Antonio Visentini (1688-1782)Livre Rare Book
355 résultats
1735est213t4Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768), numéro 4. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
191420053AB1914. Vienna K.-K. Jof- und Staatsdruckerei ca. 1914. 45 : 58 cm. Title Index 5 pages with 5 illustrations 12 heliogravure plates. Half cloth portfolio with title in gold on front board. High-quality reproductions in brown tone based on the realistic oil paintings by the Venetian veduta painter Bernardo Bellotto called Canaletto 1722-1780 who worked in Vienna around 1760. In addition to the well-known "Canaletto view" from the Belvedere the pictures show views of Schönbrunn several squares and churches in the city center: University square Lobkowitz square Freyung new market Schotten church and Dominikaner church as well as the Liechtenstein Palace in Rossau and the Kaunitz Palace in Mariahilf. hardcover
Two volumes (one of text, one of plates), complete. First and only edition of the standard catalogue raisonnÈ of Della Bella's prints. De Vesme's catalogue initially appeared in 1906 (as pp. 66-332 of his "Peintre-Graveur Italien") but that edition is less than ideal, both because it is unillustrated and because of its many errors and omissions. In the late 1960s Phyllis Dearborn Massar performed the Herculean task of assembling photographs of the over 1,300 prints described, correcting De Vesme's mistakes, and supplying new information regarding unknown states and proofs. This two-volume edition is the result of her outstanding scholarship. Folio, bound in publisher's cloth. Tiny traces of wear to extremities of bindings, otherwise as new. The essential reference for anyone interested in Della Bella's prints.
86936Venice c.1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate IX from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790 unknown
86938Venice c.1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate II from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790 unknown
86934Venice c.1790. . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate V from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790. unknown
86937Venice c.1790. . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate VIII from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790. unknown
86935Venice <br /><br /> c. 1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate VII from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /><br /><br /> Venice <br /><br /> c. 1790 unknown
Incisione all'acquaforte (mm. 272x430), sotto passe-partout. In basso al centro "Nauticum Certamen cum Prospectu ab Aedibus Balborum, ad Pontem Rivoalti” ("La regata sul Canal Grande") e sulla destra "XIII" in numero romano. Esemplare in II stato, tratto dalla prima edizione completa del celebre album inciso da Antonio Visentini sui dipinti di Canaletto, "Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII, aere expressi ab Antonio Visentini. In partes tres distributi". Cfr. Cat. "I rami di Visentini per le vedute di Venezia del Canaletto", (Venezia, Museo Correr, 1990), paragr. 15. Esemplare molto ben conservato.
174714691747. Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark a crown in shield topped by a fleur-de-lys and the letters GR 22 3/4 x 15 3/4 inches 576 x 400 mm wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard there is however some associated cockling. While there is some minor mat tone visible around the perimeter of the sheet the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge outside of the image area due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge." It in fact shows the north prospect of the bridge with vessels and passengers on the River Thames. Also included is a key to the buildings and the vessels. A vast of array of boats of numerous different shapes and sizes are dotted throughout the waters of the River Thames. The composition is dissected horizontally by the old Westminster Bridge which is reflected in the calm glassy water below. The recognisable buildings of Westminster Abbey and Westminster Hall are seen to the right of the bridge and the former building of the House of Commons labelled 'E' is behind in roughly the same location as the current building. There had been proposals to construct a bridge across the River Thames at Westminster as far back as the Restoration period of 1660 to 1700 but it was not until 1738 that an engineer Charles Labelye was appointed to bring the project to fruition. Westminster Bridge was opened in 1750 and was after London Bridge only the second masonry structure to cross the Thames. The present cast-iron bridge was constructed over a century later between 1854 and 1862. <br /> - United Kingdon Government Art Collection 2023. unknown
