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170219249paris BENAVEN 1702 -in-4 plein-veau 2 volumes, reliure d'époque plein veau havane raçiné (binding full calfskin) in-folio (26 x 38,2 cm), dos à nerfs (spine with raised bands) décoré or (gilt decoration) filets or (gilt line) et filets à froid (blind-stamping line decoration) entre-nerfs à compartiments à fleurons dans un encadrement à double filet or avec rinceaux aux angles , filet à froid de part et d'autre des nerfs, titre frappé or (gilt title), pièce de titre et pièce de tomaison sur fond marron clair (label of title and volume numbering) avec filet or (label of title with gilt line) deux coiffes restaurées (restauration ancienne faite trés proprement), plats muets, toutes tranches lisses rouges (all edges reds), Ex-libris : "DOCTORIO TINEL ROTOMAGENSIS" (Dr TINEL célèbre collectionneur de ROUEN) imprimé en noir sur une étiquette de papier blanc, texte seulement au premier volume avec de trés nombreux tableaux in et hors-texte dont certains "double page" et ou dépliants, planches au second, orné de deux titres-frontispice différent par Meunier, gravé sur bois en noir par Zaverio +173 feuillets de planches de Monnaies imprimés d'un seul côté (153 planches de monnaies + pages de classification seulement imprimée) + 14 pages de Tables (de la page 175 à 188), 1787 Lyon sans Editeur,
2016PMV531104QParis Rueil-Malmaison: Édition Artlys / Musée national des Châteaux de Malmaison et Bois-Préau Rueil-Malmaison 2016. Trade paperback. Good/Not issued. 201 x 301 x 06 cm. Paperback • Illustrations en couleurs • <b><i>French text original</i></b>. Édition Artlys / Musée national des Châteaux de Malmaison et Bois-Préau (Rueil-Malmaison) paperback
200701498Charnay les macon, Bamboo édition - grand angle, 2006 ; in-8, 118 pp., cartonnage de l'éditeur.
191560861San Francisco CA: Planned & Printed by Bolte & Braden Co. 1915. 8vo. 20 pp unpaginated. w/ colour-illustrated borders throughout numerous illustrations 1 in colour 1 double-page. Dark purple coloured softcovers raised embossed decoration of California bear standing atop San Francisco w/ arrow and date embossed in blind yapp fore-edges minor shipping edgewear minor sunning to fore-edges still VG- copy from the library of Prof. Marvin Nathan. First edition of this uncommon and nicely printed anthology of poetry organized by two San Francisco businessmen MacLafferty & Taylor along with the Bolte & Braden printing Co. to celebrate the Panama-Pacific International Exposition in 1915. Featured alongside Bret Harte & Joaquin Miller are poems by California women poets Ina Coolbrith 1841-1928 a co-editor of the Overland Monthly and the first woman to become an honorary member of the Bohemian Club became California’s first poet laureate in 1915; and Hester Benedict Dickinson 1838-1921 who was a founder of the California Writers Club and served as president of the Pacific Coast Women’s Press Assoc. The work was originally issued as a banquet souvenir held in Feb. 1911 at the Riggs House Washington D.C. Planned & Printed by Bolte & Braden Co., paperback
198646365Santa Barbara CA: Black Sparrow Press 1986. Very Good. Santa Barbara CA: Black Sparrow Press 1986. Limited Edition of 200 hardcover copies of which this is no. 143. Boards in pictorial cream paper and cream cloth with paper label to spine. In original opaque mylar. Corners bumped and margins rubbed and lightly dustsoiled but interior clean. A Very Good or better copy.<br /> <br /> Signed by Bowles and Miller at tipped in page at front with limitation page at rear. Black Sparrow Press unknown
2012202602090Canéjan, Finitude, 2012 ; in-4, 92 pp., broché, couverture illustrée à rabats. Nombreuses photographies en noir et blanc.
10366Lausanne, Guilde du Livre, 1950, 1 vol. in-4 (284 x 222) cartonnéé sous jaquette illustrée d'une photographie en noir et blanc, de 160 pp. Dos très légèrement plissé, très bel exemplaire.
11613Lausanne, Clairefontaine, 1950, 1 vol. in-4 (284 x 222) cartonnage souple sous jaquette illustrée d'une photographie en noir et blanc, de 160 pp. Tranche supérieure piquée, très bel exemplaire.
