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64022478401st NO-PA16APR2015-KAP. Hardback. Used. hardcover
A9789813140677Hardback. New. hardcover
DADAX9813140674World Scientific Publishing Company 2016-11-14. 1. hardcover. New. 6.20x0.60x9.10. Buy with confidence. Excellent Customer Service & Return policy. World Scientific Publishing Company hardcover
BookHouse9789813140684World Scientific Publishing Co. Pte. Ltd. New. World Scientific Publishing Co. Pte. Ltd. unknown
BookHouse9789813140684World Scientific Publishing Co. Pte. Ltd. New. World Scientific Publishing Co. Pte. Ltd. unknown
2017x-9813140682World Scientific Pub Co Inc 2017. Paperback. New. 1st edition. 164 pages. 9.25x6.00x0.50 inches. World Scientific Pub Co Inc paperback
2016x-9813140674World Scientific Pub Co Inc 2016. Hardcover. New. 1st edition. 164 pages. 9.25x6.25x0.75 inches. World Scientific Pub Co Inc hardcover
9813140682.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9813140674.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9789813140684_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The book gives an overview of developments in Quantitative Genetics and variance component analysis in an era of Big Data and Sequenced Genomes. It provides a detailed description of a direct method of estimation that will be a useful m paperback
ria9789813140677_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The book gives an overview of developments in Quantitative Genetics and variance component analysis in an era of Big Data and Sequenced Genomes. It provides a detailed description of a direct method of estimation that will be a useful m hardcover
1921100820<p>New York: Abercrombie & Fitch Co. 1921. 1921. Very good. - Tall narrow octavo 9-1/8 inches high by 4 inches wide. Softcover bound in pictorial light gray stapled wraps with color illustrations of Blue Birds among pussy willows on the covers. The covers are slightly soiled and the bottom corners creased. The wraps are splitting along the head & tail of the spine. 36 pages with profuse black & white illustrations of women's sporting fashion including clothing for camping and hiking riding golf tennis and polo with accessories. Very good.</p> New York: Abercrombie & Fitch Co., (1921). paperback
192658100New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out†as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach†& “Mohair†suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover
2008067736Vienna and Nurnberg: Kunsthalle Wien; Verlag fur moderne Kunst 2008. 211 pages illustrations some colour; 28 cm. English Edition. Catalogue of an exhibition held at the Kunsthalle Wien May 16 2008 to September 7 2008. Firm binding clean inside copy. "Punk often seems best understood as an entirely historical term signaling a stance or mood whose energies infused the arts of the 1970s across the board; as last year's popular ICA London show Secret Public demonstrated cross-genre approaches to the period are increasingly adopted. Viewing Punk thus No One is Innocent the title comes from the Sex Pistols' fifth single post Rotten and Vicious orients its unique take on this moment around three cities in which it flourished well--New York Berlin and London--and presents the works of artists alongside album covers posters zines and other musical ephemera. From New York artists such as Lynda Benglis Robert Longo Richard Hambleton Futura David Wojnarowicz Tony Oursler Robert Mapplethorpe and Arturo Vega coalesce around the iconography of the Ramones and Patti Smith; from London works by Leigh Bowery COUM Transmissions Genesis P. Orridge and Cosey Fanni Tutti Derek Jarman and Cerith Wyn Evans are situated amid images by Linder and Jamie Reid for the Buzzcocks and the Sex Pistols; and from Berlin Elvira Bach Die t dliche Doris and Salom accompany cover art by Einst rzende Neubauten. No One is Innocent offers a galvanizing concentrate of an era always relevant to our own." - Publisher. CONTENTS: No one is innocent by Thomas Miegang; The world's end: London punk 1976-77 by Jon Savage; Punk is New York New York is punk by Glenn O'Brien; Chaotic holidays by Wolfgang Muller; Malcolm McLaren in conversation with Gerald Matt. Profusely illustrated with works by artists included in the exhibition: Vito Acconci - Lynda Benglis - Richard Hambleton - Derek Jarman - Richard Kern - Martin Kippenberger - Linder - Robert Longo - Robert Mapplethorpe - Mark Morrisroe - Tony Oursler - Genesis P-Orridge - Jamie Reid - Salome - Vivienne Westwood - David Wojnarowicz - others. 1st. Paperback. Fine. 4to. Collectible. Kunsthalle Wien; Verlag fur moderne Kunst Paperback
91020Pubblicità Cappelli Borsalino - Qualità superiore - Alessandria - anni '20 - '30 - Cartoncino rigido dimensioni: 18 x 29 cm. - Buone condizioni come da foto. - unknown
