(Fashion) Luza, ReynaldoBiblio.com
740 résultats
195025923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
195025924n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
1999159683San Francisco: Zip Zap Hair Salon Circa 19990. Original hand colored and annotated flyer advertising Zip Zap hair salon San Francisco circa 1990.<br /> <br /> San Francisco's Zip Zap Hair Salon opened on 245 Fillmore Street in 1986 and is still in operation today.<br /> <br /> 8.5 x 11 inches Xerographic duplication colored and annotated with oil pastel. Very Good plus with several small pinholes. Zip Zap Hair Salon unknown
1990160300N.p.: N.p. 1990. Vintage jumbo oversize UK record store poster promoting Depeche Mode's 1990 release "Violator."<br /> <br /> Considered by many to the the most sophisticated and sublime of all their releases Depeche Mode's seventh studio album "Violator" propelled the English electronic New Wave band to international stardom. Preceded by the release of two smash hit singles "Personal Jesus" and "Enjoy the Silence" the triple platinum "Violator" achieved the band's greatest critical and commercial success and lists 167 on Rolling Stone's 2020 list of the 500 greatest albums of all time.<br /> <br /> 40 x 60 inches folded as issued. Some light rubbing on the outer creases else Near Fine. N.p. unknown
193045898Troy NY: Arrow Shirt Co./ Cluett Peabody & Co. Inc. ca. 1930; 1955. Quarter-sawn oak salesman sample counter display case 18.75 x 6 x 6 ins. with glass top & front door in back with catch w/ original label at bottom of the display indicating that this case was only to be used for the display of the Company collars preserving two Arrow Shirt Co. Collars some scuffing and wear to label at bottom of case affecting lettering minor wear to sides of case together with original Leyendecker advertisement printed on canvas w/ oak frame 28.5 x 21.5 ins. the piece has been professionally cleaned and mounted on archival foam core and removed from the original bars which were damaging the image and placed back in the oak frame some sunning faint discoloration to upper left margin still remarkable pieces. A wonderful advertising display for Arrow shirts and collars including pre-World War II counter sample case and 1950s promotional ad reproducing one of the famed Leyendecker images. These pieces originally came out of a small men’s clothing shop in Bend Oregon. The Arrow collars grew from the marketing idea by Cluett Peabody & Co. in Troy NY that it gave women an easier way to clean their husbands’ stained shirt collars without having to wash the entire shirt. In addition the collars wore out a much faster rate than the rest of the shirts so these replaceable collars would extend the life of the garments. This style of detachable collars remained popular up until the mid-1930s and largely declined out of use by the end of World War II.Leyendecker 1874-1951 created the Arrow Collar Man which was an advertising campaign that ran from 1905 - 1931 and was perhaps one of the most successful product brands in history. He created 100s of images and many of them are still synonymous with men’s fashion and styles. This advertisement was part of a revived campaign by Arrow Shirt Co. in the 1950s through early 1960s as they revived the nostalgia of the Leyendecker ads and pushed their shirts with soft collars. Arrow Shirt Co./ Cluett, Peabody & Co., Inc., hardcover
2003xa62New York New York U.S.A.: Pointed Leaf Pr 2003. 1st Edition. Hardcover. Very Good/Good. The jacket is rubbed and marked.Internally clean.Excellent binding.Very good copy.Heavy.R.K. Our orders are shipped using tracked courier delivery services. New York, New York, U.S.A.: Pointed Leaf Pr hardcover
ria9781118027066_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Now in full-color throughout the second edition of Packaging Design offers fully up-to-date coverage of the entire packaging design process including the business of packaging design design principles the creative process and pre-p paperback
1998BN206390ASSOULINE 1998. 1998. Hardcover. Paco Rabanne <br/><br/>Paco Rabanne Lydia Kamitsis Text; Paco Rabanne Mode ASSOULINE hardcover
194157736New York: Apparel Arts Esquire Inc. Esquire Building Madison at 46th March 1941. Folio. 10.75 x 14.25 in. 98 pp. Numerous colour plates many double-page colour photographs 23 of 30 fabric samples tipped-in photo illustrations colour photo illustrations. Quarter-blue cloth over colour-illustrated photo boards cover art of divers in swim suits from high dive platforms edgewear rubbing rubbing to corners some dustsoiling still VG- copy. First edition of this World War II-era trade magazine launched in 1931 in the depths of the Great Depression by Weintraub Smart & Gingrich from the Menswear Service Corporation. This issue features illustrations and advertisements by such artists as John Lagatta 1894-1977; Allen for Portis hats the modernist master Paul Rand’s 1914-1996 Summer 1941 poster the iconic fashion illustrator Laurence Fellows 1885-1964 and other mainstays. This installment features advertisements from such menswear brands as Botany Worsted Mills Jockey Manhattan Shirt Co. Dobbs Hats Hickok John Cyril Woolen Co. and even Pittsburgh Plate Glass Co. fashion displays. By the 1940’s the magazine was printed by Esquire Inc. issued 8 times a year continuing in print until replaced by Gentlemen’s Quarterly GQ in 1959. See: Marianne Brown Apparel Arts & Conde Nast May 10 2017. Apparel Arts, Esquire Inc., Esquire Building, Madison at 46th, hardcover
