Revue de modeBiblio.com
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12998Gazette de la famille Revue de la mode 1883 12è année de janvier à décembre. In folio reliure demi-toile Reliure très abîmée et atteinte au papier sur la tranche. 52 gravures lithographiées en couleurs 416 pages. unknown
2026x-1032800453CRC Pr I Llc 2026. Hardcover. New. 320 pages. 9.18x6.12x9.45 inches. CRC Pr I Llc hardcover
187811899-1925. Manuscript Notebook stiff card binding 74pp. used c.17 items listed per page description of clothes and materials and cost total cost given at the end of each page. Author unidentified but occasional biographical entries e.g "Left Ireland/ Bournemouth" 1900 "W. gave me pair of corsets" 1924 obviously well-to-do and ultimately at least middle-aged corsets needed in 1924. Sample page Sept. 1916-Jan/Feb 1917 "Sepr Dressmaker May £4/ Hat black velvet tri-corner & gold ornament 1.10/ Veil 2s3d/Navy coat Frock 8/8/- 8.15.6/ Nov. 2 Crepe de Saute peticoats 1.5.10/ 2 bust bodices 5s 1/ Black tulle & moonlight sequin 8.8/ Velvet bedroom slippers 3s4/ Dec. Lace Evening camisole 6s6/ £62.10.8 3/4// 1917// Jan. 4 3/4 Rose red crape lining fur coat £1.1/ 2 prs Rubber gloves 2s4/ 3 Muslin collars 1s7 1/2/ Walking shoes 18s9/ gave B. -too big in margin House shoes 9s11/ 3 pairs Evening shoes £2.3.3/ 4.16.10 1/2". 1899-1925. hardcover
12999Revue de la mode 1881 10è année. In folio reliure demi-toile 51 gravures lithographiées 416 pages. Janvier à décembre. Reliure très abîmée. 2 pages avec des manques une déchirée sans manque. Bottines et chaussures chapeaux costumes de bains unknown
ria9781609015350_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The eighth edition of this industry standard for textile terminology is fully revised and expanded featuring approximately 100 new entries and over 14000 definitions of fibers fabrics laws and regulations affecting textile materials hardcover
Gundtoft, DorotheaIn Pristine Condition. unknown
1846DEMO014603IPhiladelphia: George R. Graham 1846. First edition. Hardcover. Good. mezzotintsengravingsmusic. Octavo contemporary half calf marbled boards scuffed some foxing <br/><br/>Contains "Marginalia" and "The Philosophy of Composition" by Poe and a review of Herman Melville's "Typee". The Parisian fashion plates are by Le Follet. Also there is an article on California by Charles Jacob Peterson aka Harry Danforth. And with book reviews on THE WILDERNESS AND THE WARPATH by James Hall and Darwin's VOYAGE OF A NATURALIST. George R. Graham hardcover
193225922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown
191152192Paterson NJ Allentown PA Williamsport PA Dundee Lake NJ: National Silk Dyeing Company 1911. 8vo. 4 leaves of thick card stock bound in accordion-style format which fold out into 9 x 25.5 in panorama with 178 tipped-in colour skein silk samples in rainbow of colours a few discontinued colours removed along with their inventory numbers. Black cloth gilt lettering on front cover metal snap closure minor shelfwear some rubbing still G reference copy. First edition thus of this excellent sample catalogue filled with dyed silk thread samples including such Edwardian colour names as Desdoux Aloes Salambo Eclipse Champignon Glycine Pistache Oseille Cuite Myrthe and Matelot. The National Silk Dyeing Company began life as the Auger & Simon Silk Dyeing Works which was moved to Paterson in 1884 and grew quickly during the Victorian era but in 1908 Charles Auger chose to merge operations with five other Paterson NJ dye works forming the National Silk Dyeing Company. They would enter bankruptcy during the Great Depression. Worldcat locates 1 copy of 1913 Dyeing catalogue Brooklyn Museum. National Silk Dyeing Company, hardcover