6203420727.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20106893Naples FL: The naples Art Association at The Von Liebig Art Center 2010. First Edition. Hardcover. Near Fine. 11 1/4 X 8 1/4 Inches. 50 PP. Original glossy hardcover Exhibition catalog with two used admission tickets laid-in. Introduction by Nigel Arch Director of Kensington Palace. Full-page photographs and ownership information of 20 of the late Princess Diana's iconic dresses. Many were sold at the famed Sotheby's auction but others in the exhibition were simply loaned by owners who have secured one of these amazing pieces via the secondary market. A rare exhibition catalog. OCLC locates "0" copies. NOTE: While not stated this piece from the personal collection of Myra Janco Daniels.<br /> <br /> Myra Janco Daniels 1925-2022 founder and CEO of the Naples Philharmonic Center for the Arts. Myra was also 1965 Advertising Woman of the Year and wife of Draper Daniels the adman who created "The Marlboro Man" and the basis for "Don Draper" on AMC's Madmen TV show. At the age of 25 Myra started her own advertising business in Terre Haute Indiana which was later purchased by Draper Daniels. She was a longtime collaborator of Draper's and together the couple achieved amazing success in the world of advertising in the mid-20th Century. In retirement Myra founded the Naples Philharmonic Center and created a world class art museum which she led for over 20 years. Giving a slight nod to Charles Lindbergh the Pulitzer Prize-Winning author A. Scott Berg once dubbed Myra "The Spirit of Naples.". The naples Art Association at The Von Liebig Art Center hardcover
1326770667.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1997B12NS1165Premiere Vision Paris 1997. 1st Edition. HARDCOVER. Extra Large Quarto size 4to. in colour printed glossy boards unpaginated approx. 48pp illustrated in colour throughout __CONDITION : An extremely well preserved almost AS NEW copy. . __To see more of our Costume fashion etc type DbbCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Premiere Vision, Paris hardcover
1951200661951. Fashion Women's fashion design sketches dated 1951 document the rapid transformation of female dress following the end of wartime rationing and the international adoption of Christian Dior's "New Look" silhouette. These drawings show designers experimenting with narrow waists structured bustlines wide skirts and dramatic outerwear styles that defined postwar femininity and reshaped global fashion culture in the late 1940s and early 1950s. Such instructional sketches provide visual evidence of how couture aesthetics circulated through design schools and professional training environments during a moment when fashion industries in Europe and the United States were rebuilding after World War II.<br /> <br /> Archive of fifteen original women's fashion design sketches executed on nine illustration boards measuring approximately 11 x 14 inches. Drawings are rendered in pencil ink watercolor and collage techniques and depict coats dresses trench coats and daywear ensembles characteristic of early 1950s style. Several boards include multiple designs including sheath dresses with high necklines and plunging backs bell sleeved coats trimmed with fur and children's pinafore dresses worn over blouses. One design shows a woman wearing a flight jacket cravat and pleated trousers recalling mid century women adopting traditionally masculine tailoring. One board bears the signature "Reindel" on the verso.<br /> <br /> Designs prominently feature hourglass silhouettes associated with Dior's New Look including cinched waists sloped shoulders and flared skirts. Other garments incorporate menswear inspired coats and tailored outerwear reflecting the hybridization of wartime practicality and postwar luxury. Boards show light foxing and minor handling marks. Very good condition. A visual teaching archive illustrating postwar fashion design practice during the early Cold War era. unknown
1950218261950. Fashion design archive. 1950s-1960s. This group documents mid-century women's fashion design practice through a sustained body of original sketches and working notes showing how garments were conceived annotated and prepared for construction during a period of stylistic transition in American dress. The material provides direct evidence of design thinking at the level of silhouette fabric selection and pattern planning including repeated attention to cocktail wear outer garments and formal dress. It captures the movement from structured postwar styles toward more experimental and decorative approaches associated with later mid-century fashion with particular emphasis on the technical and aesthetic decisions made by a designer or dressmaker.