Auguste BARBIERBiblio.com
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184048730Paris: Paul Masgana 1840. Fine. Paul Masgana Paris 1840 14.50 x 22.50 cm relié First edition of which there were no deluxe copies. Bound in half cherry red Russian morocco with corners spine with five fine raised bands set with double gilt fillets decorated with double gilt compartments enhanced with gilt romantic tools gilt date at foot one joint showing traces of rubbing gilt fillet frame on marbled paper boards marbled endpapers and pastedowns covers and spine preserved handsome binding in the Romantic taste signed by Canape. Rare autograph inscription signed by Auguste Barbier to Monsieur Oliveira. Some minor foxing affecting mainly the margins of certain leaves. Handsome copy perfectly bound in a handsome pastiche Romantic binding by Canape. Paul Masgana hardcover
191484745Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Juin 1914 36.50 x 24 cm une feuille Original double color print heightened with gold and palladium printed on laid paper signed lower left on the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the day's fashion. La Gazette du bon ton is a decisive step in fashion history. Combining aesthetic demand and plastic unity it brings together for the first time the great talents of the worlds of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and bold also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""little dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
194247561Garden City: Doubleday Doran & Company Inc. 1942. 1942. First edition. Near fine in dust jacket with light professional restoration to spine ends corners and extremities. A baffling murder takes place and Kit Storm must consider what he hears from other sources as he sees another story entirely when he sketches out all the clues to reach a DRAWN CONCLUSION. Crime Club mystery. Doubleday, Doran & Company, Inc., 1942. unknown
16-6048Madrid: Fundación Arte Hispánico 2009-2010. Wittenborn Art Books distribution. 4to. 24 x 30cm. 2 vols. 787. 519 pp. Cloth in dust-jackets . 285 works illustrated and described in vol. 1. Fully illustrated in color and black and white Text in Spanish. Very heavy: 19 pounds.The chronological catalogue raisonné lists 286 authentic paintings. Each work is accompanied by technical details related historical documents and critical commentary.The first volume is divided into three parts. Part 1 deals with 22 sets of paintings executed by Zurbarán and his assistants. The second part contains a catalogue of works by prominent members of the artist's studio including his son Juan de Zurbarán Francisco and Miguel Polanco and Ignacio de Ries. Part 3 contains a catalogue of works by other members of the artist's studio and followers.Volume 2 includes an Addenda of 7 authentic works by Zurbarán not included in Volume 1 and a discussion of many other related works and people.The Spanish painter Francisco de Zurbarán 1598–1664 worked on the decoration of the royal palace Buen Retiro in Madrid under the direction of Velázquez where he first realized mythological paintings. Back in Sevilla he painted large cycles in local monasteries and other religious figures or portraits of apostles. Zurbarán is one of the greatest painter of the Spanish Golden Age remembered for the austere dignity of his compositions the intensity of his religious depictions the rigorous organization of his still-lifes and his attention to everyday objects represented with a moving simplicity. Madrid: Fundación Arte Hispánico, 2009-2010. (Wittenborn Art Books distribution) hardcover
1803221781London : printed by J. Nichols and Son. for T. Cadell and W. Davies 1803. First Edition. Hardback. Provenance; from the library of Richard Yerburgh with his familial bookplate to the front pastedown. Very good copy in the original full tree calf. Professionally and period sympathetically re-backed with a matching gilt-blocked label; very impressively finished. Remains particularly well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; Physical description; xiii 1 359 p. aquatint plates : ill. color map; 21 cm. Notes; Aquatint frontispiece of Tintern Abbey. ""Sketched on the spot by J.T. Barber. Aquatinted by W. Pickett."" Subjects; Monmouthshire South Wales & Gwent - Nineteenth century - Description and travel. Wales - Topography. Other names; Pickett William engraver. Referenced by: NSTC B1166. London : printed by J. Nichols and Son... for T. Cadell and W. Davies hardcover
1217369-nnew. unknown
CBS 9781032434933USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
1998Q-185617249XElsevier Science 1998-01-02. Hardcover. New. In shrink wrap. Looks like an interesting title! Elsevier Science hardcover
