Dali, SalvadorBiblio.com
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1995SONG3791316028Prestel Pub 1995-10-19. English Ed. hardcover. Used: Good. 9.45x0.79x11.81. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
320272unbound. near fine. Dali. Exceptional suite of three autographed postcards signed by Dali all depicting real life images of bull fighting in various stages of engagement; including one image in color depicting the Toreador moving in for the kill. Dali was a great fan of bull fighting as a sport and it became a theme that would appear in his artwork throughout his career. All three images are clean and without blemish. Dali's signatures are dark and boldly signed.<br/> <br/> Dali Salvador 1904-1989. Spanish surrealist artist renowned for his technical skills precise draftsmanship and the striking and bizarre images of his works.<br/> <br/> unknown
1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 866; Field 77-3 62 1977 unknown
1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 907; Field 77-3 21 1977 unknown
1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 923; Field 77-3 5 1977 unknown
1944HDDNFACE1ST<p>"Hidden Faces" by Salvador Dali The Dial Press 1944. First Edition First Printing of Dali's only novel. Signed by Dali who was both author and illustrator on the half title in black marker. 413pp. Black cloth with lightly-faded gold spine titling. Lacking jacket. Some discoloration to lower front corner of cover as pictured. Overall Very Good and incredibly scarce in signed condition.</p> The Dial Press hardcover
19687978New York: Harry N. Abrams 1968. Later printing . Hardcover. Good /Very good. Quarto 243pp. illustrated. Harry N. Abrams did not state first or later printings during this period but we presume this is a later printing as the Abrams logo on the front panel appears to be that of ca. 1970-74. A slightly shaken copy good or better with general scuffing to the edges especially the corners. Still a crisp sound copy. In a very good dust jacket showing mild edgewear and some scrapes/abrasions to the rear panel which is typical for this title. Nevertheless a fantastic copy SIGNED boldly in purple ink by Dali and dated 1976 on the blank leaf opposite the title page. Signed copies of this excellent volume are rather uncommon compared to some of other of Dali's books. Harry N. Abrams hardcover
19671410662Phyllis Lucas Gallery 1967. Limited Edition #60/150. Numbered and signed to mat in pencil. "Phyllis Lucas" ink copyright stamp to top left border of plate. Plate measures 3.8in. x 4.8in; sheet measures 5.25in. x 8.75in. frame measures ~14.25in. x 18.5in. Shelved at Dupont Store. Original etching was gifted to the Lucas Family for Christmas in 1967 featuring a kneeling angel set in a Dalian landscape with two other figures. The inscription in the plate written by Dali reads: "Merry X-Mas and for Good Luck to the Luca's 1967." Sidney and Phyllis Lucas the directors of Phyllis Lucas Gallery were the first North American publishers of original Dali graphics. 1410662. Shelved Dupont Bookstore. Phyllis Lucas Gallery unknown
1411849Limited Edition #39/75. Color lithograph on paper depicting a stylized female torso surmounted by an abundant bouquet of flowers rendered in vivid tones of pink red yellow and blue against a pale green ground. Signed in pencil to lower right and numbered "A.P. 39/75" to lower left. Matted and presented under glass in a gilt frame. Print: Approx. 29 in. x 20.5 in.; Frame: 37.5 in. x 28 in. In Very Good condition. Print shows mild overall toning. Frame exhibits minor surface wear. Not examined out of frame. Shelved at Rockville Room B.<br /> <br> <br /> <br> <br /> Oversized item. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1411849. Special Collections - Upstairs. unknown
99204ca.1970. 32 x 48 cm Mappe min fleckig Grafiken tadell. Dies die Nummer 519 von 1000. Im Blatt von Dali signiert. Die Grafiken wurden auf den Originalflaschen die in den 70iger Jahren in einer limitierten Stückzahl produziert wurden als Etikette verwendet. 010 ca.1970 unknown
