2 085 résultats
1930038241Circa 1930 1930. Original Artwork . No Binding. Very Good. 10" X 8". Original Painting Of A Young Girl Circa 1930 Signature Indistinct But Likely "M N Hunter". <br/> <br/> unknown
20092090502113709904Not Available 2009. Soft Cover. Fine. The book is in fine condition. Not Available paperback
18042110502150908549Nishimura-ya-ban 1804. Soft Cover. Fine. Number of books: 3 Nishimura-ya-ban paperback
2092902138300353Kamikichi Amishima N.A. Soft Cover. Fine. The book is in fine condition. Kamikichi Amishima paperback
18792110502150908231Chujiro Funatsu Version 1879. Soft Cover. Fine. Number of books: 1 Chujiro Funatsu Version paperback
19402092902140601054Great Japan Oratorical Society Kodansha 1940. Soft Cover. Fine. Number of pages: 76p Size: B5 Great Japan Oratorical Society Kodansha paperback
18792110502150908819Chujiro Funatsu version 1879. Soft Cover. Fine. Number of books: 1 Chujiro Funatsu version paperback
19932091502135709524Not Available 1993. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19482110502150900987Kyowa shuppan 1948. Soft Cover. Fine. Volume: 1 Kyowa shuppan paperback
134938Benaki Museum 2008. Brand new. Bilingual greek-english edition. Soft cover 29x24 cm 188 pp. exhibition catalogue; includes an extensive text by Aphrodite Kouria art historian and the exhibition curator and a large number of works that cover the entire spectrum of the artists oeuvre emphasising the three major thematic periods in his painting: portraits mainly inspired by old photographs; objects of private life and the microcosm of daily life; landscapes both urban and from nature. Early works drawings as well as models for set and costume designs for the theatre complete the publication alongside texts written by the artist himself shedding light on his personality and his oeuvre. // Yiannis Migadis. El color de la memoria. Descripcion: El volumen «Giannis Migadis El color de la memoria» se publico en septiembre de 2008 con motivo de la exposicion del mismo titulo del artista griego organizada por el Museo Benaki 22 de septiembre 9 de noviembre de 2008. La publicacion comprende un extenso texto de la historiadora del arte y comisaria de la exposicion Afroditi Kouria y un gran numero de obras que cubren todo el espectro de su labor centrandose en los tres grandes ciclos tematicos de su pintura: retratos inspirados fundamentalmente en fotografias antiguas objetos del ambito particular y el microcosmos de la cotidianeidad paisajes medio urbano y natural. Obras tempranas dibujos asi como maquetas de escenarios y vestuario para el teatro completan la publicacion junto a textos del propio artista que arrojan luz sobre su personalidad y su obra. Benaki Museum 2008 paperback
19962091202133403784Fuji Television Publishing A4 version 1996. Soft Cover. Fine. Number of pages: 1 book Size: 22x27cm Fuji Television Publishing A4 version paperback
20102082402113800089Riron-sha 2010. Soft Cover. Fine. Number of books: 1 Riron-sha paperback
19082092902144000233Hakubunkan 1908. Soft Cover. Fine. Number of books: 1 book Hakubunkan paperback
19992091502133523648Housewife and Seikatsusha 1999. Soft Cover. Fine. Number of books: 1 Housewife and Seikatsusha paperback
19752090502128300119Japan Transportation Public Corporation 1975. Soft Cover. Fine. The book is in fine condition. Japan Transportation Public Corporation paperback
18802092902138300839Igarashi Taiemon 1880. Soft Cover. Fine. The book is in fine condition. Igarashi Taiemon paperback
19402110502150304508Kodansha 1940. Soft Cover. Fine. Volume: 1 Kodansha paperback
2001008695Stanford CA: Stanford University Press 2001. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. Folio - over 12 - 15" tall. First edition presumed first printing of the hardback edition. Typeset in Washington D.C. Printed in Norfolk England. Approx. 12.75 x 9.75 inches. Red cloth hardboards with crisp gilt-stamped titling to the spine. Unbumped spine head and tail and sharp corners. Exceptionally clean binding. Text block firmly bound in and quite tight though with moderate page waviness throughout. With 216 numbered pages on coated stock. All pages clean and crisp. With numerous plates and illustrations many in color several full page. The objects discussed and pictured include Ming and Qing portraits from the collection in the Arthur M. Sackler Gallery. The color pictorial dust jacket with a hint of waviness along the top edge. A Near Fine copy in a Near Fine DJ. 3 lbs. 8 oz. Published in conjunction with an exhibition held at the Sackler Gallery June 17 to September 9 2001. This group of paintings was originally assembled in the late 1930s and 1940s by Richard G. Ptitzlaff who obtained the portraits from a Chinese dealer known for his connections with nobles selling their family heirlooms. <br/> <br/> Stanford University Press hardcover
19092092902144000249Hakubunkan 1909. Soft Cover. Fine. Volume: 1 Hakubunkan paperback
19692082702114908585Sekaibunkasha 1969. Soft Cover. Fine. Number of pages: 83p Size: 27cm Number of books: 1 Sekaibunkasha paperback