SONG1631408216IDW Publishing 2017-01-31. Illustrated. paperback. Used: Good. 1.00x1.00x1.00. Buy with confidence. Excellent Customer Service & Return policy. IDW Publishing paperback
2019x-0199238650Oxford Univ Pr 2019. Hardcover. New. 644 pages. 8.75x5.75x1.75 inches. Oxford Univ Pr hardcover
1995x-0471587478John Wiley & Sons Inc 1995. Hardcover. New. 2nd sub edition. 384 pages. 9.75x6.75x0.75 inches. John Wiley & Sons Inc hardcover
194215033Hanoi-Haiphong: Imprimerie d'Extreme-Orient 1942. 2 chunky 12mo volumes both 6th editions pp. viii 856; vi 2 951; both with pages toned the first in contemporary half black cloth over marbled boards the second in original printed paper-covered boards backed in red cloth printed paper label on spine. Not found in OCLC. Imprimerie d'Extreme-Orient unknown
19196621<p>Original Barbier pochoir of a woman in a black dress with floral design and hat while holding a blue mask from Panorama Dramatique. Printed with black gold blue light blue red pink green and yellow colors. Pink trim surrounds image. Dated in print 1918. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel
1999Q-1574910728CRC Press 1999-10-31. Hardcover. New. In shrink wrap. Looks like an interesting title! CRC Press hardcover
19196626<p>Original pochoir by Barbier of a woman in a floral motif gold dress from Panorama Dramatique. Printed with black gold blue light blue red pink and orange colors. Pink trim surrounds image. Dated in print 1918. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel
184670805Charleston:: Babcock & Co. 1846. old deep purple straight-grain morocco and marbled sides; t.e.g. Some minor rubbing to the edges of the leather; a lovely copy. 16mo. Illustrated from engravings by Alex Anderson. Translated from the Latin. Babcock & Co., hardcover
1836List2949Clarke Cobb and Harris Counties Georgia 1836. Three documents. One four-page document measuring 5 x 8 ¾ inches likely previously a single sheet; water stained with some tearing at folds very good. One double-sided document measuring 8 x 10 inches; water stained and folded with large tears at folds possibly with part missing good. One single-sided document measuring 7 ¾ x 12 ¾ inches. Water stained and folded with large tears at folds much damage to margins good. Overall good. Three legal documents in which William Barber buys and sells plots of land shortly following the establishment of Cobb County. In 1834 and 1835 Barber buys plots from John Gann and Elizabeth Kennon for $100 each and in 1836 sells land to Gilbert Rake for $500. Gann is possibly the plantation owner Cobb County pioneer and State Senator. <br /> <br /> These land contracts date to a time at which a small number of Cherokee—whose territory included present-day Cobb County—had voluntarily left the area following the Indian Removal Act of 1830 while a majority had not done so. The Indian Removal Act required Indigenous people east of the Mississippi River to cede their land to Euro-Americans and move west of it to so-called Indian Territory now Oklahoma. In 1835 the US government met with a group of Cherokee claiming to represent the tribe in New Echota Georgia and signed a removal treaty. When the majority of the tribe viewing the treaty as illegitimate refused to move voluntarily the US government sent the military to intervene.<br /> <br /> Of interest to historians of Cobb County and land dealings between its early Euro-American residents during the removal of its Indigenous population. unknown
1939253587New York: The Derrydale Press 1939. Limited First Edition. Number 428 of 750 numbered copies signed by the author. Frontispiece and six full-page illustrations of ducks decoys and hunters. xviii ii 108 pp. 1 vols. 12mo 6 x 3-1â„2 inches. Full red morocco gilt uncut at fore and lower edges a fine copy. Fuller Arthur D. Limited First Edition. Number 428 of 750 numbered copies signed by the author. Frontispiece and six full-page illustrations of ducks decoys and hunters. xviii ii 108 pp. 1 vols. 12mo 6 x 3-1â„2 inches. Inscribed on the half-title " Joel Barber with the kindest regards to Robert Winthrop." Siegel 151; Frazier B-6-a; Biscotti p. 24 The Derrydale Press unknown