193034875Philadelphia: John C. Winston Company 1930. First Edition. With a colour frontispiece of the 'Floyd Bennett' Byrd's aircraft for his flight over Antarctica and with 127 illustrations on glossy plates being from portraits photographs paintings historic prints etc. and with colour charts of the northern and southern Polar regions as endpapers. Also with the first complete chart ever compiled by historians of polar explorations from Pytheas in 325 B.C. to Richard Byrd's 1929 flight across the South Pole. 8vo in the publisher's original light blue cloth the upper cover lettered in silver and black and with a large colour pastedown replicating the frontispiece within a black framework the spine lettered in silver and black and ruled in black. 384 pp. An attractive and well preserved copy in very good condition. A HANDSOME POPULAR HISTORY OF ARCTIC AND ANTARCTIC EXPLORATION published at the height of worldwide fascination with polar exploration just after Byrd’s famous flights over the poles and the establishment of “Little America†in Antarctica. The book attempts to tell the entire history of polar exploration: from Vikings and early Arctic voyages through explorers like Roald Amundsen Robert Falcon Scott Ernest Shackleton Robert Peary and most especially Richard Evelyn Byrd.<br> The forewords are by notable scientific and exploration figures General Adolphus W. Greely and Henry Fairfield Osborn. Osborn was president of the American Museum of Natural History. Greely was commander of the 'Lady Franklin Bay' during the North Polar Expedition and is largely regarded to be one of the toughest and most remarkable figures in Arctic exploration. He led a scientific expedition to the high Arctic as part of the First International Polar Year. The party established a station at Fort Conger in what is now Nunavut Canada. John C. Winston Company hardcover
201407377Paris, Morgan, 1948 ; in-12, 252 pp., br.
200711865Paris, Morgan série rouge, 1948 ; in-12, 251 pp., broché . Traduit de l'américain par Lucienne Escoube - n°23.
200711864Paris, Morgan série rouge, 1948 ; in-12, 252 pp., broché . Traduit de l'américain par Lucienne Escoube - n°23.
193153598Portland OR: Sunshine Division Portland Police Bureau 1931. One large silver gelatin sepia-tinted panoramic photo sized 34.75 x 8 in. text in lower part of image excellent contrast minor creasing slight wear minor spotting & toning in couple spots still VG image with excellent contrast. This souvenir panoramic picnic photo was taken of the Sunshine Division volunteers at their charity shooting event in February 1931. The image shows police officers men and women in Jazz Age Dress men in knickers and argyle socks and several holding shotguns. Founded in 1922 by Portland City Mayor George Baker who had been forced to lay off 40 police officers due to the recession he gathered volunteer civilians to serve in emergency situations. The group quickly became dubbed “George Baker’s Sunshine Boys†as they spread sunshine to the households they visited and left food and funds. together with the KGW radio variety show the “Hoot Owls†they solicited funds during a segment or division of the program and by the late 1920s were known as the Sunshine Division. The Police Reserve Volunteers gathered food collected funds held fund raisers and operated out of the East Precinct station at SE 7th & Alder in Portland. The Portland Gun Club was organized in January 1907 at the old Irvington Racetrack behind the race horse barns for trap shooting. By 1913 they had relocated to their current location with 30 acres on the east end of Powell Boulevard. See: Lori S. Kuechler The Portland Police Sunshine Division: An Early History 2003. Sunshine Division, Portland Police Bureau, unknown
201500395Paris, Seuil, 1991 ; in-8, 223 pp., br. Un peu sali sur les cotés.
200613902Paris, Stock, 2001 ; in-8, 140 pp., broché.
201506094Paris, Seuil - champ feudien, 1992 ; in-8, 225 pp., br.
200802241Paris, Seuil - champ feudien, 1992 ; in-8, 225 pp., broché, couverture illustr.