195556299Vienna: Wiener Modellgesellschaft M.B.H. Editions de Mode Fashion Publications 1955. Folio. 9 x 13 in. 23 colour plates in pochoir-inspired hand-coloured style. Printed beige softcovers minor creasing head of spine minor dustsoiling still VG bright copy. First edition thus of this beautifully rendered collection of haute couture summer dress designs issued by the Viennese fashion cooperative in the 1950s. These designs show the decided shift towards elegance and perfectly matched accessories for women during the 1950s with nipped-in waists full-skirted dresses as well as tailored fitted clothes with a hint of playfulness and exuberance inspired by the designs of Cristobal Balenciaga and Hubert de Givenchy as well as the feminine silhouette of Christian Dior. No copies in Worldcat of this issue. Wiener Modellgesellschaft, M.B.H., Editions de Mode, Fashion Publications], paperback
193559961Chicago: Sears Roebuck & Co. 1935. 4to. 20 pp unpaginated. including 4 pp. order blank with measuring instructions. With printed illustrations throughout in orange & black 50 mounted fabric swatch samples of worsted wool and worsted wool blends. Self-printed colour-illustrated softcovers in orange & black Art Deco cover art & lettering w/ “Easter†promotional label mounted at upper left front cover dated March 23 1935 minor creasing shelfwear still a VG copy. Early edition of this scarce and unusually complete sample catalogue for men and young men’s suits featuring the Syracuse Parkway Collegian Kenwood Wall Street & Walton styles from Sears Roebuck & Co. These special sample catalogues were issued as supplements to their famous catalogue which were issued in millions of copies even during the Great Depression. These catalogues were more expensive to produce and were intended to provide a reasonable alternative to the larger Men’s suit purveyors such as J.L. Taylor M. Born and others. This catalogue provides invaluable illustrated historical reference for the colours styles and fabrics during the era of fashion influenced by the elegance and glamor of Hollywood films at the time. There is definite evidence of influence from the popular Film Noir films of the period. The men’s suits showed a trend towards padded shoulders suit lapels that were not as long and an increased weight and drape to the clothes as well as wider legs for the younger “fast†crowd. Worldcat locates only 1 copy Ohio University. Sears, Roebuck & Co., paperback
18772152New York 1877. Good. 311pp. Folio. Original orange pictorial wrappers. Light wear and soiling some minor loss to wrappers. Text toned slight biopredation to final leaf. A lovely catalogue of patterns for clothing of all types issued by E. Butterick & Co. The catalogue opens with styles for ladies' coats and dresses moving on to wraps and jackets then skirts and tops followed by essentials such as bloomers and corsets and aprons and chemises. There is a section of clothing for "Misses and Girls" as well as doll patterns children's clothing and "Boys and Gentlemen." Menswear includes everything from smoking jackets and caps to overalls and kneebreeches. The rear cover advertises Singer Sewing Machines which received numerous awards at the Centennial Exhibition in Philadelphia the previous year. The front cover notes agents for Singer machines in Galveston Texas pinpointing the distribution area for the present catalogue. An excellent source for fashions of the period. unknown
19771004235New York: The Wool Bureau 1977. Original trend report on American knitwear for fall 1977 featuring fashion sketches on every page each captioned with the name of the manufacturer the wool content and the retail price. Featured designers of these ready-to-wear styles include Donna Karan for Anne Klein Gloria Vanderbilt and Kay Unger. Also represented are the mass-market "sport" lines of Givenchy and Pierre Cardin. The Good Wools was issued by The Wool Bureau the American branch of the International Wool Secretariat. The IWS shaped global fashion trends for decades through forecasting reports like this one and through the International Woolmark Prize which launched the careers of designers Yves Saint Laurent and Karl Lagerfeld. In 1997 the IWS would rebrand as The Woolmark Company keeping their iconic logo the stylized skein of yarn used throughout The Good Wools to signify 100% wool content. Provenance: Ellen Robinson uncredited designer of the tweed separates created for a New Division of Alex Colman page 81. A near-fine copy. Spiral-bound volume measuring 10 x 5.25 inches: 8 170. Original color photographic wrappers. Text printed on tan paper with brown card chapter dividers line drawings on every page. The Wool Bureau unknown
