MARIN - LA CIOTATLivre Rare Book
71 résultats
178223562Avignon/ Paris/ Marseille, Leclerc - Jean Mossy, 1782 in-12 demi basane havane, dos lisse, double filet doré en place des nerfs, fleurons dorés, pièce de titre orange, petits coins vélin, plats de papier saumon moucheté. VIII-194 pp. (Reliure début XIXe).
178285821782 A Avignon. Se trouve : A Paris, Chez Leclerc aîné et A Marseille, Chez Jean Mossy, 1782. Un volume : 10,5 x 17 cm. 1 f. bl., VIII [Préface], 240 pp., 1 f. bl., 1 planche hors-texte dépliante (Plan géométral de Tauroentum.). Reliure en basane racinée, dos lisse décoré, pièce de titre en maroquin rouge, capitales en lettres dorées, filet sur les coupes, gardes marbrées. Plats légèrement frottés. Intérieur frais.
1773R300315229Abraham Blusse en Zoon. 1773. In-8. Relié demi-cuir. Etat d'usage, Couv. légèrement passée, Dos frotté, Rousseurs. 816 pages. Texte sur deux colonnes. Texte en néerlandais. Tampon ex libris en page de garde. Plats passés, tachés. Coins émoussés. Dos cuir à 5 nerfs, dos frotté.. . . . Classification Dewey : 840.05-XVIII ème siècle
177362396Abraham Blusse En Zoon 1773. 1773 Edition. Hardback. Finely bound in modern aniline calf over marble boards. Gilt-titled spine raised bands with gilt-decoration. An exceptional copy - scans and additional bibliographic detail on request. ; 816 pages; Subjects: MARIN Pieter. Abraham Blusse En Zoon hardcover
1771862851771 Paris, chez les Libraires Associés, 1771, in 12 relié plein veau tabac de l'époque, dos à nerfs orné, 444 pages et 6 feuillets de table ; petits défauts d'usage, petite tache brune dans la gouttière.
1720171149Paris: Saugrain l'aîné 1720. Population in the ancien régime Second and revised edition of this census of France following the death of Louis XIV. Saugrain's work provides the number of households in virtually every town and commune: the work "allows one to estimate with only a small margin of error the population of France and its distribution" Pounds p. 93 Claude-Marin Saugrain 1679-1750 seems to have been primarily employed in the Paris book trade. Although his census was not financed by the government Saugrain drew heavily on the individual population reports of Louis's Intendants forerunners of the modern French préfets. The first edition was published in 1709. 2 vols in 1 quarto 241 x 192 mm. Woodcut vignette to title pages woodcut initials head- and tailpieces engraved armorial headpiece to p. 3. Recently rebound using old mottled calf spine panelled and with tooled ornamentation in gilt raised bands and brown morocco label covers with triple-rule panel in blind edges red. Later annotations in pencil and orange crayon to contents. Contemporary ink shelf mark to front free endpaper and title page. Neat paper repair to title page replacing library stamp not touching text. Light rubbing minor browning and foxing to endpapers and contents small hole to head of front free endpaper: a very good copy. Goldsmiths' 5629. Norman John Greville Pounds An Historical Geography of Europe 1500-1840 1979. hardcover
17853114156Madrid. 1785. Hardcover. Cubierta deslucida. Lomo rozado. Contiene notas manuscritas del anterior propietario. Good. 17 cm. 580 p. Encuadernación en tapa dura artesanal a la holandesa con lomo en piel. Cubierta deslucida. Lomo rozado. Contiene notas manuscritas del anterior propietario. Semana Santa Religión hardcover
170888653Jean-Baptiste Besongne | Rouen 1708 | 9.5 x 16.8 cm | Relié