1837TB31667New Haven: Durrie & Peck and J. W. Barber 1837. Second Edition. Very good in its original binding of full leather covered boards with a black leather label with gilt text and extensive gilt decorations on the spine. The front and rear boards are decorated with gilt borders. An octavo measuring 8 7/8 by 5 1/2 inches with heavy rubbing to the leather over the joints and to the edges of the boards. The front free end page is torn at its lower two inches and there is an early prior owner's name Lynda Brownell Sherman Conn. written in pencil on the third free end page. The hand-colored fold-out map of Connecticut is completely intact and has suffered no damage. The preliminaries show moderate foxing and the last 50 pages of the text also show moderate foxing. The joints and hinges remain tight and strong. 560 pages of text. Illustrated throughout with 190 wood block engravings. Contrary to the information contained in Wright Howes bibliography U.S. Iana the first edition of this title was published in 1836. Barber an illustrator and historian 1798-1885 was Connecticut's first popular historian creating one of the first travel guides of the state. Following the index in the front of the book is a hand colored fold-out map of the State of Connecticut noting all of its towns at the time see note above regarding condition. Considered to be "mildly scarce" by Howes. Howes B-120 Originally published in 1836. Durrie & Peck and J. W. Barber hardcover
1926342805Boston: Elite Guest Book 1926. Hardcover. Near Fine. Guest Book. Unpaginated. With the rectos ruled in three columns "Date; Date; Memoranda" and the versos ruled in two columns "Name; Address." 12.5 x 20 cm. Contemporary dark green cloth boards gilt title on the front board all edges gilt. With "Tree Tops Rogers Rock on Lake George" in neat ink on the front free endpaper. Signed by Samuel Barber on the second leaf verso: "Samuel Barber West Chester Pa." With 39 other signatures including "Paull Ferguson Phila." on the next six leaves with handwritten dates from 1926 to 1929. The remaining pages are blank. Samuel Osborne Barber II born in West Chester Pennsylvania was an American composer of orchestral opera choral and piano music. His "Adagio for Strings" is considered a masterpiece of modern classical music and he was twice awarded the Pulitzer Prize for music for the opera Vanessa and his Concerto for Piano and Orchestra. He attended the Curtis School of Music in Philadelphia. Paull Ferguson a violist also attended Curtis. In 1930 he was one of eight Curtis students accepted by Leopold Stokowski for entrance to The Philadelphia Orchestra. Elite Guest Book hardcover
19262467Paris: Maynial 1926. Unbound. VG. Seven only of twelve gorgeous Art Deco plates enclosed in folder with George Barbier's cover design as well as the Baronne de Brimont's 5 page text Le Songe d'Eve in French and back matter. The extant plates are La Terre L'Air L'Automne L'Hiver Le Matin & Le Modéle Intéressant and those missing are Le Feu L'Eté Le Soir and Les Cerises. While all the plates themselves are without defect & eminently frameable bright an clear the page edges are significantly age-toned & a few are creased at edges ot affecting images. Folder bears previous owners red-ink signature and cover is heavily sunned all around border partially covering the artist's name. The folder is also worn at the edges. For photos of plates not shown or any other detail please inquire. Maynial unknown
19196628<p>Original pochoir by Barbier of a man playing a violin in formal attire from Panorama Dramatique. Printed with black gold red grey white and purple colors. Pink trim surrounds image. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel
19141261141914. Paris: Lucien Vogel 1914. <br /> <br /> Single plate double page spread.<br /> <br /> § From a spectacularly illustrated fashion magazine of the early 1900s depicting the cutting edge of style at the time. unknown
44120979-nnew. unknown
2006100143AB2006. Original Edition. Three Volumes Complete set. New York Phaidon Press Limited 2006. Quarto. 3300 pages with thousands of illustrations. Original Hardcover in special collectors protective Mylar. Excellent close to new condition. The protective Mylar was especially cut so the volumes can be handled without damage to the aesthetic bindings. The three-volume book is an authoritative collection of design classics which will include 999 industrially manufactured products carefully selected by a group of experts. From cars to furniture from tableware to cameras from everyday objects to aeroplanes this breadth of classic design has never before been collated. These volumes will be the sourcebooks on design from the early 1800's to the present bringing together patents prototypes old advertisements original drawings images showing the process of manufacture as well as rare archival photographs. Over fifty authors ranging from designers to curators critics and academics have contributed with short texts for each objects providing detailed research and precise information. Publishers Info. hardcover
