740 résultats
a67629Paris 1949. Issue for Mars 1949. 4to. 96pp. photo illustrations advertisements original illustrated wraps. Good plus light chipping on spine. . paperback
1913218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown
193225922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown
19202413Paris Editions Nilsson. c.1920. Four little volumes containing 80 pochoir color cards 20 in each volume of women's fashions from 1900-1920. Small 16mo. 9.4 x 7.25cm. Each volume In original hand colored printed wrappers with women in costume on the front of each volume. Housed in the original patterned paper covered card slipcase with rose design on inside covers with printed paper spine label. Box is shaken. Interior volumes are fine. Ties are perfect. Editions Nilsson
19042923New York: The Jno. J. Mitchell Co 1904. First Edition First Printing. Hardcover. Very Good. 10 1/4 X 13 1/4 Inches. 255 PP. Scarce original early 20th century guide to tailoring by J.O. Madison the son of American tailor Otis Madison. Signed by J.O. Madison under his frontis portrait. A profusely illustrated guide to the tailoring of men's clothing. Binding a bit shaken but a solid copy overall. The Jno. J. Mitchell Co hardcover
195025923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
195025924n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
20106893Naples FL: The naples Art Association at The Von Liebig Art Center 2010. First Edition. Hardcover. Near Fine. 11 1/4 X 8 1/4 Inches. 50 PP. Original glossy hardcover Exhibition catalog with two used admission tickets laid-in. Introduction by Nigel Arch Director of Kensington Palace. Full-page photographs and ownership information of 20 of the late Princess Diana's iconic dresses. Many were sold at the famed Sotheby's auction but others in the exhibition were simply loaned by owners who have secured one of these amazing pieces via the secondary market. A rare exhibition catalog. OCLC locates "0" copies. NOTE: While not stated this piece from the personal collection of Myra Janco Daniels.<br /> <br /> Myra Janco Daniels 1925-2022 founder and CEO of the Naples Philharmonic Center for the Arts. Myra was also 1965 Advertising Woman of the Year and wife of Draper Daniels the adman who created "The Marlboro Man" and the basis for "Don Draper" on AMC's Madmen TV show. At the age of 25 Myra started her own advertising business in Terre Haute Indiana which was later purchased by Draper Daniels. She was a longtime collaborator of Draper's and together the couple achieved amazing success in the world of advertising in the mid-20th Century. In retirement Myra founded the Naples Philharmonic Center and created a world class art museum which she led for over 20 years. Giving a slight nod to Charles Lindbergh the Pulitzer Prize-Winning author A. Scott Berg once dubbed Myra "The Spirit of Naples.". The naples Art Association at The Von Liebig Art Center hardcover
20126966London: HM Queen Elizabeth II / Royal Collection Trust 2012. Revised Edition. Hardcover. Near Fine/Near Fine. 10 1/4 X 12 3/4 Inches. 320 PP. Scarce catalog of the Queen's diamonds. Official licensed printing from the Royal Collection Trust. Profusely illustrated. HM Queen Elizabeth II / Royal Collection Trust hardcover
1950245213n.p. 1950. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Creased across upper left corner light spotting. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
193773769Chicago: Ferris Woolen Company 1937. Original hinged sample case with drop front 27 3/4 x 11 x7 1/2 inches. Containing 174 thick cards printed in black and red; each with a mounted woolen worsted wool imported wool sample. Original sample display case w/ green textured cloth over boards divided into Three compartments nickel plate slider hinges printed advertising on inner lid and drop front reinforced corners a remarkable display case from the John the Tailor Shop Suits and Overcoats made to order. Wonderful graphic label on interior of lid featuring dapper dressers and period automobiles.Spectacular tailoring sample counter display for men’s suits and overcoats in the Fall & Winter of 1937-1938. Ferris Woolen Company a subsidiary of Wawak Woolens was originally founded in 1922 in Chicago along with Detmer Woolen Co. Bruner Woolen Co. Mason & Hanson Inc. and Salter & Wolf to supply woolens and trimmings to tailors and department stores across the United States. The companies were known for their high-quality wools at a reasonable price and often incorporated imported wool wool silk blends gabardines and tweeds especially from Scotland Wales France and Great Britain. In 1933 the Wawak Co./Ferris Woolen Co. purchased the exclusive right to all the Detmer Bruner Co. customers West of the Mississippi. They quickly began commissioning and producing display cases reflecting the change and proved very successful with the Ferris Woolen Co. catering to the trade into the 1960s. These sample cases were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these display on the sales floor for two seasons or more often adding or subtracting fabrics as they became available. The samples included with this case offer invaluable textile reference for the colors and fabrics during the era of fashion influenced by the elegance and glamor of Hollywood films and film noir at the time. The styles depicted on the inside of the lid and the drop-down front are reminiscent of the very popular Thin Man fashions worn by William Powell and Myrna Loy at the time. Ferris Woolen Company hardcover