19781003704Westport Connecticut: Here & There 1978. September 1978 issue of Here & There Francine Horn's groundbreaking fashion trend report focusing on haute couture Japanese fashion and resort wear: "The posh stuff is back in line for Fall '78." Forecasting a year in advance the pages reveal trendsetting European designs for Fall 1979 alongside their American counterparts with lively editorial commentary. The opening chapters celebrate the return of haute couture and its translation to ready-to-wear led by St. Laurent and Givenchy and inspired by Hollywood glamour Chesterfield overcoats and vintage cocktail looks. The coverage of American resort wear highlights the role of the fashion illustrator in forecasting. Because those collections were presented in private showrooms that prohibited photography Here & There charged their "much overworked illustrator Mr. Frank Spina with the prodigious task of capturing with his 'rapacious rapidograph' the highlights of these resort collections" which included designs by Bill Blass Norma Kamali Perry Ellis and Willie Smith. Both a major trade publication and a savvy ad for Francine Horn's fashion trend consultancy Here & There was an industry must-read a success due in part to her husband David Charles Horn's candid photography and provocative editorials. Like most fashion forecasting reports from the 1970s this number of Here & There is scarce in commerce and in institutional holdings. A very good example featuring original patterns and twenty original mounted textile swatches. Single volume measuring 14 x 8 inches: 123 1. Original coil-bound stiff black wrappers lettered in white. First leaf printed on magenta paper; black-and-white photographs and line drawings throughout text; twenty tipped-in fabric swatches. Light shelfwear corners bumped lower wrapper creased. Here & There unknown
1945D3115Holland 1945. Cloth-backed paper over boards 10.25 by 13.75 inches; approx. pp. 200 handwritten and illustrated in black and red ink. Contains more than 50 patterns for women's clothing as well as few for little girls -- including dresses blouses skirts coats and underwear. Boards a bit worn and warped but contents are nice and fresh. Very little text -- all of it in Dutch -- but the patterns are universally applicable. Presumably created by a student the patterns are painstakingly neat and exact and accompanied by drawings of the finished apparel as well as wonderfully adept drawings of ladies modeling them offering complete looks from hat to shoe. Also includes cut-outs of patterns many of them still holding pins laid-in here and there. Lovely legible and careful throughout you can see that they were first drawn in pencil then traced over in ink and the student's ruler and blotting paper are laid-in at the back. Unique and accomplished. A gem. <br/><br/> hardcover
197042056Maryland 1970. Small men's 70s denim jacket from a female biker gang or motorcycle club. We find no information or reference to the "Metronettes" but as they were driving Honda's most likely Gold Wings they were probably on the more wholesome - rather than outlaw - end of the spectrum. Blue Wrangler "No Fault" denim jacket size 36. With name "Chan" and zodiac sign - "Pisces" embroidered in yellow above each breast pocket. "Metronettes" and "Md." enbroided in matching color to back of the jacket above and below a period Honda motorcycle patch. Generally fine condition. unknown
