41 résultats
1762249483Paris: de l'Imprimeries de H.L. Guerin & L.F. Delatour 1762. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. Contemporary drab wrappers uncut . Fine. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. From Description des arts et métiers. de l'Imprimeries de H.L. Guerin & L.F. Delatour] unknown
174325189Leiden: Joannem & Hermannum Verbeek 1743. From the first edition of one of the greatest of all Anatomical Atlases. Tabula IX which features Albinus and Wandelaar's famous "Muscle Man" a skinned figure whose musculature is visible and defined as viewed in walking profile with the left arm raised and the right foot forward his head is turned slightly away from the viewer. Elephant folio 620 by 475 mm single folio sheet now mounted with the use of none-evasive corner tabs and protected by mylar. Very well preserved fully intact with only the most minor evidence of age. ONE OF THE MAGNIFICENT PLATES FROM "AMONG THE MOST ARTISTICALLY PERFECT OF ANATOMICAL ATLASES." Wandelaar placed his skeletons and musclemen against lush ornamental backgrounds to give them the illusion of vitality using contrasts of mass and light to produce a three-dimensional effect. The most famous plate in the atlas depicts a skeletal figure standing in front of an enormous grazing rhinoceros sketched by Wandelaar from the first living specimen in Europe which had arrived at Amsterdam zoo in 1741" Norman.<br> The plates in this large folio work and in the four supplementary works in large folio with which it is bound are unsurpassed for their cool elegant aesthetic and scientific accuracy. They were drawn and engraved by Jan Wandelaer a pupil of the engravers Jacob Fokema and Guillem van der Gouwen and the painter Gerard de Lairesse who prepared the drawings for Bidloo's atlas. Prior to working for Albinus Wandelaer worked for Friedrik Ruysch. Albinus however provided Wandelaar with the opportunity for the full expression of his talents as a draftsman and engraver. <br> In an attempt to increase the scientific accuracy of anatomical illustration Albinus and Wandelaar devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Wandelaer placed each figure in a carefully chosen landscape setting and the artistic results are so pleasantly successful that the anatomical figures although composed of many separate parts appear to be actually stepping out of the picture. Joannem & Hermannum Verbeek unknown
174025188Leiden: Joannem & Hermannum Verbeek 1740. From the first edition of one of the greatest of all Anatomical Atlases. Tabula V which features Albinus and Wandelaar's famous "Muscle Man" a skinned figure whose musculature is visible and defined as viewed from behind standing with the left arm raised right arm turned and his weight shifted to the right foot. Elephant folio 620 by 475 mm single folio sheet now mounted with the use of none-evasive corner tabs and protected by mylar. Very well preserved fully intact with only the most minor evidence of age. ONE OF THE MAGNIFICENT PLATES FROM "AMONG THE MOST ARTISTICALLY PERFECT OF ANATOMICAL ATLASES." Wandelaar placed his skeletons and musclemen against lush ornamental backgrounds to give them the illusion of vitality using contrasts of mass and light to produce a three-dimensional effect. The most famous plate in the atlas depicts a skeletal figure standing in front of an enormous grazing rhinoceros sketched by Wandelaar from the first living specimen in Europe which had arrived at Amsterdam zoo in 1741" Norman.<br> The plates in this large folio work and in the four supplementary works in large folio with which it is bound are unsurpassed for their cool elegant aesthetic and scientific accuracy. They were drawn and engraved by Jan Wandelaer a pupil of the engravers Jacob Fokema and Guillem van der Gouwen and the painter Gerard de Lairesse who prepared the drawings for Bidloo's atlas. Prior to working for Albinus Wandelaer worked for Friedrik Ruysch. Albinus however provided Wandelaar with the opportunity for the full expression of his talents as a draftsman and engraver. <br> In an attempt to increase the scientific accuracy of anatomical illustration Albinus and Wandelaar devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Wandelaer placed each figure in a carefully chosen landscape setting and the artistic results are so pleasantly successful that the anatomical figures although composed of many separate parts appear to be actually stepping out of the picture. Joannem & Hermannum Verbeek unknown
