminiscent of the newly minted gothic genre. "Candide au Dannemarc" also features a satirical portrait of Jean-Jacques Rousseau." Éduard M. Langille from the introduction to the new edition of "Candide au Dannemarc" edited by him. Voltaire's "Candide" had inspired a sequel that appeared in 1760 which is attributed to Charles-Claude-Florent de Campigneulles but which might be by Henri-Joseph du Laurens. The present work is a direct continuation of that sequel although it ignores the happy ending of the previous work but evidently from the preface it is not written by the same author. It has still not been determined who the actual author is.The part on Rousseau pp. 148-167 in the present work has become quite famous portraying him satirically as trying to make a living in Copenhagen from copying music while plotting to escape to America. The novel ends with Candide leaving Denmark to be the Danish ambassador in Russia.A secoond edition appeared in 1769. </em> paperback
176745831Geneve, 1767. Original blue cardboard binding with contemporary handwritten paper title-label to spine. Pencil-numbering to inside of boards. A very nice and clean copy. Woodcut vignette to title-page. With the ex-libris of the notes Danish book collector K.F. Plesner to inside of front board.
1793H3339Madrid: En La Imprenta Real 1793. First printing. Hardcover. Very Good. First edition 1793 original flame calf deep red spine label very good copy 8 290 3 pp. In three parts the first lessons for children on their obligations when they are grown to their king and lord the second addressed to priests and the third part addressed to Pius VI regarding the revolution in France and what it portends. The author was a well known priest orator and educator on very good terms with Spanish royalty who rewarded him by making him a bishop with his base in Rio de la Plata Argentina but also with bishoprics in Cordoba and Catamarca Bolivia. This book would have been part of his efforts to educate South American children on their duties to Spain one of his chief goals. En La Imprenta Real hardcover
1773103006<p>'s Gravenhage Jacobus van Karnebeek 1773. 4to. 68 pp. Text within a decorative typographical border. Late 19th cent. 3/4 morocco binding with marbled boards. corners and hinges a bit rubbed.</p><p>Describes 200 paintings from the collection of Jacques Bergeon arranged by artist. Each painting has a short description and for each artist a short biography is given. Bergeon was a lawyer and banker in The Hague and the owner of 'Brittenrust' a country house in Alphen aan de Rijn. He continued collecting after this catalogue was printed but due to financial problems his collection was sold on 4 November 1789. Pages 61-68 contains the index with the names of the painters. We find paintings by Hendrik Avercamp Adriaan van Ostade Paulus Potter Petrus Paulus Rubens Jan Steen David Teniers the younger and many others among them a few women painters: Anna Barbara van Esch Catharina van der Meer. No. 112 is a painting by Louis de Moni Een kantwerkster met een bellenblazende jongen now in Mauritshuis.</p>
1742B6091Nuremberg/ Norimbergae:: Heirs of Homann c. 1742 . Near fine copy of the famous celestial atlas of copper engravings in contemporary hand-colour and attractive expertly restored contemporary binding; lacking the index sheet; two minor repaired tears at lower margins; fine plates depicting the solar system planetary motions constellations a moon map; small views featuring famous observatories in Berlin Kassel Nuremberg and Danzig. . Edition: First Edition of Doppelmayr’s important astronomic Binding: Contemporary full calf; panelled with outer double gilt filleted border and inner single fillet; expertly rebacked with five 5 raised bands gilt lettered title on brown morocco label on two and gilt ornamental design in remaining compartments; dated at bottom; red-black marbled endpapers. Notes: Text and captions in Latin. Johann Gabriel Doppelmayr 27 September 1677 – 1 December 1750 was a German mathematician astronomer and cartographer. His surname is also spelled Doppelmayer and Doppelmair. His studies included mathematics physics and jurisprudence. In 1698 he graduated with a dissertation on the Sun. After giving up his legal studies he then spent two years travelling and studying in Germany Holland and England spending time at Utrecht Leiden Oxford and London. He continued to study astronomy and learned to grind and figure his own telescope lenses. The DSB describes this work as a collection of diagrams with its explanations intended as introduction into the fundamentals of astronomy explaining the systems of Copernicus Tycho Brahe and Riccioli the elliptic theories of Kepler Boulliau Seth Ward and Mercator as well as the lunar theories of Tycho Brahe Horrocks and Newton and Halley's cometary theory. The atlas shows constellations cometary plates lunar maps lunar theories charts of satellite systems and the motion of planets with plates depicting celestial charts with diagrams tables and views of observatories. Size: Folio; 535x321mm. Illustration: Illustrated allegorical title by J. C. Reinsberger depicting Claud. Ptolemy Nic. Copernicus Ioh. Kepler and Tycho Brahe. preceding title in red and black with vignette of the heavens; extra illustrated with two additional double-page celestial maps entitled: 1. “SPHAERARUM ARTIFICIALIUM TYPICA REPRAESENTATIO†and 2.