Vertot, René-Aubert de :Livre Rare Book
41 résultats
17263094Paris, Rollain, Quillau, Desaint, 1726 ; quatre tomes in-4 ; plein maroquin rouge cerise à grain long, dos à nerfs ornés, titre doré, triple filet doré d'encadrement des plats, filet doré et fleurons décoratifs en écoinçons, roulette décorative dorée sur les coupes et en intérieur, toutes tranches dorées (Thouvenin, relieur de 1813 à 1834) ; (6) ff., 696 pp. ; (1) f., 719 pp. ; (1) f., 552, 4 pp., (1) f. ; (1) f., 240, 408, 221, XX pp. et en tout, portrait gravé de l'auteur en frontispice, 6 cartes et plans et 70 portraits gravés blasonnés hors-texte et 4 vignettes.
1740M6794London: Gentleman's Magazine 1740. Very Good;lower right margin extended. Notes: The View depicts the seige of Spanish St. Augustine in Florida by the British led by General Oglethorpe. Notes and key appear at the bottom of the image. <br>The Siege of St. Augustine was a part of the War of Jenkins' Ear during which England and her colonies attacked Spanish colonies in the Americas. After some mutual minor skirmishes Governor Oglethorpe of the colony of Georgia raised a mixed force of British regulars the 'Old' 42nd Regiment of Foot colonial milita from Georgia and Carolina Hugh MacKaye's Highlanders and American Creek and Chickasaw or Uchee Indians. The British never were successful. Size : 295x165 mm 11.61x6.50 Inches Coloring: Hand Colored Reference: Jolly Gent-12 Category: Maps United States South Florida; Gentleman's Magazine unknown
1798PHO-1492Paris, chez Buisson, an VII (1798),4 volumes ; Texte 3 volumes in-8 demi percale et un Atlas in-4, demi cuir époque, dos lisse avec auteur et titre ,44 planches, certaines en double page ou dépliantes, gravées par Antoine-François Tardieu d'après John Gabriel Stedman, la planche 25 détachée, mouillure claire en marge sur 4 planches, frottements coins et coupes usés, exlibris Aldo Maffey, journaliste et écrivain italien.
1751PHO-1273LONDRES (CHEZ NOURSE) 1751 2 VOL. RELIES EN 1, IN-12°, 17 X 10 CMS, RELIÉ VEAU MOUCHETÉ, DOS A 5 NERFS ORNÉ DE FLEURONS DORÉS, TR. ROUGE. 2FF-285PPS; 1FF-148PPS. PREMIÈRE ÉDITION FRANÇAISE TRADUITE PAR RAULIN, ANCIEN OFFICIER DES DRAGONS.
177097Birmingham or Sheffield 1770. Oblong folio. 390 x 220 mm. 15 1/4 x 8 3/4 inches. Vellum spine over decorative blue paper wrappers paper label with title in Italian on upper board and ink title in Italian on spine. Paper stock toned with age a few leaves with staining in the margin otherwise in good condition. Silversmith model book containing 80 full-page engravings of candles sticks and holders candelabra pitchers plates salt and pepper shakers serving utensils silverware and other household pieces. Each image is beautifully and careful engraved with rich detail and ornamentation. Each includes a printed product number as well as one in ink with a different item number and a price. Although there is no title-page or signatures of engravers this large sales catalogue appears to be English as some of the engravings have English words of explanation engraved in the text. The binding is definitely Italian and the paper label is in an Italian hand. The watermark is a "fleur de lis" pattern suggesting an international company manufacturing the silver. There were only a few English companies with the capacity to export at this time including silver works in Sheffield and Birmingham both of which by 1770's had established networks of dealers selling their wares across the continent. This catalogue with specific Italian connections is very unusual and suggests the scope of the business had reached export capacity by the third quarter of the century. The most important Italian silver makers at this time were Giardini of Rome and Venuti of Naples. unknown books
177097Birmingham or Sheffield 1770. <p>Oblong folio. 390 x 220 mm. 15 1/4 x 8 3/4 inches. Vellum spine over decorative blue paper wrappers paper label with title in Italian on upper board and ink title in Italian on spine. Paper stock toned with age a few leaves with staining in the margin otherwise in good condition.</p> <br /> <p>Silversmith model book containing 80 full-page engravings of candles sticks and holders candelabra pitchers plates salt and pepper shakers serving utensils silverware and other household pieces. Each image is beautifully and careful engraved with rich detail and ornamentation. Each includes a printed product number as well as one in ink with a different item number and a price.</p> <br /> <p>Although there is no title-page or signatures of engravers this large sales catalogue appears to be English as some of the engravings have English words of explanation engraved in the text. The binding is definitely Italian and the paper label is in an Italian hand. The watermark is a "fleur de lis" pattern suggesting an international company manufacturing the silver. There were only a few English companies with the capacity to export at this time including silver works in Sheffield and Birmingham both of which by 1770's had established networks of dealers selling their wares across the continent. This catalogue with specific Italian connections is very unusual and suggests the scope of the business had reached export capacity by the third quarter of the century. The most important Italian silver makers at this time were Giardini of Rome and Venuti of Naples.</p> . unknown
17786494Turin, Imprimerie Royale, 1778 ; in-4 ; demi-veau glacé havane, dos à faux-nerfs dorés et palettes décoratives, pièce de titre vert-pistache, tranches mouchetées de bleu (reliure de l'époque) ; (14), 359, (1 bl.) ; (4), 55, (1) pp. et 30 planches gravées dépliantes.SUIVI DE : "CONSIDERATIONS SUR LA GUERRE DE 1769 ENTRE LES RUSSES ET LES TURCS. Nouvelle édition corrigée et augmentée de plusieurs notes historiques."