194995082Paris: Lucien Lelong 1949. First edition of this notably rare spectacular promotional brochure for Lelong's fragrances with no other copies traced. Largely forgotten today apart from amongst the couture cognoscenti Lelong 1889-1958 was enormously influential. After the First World War Lelong took charge of his parents' small fashion house which was noted for its espousal of the modern look - the chic autobiographical heroine of Colette's 1908 novella Les Vrilles de la vigne is dressed by Lelong - and continued their tradition of innovation advancing the concept of the "kinétique" clothes "constructed in such a way that their true shape would emerge in movement not at rest". Not a designer himself he employed a number of young designers who were later to strike out on their own. Christian Dior Pierre Balmain and Hubert de Givenchy all spent time developing collections for Lelong. His contribution to the success of the house was in his vision and his marketing brilliance: he redesigned his parents' salon decorating entirely in black so that it was said to resemble a black-lined jewellery box he offered discounts to society women who agreed to be photographed in his dresses and was early into the branded perfume market. The first fragrances offered by Lelong were enigmatically named A B C J and N intending to evoke a sense of mystery and romance. The artfully designed bottles were largely the work of Lelong himself. Over 30 years he created a total of 27 different fragrances. This superbly produced catalogue features ten suitably mysterious and evocative plates by Cassandre né Adolphe Jean-Marie Mouron the Ukrainian-born French painter illustrator poster designer and typographer probably best-known for his imposing poster for the great CGT liner Normandie. Octavo. With 10 chromolithographic plates after illustrations by Cassandre and similarly printed plates from photographs of the perfume bottles themselves by Réné Messager. Original plain boards in cream wrapper front panel with company device embossed within debossed cartouche. Wrappers a little rubbed and irregularly toned spine slightly chipped at ends repair to short split at head of front joint contemporary gift inscription to front free endpaper else very good. hardcover
190060928Porland OR: Lipman Wolfe & Co. 1900. 16mo. 32 pp unpaginated. w/ photo illustrations throughout. Colour-illustrated softcovers view of the goddess Minerva holding broken sword city of Paris stretching into the background and medals which originally honored Czar Nicholas for the disarmament conference of 1898 now changed to the United States Seal w/ original mailing envelope post-marked 1¢ Franklin stamp NF/NF copy from the library of Caroline Augusta Gray Kamm 1840-1932 noted socialite and philanthropist in Portland built home for poor women & girls with the YWCA and was daughter of PNW pioneer William H. Gray 1810-1889 who traveled to the Lapwai Mission in Lewiston ID in 1836 where he was the Nez Perce secular agent and subsequently later married Jacob Kamm 1823-1912 pioneering Oregon industrialist and entrepreneur. First edition of this beautiful belle epoque 19th-Century fashion catalogue issued by the historic Lipman Wolfe & Co. department store in Portland OR featuring elaborate large-rimmed hats with extensive trimmings featuring fashions created by such women designers as Madam Michniwicz-Tuvee Esther Meyer Camille Roger perhaps best remembered later for her Art Deco Suffrage hats the Guillard sisters and others. The famed Lipman Wolfe & Co. department store was founded in 1880 by Adolphe Wolfe who teamed up with his uncle Solomon Lipman and at the time still maintained their original Dekum Building at 3rd Street and were the first to introduce customer elevators to their many floors. No copies in Worldcat. Lipman, Wolfe & Co., paperback
0884010813New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1996Q-0884010813Fine Arts Museums of San Francisco 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fine Arts Museums of San Francisco paperback
1880z014718New York: Hurst and Co 1880. First edition thus. Hardcover. Very Good. Three works on etiquette in one. ca. 1880s. First edition thus. Hardcover 8vo. in red cloth with embossed decoration. Varying internal paginations not illustrated. Very good. Light fraying to spine ends and corners. Endpapers foxed contemporary inscription on flyleaf. Contents uniformly toned else clean and unmarked. Hurst and Co hardcover