1921100820<p>New York: Abercrombie & Fitch Co. 1921. 1921. Very good. - Tall narrow octavo 9-1/8 inches high by 4 inches wide. Softcover bound in pictorial light gray stapled wraps with color illustrations of Blue Birds among pussy willows on the covers. The covers are slightly soiled and the bottom corners creased. The wraps are splitting along the head & tail of the spine. 36 pages with profuse black & white illustrations of women's sporting fashion including clothing for camping and hiking riding golf tennis and polo with accessories. Very good.</p> New York: Abercrombie & Fitch Co., (1921). paperback
19203396<p>A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing plate 20 from the third series 1720-1775. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches the year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn but intact with short silk ties remaining. Former owners name in ink on several plates in the first series some of the signatures across the bottom of the images.</p> (Editions Nilsson)
19253398<p>A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing two plates from the second series 1820-1845. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color illustration. Charming original folding case with patterned papers and silk ties. Case is worn on the spine but complete with four paste on labels intact and patterned covers bright. Ties present.</p> No Publisher
192099548<p>New York 1920. 1920. Very good. - Octavo 7-3/4 inches high by 5-3/4 inches wide. Softcover bound in printed cream wraps. The covers are soiled with a chip to the bottom corner of the front cover and top edges. There is a short tear along the spine and the booklet is vertically folded down the center. 21 & 1 pages with numerous textual illustrations and patterns. Very good.</p><p>"This is the first number of the New Edition of The Tailor Mechanic. The old edition was discontinued before this country entered the World War". Quoted from page 6. Numbered Volume 1 Number 1 on the title page.</p><p>Of particular interest is an article by Felix J. Koch on "Making Clothes for Jugo-Slovakian: Strange and Interesting Manners and Customs That Attach to the Fashioning of the Garments of the New Nation" illustrated with photographs presumably by Koch. Felix John Koch 1882-1933 was an author and freelance photographer. He traveled to the Balkan Peninsula in 1904. Koch traveled throughout the world from Labrador and Newfoundland to Panama and throughout Europe documenting in words and pictures the customs people and sights of the many regions through which he traveled. He was the official War Department photographer for the Cincinnati area documenting local war efforts.</p><p>RARE.</p> New York, 1920. paperback
1920100865<p>New Orleans: Lengsfield Brothers circa Late 1920's -1930's. Late 1920's -1930's. Good. - A 19-3/4 inch high by 10-3/4 inch wide broadsheet printed on buff card stock advertising the firm's garment boxes. Text printed within an orange ruled frame at the at the top proclaims "An improved method of rendering real service to our Customers----So necessary to the logical progress of Modern Business. This new packing idea was first placed on the market July 1927 -- It has been accepted and adopted by the leading Clothiers of the Country -- Note the list of Leading Merchants now using the Perfect Garment Box who believe that it pays in dollars and cents -- and the most valuable of the Retailers Assets -- Good Will". Columns on either side list the numerous clothiers and businesses who use their product with the broadsheet's title printed at the center. Five illustrations from photographs depicting clothing being gently folded into the boxes are printed at the bottom within orange ruled frames. A cut-out folding insert centered near the top reproduces the coat hanger which holds the clothing within the firm's boxes. Folded twice horizontally to 7 inches high by 10-3/4 inches wide with promotional text printed within decorative orange rules on one panel and an illustration in shades of black gray & orange depicting a valet or butler holding a suit printed on the other panel boldly titled "Service!" next to 3 ruled address lines. The broadsheet was mailed to "The Clothing Trade Journal" with the periodical's address penned in with a correction and with a slit "New Orleans" postage seal along the bottom of the fold. The edges are darkened with a couple of tiny chips and a tiny tear to the right edge of the top fold. Good.</p><p>Lengsfield Brothers was a paperboard packaging & design firm known for award-winning package designs.</p> New Orleans: Lengsfield Brothers, circa [Late 1920's -1930's]. hardcover