180075108London: Benjamin & White. Very Good. 1800. Copper Plate Engraving. An original 11 x 9 extract from the Transactions of the Linnean Society of London. Complete in pages 261-263 plus a 2 page folding sepia tined copper plate engraving in beautiful fresh condition. . Benjamin & White unknown books
180075108London: Benjamin & White. Very Good. 1800. Copper Plate Engraving. An original 11 x 9 extract from the Transactions of the Linnean Society of London. Complete in pages 261-263 plus a 2 page folding sepia tined copper plate engraving in beautiful fresh condition. . Benjamin & White unknown
17129402Lyon, Léonard De La Roche, 1712 ; in-4 ; plein veau havane, dos à nerfs richement décoré et doré, pièce de titre grenat, tranches mouchetées rouges (reliure de l'époque) ; (16) y compris le frontispice gravé, titre en rouge et noir, Dédicace aux médecins et chirurgiens de Lyon, table, 369, (3), 138, (22) pp. de tables ; 46 planches numérotées plus 4 non chiffrées soit 50 planches gravées hors-texte au total, certaines dépliantes, représentant de très nombreux outils et appareils, des opérations et 3 planches de monstres.
1793H3339Madrid: En La Imprenta Real 1793. First printing. Hardcover. Very Good. First edition 1793 original flame calf deep red spine label very good copy 8 290 3 pp. In three parts the first lessons for children on their obligations when they are grown to their king and lord the second addressed to priests and the third part addressed to Pius VI regarding the revolution in France and what it portends. The author was a well known priest orator and educator on very good terms with Spanish royalty who rewarded him by making him a bishop with his base in Rio de la Plata Argentina but also with bishoprics in Cordoba and Catamarca Bolivia. This book would have been part of his efforts to educate South American children on their duties to Spain one of his chief goals. En La Imprenta Real hardcover
17504310The binding probably Augsburg 1750. Agenda-format binding size 155 x 78 x 24 mm. Contents: 143 small engravings all but the first 48-50 x 35-37 mm. the first mounted sideways measuring 50 x 97 mm. consisting of 11 engravings for each saint trimmed to borders and mounted on 78 leaves of wove paper. 18th-century German silver-gilt embossed binding regilt in the 19th century both covers with a large oval cartouche containing a scene of the Crucifixion on the upper cover and the Resurrection on lower cover both covers with cherubs within ornamental foliage at the four corners the pair at top holding a cartouche with a scene of the Entombment on upper cover and the Ascension on lower cover the pair at the foot holding laurel wreaths and flanking a winged angel’s head; spine with embossed flowers ribbons and foliate ornaments above and below a central scene of Moses with the brazen serpent at top a monogram of the letters CJ; two chased metal fore-edge clasps attaching on upper cover; lined in later 19th-century green watered silk edges gilt and gauffered. Housed in a folding cloth felt-lined folding case upper cover with morocco gilt label with Abbey’s named coat of arms; his paper shelf-mark label JA 2680 on lower cover. Provenance: unidentified monogram on binding; Major John Roland Abbey 1894-1969 bookplate on case; see Hayward Silver Bindings no. 17; Bernard Breslauer anonymous sale Sotheby’s 10 May 1985 “Silver and Enamel Bindings†lot 26 unsold.