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2011790271.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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16-5759Paris: Libr. encyclopédique de Roret 1830. 18mo. 9 x 14.5. Original publisher's wraps.14 volumes.Engraved plates. OCLC Number / Unique Identifier:1040489547. Paris,: Libr. encyclopédique de Roret, 1830 paperback
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190687491H. Floury | Paris 1906 | 20.50 x 27 cm | relié
1922012354Paris Henri Floury 1922 In-8 Demi-reliure ancienne Edition originale
CONDE-SUR-NOIREAU,Editions Charles Corlet, 1982 - In-8, 24 x 16 cm - Broché - Couverture rempliée illustrée - illustrations NB en texte, certaines PP - 205 pages - bon exemplaire
19929CONDE-SUR-NOIREAU,Editions Charles Corlet, 1982 - In-8, 24 x 16 cm - Broché - Couverture rempliée illustrée - illustrations NB en texte, certaines PP - 205 pages - bon exemplaire
190687491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
190639070Paris: H. Floury 1906. A pristine deluxe copy of the most important early monograph on impressionism COMPLETE WITH ELEVEN ORIGINAL ETCHINGS BY RENOIR 5 PISSARRO 2 CEZANNE 2 AND GUILLAUMIN 2. IV 214 pp plus numerous hors-texte plates in two states. ONE OF ONLY 100 COPIES PRINTED ON IMPERIAL JAPANESE PAPER WITH THE PLATES IN TWO STATES. Includes the following original etchings: 1 Pissarro "Faneuses" 1890 Delteil 94 in bistre on Japanese paper and in black on Dutch laid paper. 2 Renoir "Femme nue assise" 1906 Delteil 12 in bistre on Japanese paper and in black on Dutch laid paper. 3 Renoir "Femme couchée tournée à gauche" 1906 Delteil 15 in sanguine on Japanese paper and in black on Dutch laid paper. 4 Renoir "Femme nue couchée tournée à droite 2e planche" 1906 Delteil 14 in sanguine on Japanese paper--this etching appears ONLY in the deluxe edition of the book. 5 Cézanne "Guillaumin au pendu" 1873 Cherpin 2 in bistre on Japanese paper and in black on Dutch laid paper. 6 Guillaumin "Vue prise de Saardam" in black on Japanese paper and printed in colors on wove paper. Also includes in two states "Le laboureur" an original woodcut by Lucien Pissarro after Camille Pissarro and "Bords du Loing" an etching by Roy after Sisley. 4to. A PRISTINE COPY IN THE ORIGINAL DECORATED WRAPS WITH PAPER LABELS ON FRONT COVER AND SPINE in the original board slipcase. Completely uncut. Minimal wear to wraps otherwise FINE AND BRIGHT WITH THE ETCHINGS IN PERFECT CONDITION. Most copies were broken up for the original prints and most of the remaining copies were rebound so a pristine copy like this one is a very rare survival. <br/><br/> H. Floury paperback
500228090Sans date.
boz_002866Gérald Van der Kemp. Longue lettre autographe signée à Pierre Levy Conservateur de musée français Longue lettre autographe signée de Gérald Van der Kemp, datée du 2 juin sans année, adressée à Pierre Levy, écrite à l'encre noire sur un feuillet avec entête "Fondation Claude Monet". Dimensions : 21 x 29,4 cm État : Très bel état de conservation. Nombre de pages : 2 pages Gérald Van der Kemp Gérald Auffret-Van der Kemp, né le 5 mai 1912 à Charenton-le-Pont, mort le 28 décembre 2001 à Neuilly-sur-Seine, inhumé à Giverny dans l'Eure, est un conservateur de musée français.
200324211London Time Warner Books, 2003. 210 S. Broschiert , in englischer Sprache