“PLANISPHAERIUM CAELESTEâ€; with the complete set of thirty 30 astronomical and cosmographical double-page plates in colour as listed under Rodney Shirley C.DOP-1c p.1336/7. Provenance: upper pasted endpaper bookplate of William Phelps. References: Shirley II C.DOP-1c 1136/7; DSB IV 166; Brown: 51; Warner Sky: 64a; Sotheran I: 1080; Poggendorff I: 593; LGK I: 177. Pages: Ff. 2f bl. Illustrated half-title leaf illustrated title leaf 32 double-page engraved plates 2f bl. Category: Book Astronomy; Book Europe Germany; Book Atlas & Cartography Heirs of Homann, hardcover
1786h42110Sulzbach: Ze l ben Aharon 1786. Hardcover. Fair. 8vo 8.5 x 7 inches in amateur cloth backed boards mid-20th century fair copy with title page and next leaf in photocopy the leaf after that with damage and loss the remainder of the text in very good condition; last leaf with some edgewear and loss resulting in the loss of some letters. Over 260 leaves seems complete with quite a number of small woodcut illustrations 2.75 x 1.5 inches on average. Tseno Ureno sometimes called the Women's Bible is a Yiddish-language prose work whose structure parallels the weekly Torah portions and Haftorahs used in Jewish prayer services. The book was written by Jacob ben Isaac Ashkenazi 1550–1625 of Janów Lubelski near Lublin Poland and mixes Biblical passages with teachings from Judaism's Oral Torah such as the Talmud's Aggadah and Midrash which are sometimes called "parables allegories short stories anecdotes legends and admonitions" by secular writers. Ze l ben Aharon hardcover
1790NSPrint006Paris ca. 1790. Color aquatint on paper 42.5 x 31 cm.; impression: 33.5 x 25.7 cm. Impression without text. Cf. Thieme-Becker 12: 486. stock#NSPrint006.
1797006602Keuth an der Crassen 1797. Full Blindstamped Calf. Good. A fine Folk Art manuscript prayer book from the late eighteenth century. 8vo. 17.5 by 10.5 cm. 3 516 13 1 pp. With eight full page paintings plus vignette decoration throughout. Besides the ubiquitous floral ornamentation all pretty accents the vignettes include a serpent a basilisk a skull etc. Most writing is a neat now archaic cursive but headings and the like rendered in an easily readable ornamental Fraktur Gothic. The paintings are the highlight most will find. Their subject matter is quintessential -- Momento Mori Saint Michael slaying the dragon Saint John in the desert Saint Sebastien the Christ child King David playing a harp etc. But while the subject matter may not be unusual the execution is done with uncommon flair even though it is resolutely naive or Folk Art. And the artist who we assume is one or both of the writers may be illustrating popular subjects there are original elements in his/her imagery or imagining of the subject. The authorship is stated but also a tad confusing. Our interpretation is that a Konrad Mueller created the book for Margaretha Pfaden-Hauerin. Condition: moderate wear to contemporary full calf binding. Unusual is a 13 page "Register" or Table of Contents in the rear. By unusual we mean for such a manuscript prayer book. Also a page of handwritten genealogical notes written on a prior blank leaf and written much later in the mid to late 19th Century. Moderate sometimes heavy soiling to margins of leaves. Corner cut out of front endpaper. Some loose gatherings. unknown
1797006602Keuth an der Crassen 1797. Full Blindstamped Calf. Good. A fine Folk Art manuscript prayer book from the late eighteenth century. 8vo. 17.5 by 10.5 cm. 516 13 1 pp. With eight full page paintings plus vignette decoration throughout much pretty floral ornamentation but also a serpent a basilisk etc. Most writing is a neat now archaic cursive but headings and the like rendered in an easily readable ornamental Fraktur Gothic. The paintings are the highlight most will find. Their subject matter is quintessential and perhaps not unusual or original -- Momento Mori St. George slaying the dragon etc. -- but the execution is done with uncommon polish. The authorship is stated but also a tad confusing. Our interpretation is that a Konrad Mueller created the book for Margaretha Pfaden-Hauerin. Condition: moderate wear to contemporary full calf binding. Unusual is a 13 page "Register" or Table of Contents in the rear. By unusual we mean for such a manuscript prayer book. Also a page of handwritten genealogical notes written on a prior blank leaf and written much later in the mid to late 19th Century. Moderate sometimes heavy soiling to margins of leaves. Corner cut out of front endpaper. Some loose gatherings. <br/><br/> unknown books