174025187Leiden: Joannem & Hermannum Verbeek 1740. From the first edition of one of the greatest of all Anatomical Atlases. Tabula V which features a human skeleton in a three-quarter view and seen from the rear is portrayed in a walking motion with the left hand raised and extended. Elephant folio ca. 620 by 475 mm single folio sheet now mounted with the use of non-evasive corner tabs and protected by mylar. Very well preserved fully intact with only the most minor evidence of age. ONE OF THE MAGNIFICENT PLATES FROM "AMONG THE MOST ARTISTICALLY PERFECT OF ANATOMICAL ATLASES." Wandelaar placed his skeletons and musclemen against lush ornamental backgrounds to give them the illusion of vitality using contrasts of mass and light to produce a three-dimensional effect. The most famous plate in the atlas depicts a skeletal figure standing in front of an enormous grazing rhinoceros sketched by Wandelaar from the first living specimen in Europe which had arrived at Amsterdam Zoo in 1741" Norman.<br> The plates in this large folio work and in the four supplementary works in large folio with which it is bound are unsurpassed for their cool elegant aesthetic and scientific accuracy. They were drawn and engraved by Jan Wandelaer a pupil of the engravers Jacob Fokema and Guillem van der Gouwen and the painter Gerard de Lairesse who prepared the drawings for Bidloo's atlas. Prior to working for Albinus Wandelaer worked for Friedrik Ruysch. Albinus however provided Wandelaar with the opportunity for the full expression of his talents as a draftsman and engraver. <br> In an attempt to increase the scientific accuracy of anatomical illustration Albinus and Wandelaar devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Wandelaer placed each figure in a carefully chosen landscape setting and the artistic results are so pleasantly successful that the anatomical figures although composed of many separate parts appear to be actually stepping out of the picture. Joannem & Hermannum Verbeek unknown
17252168Netherlands 1725. Pair of embossed silver book covers 34 x 25 x 3 cm; each cover with a large scrollwork cartouche surrounded by extensive vine and flower decorations and with medallion portraits in each of the four corners the front showing the crucifixion flanked by Mary and St. John with an INRI scroll above flanked by a crescent moon and a sun and a skull and crossbones below with portraits of four saints each with a blank scroll above left bearded with a regal crown; above right clean-shaven with a round-topped mitre; below left and right bare-headed and bearded the back showing the resurrection with an angel and two astonished guards with portraits of the four Evangelists. Beautiful richly decorated early 18th-century Dutch silver binding. The large silver covers together weighing about 750 grams bear no silver marks. Although no spine is present the clasps show that the binding was made for a book about 2 cm thick suggesting 200 or 300 pages so most likely made for a folio missal. The clasps are hinged to the back cover each with a round hole that fastens to a round-headed pin on the fore-edge of the front cover.With a 1 cm crack on the fore-edge of the back cover another slightly affecting the arm of one guard and a few tiny holes where the tips of the noses of some figures have worn but still generally in good condition. A lovely and unusually large pair of embossed silver book covers.l Cf. J.W. Frederiks Dutch silver vol. 4 1961 nos. 238-239 & plates 235-237 vaguely similar silver bindings from 1732 & 1738; nothing similar in J.F. Hayward Silver bindings from the J.R. Abbey collection. unknown
173711025Ulm Daniel Bartholomé 1737 -in-12 argent ciselé sur peau de requin un volume, reliure allemande d'époque en argent sur peau de requin noir avec plats avec encadrement merveilleusement et finement ciselé : thème floral et fermoirs tout aussi finements travaillés en argent (une petite merveille) in-douze (duodecimo), dos à nerfs (spine with raised bands) muet (without title), toutes tranches dorées (all edges gilt) avec dessins à froid réalisés par le relieur sur les tranches, orné d'une gravure en frontispice (frontispiece) et 4 gravures hors-texte (full page engraving) de scènes Bibliques gravées sur cuivre en noir par FRIDRICH Jacob Andreas " le vieux" 1684-1751 ( graveur allemand, Graveur à Nuremberg, mort à Augsbourg, père de Bernhard Gottlieb et de Jacob Andreas le Jeune) , 407 pages, 1737 Ulm Daniel Bartholomé Editeur,
1708251226011SHOUT! FACTORY 2017-08-15. dvd. New. 0x7x5. brand new in original shrinkwrap; NTSC Region 1 formatting for playback in the US & Canada; because we care that your order arrives in the condition stated we have additionally sealed the case in bubblewrap for added protection during shipment SHOUT! FACTORY unknown
17504284Genève, Barillot et Fils, 1750. In-4 de XXIV-363p., pleine basane brune. Dos à nerfs orné de filets et fleurons dorés.
177041847(Paris) 1770. 37,5 x 55 cm. = Mapa antiguo, grabado en cobre == Orig. copper plate engraving of the River Plate / La Plata River. Sehr gut erhalten.