170888653Rouen: Jean-Baptiste Besongne 1708. Fine. Jean-Baptiste Besongne Rouen 1708 9.5 x 16.8 cm Relié Rare first edition of this curious travel account originally written entirely in verse 7500 lines though the authoron the advice of friendsagreed to intersperse it with prose narrative retaining 2500 lines of verse; see Sabin 20128 Gagnon 1134 1710 edition and Dionne II.Contemporary full brown calf binding spine with five raised bands gilt compartments decorated with gilt floral tools cherry red morocco label gilt roll tooling at head and foot double black fillet border on covers gilt fillets on board edges sprinkled yellow edges with red mottling.Lower right corner of upper cover restored; some spots and minor scuffs to the boards; occasional light foxing otherwise internally fresh and appealing.Unlike the second edition of 1710 this copy was not issued with a frontispiece. Almost nothing is known about the life of Dières de Dièreville a surgeon possibly born around 1670 who embarked in August 1699 aboard the Royale Paix from La Rochelle for a trading mission to Acadia. He arrived on 13 October and remained in the region for a year studying both the Acadians and the Indigenous peoples while also collecting plant specimens for the Jardin du Roi in Paris. His return voyage took place from 6 October to 9 November 1700 after which he settled as a surgeon in Pont-l'Évêque. At the request of Michel Bégon Intendant of La Rochelle he wrote the account of his travels. He was still alive in 1711 but nothing further is known of his life. Jean-Baptiste Besongne hardcover
176797398Paris, Dans un Caffé, S.l.n.d., Chez Vente, Libraire, Musier 1767 In-16 16,5 x 10 cm. Reliure de l’époque veau havane marbré, dos à nerfs encadrés de fers dorés, pièce de titremaroquin brun, 24-56-11-75-30-384 pp., plats encadrés d’un triple filet doré, tranches marbrées. Reliure légèrement frotté, petit accroc en tête de dos, intérieur assez frais. Ensemble assez peu courant.
17399820Paris, Paulus-du-Mesnil, 1739. 335 g In-12, plein veau, dos orné à nerfs, tranches mouchetées, xxiv-[4]-440 pp., [5] ff.. Ouvrage dû à Marin Filassier (vers 1640-1733), prêtre parisien qui fut également chapelain des Miramiones. Barbier, IV, 466. Accroc à la coiffe supérieure, petite trace d'humidité marginale. . (Catégories : Religion, )
1749936A PARIS. CHEZ ANTOINE BOUDET, IMPRIMEUR DU ROI. 1749. IN-12 ( 10,5 X 17 X 4 CENTIMETRES ENVIRON) DE XXIV + (48) + 440 ET (4) PAGES, RELIURE D'EPOQUE PLEIN VEAU MARBRE, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE SUR ETIQUETTE MAROQUIN ROUGE, FILET DORE SUR COUPES, TRANCHES MARBREES.ETIQUETTE EX-LIBRIS MANUSCRITE COLLEE SUR LE FEUILLET BLANC DE GARDE, AVEC EX-LIBRIS MANUSCRIT AU DOS DU MEME FEUILLET, TOUS DEUX D'EPOQUE. QUELQUES DEFAUTS EXTERIEURS, SINON BON EXEMPLAIRE.
1778023020Salamanca: Oficina de la Santa Cruz por Domingo Casero 1778. No consta edición. Tapa blanda. Good. 16 71 pp. 14 x 195 cm. SERMÓN QUE EN LAS HONRAS CELEBRADAS POR LA UNIVERSIDAD DE SALAMANCA EL 23 DE DICIEMBRE DE 1778 A LA BUENA MEMORIA DEL ILUSTRISIMO SEÑOR DON SEBASTIÃN FLORES PABON DIXO el RR. P. M. Fr. Joseph Marin. Papel limpio. Oficina de la Santa Cruz por Domingo Casero unknown
1726013796London: J. Darby A. Betteswort &c 1726. Second Edition. Hardcover. Neat contemporary ink inscription to first title very small worm tracks to upper corner of about half of the pages. Lovely plates very clean. Near Fine. Tall Folio 8-3/4" x 14-1/2" bound in full calf leather neatly rebacked. Two parts in one volume lacking the printed title page as seems often to be the case. Text in French and English. Translated by Thomas Manington Gibbs. Illustrated with two engraved title pages a frontispiece a portrait and 103 engraved plates all nearly full page along with engraved head- and tail-pieces. <br/><br/> [J. Darby, A. Betteswort &c] hardcover
177710110London: F. Vivares in great Newport Street 1777. Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet one of the most celebrated masters of French colour-printing.<br/> <br/> The son of a Parisian stocking manufacturer Louis-Marin Bonnet 1736-1793 trained with the engravers Louis-Claude LeGrand and Jean-Charles François the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image from one of the most renowned French engravers but a fascinating glimpse at the practices of the print market in France.<br/> <br/> Le Blanc Manuel de L'Amateur D'Estampes No. 386. F. Vivares in great Newport Street unknown