<br /> <br /> A stunning embossed silver-gilt binding almost certainly produced in Augsburg from the collection of Major Abbey. <br /> <br /> The binding dates from the “last phase of baroque and the fully developed rococo†Hayward the final culminating period of Augsburg craftsmanship in embossed silver. Describing this binding and two others from the collection Hayward wrote: “the most finely worked book-covers in the Abbey Collection date from the second quarter of the Eighteenth Century. The subjects are the familiar scenes from the life of Christ but treated even in the small compass of a book-cover with extraordinary dramatic force. The designs were probably derived from a contemporary illustrated Bible but their effectiveness is greatly enhanced by the relief in which they are rendered and by the strong contrasts of light and shade†p. 3. To accentuate the pathos the silversmith or designer chose to highlight minor characters: in the dramatic Crucifixion scene the most deeply embossed figures occupying the foreground are two soldiers throwing dice at the foot of the cross; similarly the centurion is the largest and most solid figure in the Resurrection scene on the lower cover.<br /> <br /> The binding encloses an album of 143 fine small unsigned 17th-century probably Flemish engravings of Franciscan saints neatly mounted on wove paper. The Antwerp engraver and print publisher Philips Galle had initiated the vogue for “Franciscan†prints with his series of engravings of the Life of St. Francis first produced before 1580 cf. Sellink pp. 129-131. The present suite contains 13 series each with 11 small engravings depicting a saint or group of saints as follows: St. Francis The 5 Martyred Saints the 7 Martyred Saints Anthony of Padua Bonaventura Ludovicus Episcopius Bernardino of Siena John of Capestrano Didacus Diego of Alcalá Clare of Assisi Elizabeth of Hungary S. Elizabeth vidua Louis of France and Elzear. With one exception John of Capestrano instead of St. Ivo of Brittany these were the saints chosen by Hendrik Sedulius guardian of the Antwerp Franciscans for his Imagines Sanctorum Francisci printed and illustrated by Philips Galle in 1602 but that quarto-format work only includes one large engraving per saint each accompanied by a page of text. The exact source of this more extensive small format suite remains to be identified. Each engraving has a caption citing a chapter number. <br /> <br /> Major John Roland Abbey assembled the largest English book collection of his generation. His first love was bindings and among these he brought together an exceptional group of silver bindings some of which were described and illustrated by John F. Hayward in an article published in The Connoisseur in 1952. The present binding is number 17; Hayward noted its earlier regilding as well as the “fine quality†of the embossing. Bernard Breslauer later bought the collection en bloc from Abbey’s widow “and in 1985 Bernard consigned the collection with some additions from his own stock to Sotheby’s London. Despite Sotheby’s well-illustrated and informative catalogue the sale was calamitous: of the fifty-eight silver and enamel bindings only fourteen met the reserve†Laird p. 67. This binding was not one of them. <br /> <br /> Cf. M. S. Sellink Philips Galle 1537-1612: engraver and print publisher in Haarlem and Antwerp PhD ThesisVrije Universiteit Amsterdam 1997 online. J. F. Hayward Silver Bindings from the J. R. Abbey Collection offprint from The Connoisseur October 1952. Cf. M. Laird “Bernd Bernard Hartmut Breslauer 1918-2004: A Personal Memoir†Gazette of the Grolier Club 72 2023 59-92. Thanks to Mr. Laird for sharing the sale results from B. Breslauer’s own catalogue in his possession. <br /> <br /> <br /> <br /> <br /> <br /> unknown
17679225Amsterdam et Leipzig, Arkstrée et Merkus, 1767 ; huit tomes, grand in-12 ; plein veau havane à grandes marbrures, dos à nerfs décorés et dorés, pièces de titre grenat et de tomaison vert-sapin, triple filet doré d'encadrement des plats, filet doré sur les coupes, tranches marbrées (reliure de l'époque) ; (4) à chaque volume, LX, 343 ; IV, 358 ; II, 352 ; II, 418 ; IV, 396 ; XII, 392 ; XII, 351 (mal chiffrée 451) ; XV, (1), 364 pp et un portrait de Pope gravé par Kornlein, 1 frontispice par Delanonce, gravé par Kornlein, 23 figures hors-texte dont 7 signées de N.V. Frankendaal, même fleuron de titre aux six premiers tomes et second fleuron de titre aux deux derniers.