17849900042258London: W. and A. Strahan 1784. 1st edition. Hardcover. charts engravings. 4to. Complete four volume set of the first edition. In the original boards but boards detached. Overall the contents remain tightly-bound and in remarkably good condition. Vol. I complete but for The List of Plates pp. xci to xcvi - however included in the fourth volume - see below and all seven maps on six plates four folding and one folding plate are present. Vol. II complete with all eleven maps or views six folding. Vol. III shows an early worm hole to the first few pages not affecting text. All six maps and plates are present two folding plus the folding table at the end but with no advertising leaf included. Vol IV contains 61 engravings of people places and animals visited by Capt. Cook in what is now Hawaii described as the Sandwich Islands Western British Columbia and Alaska. Forty of the plates are folding; 21 are large single-page plates. The volume begins with 'The List of Plates' and is numbered pages xci to xcvi see above. Some of the illustrations are foxed. This volume lacks three charts nos. I and VI from vol. I and no. XXXVI from vol. II. There is foxing off-setting really on the pages facing the plates and charts and occasional marginal foxing to the text but the latter is hardly untoward. Beddie Bibliography of Captain James Cook BCJC 1543 Streeter 3478. Sabin 16250 Howes 729a Sotheby's London sale 11/21/91 lot #377 three vols only. W. and A. Strahan hardcover
17861505010565xbvk[Paris, Bibliothèque des dames, 1786.]. 1 sheet, with a decorated titlefield; Ca. 20,9 x 23,7 cm (will be shipped flat, unfolded).
178618071018xbvkParis, Bibliothèque des dames, 1786. 1 sheet, with a decorated titlefield. Ca. 21,2 x 23,9 cm (will be shipped flat, unfolded).
17861409151357xbvkParis, Bibliothèque des dames, 1786. 1 sheet, with a decorated titlefield; ca. 21 x 24 cm (will be shipped flat, unfolded).
176361466Graz, Akademische Druck- u. Verlagsanstalt, 1975 (Nachdruck der Ausgabe London, 1763). 4°. Mit zahlr. Abbildungen auf tlw. gefalt. Tafeln. 1 Bl., IV, 161, 216 S., OLwd. m. illustr. OUmschlag.
1800100890Frontispiece. London: T. Cadell and W. Davies 1800. Frontispiece a little browned around the edges. Engraved by Blake but not signed. § Blake’s first and perhaps happiest collaboration with his patron William Hayley one that also included Blake’s friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. T. Cadell and W. Davies unknown books
1800100891Plate facing p. London: T. Cadell and W. Davies 1800. Plate facing p. 126 a little browned around the edges. Engraved by Blake signed. § Blake’s first and perhaps happiest collaboration with his patron William Hayley one that also included Blake’s friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. T. Cadell and W. Davies unknown books
1800100892Plate facing p. London: T. Cadell and W. Davies 1800. Plate facing p. 163 a little browned around the edges. Engraved by Blake signed. § Blake’s first and perhaps happiest collaboration with his patron William Hayley one that also included Blake’s friend of many years John Flaxman. This is Blake’s only illustration of Hayley. The book has become very scarce and the prints are rarely if ever available separately. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. T. Cadell and W. Davies unknown books
18001008901800. London: T. Cadell and W. Davies 1800. <br /> <br /> Frontispiece a little browned around the edges. Engraved by Blake but not signed.<br /> <br /> § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown
18001008911800. London: T. Cadell and W. Davies 1800. <br /> <br /> Plate facing p. 126 a little browned around the edges. Engraved by Blake signed.<br /> <br /> § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown
18001008921800. London: T. Cadell and W. Davies 1800. <br /> <br /> Plate facing p. 163 a little browned around the edges. Engraved by Blake signed.<br /> <br /> § Blake's first and perhaps happiest collaboration with his patron William Hayley one that also included Blake's friend of many years John Flaxman. This is Blake's only illustration of Hayley. The book has become very scarce and the prints are rarely if ever available separately. Bentley Blake Books 467. Essick Blake's Commercial Book Illustrations XXXIX. unknown
1716146217Homann, Nürnberg,, um 1716. Ansichtsgröße ca. 57x48cm, Blattgröße 60x52,5cm,
17879408Paris, Méquignon, 1787 ; in-8 ; plein veau havane marbré, dos à nerfs décoré de filets dorés, pièce de titre grenat (reliure de l'époque) ; 32, 430, (2) pp. de Privilège et 7 planches dépliantes dessinées par William Bell et gravées par Dupin.
1742PHO-12401742 , chez Théodore Le Gras , Paris , un volume in-12 ,de VI-516pp , titre en rouge et noir, illustré de 4 planches , dont une carte dépliante, relié plein veau marbré époque, dos à nerfs ornés avec pièces de titre et tomaison , tranches rouges , manque aux coupes , coins et coiffes usés , débuts de fentes .
17846495Amsterdam et Paris, 1784 ; in-8 ; cartonnage rigide de papier bleu de l'époque, non rogné ; XVI, 591 pp., 2 gravures hors-texte d'après Marillier.
1762249483Paris: de l'Imprimeries de H.L. Guerin & L.F. Delatour 1762. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. Contemporary drab wrappers uncut . Fine. 42 pp. 7 full page engraved plates. 1 vols. Folio 18 x 12 inches. From Description des arts et métiers. de l'Imprimeries de H.L. Guerin & L.F. Delatour] unknown books