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Guía de HTML5 CSS3 y Javascript. La Web 2.0: 2ª Edición Spanish Edition
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Firenze, Tip. Editrice C. Ademollo, 1891, in-16, br. edit., pp. 24.
LV57547Diputación General de Aragón. Bueno. 1991. tapa blanda.SINOPSIS:Ha publicado numerosos artículos especialmente sobre los Judíos en la Europa Medieval en obras especializadas y en revistas científicas habiendo participado en Congresos nacionales e internacionales celebrados en París Madrid Roma Bolonia Pau Tel Aviv Jerusalén Nueva York Buenos Aires Sfax Ankara Nápoles Murcia Sassari Barcelona Toledo Sevilla Valencia Murcia Chicago Montpellier Toulouse Los Angeles Tel Aviv Varsovia etc. Diputación General de Aragón unknown
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1514352990.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996130251La Mascara 1996. Tapa blanda. 2ª Mano. . . Musica. Muy ilustrado con fotos. . . Tapa blanda 160 p.:il. col. ; 30x21 cm La Mascara unknown
8476006519.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8476353073.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987S113039Tübingen, 1987 v + 252pp., 30cm., Doctoral Dissertation (Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie der Fakultät für Kulturwissenschaften der Eberhard-Karls-Universität Tübingen), softcover, stamp at verso of title page, text is clean and bright, good condition, weight: 1.3kg., S113039
v + 252pp., 30cm., Doctoral Dissertation (Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie der Fakultät für Kulturwissenschaften der Eberhard-Karls-Universität Tübingen), softcover, stamp at verso of title page, text is clean and bright, good condition, weight: 1.3kg., S113039
1987180463-1Tübingen 1987. 251 S, Original-Kartonband
ria9789812836298_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Metadata research has emerged as a discipline cross-cutting many domains focused on the provision of distributed descriptions often called annotations to Web resources or applications. This book covers the variety of metadata schemas hardcover
9812836292.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2014x-9812836292World Scientific Pub Co Inc 2014. Hardcover. New. 570 pages. 11.25x7.00x1.25 inches. World Scientific Pub Co Inc hardcover
2012DADAX9812836292World Scientific Publishing Company 2012-11-30. hardcover. New. 6.90x1.40x9.80. Buy with confidence. Excellent Customer Service & Return policy. World Scientific Publishing Company hardcover
2012SONG9812836292World Scientific Publishing Company 2012-11-30. hardcover. Used: Good. 6.90x1.40x9.80. Buy with confidence. Excellent Customer Service & Return policy. World Scientific Publishing Company hardcover
23081903Berkeley California: Peter Koch Printer 2015. Limited Edition. Hardcover. Fine. Goldyne Joseph; Hugill-Fontanel Amelia. One of 126 copies two volumes complete quarto size 60 pp. signed or initialled by Robert Bringhurst Joseph Goldyne and Peter Koch. Michelangelo 1475-1564 one of the major figures in the Italian Renaissance who created monumental works of painting and sculpture such as the paintings on the ceiling of the Sistine Chapel and the marble sculpture of David was also a poet composing works in the sonnet form as well as the madrigal. According to Peter Koch Michelangelo was ". . .the greatest lyric poet of his time in the Italian language. . . .He treated his poems casually -- very much like sketches rather than finished works of art -- and they remained uncollected and unpublished for seventy years after his death." <br /> <br /> In the volume "Hard High-Country Poems" ten of Michelangelo's poems addressed to or about Vittoria Colonna a woman he formed a relationship with later in his life are collected. "The Typographic Legacy of Ludovico Degli Arrighi" is an essay by Canadian poet and typographer Robert Bringhurst b. 1946 about the work of Ludovico Degli Arrighi 1475-1527 a prominent type designer in Renaissance Italy. Bringhurst also provides the translations of Michelangelo's poems for this publication. <br /> <br /> This set is comprised of two volumes; one of poetry and the second about the type. Included in the volume