Barbier MKABAA
344 résultats
2013185430Sterling Children's Books 2013-05-01. Hardcover. Very Good/Very Good. Dust jacket and book are clean has a good binding no marks or notations. Sterling Children's Books hardcover books
19831319687Boston: International Human Resources Development Corporation 1983. Hardcover. Octavo; G/no DJ; Ex-library; Hardcover w/out DJ; Spine brown with white print; Boards in brown cloth with white print small tear at front top corner light wear to spine caps slight shelfwear; Text block has peripheral tanning to endpapers library stamps on front flyleaf and verso of title page else clean and tight; v 90 pages illustrated b&w. 1319687. FP New Rockville Stock. International Human Resources Development Corporation hardcover books
1956281063Societe de L’Industrie Minerale. 1956. . Limited edition #2803 of 3000 copies. . White board portfolio with spine title with slipcase. . Spine and slipcase toned otherwise a very good copy. . folio. Black and white and color illustrations with captions on facing pages. Societe de L’Industrie Minerale. unknown books
199961021Mansfield Centre: Martino Fine Books 1999. cloth. thick 8vo. cloth. xlvii.Coll.1130; pp.iii.Coll.1360; pp.iii.Coll.1166; pp.iii.Coll.1410; pp.iii.iii.Coll.310.pp.cxi.Coll.122.pp.xiv29. 5 volumes bound in 4. Reprint of the third and best edition of 1872-1889 published in Paris by Paul Daffis Besterman 401-402; Breslauer & Folter no.117. Anonymous and pseudonymous works of French literature the French equivalent of Halkett and Laing. Nearly 55000 attributions. Contains all supplements and corrections. Martino Fine Books unknown books
1982018524Geneva Switzerland: Musee Barbier-Muller 1982. Book. Near fine condition. Paperback. First Edition. Octavo 8vo. 30 pages of text followed by 41 color plates. Paperback binding with minimal shelfwear. Additionally illustrated with 24 black-and-white photographs. Includes a bibliography. Text is in French. First edition. Musee Barbier-Muller Paperback books
1998166371Milan: Skira 1998. 208p. period and contemporary photos in situ and from museum high-resolution b&w work throughout. First English language edition 12x9 inch openweave black cloth boards in laminated dj faint rubbing to dj a near-fine copy. Skira unknown books
2001124011Tours France: Musee des Beaux-Arts de Tours 2001. Softcover. VG A few spots of very light wear to wraps. White illus. wraps; 259 pp.; 100 bw and color plates and figures. Text in French; Features ninety-four works from the collection of the Musee des Beaux-Arts de Tours including pieces by Charles Mellin Francois Boucher Pierre Lenfant William Kent Jacques Louis David and many others; Extensive annotations; Nicely illustrated. Musee des Beaux-Arts de Tours paperback books
1990117650Marseille France: Assocation pour les Musees de Marseille 1990. Softcover. VG. Color illus. wraps; 151 pp.; Profusely illustrated with color figures. Text in French. Assocation pour les Musees de Marseille unknown books
196917751Oxford: Oxford Bibliograhical Society 1969. First edition. Paperback. Orig. printed red stiff wrappers. Fine. 39 pages. 24 x 16 cm. Index. Oxford Bibliograhical Society paperback books
1927005263Paris: Bloch and Meynial 1927. Limited First Edition. Heavy Wrappers. . Very Good Plus/Good. No. 185 of 275 copies. 4to. 32 by 24 cm. 25 tipped-in pochoir costume plates by Barbier. Lettered tissue guards. Colas 218. The artwork is all dated to the early post-World War One period into the early 1920s. Captured here is the fantasy spun by the costuming so at odds with the parsimonious theatrical zeitgeist of the present when it seems so much of classic theater and opera is willfully updated to the unglamorous present day. Not that the costumes here are entirely unrelated to the then contemporary styles -- one can discern the cross-fertilization of costuming with fashion effortlessly though through Barbier's fluent presentation. Barbier focuses on the escapist element of theater and his renderings usher us on this excursion. The plays represented include works by Rostand and Hugo among others. Original pictorial wrappers. Closed tear of joints by extremities with the longer tear at the base about 6 cm in length. Glassine dust jacket mostly intact but with several tears and chips especially by the lower portion of the rear cover and then by the spine extremities and neighboring joints. Frontis portrait of Barbier has flattened cornered crease. Otherwise the plates most importantly are very clean and bright. <br/><br/> Bloch and Meynial unknown books
191420580Paris: Aux Bureaux du Journal des Dames 1914. First edition. Wraps. Loose in original wrappers as issued. Near fine. 25 x 16 cm. Limited edition copies 14 & 15 of twelve examples numbered 6-17 on Japan Imperial with illustrations in two states -- monochrome and color from total of 1270 copies. 184 pochoir plates plus two supplemental unnumbered plates "Le Choix Difficile" Charles Martin and "La Folie Du Jour" Georges Barbier also in two states. The Art Deco fashion plates by leading artists of the period including Leon Bakst Iribe Martin Brunelleschi Simeon Vallee Wegener et al: Georges Barbier the principal illustrator. Plate 184 in colored state only plate 183 supplied from another copy printed on Hollande paper with watermark "Journal Des Dames."Plates1-93 from copy 14 Plates 94-184 from copy 15 both housed in original paper wrappers with spine reading Journal Des Dames Tome III Juillet-Decembre 1913 title within front cover rectangular decorated border. No text. Plates fresh bright and crisp copies in two states are rare. Aux Bureaux du Journal des Dames unknown books