<br /> <br /> Archive of over 100 original hand-drawn fashion sketches on individual sheets measuring approximately 6.5 x 9 inches executed in ink with extensive handwritten annotations on rectos versos and margins. The drawings depict a range of women's garments including dresses blouses coats and evening wear with recurring titles such as "cocktail dress" "cocktail cape" and "dress." The figures are rendered with attention to line proportion and textile texture often emphasizing drape fitted bodices and surface embellishment. Annotations provide detailed construction guidance including measurements fabric types and pattern instructions. One design for a strappy dress specifies "Pattern: leopard or zebra fur attached.fabric velveteen.color red -- orange -- black." indicating experimentation with bold materials and color combinations. The consistent pairing of image and instruction suggests use as a working portfolio either for client presentation dressmaking production or formal training.<br /> <br /> Mid-century fashion in the United States expanded through department stores home sewing and professional dressmaking with designers and students producing working sketches that translated style into reproducible garments. The presence of detailed technical notes alongside finished illustrations places this archive within that production process linking aesthetic design to practical construction. Light wear from handling; overall very good. A concentrated record of mid-century women's fashion design practice preserving both the visual language and technical methods used to create garments during a period of evolving style. unknown
ria9781501322983_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Portfolio Presentation for Fashion Designers Fourth Edition is still your best guide to showing your designs skill sets and creativity to get you that job. In new images throughout the book shows examples of croquis books spec an paperback
194047095Chicago: Sears Roebuck Co. ca. 1940. Tall 8vo. 21 leaves on thick card stock w/ 59 cotton & cotton-blend colour fabric swatches tipped-in all of them marked at lower part of page w/ stock no. Quarter-blue cloth over pictorial boards w/ notches cut into head & foot of spine for black ribbon binding to hold individual sample leaves with matching notches minor dustsoiling some thumbing to text leaves fore-edges minor shelfwear still a VG copy. First edition of this scarce salesman sample catalogue for men’s shirts sold by Sears in the 1940s. This catalogue includes samples for dress shirts as well as comfortable leisure and lightweight Spring & Summer weights. Most of them are woven from an excellent cotton and/or cotton blends with decorative patterns in blues tans greens and plain white or blue. Pilgrim Brand had a very long and successful life as a brand of Sears clothing for men first appearing on men’s socks in 1905 and over the next 60 years extended to men’s shirts ties underwear and even children’s clothing. Pilgrim hit its’ high-water mark in the 1940s when Sears sold Tru-Point Royal Ascot Royalton and Nobility men’s shirts under the Pilgrim label. The name was retired in 1964. Sears, Roebuck Co., hardcover
004322London: Thomas Nelson and Sons 143pp. Black and White photos and two folding exercise charts in its rear pocket. The Bruce Sutherland Exercise system as used by the British Army on Raw recruits in World War One. A REALLY RARE book and especially so in this condition. Nice and clen and tight possibly NEVER read. Email for further details. . Sighed BY R G Jackson July 17th 1936. No Date 1917. Blue Cloth. Near Fine/No Jacket. Illus. by Black and White Photographs. 12mo - over 6¾" - 7¾". Hard Back. Thomas Nelson and Sons Hardcover
196554883Tilburg Holland & Thurles Ireland: Wolspinnerij “De Phoenix†n.v.; Phoenix Yarns Ireland Ltd. ca. 1965. Folio. 34 pp. on thick paper stock 7 of the leaves with gilt lettering specific weight colour information as well as warp & weft thread counts with 54 samples of spun wool yarns and finished woven fabrics tipped-in & mounted a number in bright vivid “Mod†colours. Original black 4-ring binder gilt lettering stamped on front cover leaves hole-punched at gutter margin minor shelfwear still an excellent copy. First edition thus of this beautiful and extremely scarce salesman sample catalogue for the splendid 1960s wool yarns and fabrics produced by the noted Dutch spinning mills. The Feitz’s founded the company in Tilburg in 1958 taking over the former textile firm of J.A. Blomjous in Tilburg and also quickly set up a yarn mill in Great Britain. However due to the high import duties the company was moved to Ireland by 1961 and through the popularity of their yarns and Taslan yarn textiles by the end of the 1960s were producing large quantities of high-end fabrics upholstery fabrics and interior decorating textiles for curtains and wall hangings. Their company focused on producing boucle yarns frotte yarns loops and other twisted fancy wool yarns and specialized knitting yarns. After the recession in the 1980s the company ceased woolen yarn production. No copies located in Worldcat. Wolspinnerij “De Phoenix†n.v.; Phoenix Yarns Ireland, Ltd., unknown