179900TP99France 1799. Small handwritten recipe for a glue to hold porcelain together. Blending lead oils paper and flour. Biographical Notes: SIR THOMAS PHILLIPPS 1792-1872. Born in 1792 Sir Thomas Phillipps from childhood was obsessed with the idea of obtaining virtually anything written or printed on paper including cartloads of documents from wastepaper merchants and the entire inventories of booksellers. "I wish to have one copy of every book in the world" he declared to a friend. He very nearly succeeded. His collection ultimately grew to more than 100000 books and at least 60000 manuscripts. As a result of his extravagant purchases Sir Thomas was permanently on the verge of bankruptcy and was constantly pursued by creditors. So many books arrived at his house that it was impossible to unpack his acquisitions much less keep pace with them. Visiting scholars driven to distraction would spend days hunting for an elusive text in the dusty heaps that filled every room. Because Sir Thomas has a morbid dread of fire most of his collection was housed in coffinlike boxes that could be carted away quickly. Visitors to Middle Hill were struck too by the presence of numerous logs a ploy he used to lure beetles away from his books. As Sir Thomas relentlessly pursued his passion the house itself began to crumble and its floors started to sag under the cast weight of hundreds of tons of paper. His neglect of Middle Hill was partly deliberate however. Sir Thomas's chief enemy in life James Halliwell had married his daughter against his wishes. It appears that Halliwell was in Sir Thomas' eyes the worst kind of criminal a book thief who had stolen valuable works from university libraries and even from his father-in-law. Having no sons Sir Thomas was unable to prevent Halliwell from inheriting his estate. To ensure that his detested heir would never receive anything of value Sir Thomas's solution was to allow Middle Hill to fall unto complete disrepair. He even went so far as to chop down and sell for lumber the centuries-old oak trees that lined the majestic mile-long drive to his home. In 1863 Sir Thomas decided to move - in order to accommodate his books. With the aid of 160 men 103 wagonloads of books and papers drawn by 230 horses the books were lumbered from Middle Hill top their new estate in nearby Cheltenham. It is said that for years afterwards the countryside was littered with the remains of carts that had collapsed under the sheer weight of the Phillipps collection. Sir Thomas continues to add to his library until his death in 1872. After Sir Thomas's death his immediate family had no room for his collection. So vast was the library that although individual items and large sections were sold privately or through numerous auction sales the Phillipps collection is still being sold more than a century after the death of its owner. In the course of its sales many treasures have come to light. As late as 1964 part of the long-lost and unique medieval manuscript of the Roman poet Ovid's Metamorphoses appeared and was subsequently reunited with its other half at Magdalen College Oxford. Once destined for destruction as worthless wastepaper this and many other priceless works were saved by the single-minded obsession of the greatest bibliomaniac of all time. Autograph. Manuscript. Good. 16mo - over 5¾" - 6¾" tall. Paperback
173443194Tubingae Tübingen: Jo. Georgii Cottae & Jo. Rudolphi Im Hoff 1734. Editio Nova New edition. Hardcover. poor to vg. Folio 15 1/4 x 10 1/4". 24 1300 36pp. Contemporary full calf. Title page in red and black lettering. Title vignette. Decorative initials and tailpieces. Book housed in a modern orange cloth covered clamshell box with gold lettering to spine. <br /> <br /> Written by Johannes Marckius 1656-1731 a Dutch reformed theologian and Church historian and edited by Christoph Matthäus Pfaff 1686-1760 a German theologian these commentaries on the twelve minor prophets are divided into the following two parts: <br /> <br /> - In Vol. 1 are featured Marckius' commentaries on Hoseah; Joel; Amos; Obadiah; Jonah; and Micah. <br /> <br /> - In Vol. 2: are featured Marckius' commentaries on Nahum; Habbakuk; Zephaniah; Haggai; Zechariah; and Malachi<br /> <br /> Binding heavily rubbed with abrasion to leather on spine. Both hinges starting. Ex-library bookplate on inside of front cover. Minor to moderate sporadic foxing throughout. Text in Latin with some Hebrew and Greek. Clamshell box in overall very good binding in poor interior in good to very good condition. Jo. Georgii Cottae & Jo. Rudolphi Im Hoff hardcover