2324Barbier has sketched a multicolored fantasy seascape with a soft toned mermaid at the center. Drawn on folio sheet with some show through of handwriting in an unknown hand on verso. The handwriting shows as soft arcs and fits in with the image. Signed in the middle of the drawing in small letters with date "GB Aug. 1929." Matted in gray and framed in silver toned wood. Additional images on request. Barbier is best known for his theater designs ballet costumes and particularly for his high fashion illustrations. He led a group of illustrators from the Beaux Arts School known for their flamboyance as much as their art. Barbier also created jewelry glass and wallpaper design and worked with Erté to design sets and costumes for the Follies Bergére. He died at the height of his career. In 1929 Barbier was the costume designer for musical "The Street Singer. unknown books
4491A pair of stylized and detailed ensembles: an 18th century fantasy gown and hair style signed in full ca 1915; a winter outfit with fur trimmed jacket and long decorative skirt ca 1911. The fantasy costume drawing measures 10 3/8 x 8 7/8 inches. Condition: two marginal tears not affecting drawing and light foxing near the breaks. Tipped onto a mat and framed. Frame measures 15 x 17 inches. The winter outfit is drawn on cream toned art paper and is lighter than shown in the accompanying image. The drawing measures 11 x 8.5 and the frame measures 12 x 16 inches. Barbier considered one of the great illustrators of the early 20th century led a group of artists from the Beaux Arts School known for their flamboyance as much as their art. Barbier designed jewelry glass and wallpapers in addition to his costume and set designed for theater ballet and the Follies Bergére. His stylized design has become iconic. unknown books
191620416Paris: Printed by Maison Maquet for Jules Meynial 1916. First Edition. Hardcover. Very good/good. 12 mo. 88 pp ads pages for notes illustrated with six pochoir plates by Barbier. Original pictorial silk binding and paper dust jacket. Dust jacket is missing a v-shaped chip at the head of the spine and the spine of the book is faded in the same spot. Otherwise a lovely copy with slight fraying of the cloth at the extremities and some glue staining to the front hinge which appears to have been repaired. The scarce first volume of this five-volume series of annual almanacs. Printed by Maison Maquet for Jules Meynial hardcover books
19121091912. 1st Edition. Soft cover. Fine. FIRST EDITION OF ALL 79 ISSUES WITH 186 HAND-COLORED PLATES by some of the most famous artists of the era. Number 884 each issue from the same set of only 1250 sets on Holland paper out of a total edition of 1279. IN ORIGINAL WRAPPERS IN FINE CONDITION. "The Journal des Dames et des Modes lasted only two years the first issue appeared on 1 June 1912 and the last on 1 August 1914. This stylish periodical was issued regularly three times a month and ceased publication upon the outbreak of the First World War. With its expensive layout its society columns its poetic texts its colourful annotations and its fashion reports it represented the last brilliant refined impartial and aestheticizing impulse of a happy and optimistic society occupying the centre of the stage in the period that has aptly been called the 'belle époque'. It was essentially the testimony the history--illustrated or rather 'clothed' and narrated--of the customs ideas and ideals of a society and a period.<br /> <br /> "Every issue carefully reviewed all the current novelties of fashion and every issue carried coloured stencil prints reproducing the latest conceptions of the fashion designers." For the text "the magazine could count on the collaboration of the best known writers and littérateurs of the time" including Henri Duvernois Marcel Boulenger Paul Margueritte Jean Cocteau and many others. The artistic contributions "included the works of some outstanding artists and many promising young ones. Most frequent in his appearance and outstanding for the quality of his illustrations was Georges Barbier." Other artists included Léon Bakst Bernard Boutet de Monvel Umberto Brunelleschi H. Robert Dammy Paul Iribe Charles Martin and Fernand Siméon. Christina Nuzzi Parisian Fashion from the "Journal des Dames et des Modes". Note: all 186 plates are present numbered 1-184 with two unnumbered plates.<br /> <br /> Paris: 1912-1914. Octavo each issue loose as issued in original wrappers inserted loosely into four half-yearly plus one supplemental original large wrappers. A few plates with spots but generally exceptionally clean dampstaining to edges of five issue wrappers. A nearly immaculate set exceedingly scarce in original wrappers. unknown books
252930Paris: Meynial. First. hardcover. very good-. 3 volumes 1918 1919 and 1921 of the five volumes almanac. Beautifully illustrated with 19 pochoir color plates and 3 color title page vignettes by George Barbier in his characteristic art deco style. The volume for 1918 is in pink silk with cracked hinges and no dust wrapper; 1919 is with pictorial silk covers hinges strengthened chipped spine and partial dust wrapper; 1919 has a white pictorial silk cover and good dust wrapper. The interiors are all fine. Paris: Meynial 1918 1919 1921. Very good -.<br/><br/> Meynial unknown books