186753258N.P.: Peterson 1867. 1st. Good/None. 12 hand colored fold-out fashion plates b&w steel & wood engravings. Spine cover gone hinges cracked but internally VG. Record # 53258 Peterson unknown
196554883Tilburg Holland & Thurles Ireland: Wolspinnerij “De Phoenix†n.v.; Phoenix Yarns Ireland Ltd. ca. 1965. Folio. 34 pp. on thick paper stock 7 of the leaves with gilt lettering specific weight colour information as well as warp & weft thread counts with 54 samples of spun wool yarns and finished woven fabrics tipped-in & mounted a number in bright vivid “Mod†colours. Original black 4-ring binder gilt lettering stamped on front cover leaves hole-punched at gutter margin minor shelfwear still an excellent copy. First edition thus of this beautiful and extremely scarce salesman sample catalogue for the splendid 1960s wool yarns and fabrics produced by the noted Dutch spinning mills. The Feitz’s founded the company in Tilburg in 1958 taking over the former textile firm of J.A. Blomjous in Tilburg and also quickly set up a yarn mill in Great Britain. However due to the high import duties the company was moved to Ireland by 1961 and through the popularity of their yarns and Taslan yarn textiles by the end of the 1960s were producing large quantities of high-end fabrics upholstery fabrics and interior decorating textiles for curtains and wall hangings. Their company focused on producing boucle yarns frotte yarns loops and other twisted fancy wool yarns and specialized knitting yarns. After the recession in the 1980s the company ceased woolen yarn production. No copies located in Worldcat. Wolspinnerij “De Phoenix†n.v.; Phoenix Yarns Ireland, Ltd., unknown
004322London: Thomas Nelson and Sons 143pp. Black and White photos and two folding exercise charts in its rear pocket. The Bruce Sutherland Exercise system as used by the British Army on Raw recruits in World War One. A REALLY RARE book and especially so in this condition. Nice and clen and tight possibly NEVER read. Email for further details. . Sighed BY R G Jackson July 17th 1936. No Date 1917. Blue Cloth. Near Fine/No Jacket. Illus. by Black and White Photographs. 12mo - over 6¾" - 7¾". Hard Back. Thomas Nelson and Sons Hardcover
194047095Chicago: Sears Roebuck Co. ca. 1940. Tall 8vo. 21 leaves on thick card stock w/ 59 cotton & cotton-blend colour fabric swatches tipped-in all of them marked at lower part of page w/ stock no. Quarter-blue cloth over pictorial boards w/ notches cut into head & foot of spine for black ribbon binding to hold individual sample leaves with matching notches minor dustsoiling some thumbing to text leaves fore-edges minor shelfwear still a VG copy. First edition of this scarce salesman sample catalogue for men’s shirts sold by Sears in the 1940s. This catalogue includes samples for dress shirts as well as comfortable leisure and lightweight Spring & Summer weights. Most of them are woven from an excellent cotton and/or cotton blends with decorative patterns in blues tans greens and plain white or blue. Pilgrim Brand had a very long and successful life as a brand of Sears clothing for men first appearing on men’s socks in 1905 and over the next 60 years extended to men’s shirts ties underwear and even children’s clothing. Pilgrim hit its’ high-water mark in the 1940s when Sears sold Tru-Point Royal Ascot Royalton and Nobility men’s shirts under the Pilgrim label. The name was retired in 1964. Sears, Roebuck Co., hardcover
ria9781501322983_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Portfolio Presentation for Fashion Designers Fourth Edition is still your best guide to showing your designs skill sets and creativity to get you that job. In new images throughout the book shows examples of croquis books spec an paperback
1950218261950. Fashion design archive. 1950s-1960s. This group documents mid-century women's fashion design practice through a sustained body of original sketches and working notes showing how garments were conceived annotated and prepared for construction during a period of stylistic transition in American dress. The material provides direct evidence of design thinking at the level of silhouette fabric selection and pattern planning including repeated attention to cocktail wear outer garments and formal dress. It captures the movement from structured postwar styles toward more experimental and decorative approaches associated with later mid-century fashion with particular emphasis on the technical and aesthetic decisions made by a designer or dressmaker.<br /> <br /> Archive of over 100 original hand-drawn fashion sketches on individual sheets measuring approximately 6.5 x 9 inches executed in ink with extensive handwritten annotations on rectos versos and margins. The drawings depict a range of women's garments including dresses blouses coats and evening wear with recurring titles such as "cocktail dress" "cocktail cape" and "dress." The figures are rendered with attention to line proportion and textile texture often emphasizing drape fitted bodices and surface embellishment. Annotations provide detailed construction guidance including measurements fabric types and pattern instructions. One design for a strappy dress specifies "Pattern: leopard or zebra fur attached.fabric velveteen.color red -- orange -- black." indicating experimentation with bold materials and color combinations. The consistent pairing of image and instruction suggests use as a working portfolio either for client presentation dressmaking production or formal training.