17828291Madrid: Imprenta Real 1782. First Edition Primera edición. Hardcover Tapa dura. Madrid Imprenta Real s.a. 1782. En folio. 31 h. 326 136 24 pp. 1 lámina. Encuadernación en pergamino a la romana de finales del siglo diecinueve planos con rueda gofrada y flor en los vértices lomera con tejuelo en marroquén y letrería también dorada. Primera edición de las Ordenanzas de Intendentes para el virreinato del Río de la Plata posiblemente las ordenanzas más importantes que se dictaron para América. Las primeras ordenanzas se dieron para los cuerpos de intendentes en España en 1718 que después sirvieron de ejemplo para las de América. Las Ordenanzas definen a los Intendentes en América como magistrados puestos para fomentar la agricultura promover el comercio estimular la industria y favorecer la minería; la legislación general para los intendentes se fue configurando a medida que se iban solventando las deficiencias que aparecían en el ejercicio diario de sus funciones. La primeras ordenanzas en América se establecieron en Cuba en 1764. Las presentes Ordenanzas para el virreinato de Buenos Aires o Río de la Plata fueron las primeras que se realizaron para el continente americano y son la base de las leyes relativas al comercio y la hacienda en América durante el reinado de Carlos III hasta el fin de la dominación española en América. La premura en este virreinato fue producto de la situación de crisis y conflicto que la sublevación indígena había conseguido establecer en gran parte de su jurisdicción especialmente en el Alto Perú. Este levantamiento indígena que se dio de manera simultánea en distintos lugares tuvo uno de sus focos en Chayanta Potosí liderado por los hermanos Kataris el cual extendiéndose por el altiplano terminó contactando con el movimiento de Tupac Amaru y alcanzando un importante impacto en ciudades como Oruro o La Paz. Una de las quejas de los indígenas sublevados fue la extorsión y abusos de los corregidores. La reforma administrativa a partir de la aplicación del régimen de intendencias contemplaba entre uno de sus objetivos acabar con la odiosa figura del corregidor de indios y sustituirla por los subdelegados. Ejemplar con extensas anotaciones contemporáneas en los márgenes y con dos folios manuscritos adicionales. La primera hoja que contiene la lámina con el escudo está restaurada en el margen interior pero sin afectar al grabado por lo demás es un magnífico ejemplar con muy amplios márgenes. Imprenta Real hardcover
1744PHO-2162Trévoux, par la Compagnie, 1744, 3 (4) volumes in-12 (17x10,5cm), (6) ff., 394 pp. ; (1) f., 428 pp. ; 346 pp., illustré de 7 cartes et plans, manque le frontispice au tome 1, veau marbré époque, dos à nerfs ornés avec pièces de titre et de tomaison grenat, tranches rouges, 4 planches détachées, frottements, épidermures plus marquées au tome 2, coiffes arasées au tome 2, petit manque au tome 1, coins usés, coupes usées au tome 2, manque de papier en marge p. 11, sans atteinte au texte.
1751PHO-1679Londres, Nourse, 1751. 2 volumes in-12, veau marbré, dos à nerfs orné, pièces de titre et de tomaison, tranches rouges (Reliure de l'époque), coiffes usées, manque les pièces de titre et tomaison au tome 2
1762249483Paris: de l'Imprimeries de H.L. Guerin & L.F. Delatour 1762. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. Contemporary drab wrappers uncut . Fine. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. From Description des arts et métiers. de l'Imprimeries de H.L. Guerin & L.F. Delatour] unknown books
17846495Amsterdam et Paris, 1784 ; in-8 ; cartonnage rigide de papier bleu de l'époque, non rogné ; XVI, 591 pp., 2 gravures hors-texte d'après Marillier.
1742PHO-12401742 , chez Théodore Le Gras , Paris , un volume in-12 ,de VI-516pp , titre en rouge et noir, illustré de 4 planches , dont une carte dépliante, relié plein veau marbré époque, dos à nerfs ornés avec pièces de titre et tomaison , tranches rouges , manque aux coupes , coins et coiffes usés , débuts de fentes .
17879408Paris, Méquignon, 1787 ; in-8 ; plein veau havane marbré, dos à nerfs décoré de filets dorés, pièce de titre grenat (reliure de l'époque) ; 32, 430, (2) pp. de Privilège et 7 planches dépliantes dessinées par William Bell et gravées par Dupin.
1716146217Homann, Nürnberg,, um 1716. Ansichtsgröße ca. 57x48cm, Blattgröße 60x52,5cm,
18001008901800. London: T. Cadell and W. Davies 1800. <br /> <br /> Frontispiece a little browned around the edges. Engraved by Blake but not signed.<br /> <br /> § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown
18001008911800. London: T. Cadell and W. Davies 1800. <br /> <br /> Plate facing p. 126 a little browned around the edges. Engraved by Blake signed.<br /> <br /> § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown
18001008921800. London: T. Cadell and W. Davies 1800. <br /> <br /> Plate facing p. 163 a little browned around the edges. Engraved by Blake signed.<br /> <br /> § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. This is Blake's only illustration of Hayley. The book has become very scarce and the prints are rarely if ever available separately. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown
1800100890Frontispiece. London: T. Cadell and W. Davies 1800. Frontispiece a little browned around the edges. Engraved by Blake but not signed. § Blake’s first and perhaps happiest collaboration with his patron William Hayley one that also included Blake’s friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. T. Cadell and W. Davies unknown books