177710110London: F. Vivares in great Newport Street 1777. Colour-printed mixed method engraving. Printed on laid paper. In excellent condition with the exception of being trimmed within the platemark. Small tear in lower left corner and another small tear on bottom margin. Image size: 10 9/16 x 8 1/4 inches. A lovely impression of this famous print by Louis-Marin Bonnet one of the most celebrated masters of French colour-printing.<br/> <br/>The son of a Parisian stocking manufacturer Louis-Marin Bonnet 1736-1793 trained with the engravers Louis-Claude LeGrand and Jean-Charles François the latter the inventor of the chalk-manner technique of printmaking. Throughout his career Bonnet developed Francois's printing technique producing some of the most beautiful prints of the period. Bonnet's chalk-manner prints became immensely popular with collectors seeking images that imitated the subtle effects of drawing but he also experimented with various forms of colour printing as seen in this charming print of a young lady playing the guitar. During the late 1770s and 1780s Bonnet's success as a color printmaker was unrivaled and hence he counted among his patrons the wealthiest Parisian collectors of the time. This spectacular print exemplifies the single plate colour printing technique developed in England but quickly adopted by French engravers. The effect is achieved by inking a single plate with several different colours by using a rag stump this process is known as a la poupée. These English colour prints became very popular in Paris and threatened to affect the market for French prints. In an effort to capitalize on this vogue for English prints a few clever French engravers printed their own colour prints with London addresses. This charming image is just such a print; Bonnet published it with F. Vivares's address in London although it was probably published in Paris. He also uses a different variation on his name and lists himself as L. Marin instead of Louis-Marin Bonnet. This is not only an exquisite image from one of the most renowned French engravers but a fascinating glimpse at the practices of the print market in France.<br/> <br/>Le Blanc Manuel de L'Amateur D'Estampes No. 386. F. Vivares in great Newport Street unknown books
172041430Venedig, Ex Typographia Balleoniana (Balleoni), 1720. Fol. Titelbll. m. Holzschn.-Vignetten (der erste Titel in Rot u. Schwarz). Mit einer gest. Anfangsvignette u. zahlr. Holzschn.-Vignetten u. Initialen im Text. 12 Bll., 568 S., 4 Bll.; 6 Bll., 636 S., 10 Bll.; 6 Bll., 616 S., 14 Bll., HLdr.-Bde. d. Zt. m. goldgepr. Rückenschildern u. dreiseitig gespränkeltem Rotschnitt.
176621550Paris, Pierre-François Didot, le Jeune, 1766 ; in-12, veau marbré, dos lisse à faux nerfs dorés, décoré et doré, pièce de titre grenat, tranches rouges (reliure de l’époque) ; [8], 392 pp.
17849364A Paris, Chez Belin, 1784. Petit in-12 de [8]-XXXVI-230-[2] pages, plein veau brun, dos lisse orné de filets et fleurons dorés, pièce de titre rouge et verte, roulette dorée sur les coupes, tranches rouges.
1756R320045323GIROUD ALEXANDRE. 1756. In-12. Relié plein cuir. Etat d'usage, Couv. convenable, Dos frotté, Intérieur acceptable. 518 pages - Augmenté d'un bandeau et lettrine - Coins rognés - Epidermures en 2e plat - Accroc en coiffe en pied - Dos frotté et fané.. . . . Classification Dewey : 200-RELIGION
1778R300106501Chez J.J. Niel. 1778. In-16. Relié plein cuir. Etat d'usage, Coins frottés, Dos abîmé, Quelques rousseurs. VIII + 419 + 331 pages. Annotation à l'encre en avant dernière page blanche. Dos à 5 nerfs, fillets dorés passés. Dos passés, frottés, pièces de titre manquantes. Tome 2 : le dos se décolle des cahiers. Page de garde désolidarisée, page de titre manquante. 2 photos disponibles.. . . . Classification Dewey : 840.05-XVIII ème siècle