<br /> <br /> Mid-century fashion in the United States expanded through department stores home sewing and professional dressmaking with designers and students producing working sketches that translated style into reproducible garments. The presence of detailed technical notes alongside finished illustrations places this archive within that production process linking aesthetic design to practical construction. Light wear from handling; overall very good. A concentrated record of mid-century women's fashion design practice preserving both the visual language and technical methods used to create garments during a period of evolving style. unknown
1951200661951. Fashion Women's fashion design sketches dated 1951 document the rapid transformation of female dress following the end of wartime rationing and the international adoption of Christian Dior's "New Look" silhouette. These drawings show designers experimenting with narrow waists structured bustlines wide skirts and dramatic outerwear styles that defined postwar femininity and reshaped global fashion culture in the late 1940s and early 1950s. Such instructional sketches provide visual evidence of how couture aesthetics circulated through design schools and professional training environments during a moment when fashion industries in Europe and the United States were rebuilding after World War II.<br /> <br /> Archive of fifteen original women's fashion design sketches executed on nine illustration boards measuring approximately 11 x 14 inches. Drawings are rendered in pencil ink watercolor and collage techniques and depict coats dresses trench coats and daywear ensembles characteristic of early 1950s style. Several boards include multiple designs including sheath dresses with high necklines and plunging backs bell sleeved coats trimmed with fur and children's pinafore dresses worn over blouses. One design shows a woman wearing a flight jacket cravat and pleated trousers recalling mid century women adopting traditionally masculine tailoring. One board bears the signature "Reindel" on the verso.<br /> <br /> Designs prominently feature hourglass silhouettes associated with Dior's New Look including cinched waists sloped shoulders and flared skirts. Other garments incorporate menswear inspired coats and tailored outerwear reflecting the hybridization of wartime practicality and postwar luxury. Boards show light foxing and minor handling marks. Very good condition. A visual teaching archive illustrating postwar fashion design practice during the early Cold War era. unknown
1997B12NS1165Premiere Vision Paris 1997. 1st Edition. HARDCOVER. Extra Large Quarto size 4to. in colour printed glossy boards unpaginated approx. 48pp illustrated in colour throughout __CONDITION : An extremely well preserved almost AS NEW copy. . __To see more of our Costume fashion etc type DbbCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Premiere Vision, Paris hardcover
1326770667.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20106893Naples FL: The naples Art Association at The Von Liebig Art Center 2010. First Edition. Hardcover. Near Fine. 11 1/4 X 8 1/4 Inches. 50 PP. Original glossy hardcover Exhibition catalog with two used admission tickets laid-in. Introduction by Nigel Arch Director of Kensington Palace. Full-page photographs and ownership information of 20 of the late Princess Diana's iconic dresses. Many were sold at the famed Sotheby's auction but others in the exhibition were simply loaned by owners who have secured one of these amazing pieces via the secondary market. A rare exhibition catalog. OCLC locates "0" copies. NOTE: While not stated this piece from the personal collection of Myra Janco Daniels.<br /> <br /> Myra Janco Daniels 1925-2022 founder and CEO of the Naples Philharmonic Center for the Arts. Myra was also 1965 Advertising Woman of the Year and wife of Draper Daniels the adman who created "The Marlboro Man" and the basis for "Don Draper" on AMC's Madmen TV show. At the age of 25 Myra started her own advertising business in Terre Haute Indiana which was later purchased by Draper Daniels. She was a longtime collaborator of Draper's and together the couple achieved amazing success in the world of advertising in the mid-20th Century. In retirement Myra founded the Naples Philharmonic Center and created a world class art museum which she led for over 20 years. Giving a slight nod to Charles Lindbergh the Pulitzer Prize-Winning author A. Scott Berg once dubbed Myra "The Spirit of Naples.". The naples Art Association at The Von Liebig Art Center hardcover
6203420727.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