863381968/69. 38 x 28 cm 37 x 24 cm Rückseitig etwas angeschmutzt. Montagespuren a. Rückseite. Rechts unten handsigniert u. Prägesignatur. Michler / Löpsinger 303K. Einzelblatt aus der Faust-Mappe 010 1968/69 unknown
2001182847Govern d'Andorra 2001. tapa dura. 2ª Mano - Bueno/2ª Mano. Govern d'Andorra. 2001. Ilustrado. Edicion bilungüe Catalá Ingles. El libro es una recopilación extensa de ilustraciones del artista catalán categorizado frecuentemente como libro de texto o catálogo de exposición. Detalla las ilustraciones que Dalí realizó para grandes clásicos de la literatura universal como La Divin Tapa dura tela roja con estampado en oro 30x25cm 543pp. Govern d'Andorra hardcover
55085Barcelona: Documents 1933. Octavo 18.5 × 12.5 cm. Original printed wrappers; 238 2 pp. with frontispiece and 5 illustrations by Salvador Dalí. About very good; light wear and soil to wrappers; text evenly toned due to stock. Rare first and only edition of Salvador Dalí's illustrations for this communist publication by Jaume Miravitlles chairman of the Communist Workers' and Peasants' Bloc BOC. Since his studies in engineering the young Catalan was committed to the independence of his home region from Spain. After being threatened with a prison sentence for distributing leaflets he fled to Paris where he completed his studies and began to move in the circle of the Surrealists. Together with Dalí he appeared as an actor in Luis Buñuel's film "Un perro andaluz" in which he played a clergyman sitting at the piano alongside his eccentric countryman. He also had a role in "La edad de oro". After his return he joined the Catalan Communist Party. During the Civil War he served as a propaganda officer for the Generalitat de Catalunya.<br /> <br /> As of March 2025 KVK and OCLC do not list any copy worldwide. unknown
1946140948363Garden City NY: Doubleday & Comany Inc 1946. Signed Limited Edition. Near Fine. First edition thus limited issue #786 of 1000 copies. Signed and dated by the illustrator Salvador Dali on the limitation page at front. iv 442 1 pp illustrated with color plates and full page line drawings. Bound in publisher's blue buckram stamped in gilt and blocked in black on the spine top edge gilt; lacking the slipcase. Near Fine with light toning covers and contents trivial mottling to rear cover. Binding square and strong plates clean and bright. <br /> <br /> <p>The Renaissance sculptor and master goldsmith Benvenuto Cellini is known as much for his Autobiography as for his art. Self-aggrandizing and partly invented the memoir is a well-written and highly entertaining addition to the Western canon. Both Cellini's artwork and his posthumously published autobiography influenced the Surrealist artist Salvador Dali who more than matched the Renaissance man in bravado famously writing in his own autobiography:<br /> <br /> <p>"Every morning upon awakening I experience supreme pleasure: that of being Salvador Dali and I ask myself wonderstruck what prodigious thing will he do today this Salvador Dali. Doubleday & Comany, Inc unknown
1411858Limited Edition #66/75. Offset lithograph in colors on paper depicting a surrealist composition with classical figural imagery set before a Moorish-style archway opening onto a distant coastal landscape. The composition incorporates Dalí's characteristic dreamlike symbolism perspectival tiled flooring and biomorphic linear forms. Marked lower left "A.P. 66/75". Signed in graphite to lower right. Print: 21 in. x 29 in. In Good overall condition. Print exhibits moderate overall toning scattered creasing handling wear and waviness throughout. Corners with bends and soft creases including a small tear with minor loss at the lower left corner. Minor scattered surface soiling and foxing and edge wear visible. Unframed. Shelved at Rockville Room B. 1411858. Special Collections - Upstairs. unknown
19817041Illustrated with 15 mounted color illustrations after lithographs by Salvador Dali. Text in Italian. Introduction by Maria Grazia Branchetti. Edited by Milko Skofic. <br /><br />Folio. Original black leather blind embossed border gilt letters on cover and spine gilt fleurons on spine. Edizione Eldec Roma 1981. Limited to 350 copies. Printed on handmade paper. Edizione Eldec
