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Terisio Pignatti Il quaderno di desgni del Canaletto alle Gallerie di Venezia. , Daria Guarnati 1958, Opera comprensiva di 2 volumi. Ottime condizioni: rilegatura rigida, copertina integra, con cofanetto, tagli e pagine in ottimo stato e perfettamente fruibili, misure in cm 25x17x3 Ottimo (Fine) . <br> in ottavo <br> <br> ca 140<br>
This is a very good softcover copy in the original illustrated wrappers with just light wear. Almost completely clean inside (1 page has a few faint marks or notes, now inscrutable), light toning outside. Text in Italian. This catalog was prepared to accompany the large exhibition at the Palazzo delle Esposizioni at Rome in the spring of 1959. Text by Emilio Lavagnino and Antonio Santangelo. 2656 works in the exhibition. Checklist. Bibliography. Chronology (1700-1959). 9" high X 6" wide, 566 text pages + 80 black & white plates. Fold-out brochure from the exhibition, with the plan of the exhibition, which artists in which rooms, etc, laid in. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Bd. 1: Life and work - The plates. Bd. 2: The catalogue raisonné.
Milano, Alfieri Electa, 1985, volumi 2, in-4, tela editoriale con sovraccoperta e cofanetto rigido illustrati a colori (in astuccio di cartone), pp. 775, (3). Con 531 fra tavole ed illustrazioni in b.n. e a colori + numerose illustrazioni in b.n. nel repertorio iconografico a cura di A. Torterolo (dipinti, attività grafica e incisoria ordinati in sequenza cronologica); bibliografia, indice dei nomi e tavole comparative. Collezione "profili e Saggi di Arte Veneta" diretta da R. Pallucchini. Stato di nuovo.
Formato album cm. 43 X 57 pp. 43 con 18 tav. f.t. Legatura edit. in tessuto fiorato furtunicon tassello al piatto. Tiratuta di 1000 esemplari numerati e altri 67 su carta speciale di cui 50 a numerazione romana (XL) firmato dal Pallucchini.
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
In 4° grande; pagg. 70, con 26 ill. a colori e 278 in nero. Legatura editoriale con sovracoperta a colori. Bella e rara monografia dedicata alla vita e all'opera di Antonio Canaletto detto il Canaletto. Esemplare perfetto.
190118-0-78Pirna, Verein für Geschichte Pirna, 1901. Querfolio (34,5x50cm), 11 Ansichten in Lichtdruck, Halbleinen-Flügelmappe
1982BN150526Stuttgart : Klett-Cotta 1982. 1982. Canaletto. J. G. Links. Aus d. Engl. von Grete u. Karl-Eberhardt Felten <br/><br/>Canaletto. J. G. Links. Aus d. Engl. von Grete u. Karl-Eberhardt Felten Links Joseph G. und Antonio Canal Canaletto Stuttgart : Klett-Cotta unknown
0243-26Wien Kaeser o. J. ca. 1880. Radierung. 21 5 x 42 cm. Bildgr.; 47 x 62 cm. Blattgr. im weißen Rand rissig. Nach einem Gemälde von Canaletto radiert von V. Fischer. Wien, Kaeser o. J. [ca. 1880]. unknown
BN67101Canaletto: Ansichten vom Canal Grande in Venedig: Katalog zur Kabinettausstellung anlässlich der Restaurierung zweier Gemälde von Giovanni Antonio . Gemäldegalerie Alter Meister Dresden 2008 Staatliche Kunstsammlungen Dresden Galerie Alte Meister; Henning Andreas; Börner Axel and Dehmer Andreas <br/><br/> unknown
13437London: Published by John Thomas Smith 1809. Engraving by Fellows after a drawing of 1749 in the collection of George Hibbert by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a light waterstain in the top margin and a skillfully repaired 2 1/8" tear in the top left margin. Barely visible mild crease extending through the center of the image. A beautifully rendered view of the Horse Guards as seen from Whitehall from Smith's "Antiquities of Westminster." Constructed in 1745 to accommodate the old palace guards the Horse Guards Parade was and remains today one of London's largest open public spaces. Visible at the end of the parade ground are the distinctive Horse Guard buildings which were designed by William Kent and erected in 1755.<br/> <br/>The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/>Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown books
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/>The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/>Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown books
1760901280AG1760. Kupferstich 16 x 41 cm, Blattgröße 21,5 x 47 cm.
8755Parr Remi. Canaletto Remi Parr After Canaletto. AN INSIDE VIEW OF THE ROTUNDO IN RANELAGH GARDENS. Engraving with hand-coloring 1751. Robert Sayer London 1751. 10 1/8 x 15 3/4 inches image; 14 x 19 1/2 inches sheet. Engraved by Parr 1723- an English artist known for engraved views of London after the well-known painting of this subject by Canaletto. Canaletto spent many years in England and painted many architectual views. The Ranelagh Gardens was a park in the Chelsea area that served along with Vauxhall as a "pleasure garden" for Londoners in the 18th Century. The Rotunda was used for entertainments including a performance there by Mozart in 1764. A repaired tear in the lower left margin extending only about 1/8 inch into the image; residue from removal of tape around the edges verso else in very good condition. unknown
Mm 250x280 Opera realizzata tra il 1995 e il 1996. Due tomi rilegati in uniforme tela bianca, sovraccoperta editoriale illustrata con piccoli restauri allla testa e al piede del dorso, custodie editoriali per ciascun libro; 616 e 647 pagine con, rispettivamente, 959 figure in nero e a colori nel primo tomo e 947 nel secondo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1981712AB1981. Nördlingen Uhl 1981. 2° Large Folio. 2 nn. Blatt 30 Reproduktionen von Radierungen auf 19 Tafeln / 30 Reproductions in original size. Alle Blatt lose in Originalmappe. / All 30 Reoriductions loosely inserted in original Folder. 2 nn. Blatt 30 Reproduktionen von Radierungen auf 19 Tafeln. Alle Blatt lose in Originalmappe. Sehr guter Zustand. Großfolio. Included are for example the following reproductions / "Die Reproduktion der vorliegenden Ausgabe erfolgte in der Größe der Originale nach dem makellosen Exemplar der Hofbibliothek Aschaffenburg." - Uhl Enthalten u.a.: Ale Porte del Dolo Al Dolo La Torre di Malghera Frei gestaltete Ansicht von Padua Proticus mit Laterne Die Terasse Markt in Dolo Landschaft mit einem betenden Pilger Landschaft mit antiken Ruinen etc. etc. unknown
1742P5456Venice Italy 1742. Very Good. Notes: Rare 18th-century view of Venice depicting the Grand Canal from the Palazzo Michiel dalle Colonne to the Palazzo Civran. Plate 7. It is beautifully framed. <br>This is from the work Urbis Venetiarum Prospectus Celebriores Famous Views of Venice. Image Size : 252x414 mm 9.92x16.30 Inches Platemark Size : Paper Size : Coloring: Hand Colored Medium: Copper Engraving Categories: Views Europe Italy; unknown
1735est214t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Numéro 6. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est218t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche 12. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est215t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche numéro 8. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est217t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche 11. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est212t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Ab Aedibus hinc Foscarorum, illinc Linorum, usque ad Templum Charitatis. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche numéro 2. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
1735est216t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Planche 9. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