1936S5899Paris:: Hermann & Cie 1936. 1936. Series: Actualites Scientifiques et Industrielles 348 Exposes d'Astronomie Stellaire Publies sous la Direction de Henri Mineur VI. 8vo. 31 5 pp. Tables figs. Printed wrappers; fore-edge of top cover torn and wrinkled. Publisher's compliments slip laid in. Unopened. Very good. Hermann & Cie, 1936. unknown books
201477853Paris:: L'Express / Beaux Arts Magazine. Fine. 2014. Hardcover. 2212559348 . Text is in French. Color and black and white illustrations throughout. First edition. Fine in glossy illustrated boards. No dust jacket as issued. . L'Express / Beaux Arts Magazine, hardcover books
18222171961822. Second. hardcover. very good. .Accompagne de Notes Historiques et Critiques. Copper engraved frontispiece portrait . 4 volumes 8vo 1/2 leather spines slightly scuffed one chip mended marbled boards. Paris 1822-1827. Seconde Edition Revue Corrigee et Considerablement Augmentee. Very Good .<br/><br/> unknown books
1964118514Paris: G.-P. Maisonneuve & Larose 1964. cloth title gilt-stamped on spine. 8vo. cloth title gilt-stamped on spine. variously paginated. 5 volumes. Text in French. Reprint of the edition first published 1822-1827. Includes a biographical sketch of the author Antoine-Alexandre Barbier born 1765. Includes introduction from the first edition. An alphabetical dictionary of all known anonymously published works in France. Fifth volume is a supplement. Arranged alpahbetically. Includes bibliographical information. Two columns on each page separately paginated. G.-P. Maisonneuve & Larose unknown books
200647969Corso:: Galleria d'Arte Contini. Fine. 2006. Hardcover. Exhibition catalog. Text is in Italian and English. Translated from the Italian by Valencia Scott Colombo. Color and black and white illustrations throughout. First edition. Errata sheet laid in. Fine in illustrated boards. No dust jacket.; 97 pages . Galleria d'Arte Contini, hardcover books
2005112479Milan: Skira 2005. Hardcover. VG. Beige paper-covered boards; Brown cloth at spine; 375 pp.; Profusely illustrated with color and bw plates photos and figures many full-page. Text in Italian; Accompanied an exhibition of the same name; Includes several essays about the artist and his work. Skira hardcover books
2016162526New York: The Solomon R. Guggenheim Foundation 2016. Softcover. VG. Gray pictorial wraps French flaps 123 pp. color and BW illus. Text is in Italian and English. Issued in conjunction with a 2016 exhibition of artwork by Italian artist Carlo Ciussi 1930-2012. With an essay by Luca Massimo Barbero. Features dozens of examples of his work. Includes artist bio exhibitions history and bibliography A nice introduction to an artist you may not know. Rare. The Solomon R. Guggenheim Foundation paperback books
2016156996Venezia: Marsilio 2016. Grey/color-illus. wraps; white lettering on grey spine. Acetate half wrapper with white lettering. Text in Italian. Catalogue from the exhibition held at Fondazione Palazzo Strozzi Firenze 19 March - 24 July 2016. Curated by Luca Massimo Barbero the exhibition - the result of a cooperative venture involving the Fondazione Palazzo Strozzi and the Solomon R. Guggenheim Foundation in New York - offered visitors a unique opportunity to compare and contrast the crucial work of European masters of modern art such as Marcel Duchamp Max Ernst Man Ray and Pablo Picasso and European masters of so-called Art Informel or "Unformed Art" such as Alberto Burri Emilio Vedova Jean Dubuffet Lucio Fontana with large paintings and sculptures by some of the most important personalities on the American art scene in the 1950s and 1960s such as Jackson Pollock Mark Rothko Willem de Kooning Alexander Calder Roy Lichtenstein and Cy Twombly. Devoting an exhibition to the Guggenheim collections means telling the fast-paced story of the birth of the Neo-Avant-Garde movements after World War II in a tight and uninterrupted interplay between European and American artists. But producing such an exceptional exhibition in Florence also means celebrating a very special tie that goes back a long way because it was precisely in the Palazzo Strozzi's Strozzina undercroft that Peggy Guggenheim who had only recently arrived in Europe decided in February 1949 to show the collection that was later to find a permanent home in Venice. The large paintings sculptures engravings and photographs on display at Palazzo Strozzi on loan from the Guggenheim collections in New York and Venice and from other leading international museums paint a vast fresco of the extraordinarily heady season of 20th century art in which Peggy and Solomon Guggenheim played such a key role. - from the Palazzo Strozzi web site. Marsilio paperback books
1993154323Milano Milan Italy: Electa 1993. Softcover. VG- Outer spine is slightly sunned; has ownership mark on first page; otherwise clean. Greenish & illus. wraps French flaps 98 pp. many color illus. Issued in conjunction with an exhibition of work by English film director and artist Peter Greenaway b. 1942. With an essay by Luca Massimo Barbero and a variety of illustrations of Greenaway's work. Uncommon. Electa paperback books