195029382Bridgeport CT: Hollander Metal Product Corp 1950. Very Good. Bridgeport CT: Hollander Metal Product Corp. ca. 1950s. Six-panel folding trade catalog with 58 belt buckle samples. Belt buckles tied down and numbered and first four sample pages are labeled either bronze cast bronze brass wire or steel wire. Variance in design and size are subtle though apparent. Hollander would go on to produce belt buckles for the Department of Defense during the Vietnam War. Folder edgeworn scuffed and rubbed with brief exposure to edges. Rust-spotting and dust soiling to interior; overall Very Good. Hollander Metal Product Corp unknown
184449820London: William Strange 1844. First Edition. Full leather. Very good. 174p octavo illustrated by George Standfast. A fine copy bound in full green cald top edge gilt with raised bands and gilt stamped inner dentelles. Offset to both front and rear panels Engraved bookplate of book collector Thomas W Lawson <br/><br/> William Strange hardcover
51-5342Paris: Cica 1850. Color lithograph. 61 x 43.5cm. Creasing on edges. From the portfolio "Saint Germain des Prés ; abbaye et église plans vues square et fontaine." Planche numérotée XXXII. Alexandre Albert Lenoir a French architect born in Paris Oct. 211801. He studied under Debret in Paris and in Italy and was the architect of a museum in the Palais des Thermes uniting this palace with the museum of Cluny. In 1862 he became secretary of the school and in 1859 a member of the academy of fine arts. His principal works are: Architecture et archeologie Paris 1839; Architecture militaire au moyen age et monuments religieux du moyen age 1847; and Architecture monastique 1852. Paris: Cica 1850 unknown
2022255j0781USA: Conde Nast. Good. 2022. U.S. Edition. Single Issue Magazine. Features: Serena Williams cover photo and farewell article; Fashion's New World; Fall Jackets; Ketanji Brown; Matthieu Blazy takes charge at Bottega Veneta; Miranda Brooks and Bastien Halard found the English House of their dreams; Wellness awakening for Kate Moss; How Thebe Magugu and Pierpaolo Piccioli transformed each other's work into new creations; and more. 378 pages. Portion of Yves Saint Laurent ad removed from page 87 otherwise clean and unmarked with light wear. A quality copy.; 4to . Conde Nast unknown
2025x-1032814160CRC Pr I Llc 2025. Hardcover. New. 384 pages. 9.18x6.12x9.45 inches. CRC Pr I Llc hardcover
5h2049John Henry Schwerin G.m.b.H. Berlin 1914-1916. Insgesamt ca. 700-800 S. mit vielen Abbildungen Halbleinen-Einband quart teils mit Randläsuren/fleckig/Einband bestoßen/Vordergelenk eingerissen. - komplett / Mit Kriegs-Beilagen - unknown
193019806AB1930. n.p. 1930ties 48 : 36 cm. Four sheets with coloured aquatints partly hightened in gold Six designs for Ladies evening dresses. One plate signed Boris. While men's style changed little women's looks changed significantly over the course of the 1930s. The previous Roaring Twenties were still characterized by a new very androgynous image of women and the so-called Flapper Girl was a symbol of the independent modern woman. But in the 30s this trend changed to the complete opposite: the elegant lady was popular again. This was reflected above all in the rediscovery of the female figure. Reason for this: The woman as a caring mother and housewife was THE ideal of the time. This conservative image was also accompanied by a hyperfeminization of women. This value attitude was particularly evident in the emphasis on the high waist. unknown
2i596Mitte bis Ende 1950er Jahre zwischen 115 x 175 und 29 x 23 5 cm teils Alters- und Gebrauchsspuren teils geknickt und randrissig. -Enthält u.a: 9 Bl. mit dem St. der Kostüm- Tracht- und Mode-Bibl. Wolfgang Janke teils gest. K.L.Haenchen Bln. 2 "Museo Franceschi Milano" bzw. Pilade Frandeschi Milano Phot. Hamann-Meyerpress Hbg. Schuhistorische SLg. Der Nord-West 3 B.Pofahl Bln. 2- unknown
189526009Revue de la Mode 1895. Bonded Leather. <b>Livre en français</b>. Couverture rigide. Edition de luxe. 26 très belles gravures en couleurs hors-texte. Revue dirigée par Abel Goubaud. Reliure demi-basane. 29 x 40 cm. 368 pages. Feuillets un peu déboités. <i>ref. 26009</i> Revue de la Mode hardcover