1742P1982Venice: Giovanni Battista Pasquale 1742. Excellent. Notes: This print is from the book "Urbis Ventiarum Prospectus Celebriores"<br><br>A superb impression of this sought after view by Canaletto. Image Size : 250x425 mm 9.875x16.75 Inches Platemark Size : 275x430 mm 10.875x16.875 Inches Paper Size : 340x505 mm 13.375x19.875 Inches Coloring: Black & White Medium: Copper Engraving Categories: ; Views Europe Italy Giovanni Battista Pasquale unknown
Constable, W. G.: Canaletto. Giovanni Antonio Canal, 1697-1768. 3 volumes. Oxford University Press, 1989. The 2 volume Oxford University Press, 1989 edition is a revision of the 1976 edition, reprinted with a supplement, revised by J. G. Links. Together ci, 746 pages plus 240 pages of black and white illustrations. Hardback. 25 x1 9.5cms. with: Canaletto. A Supplement to the Catalogue Raisonné. London: Pallas Athene, 1998 (55 pages with a frontispiece plus 148 monochrome illustrations. Hardback. 25 x1 9.5cms. The combination of the 1989 edition with the 1998 supplement represents the most complete and up-to date catalogue raisonné of the works of Canaletto. The 1989 revision has new illustrations and amendments to the biography and catalogue raisonné of the previous editions which renders them redundant. The supplement includes new research and material, since the revised and updated catalogue raisonné [1989 edition] and publishes lost and hitherto unknown paintings which have resurfaced, other documentary material and essays by the author, newly discovered associations with Sir Robert Walpole and Marshal Schulenburg; new attributions to and from Bellotto, Visentini and Marieschi, plus some previously unknown early paintings of the Piazza. The combination of the 1989 edition with the 1998 supplement represents the most complete and up-to date catalogue raisonné of the works of Canaletto. The 1989 revision has new illustrations and amendments to the biography and catalogue raisonné of the previous editions which renders them redundant. The supplement includes new research and material, since the revised and updated catalogue raisonné [1989 edition] and publishes lost and hitherto unknown paintings which have resurfaced, other documentary material and essays by the author, newly discovered associations with Sir Robert Walpole and Marshal Schulenburg; new attributions to and from Bellotto, Visentini and Marieschi, plus some previously unknown early paintings of the Piazza
199876468NGP. New. 1998. Paperback. 1857092198 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 64 pp. With 76 ills. 62 col. . 23 x 22 cm. -- with a bonus offer-- . NGP paperback
200873392Silvana Editoriale. New. 2008. Paperback. 8836610544 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 264 pp. With 182 ills. 113 col. . 28 x 24 cm. -- with a bonus offer-- . Silvana Editoriale paperback
198666692The Gallery. New. 1986. Paperback. 0864631324 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 108 pp. With 49 ills. 5 col. . 20 x 25 cm. -- with a bonus offer-- . The Gallery paperback
198265551Neri Pozza Editore. As New. 1982. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 256 pp. With 289 ills. 8 col. . 31 x 26 cm. -- with a bonus offer-- . Neri Pozza Editore paperback
197263043Gallery. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 72 pp. With 30 ills. 23 x 13 cm. -- with a bonus offer-- . Gallery paperback
191457768Editions D'Art E. Celanza / Librairie G. Van Oest & Cie. As New. 1914. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French with 26 b/w plates. -- with a bonus offer-- . Editions D'Art E. Celanza / Librairie G. Van Oest & Cie. hardcover
2012105686Mercatorfonds; Et Al. New. 2012. Hardcover. 906153822X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 208 pages; many illustrations most in color. -- with a bonus offer-- . Mercatorfonds; Et Al hardcover
200878585Michel Sandstein Verlag. New. 2008. Paperback. 3940319287 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 100 pp. With 138 ills. 124 col. . 27 x 24 cm. -- with a bonus offer-- . Michel Sandstein Verlag paperback
200571818SILVANA EDITORIALE. New. 2005. Paperback. 888215808X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 888215808X. Text in Italian. 312 pp. With 245 ills. 212 col. . 28 x 26 cm. -- with a bonus offer-- . SILVANA EDITORIALE paperback
199575673Museum. New. 1995. Paperback. 0944722199 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 96 pp. With 45 ills. 28 x 22 cm. -- with a bonus offer-- . Museum paperback
192555636Paris France: Editions Nilsson. As New. 1925. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 132 pages many lovely b/w illustrations. -- with a bonus offer-- . Editions Nilsson paperback
1968C93658Abrams. As New. 1968. Hardcover. 0810955040 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pages; more than 400 illustrations including 64 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Abrams hardcover
1968C86318Rizzoli. As New. 1968. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 128 pages. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Rizzoli hardcover