19762110502150407210Kodansha 1976. Soft Cover. Fine. Volume: 1 Kodansha paperback
19882081502112305003PHP Research Institute 1988. Soft Cover. Fine. Number of pages: 139p Size: 22cm PHP Research Institute paperback
19382092902138300409Nagai Nichieido version 1938. Soft Cover. Fine. Size: 41x60cm Nagai Nichieido version paperback
1809ST12251Londini: Impensis J. Johnson et al. 1809. 248 x 146 mm. 9 3/4 x 5 3/4". 2 p.l. 700 pp.With commentary by Christian Gottlob Heyne. <br/> HANDSOME CONTEMPORARY NAVY BLUE STRAIGHT-GRAIN MOROCCO DENSELY GILT covers with thick and thin gilt rule border and large central laurel wreath that on the front with the Latin motto "Honoris Causa" "For the sake of honor" that on the rear with the name Thomas T. Churton and the date 1817 raised bands spine lavishly gilt in compartments filled with foliage and small tools emanating from a central fleuron gilt titling and turn-ins all edges gilt. WITH A SPLENDID LATER PAINTING OF MOUNT ETNA ON THE FORE EDGE. In a recent plush-lined blue folding cloth box with gilt spine titling. With ink stamp of Bolton Public Library on verso of title and first page of text. Lowndes IV 2777. Corners slightly bumped boards a little faded first two gatherings mildly foxed isolated rust spots or faint freckled foxing but still AN ESPECIALLY DESIRABLE COPY the handsome binding virtually unworn the text clean and smooth and the unusual fore-edge painting very well preserved.<br/> <br/> This scholarly edition of Heyne's acclaimed Virgil comes in a fine contemporary binding with a noteworthy fore-edge painting. Dibdin Gibbon and Sandys all praise Heyne's edition of Virgil and Sandys credits him with being "the first who with any decisiveness attempted . . . to read in the writings of the Ancients not their language alone or even their detached opinions and records but their spirit and character their way of life and thought." First published in Leipzig in 1767-88 Heyne's edition was deemed "incomparable" by Dibdin and even inspired a poem by William Cowper "On Receiving Heyne's Virgil from Mr. Hayley." Our painting shows a coastal landscape in Sicily rendered in strong greens and deep blues. There is a bay on the left and a tiny village perched above the sandy beach with white-capped Mount Etna emitting a thin wisp of smoke in the background. Purplish clouds are gathering in the distance which combined with the smoking volcano lend a frisson of foreboding to an otherwise tranquil scene. As often the age of the painting is difficult to determine: not the work of any recognizable painter it is very probably not as old as the binding yet is almost certainly not something done during the last 100 years. In any case the quality of its execution is high and the subject matter--which is something quite different from the typical fore-edge design--is entirely appropriate for the classical contents of the book. The attractive binding indicates a milestone in the life of its owner Thomas Townson Churton 1798-1865. The phrase "Honoris Causa" on a 19th century binding or bookplate is often found in conjunction with an academic prize being granted and in 1817 Churton then a top student at Rugby School was awarded a prestigious "leaving exhibition" to support his further education which he duly started the same year at Brasenose College Oxford. He was one of only two students in his year granted the full seven-year exhibition funding that was more than sufficient to support undergraduate studies and beyond at the university. In keeping with the content of the book at hand and with the subject of its fore-edge painting Churton was a classicist and he excelled at Oxford as he had at Rugby being elected Dean of Brasenose in 1828 and being a Fellow from 1821 to 1852. Not emblazoned with the Rugby arms this exceedingly fine binding was possibly commissioned privately perhaps by family to commemorate Churton's superb performance at Rugby and in hopes of a bright future at Oxford. Impensis J. Johnson et al. unknown
2003117926<p>Hidryma tes Boules ton Hellenon 2003. In English. Soft cover 28x24 cm 272 pp. ISBN: 978-960-560-061-7.</p><p>Painters incl.: Vincenzo Lanza Dionysios Tsokos Theodoros Vryzakes Pavlos Prosalentis the younger Aimilios Prosalentis Constantinos Volanakis Vasileios Chatzis Ioannis Altamouras Angelos Giallinas Nikolaos Xydias Pericles Pantazis Nikolaos Gysis Georgios Iakovidis Ioannis Economou Spyros Vikatos Loukas Geralis Pavlos Mathiopoulos Emmanouil Zairis Thaleia Flora - Karavia Lykourgos Kogevinas Sophia Laskaridou Nicholas Lytras Pericles Lytras Nikolaos Othonaios Oumbertos Argyros Epameinondas Thomopoulos Stelios Miliadis Theodoros Lazaris Vasileios Germenis Nikos Kalogeropoulos Constantinos Maleas.</p><p>.</p><p>.</p><p>.</p><p>===================================================</p><p><strong>IMPORTANT: The shipping cost in not included in the price. You will have to approve it at confirmation of the order.</strong></p> Foundation of the Greek Parliament paperback