188696340New York: M. Heminway & Sons Silk Co. Manufacturers of The Pure Dye Knitting Silk 1886. 1886. Good. - Small octavo 7-3/8 inches high by 4-7/8 inches wide. Softcover bound in peach wraps titled and illustrated in black on the front and rear covers. The front edge of the covers and the head and tail of the spine are slightly chipped. There is a stain from an early sticker to the top of the rear cover with calculations penned at the bottom of the rear cover. 44 pages plus 4 pages of ads for the company's silk and thread with occasional textual illustrations. The pages are creased. Good. <p>SCARCE. New York: M. Heminway & Sons Silk Co., Manufacturers of The Pure Dye Knitting Silk, 1886. paperback
5g2986Ohne Verlagsangaben um 1980. 6 Tafeln ca. 152 x 201 cm im Passepartout ca. 216 x 276 cm in kartonierter illustrierter Mappe quart Mappe gebräunt und eingerissen. unknown
120235Paris boulevard des Capucines. 1909- 1914. 3 catalogues dépliants. 21x11 Cm. Broché. Chaque catalogue de cette maison de couture se développe en accordéon et présente la collection de mode d'une saison portée sur 20 mannequins de femmes été 1909; hiver 1911-12 et été 1914. Catalogues très bien conservés. Paris, boulevard des Capucines. 1909- 1914. unknown
1930100098Philadelphia New York & Chicago: Philip L. Sheerr & Sons circa 1930's. 1930's. Very good. - Octavo 9-1/4 inches high by 6-1/8 inches wide. Softcover bound in printed light gray wraps titled in black on the front cover. The edges of the covers are faintly darkened and there is a tiny slit to the tail of the spine. A hole is punched through the top left corner of the book. 16 pages with illustrations and patterns. Very good. <p>RARE.<p>A more comfortable alternative to the confining slim suits of the war years the athletically cut drape suit had more fabric through the shoulders and chest with a slight drape. It could be made as a single or double-breasted suit. Philadelphia, New York & Chicago: Philip L. Sheerr & Sons, circa [1930's]. paperback
19203395<p>A small portfolio of women's fashion designs broken into four folders of loose plates 20 plates per folder for a total of 80 plates. This copy missing one plate from the second series 1905-1910. Beautifully hand colored pochoir plates illustrating the fashions of the time each card measuring 7 1/2 inches by 5 1/2 inches. The year shown at the bottom of each card. Each wrapper also illustrated with a color plate. Charming original folding case with patterned papers and silk ties. Hinge paper broken as usual but covers still holding case is slightly worn but all four paste on labels are present. Brown silk ties still there. All wrappers clean and unworn.</p> (Editions Nilsson)
17801007791780. Mallier & Compagnie tiennent tout ce qui concerne la Mercerie & Soierie comme Satins double & simple Florence Taffetas d'Italie d'Angleterre dits à mantelets.Ils tiennent aussi Fabrique & Magasin de toutes sortes de Gazes & Rubans. A Paris. Ils sont toujours des premiers assortis dans les Nouveautés. One page 18x24 cm with a woodcut at the top showing the shaking of hands. The lower half consists of an undated handwritten invoice. No date but circa 1780. Small corner damaged at the lower right hand corner and a tiny piece of paper missing just above the woodcut. But a good copy. unknown
192399609<p>New York: Harry Simons Designing Studios 1923. 1923. Very good. - Tricesimo-secundo 32mo 5-3/8 inches high by 3-1/8 inches wide. Softcover bound in printed light gray wraps. 16 pages with a chart of proportions. The bottom inner corner of the covers and pages is creased. Very good.</p><p>RARE. WorldCat locates only 2 copies.</p> New York: Harry Simons Designing Studios, (1923). paperback
19632110502150415394Futabasha 1963. Soft Cover. Fine. Volume: 1 Futabasha paperback
192017641<p>n.p. France: n.d. ca. 1920s architecture styles of historical periods in various geographical regions to the fashion styles of those periods. Styles illustrated include those of Greece Rome Egypt and Persia; late medieval Europe; the reign of Louis XIV; traditional Japanese attire; and fashionable 1920s dress. The background illustrations include a Roman archway seventeenth-century furniture and even a classical Greek vase that frames an illustration of three women. The fashion illustrations reflect certain design elements in the background illustrations for example the patterned fabric in the ancient Egyptian fashions match the decorative style of the columns in the background of the illustrations. . Original blue stiff paper folder with ribbon binding at spine. . 9 x 12 in. With twenty-eight pages of beautifully painted fashion designs dresses hats Greek chitons etc. from throughout history some with background elements furniture and architecture and two with real fabric accents pasted down and two pages of manuscript text explaining architectural and sculptural styles. Some of the fashion designs are captioned in manuscript. Also with eight tracing paper leaves illustrated in ink overlaying matching designs below one with pencil annotations noting types of fabric and other design elements. Some soiling to folder. Some offsetting and some foxing. Very good. We could not locate any information on Josette Eynac the student who illustrated this album though she was clearly a capable artist.</p>