28715Paris Pauvert 15 octobre 1963. 1 vol. 215 x 275 mm de 166 p. Cartonnage éditeur 33 planches hors-texte dont 3 en couleurs 2 illustrations dans le texte de Dali dont l'une d'après Millet. . Édition originale. Envoi signé : « Monsieur Max-Pol Fouchet Dali 1963 ». . Analysant l’œuvre de Jean-François Millet à coup d’associations personnelles irrationnelles et on ne peut plus obsessionnelles Salvador Dali en vint à des interprétations dont on ne résiste pas à donner ici un aperçu : la fourche fichée en terre par le paysan signifie la pénétration sexuelle mais aussi un scalpel de dissection ; le chapeau que ce même homme tient contre lui « essaie de cacher son état d’érection » tandis que les poignées de la brouette derrière la femme répondent à la prière d’une mante religieuse. La suite et l’ensemble de cette interprétation « paranoïaque-critique » selon la définition de l’auteur figure dans un texte écrit en 1938 que Dali laissera longtemps de côté avant de l’éditer chez Jean-Jacques Pauvert en 1963. Les exemplaires dédicacés sont peu fréquents. Parfait état. Paris, Pauvert, (15 octobre) 1963. 1 vol. (215 x 275 mm) de 166 p. Cartonnage éditeur, 33 planches hors-texte dont 3 en couleur unknown
196622958PRIMERA EDICION DE BIBLIOFILO.- Milano: Rizzoli Editore 1966.- 26 hojas sin numerar: 9 láminas a todo color; Gran Folio 41 x 34 cm.; Magnífica impresión en grandes caracteres de color gris diferentes para cada idioma y con bellísimas letras capitales todo ello sobre excelente papel verjurado con filigrana transparente de Rizzoli Editore con todas sus barbas; Enc. Editorial en seda azul con el mismo diseño de la portada dorado estampado en la tapa anterior y camisa plástica transparente.- BELLISIMA EDICION DE BIBLIOFILO SIN DUDA DE CORTA TIRADA AUNQUE NO LO INDICA. PINTURA DIBUJO Y GRABADO ESPAÑOLES Libro in italiano Rizzoli Editore paperback
197078140Paris 1970. Fine. Paris 1970 14.90 x 20.20 cm une photographie Photographic portrait of Salvador Dalí Paris 1970 149 x 202 cm one photographPhotographic portrait of Salvador Dalí contemporary silver print in black and white. Interpress stamp at the bottom of the photograph and handwritten annotations in pencil. Roneotyped sticker: « Service spécial page radio TV FR3 Dimanche 6 avril 20 heures. Une certaine idée de la Correra avec Salvador Dalí » Special service radio TV page FR3 Sunday 6 April 8 pm ""A certain idea of the Correra with Salvador Dalí"". A very beautiful photograph taken at a press conference given by Salvador Dali at the Gustave Moreau Museum in Paris on 1st April 1970 about the creation of the Dalí Theatre-Museum in Figueras. The artist poses cane in hand behind a wax reproduction of his head placed on a giant chocolate bar. It was indeed at this time that the painter advertised for Lanvin chocolates. unknown
197187578Paris: Pierre Belfond 1971. Fine. Pierre Belfond Paris 1971 11 x 18 cm broché First edition of which there were no deluxe copies. Handsome copy. Dated manuscript signature by Salvador Dali on the half-title page. Pierre Belfond unknown
1993BN43558Prestel Verlag 1993. 1993. Hardcover. 305 x 245 x 28 c. An essential guide for all Dali enthusiasts as well as for collectors curators and dealers. This difinitive volume of the graphic works is the key to authenticating every print the artist ever worked on. This book is the result of over thirteen years of meticulous research by the editors who worked closely with Robert Descharnes the internationally renowned Dali expert and biographer as well as with printers archives museums and galleries worldwide in order to verify every work included here. Salvador Dalí geboren 1904 in Figueras/Spanien und 1989 dort gestorben war einer der bedeutsten Künstler des 20. Jahrhunderts. Gleichzeitig Maler Bildhauer Schriftsteller und Filmemacher schuf er ein vielfältiges Werk und zählt zu den Meistern des Surrealismus. Reihe/Serie: Salvador Dali Catalogue Raisonne ; 1 Vorwort: R Descharnes Sprache: deutsch Kunst Musik Theater Malerei Plastik Dalí Salvador Werkverzeichnisse ISBN-10: 3-7913-1279-0 / 3791312790 ISBN-13: 978-3-7913-1279-8 / 9783791312798 <br/><br/>Dalí Salvador Werkverzeichnisse Surrealismus Bildende Kunst Kunstgeschichte Kunststile Kunst Malerei Plastik ART Kunsthistoriker Kunststile Malerei Plastik Bildende Künste Theater An essential guide for all Dali enthusiasts as well as for collectors curators and dealers. This difinitive volume of the graphic works is the key to authenticating every print the artist ever worked on. This book is the result of over thirteen years of meticulous research by the editors who worked closely with Robert Descharnes the internationally renowned Dali expert and biographer as well as with printers archives museums and galleries worldwide in order to verify every work included here. Salvador Dalí geboren 1904 in Figueras/Spanien und 1989 dort gestorben war einer der bedeutsten Künstler des 20. Jahrhunderts. Gleichzeitig Maler Bildhauer Schriftsteller und Filmemacher schuf er ein vielfältiges Werk und zählt zu den Meistern des Surrealismus. Reihe/Serie: Salvador Dali Catalogue Raisonne ; 1 Vorwort: R Descharnes Sprache: deutsch Kunst Musik Theater Malerei Plastik Dalí Salvador Werkverzeichnisse ISBN-10: 3-7913-1279-0 / 3791312790 ISBN-13: 978-3-7913-1279-8 / 9783791312798 Prestel Verlag hardcover
1959004774Graphic Society 1959. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. About the book: Hardcover without jacket as issued. Housed in decorative slipcase. Book has been inscribed by Celeste W. Cheatham to Toronto artist John Newman on first blank page. Both book and jacket are in good to very good condition. Additional photos available upon request. <br/> <br/> Graphic Society hardcover
193422914New York: Julien Levy Gallery 1934. Ephemera. Near Fine. The uncommon catalogue and announcement of the November-December 1934 exhibition at New York's Julien Levy Gallery. Clean and bright in its wonderful pictorial wrapper a single sheet neatly folded in half by the gallery to create 4 panels which include a list of the 22 paintings by Dali featured in the show. Ephemeral and very attractive. Julien Levy Gallery unknown
30659c. 1931. 1 épreuve 65 x 40 mm en noir imprimée sur vergé encadrée. . Le célèbre ex-libris dessiné par Dali pour André Breton titré « André Breton le Tamanoir » et signé dans la planche. . C'est dans son poème « Sludge le meÌdium » traduit de l'anglais en 1922 que Robert Browning s'identifie au fourmilier placide dans son attente et pourtant vif aÌ€ saisir sa proie : ce poème André Breton le cite dans une lettre aÌ€ DaliÌ du 10 janvier 1931 avant de lui préciser la mention qu'il souhaite apporter à son ex-libris : « l'inscription aÌ€ faire figurer en banderole sur l'ex-libris serait de préférence aÌ€ ‘André le Fourmilier' ‘AndreÌ le Tamanoir' fourmilier est trop générique. D'autre part il fait un peu plus pléonasme en raison des fourmis. Enfin il sert aÌ€ désigner par ailleurs d'assez médiocres animaux ». Chez le peintre catalan le tamanoir est présent dès sa première exposition en 1929 aÌ€ la galerie Goëmans aÌ€ Paris : dans la préface du catalogue on trouve ainsi ces vers de Robert Desnos : « Avez-vous vu le tamanoir Ciel bleu ciel gris ciel blanc ciel noir. - Avez-vous vu le tamanoir oeil bleu oeil gris oeil blanc oeil noir. - Avez-vous vu le tamanoir Vin bleu vin gris vin blanc vin noir. Je n'ai pas vu le tamanoir ! Il est rentreÌ dans son manoir. Et avec son éteignoir il a coiffeÌ tous les bougeoirs Il fait tout noir. » Belle épreuve anciennement et soigneusement encadrée. Elle provient de la Bibliothèque André Breton et figurait sur son exemplaires des Å’uvres posthumes de Vauvenargues Paris 1821 passé en vente lors de la vente de 2003 lot n° 825. La page de titre du volume a été conservée au verso de l'encadrement. [c. 1931]. 1 épreuve (65 x 40 mm) en noir, imprimée sur vergé, encadrée. unknown
195280093Paris: La Table Ronde 1952. Fine. La Table Ronde Paris 1952 14.50 x 20 cm broché First edition of the French adaptation by Michel Déon one of 120 numbered copies on pur fil paper the only deluxe copies. Illustrated. Handsome copy despite two crease marks on the covers. La Table Ronde unknown