17063719Te Leyden: By Pieter Vander Aa Boekerkoper 1706. First edition. Later half-cloth boards covered with marbled paper spine with title vignette. Small wormhole affecting the first five leaves and the folding map; otherwise in very good condition. First edition. Later half-cloth boards covered with marbled paper spine with title vignette. 6 86 4 p. and an engraved folding map and 9 engraved folding plates. <p><br /> Scarce Dutch illustrated edition of the first eyewitness account of Hernando de Soto's expedition complete with a folding map of Florida and nine double-page engraved plates.<br /> <p><p><br /> Dutch abridged edition of the earliest published eyewitness narrative of Hernando de Soto's expedition to Florida and the interior of North America. The text derives from the Relaçam verdadeira dos trabalhos Évora 1557 written by an anonymous Portuguese gentleman from Elvas who participated in the expedition. That work is the first printed account of de Soto's journey and remains a foundational source for the early Spanish exploration of the southeastern regions of what is now the United States.<br /> <p><p><br /> De Soto landed in Florida in May 1539 and led a large expedition through present-day Florida Georgia the Carolinas Tennessee Alabama Mississippi Arkansas and Louisiana reaching the Mississippi River before his death in 1542. The narrative records sustained contact with Indigenous societies and documents the challenges of an extended inland expedition through the southeastern regions of North America.<br /> <p><p><br /> This Leiden edition was issued by Pieter van der Aa as part of his Naaukeurige versameling der gedenkwaardigste zee- en landreysen presenting the narrative in Dutch translation in an abridged form. It is illustrated with an emblematic engraved title a folding engraved map of Florida attributed to de Soto's discoveries and nine double-page engraved plates depicting episodes from the Spanish conquest. Van der Aa's engravings played a significant role in shaping early eighteenth-century European visual conceptions of Spanish America and its exploration.<br /> <p><p><br /> A well-preserved copy complete with the folding map and plates. An important Dutch contribution to European-Americana transmitting one of the principal sixteenth-century sources for the exploration of the North American interior.<br /> <p><p><br /> Not in Sabin. Scarce on the market; RBH records only four copies offered in the past 100 years. <br /> <p>. By Pieter Vander Aa, Boekerkoper unknown
1784011274S.l. S.n. 1784 3 volumes in-8 Reliure d'époque
1759137120Paris: J. Barbou 1759. Full period French binding in Calf five raised bands gilt ornamentation on spine author and title in gilt on red leather spine label in second compartment. 8vo. Full period French binding in Calf five raised bands gilt ornamentation on spine author and title in gilt on red leather spine label in second compartment. 263 pages. First edition Bigmore and Wyman p.228. Minor soiling to the text block else a fine copy.<BR> <br /> <BR> <br /> In this volume Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. <BR> <br /> <BR> <br /> "Peter Simon Fournier a French engraver and letter-founder was born at Paris 1712 and died 1768. He studied under Colson painter of the Academy of Saint Luc and devoted himself first to the art of wood-engraving; he afterwards as an engraver on steel rendered himself famous in all countries. In some of his works he seeks to prove that Gutenberg is not the inventor of printing and maintains that long before Gutenberg engraving on wood had been employed for printing images and inscriptions; that during his residence in Strasburg Gutenberg attempted the application of this art to the printing of books and that on his return to Mayence he first printed the Donatus and the Catholicon of Johannes de Janua with engraved and solid blocks. Fournier's ingenious theories were ably refuted by Baron Heinecken in his "Idée Générale d'une Collection complette d'Estamples" Leipsic: 1771" Bigmore & Wyman p 229. J. Barbou unknown
171540525s Graavenhaage s Gravenhage: Gysbrecht Gasinet 1715. 8vo 21x14 cm. Wrappers renewed. xxxii: "Voorrede"16 pp. Inner margin short; lower margin title repaired; sl. soiled mainly in lower margins. With charming engraved vignette on title. With 2 exlibris of F. Ouwerling Tilburg pasted on fly-leaf and on verso title. - Interesting booklet attributed by "Boekzaal der Geleerde wereld" to Nikolaas van Amerongen in the "Catalogus Jakobus Koning" to Pieter Le Clercq and we traced a 1712 edition with on the title Pieter Antoine Huybert mentioned as the author. - Very rare Gysbrecht Gasinet unknown
1731H334Venezia Venice: Presso Angiolo Geremia 1731. Hardcover. Good. 4 volumes complete published 1730-1731. 8vo old half leather marbled boards 458 441 383 373 pp. indices in each volume. Good plus set minor library marks call numbers on spines bookplates blindstamp on title pages barcode stickers on rear endpapers some darkening to spines rubbing to boards texts clean and bright. Poet and playwright. Text in Italian. Presso Angiolo Geremia hardcover