of poems is a drypoint portrait of Michelangelo by Joseph Goldyne b. 1942 a printmaker whose soft line work and subtle shadows are reminiscent of Italian Renaissance engravings and drypoints. In "Typographic Legacy" there are two photographs of punches used for cutting type by Amelia Hugill-Fontanel an art historian and editor who is associate curator at the Cary Graphic Arts Collection at Rochester Institute of Technology. <br /> <br /> This lovely publication by the inimitable Peter Koch has a stunning attention to detail as the typefaces used are based on italics designed in the 1520s by Arrighi and the slipcase is covered in a reproduction of an Arrighi type specimen sheet; a fascinating combination of poetry and typography from the Italian Renaissance. <br /> <br /> ___DESCRIPTION: Both volumes are bound in quarter blue leather with decorative paper boards with images of standing type "Poems" with grey printed on beige paper "Typographic Legacy" with red printed on beige paper both with gilt lettering on the spines red-brown endpapers "Poems" with a frontispiece being a tipped-in drypoint portrait of Michelangelo by Joseph Goldyne initialled in pencil by the artist below the plate title page in red and black; Vicenza and Arrighi types Amalfi Amatruda handmade paper quarto size 9 1/2" by 5 3/4" pagination: 27 unnumbered pages one of 126 copies this number 67 signed by Robert Bringhurst and Peter Koch at the colophon. "Typographic Legacy" with the frontispiece being a tipped-in photograph of type punches by Amelia Hugill-Fontanel title page with printer's device in red a second tipped-in photograph of type punches by Hugill-Fontanel following the title page; Monotype Arrighi and Centaur types Hahnemuhle Biblio paper quarto size 9 1/2" by 5 3/4" pagination: 1-2 3-31 32 1 colophon one of 126 copies unnumbered. Both volumes are encased in a chemise covered with beige paper which is inside a slipcase covered in matching beige paper wrapped in a reproduction of an Arrighi type specimen sheet with title and ruled borders in black and red printer's device on the spine. <br /> <br /> ___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; clean crisp as new. The chemise is fine also sturdy clean and without wear. The slipcase is fine strong and sturdy clean and without wear. A stunning example. <br /> <br /> ___CITATION: Peter Koch Catalogue. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Peter Koch Printer hardcover
8417640460.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6206139204.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012DADAX3848474913Eae Editorial Academia Espanola 2012-04-07. paperback. New. 5.91x0.38x8.66. Buy with confidence. Excellent Customer Service & Return policy. Eae Editorial Academia Espanola paperback
3848474913.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
052881043X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
51-6337Rome: Nicolaus van Aelst circa 1570 later impression. . Engraving on 19th Century thick wove paper.60.5 x 46.5cm. .Right margin creased. Waterstain on right side. .References: Adam von Bartsch Le Peintre graveur. Vienna 1803 cat. no. 17 p. 393.TIB The Illustrated Bartsch. Abaris Books 1978– cat. no. 17 p. 52 ill.Paolo Bellini "Incisioni di Giorgio Ghisi" Rassegna di studi e di notizie. 7 1979 p. 132.Suzanne Boorsch R. E. Lewis Michal Lewis The Engravings of Giorgio Ghisi. The Metropolitan Museum of Art New York 1985 cat. no. 48.iii p. 161 iv.Paolo Bellini L'opera incisa di Giorgio Ghisi. Bassano del Grappa 1998 cat. no. 18.iv p. 87 ill.Met Museum: Object Number: 1984.1108.3 Rome: Nicolaus van Aelst , circa 1570 (later impression. unknown
1286980577.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196114920Paris, Les Productions de Paris (Hachette), sans date (1961, date du Dépôt légal) ; in-16 (20 cm) ; pleine toile violette, titre en blanc sur le dos et le plat, illustration sur le plat, rhodoïd transparent (reliure de l’éditeur) ; 621, (3) pp., y compris les nombreuses illustrations à pleines pages comprises dans la pagination.
1988220510071Promotora de Comercializacion Directa 1988-01-01. Hardcover. Very Good. In a slip case Promotora de Comercializacion Directa hardcover