1978157<p>Illustrated poster silkscreened in heavy black ink on good paper. Sheet is 26 x 20 in ; image is 18.5 x 13 in. 50 or fewer copies are known to have been printed. </p><p><i>An excellent copy obtained directly from flat file storage by the exhibition curator Marc Miller. Minor mar-ginal toning else near fine. </i><i>Miller tells us that this poster was created by students in Al Brunele's printmaking workshop at School of Visual Arts in vanishingly small numbers advertising an exhibition of works by "</i><i>Diego Cortez John Holmstrom M. Henry Jones Robert Mapplethorpe Ruth Marten Miller-Ringma-Hoppe Pat Place Screaming Mad George Arturo Vega and more…"</i> <i>Originally presented in D.C. with Washington Project for the Arts from May 10-June 15 1978 Punk Art was staged at SVA's amphitheater in New York City as a one-night-only multimedia event in November 1978. The exhibition resurfaced in June of 1979 as an exhibition at Art Something gallery in Amsterdam Holland. </i><i>It is widely acknowledged to have been one of the first group art exhibitions to have been curated from the point-of-view of punk aesthetics.</i></p> School of Visual Arts
194447333New York: Reynal and Hitchcock 1944. First Edition. First Printing. Octavo 21.25cm; yellow cloth with titles stamped in black and red on spine and front cover; dustjacket; x1793pp. Signed by Miller in blue ball-point pen on the title page. Spine ends gently nudged some trivial wear to lower board edges with a hint of sunning to upper board edges and a faint shallow stain to lower edge of rear cover; Near Fine. Dustjacket is unclipped priced $2.00 with two tiny tears at crown and a faint vertical crease along left joint; a bright very Near Fine example. Laid into this copy is an untitled seven-page carbon typescript on onionskin 8" x 10.5" written by Miller in 1943 relating details about the book's conception; horizontal fold at center staple holes at upper left corner with two neat punctures along left margin; Very Good. Attractive copy of the Pulitzer Prize-winning playwright's first book based on his experiences researching the war correspondence of journalist Ernie Pyle. The title derives from the widely-used military acronym slang "SNAFU" Situation Normal: All Fucked Up which translates to a bad situation that is a normal state of affairs. Miller was tasked by Hollywood to gather material for "an honest movie" about American GI's during the war about their training daily life their hopes dreams and why they are fighting. Miller visited several Army camps training living and interviewing soldiers and taking down the unvarnished truth of his discoveries. "I was the person fate picked out of Brooklyn to go among the soldiers and pick up enough facts honest-to-God true facts to make a soldier picture which soldiers could sit through until the end without once laughing in derision. A picture that would properly end all soldier pictures" p.1. The film in question was William A. Wellman's The Story of G.I. Joe to be adapted by Miller for Lester Cowan from Pyle's 1943 book This Is Your War. Miller's version was ultimatley not produced likely due to ideological differences and his leftist political leanings. The typescript written the year before Situation Normal was published summarizes the conception of the book detailing his early meetings with Ernie Pyle over how his work would be translated into film and what they wanted to accomplish. "I bring up the idea that it would be a shame to show this massive canvas without reducing what is chaos to at least an inkling of purpose and order and of course he agrees. But we both feel that to lard on ideology where there is no ideology would be to wrap the truth. You can't have soldiers talking about four freedoms when all they want is to go home. Myself I curse the press and the million textbooks that turn out the billions of words and never add up to an excuse for dying" typescript p.5. A superlative copy of an important debut. Reynal and Hitchcock unknown
L16994Éditions Jeanne Bucher, 1962. In-8 carré br. Catalogue de l'exposition rétrospective qui a eu lieu en décembre 1962. Textes en français, anglais et allemand par L. Durrell, H. Miller, Brassaï. Note biographique par J.F. Jaeger. Catalogue des oeuvres. Importante iconographie en couleurs et en noir & blanc. E.O. On joint le numéro 2 de juin 1959 de la revue Cahiers du Musée de poche, comprenant le texte Adios Reichel par Henry Miller. L'ensemble...
186035987Petersburg Virginia: Printed by A. F. Crutchfield & Co 1860. First Edition. Wraps. Fair. Stitched printed blue wraps approx. 9" X 6". 84 pages. Front cover is vertically creased foxed and detached. Rear cover is missing. Paper spine is chipped. Interior in good condition. Printed by A. F. Crutchfield & Co unknown
200600378, Librairie de france , 1929 ; in-8, 296 pp., broché, couverture illustr.
201211271Paris, Le rire journal humoristique 10 rue Saint Joseph, 1900 ; in-4 (23/31), 16 pp., br. Broché bon état ou très bon état - n°316 24 novembre 1900 - dessin de G. Meunier - journal humoristique ILLUSTRE de DESSINS en noir, 2 plats de couverture ILLUSTRES en COULEURS.
201210857Paris, Le rire journal humoristique 10 rue Saint Joseph, 1899 ; in-4 (23/31), 16 pp., br. Broché bon état ou très bon état - n°266 9 DÉCEMBRE 1899 - dessin de G. MEUNIER Journal humoristique ILLUSTRE de DESSINS en noir, 2 plats de couverture ILLUSTRES en COULEURS.
201211263Paris, Le rire journal humoristique 10 rue Saint Joseph, 1902 ; in-4 (23/31), 16 pp., br. Broché bon état ou très bon état - n°384 15 mars 1902 dessin de G. Meunier - journal humoristique ILLUSTRE de DESSINS en noir, 2 plats de couverture ILLUSTRES en COULEURS.