Canaletto, AntonioBiblio.com
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1971Q-0486227057Dover Publications 1971-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/>The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/>Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown books
13435London: Published by John Thomas Smith 1809. Engraving by Fellows after a painting of 1746 in the collection of the Honorable Percy Wyndham by the renowned Italian topographical painter etcher and draughtsman Canaletto. Very good condition apart from some minor foxing a few mild creases in the bottom margin and slight discolouration of the paper due to age. A beautifully rendered panoramic view of the borough of Westminster during the construction of Westminster Bridge from Smith's "Antiquities of Westminster." Built by the engineer Charles Labelye based on a design by Colon Campbell Westminster Bridge was erected between 1738 and 1750. During its construction ships could still pass underneath the bridges' arches the undersides of which were reinforced by supportive wooden structures erected by James King.<br/> <br/> The series from which this plate comes was originally begun with the intention of documenting the fourteenth-century murals sculptures and stained glass discovered during the expansion of the House of Commons. It evolved however into an ambitious and detailed survey involving several artists and engravers of the various buildings of the Palace of Westminster. Comprised of numerous plates several supplementary plates were later published in 1809 accompanied by the descriptive text of John Sidney Hawkins and Smith Antiquities of Westminster constitutes an invaluable visual record of the appearance of the Westminster before it succumbed to the fire of 1834. John Thomas Smith an antiquarian of high repute was also a talented etcher. His published work focuses almost entirely on London and its environs and he was unusual for his time in that he recorded all strata of society. A pupil of the Royal Academician Joseph Nollekens and the mezzotint engraver John Keyse Sherwin Smith began his career as engraver and topographical draughtsman. His first publication Antiquities of London and its Environs 1800 was followed by his magnum opus Antiquities of Westminster 1807. In 1816 Smith became the keeper of prints and drawings at the British Museum a position he held for the duration of his life. He completed The Ancient Topography of London in 1815 and continued to publish various literary and illustrated works throughout his life including a well-received biography of Nollekens in 1828 and Cries of London 1839.<br/> <br/> Cf. Adams London Illustrated 1604-1851 98; cf. Lowndes III p. 2427; cf. Abbey Scenery of Great Britain and Ireland 210; cf.Dictionary of National Biography. Published by John Thomas Smith unknown
413778Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
413780Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
413779Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
413781Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
RO20264433Dover Publications. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 91 pages - nombreuses planches en noir/blanc - en anglais - texte sur deux colonnes. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1850133484Dresden und Leipzig: A H Payne. Ohne Jahr. Um 1850. Kartongröße ca. 19x27 cm. Bildgröße ca. 11,5 x 17 cm. In sehr guter Erhaltung.
199876468NGP. New. 1998. Paperback. 1857092198 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 64 pp. With 76 ills. 62 col. . 23 x 22 cm. -- with a bonus offer-- . NGP paperback
In-4 (cm. 28.50), brossura illustrata, con alette, pp. 192, con illustrazioni in bianco e nero e a colori nel testo. Con un testo di Amanda Bradley. Catalogo della Mostra: Londra, The National Gallery, 13 Ottobre 2010 - 16 Gennaio 2011. Washington, National Gallery of Art, 20 Febbraio - 30 Maggio 2011. Traduzioni di Isabella Lodi-Fè Chapman e Viviana Tonon. Allo stato di nuovo (brand new copy).
In-8 (cm. 23), brossura, con alette, pp. 156, (4). In buono stato (good copy).
391977Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
391979Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
391978Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
391976Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
197122199Paris Réunion Des Musées Nationaux 1971 In-8 carré 209 pp
20258649Mercatorfonds 2025 160 pages 25 2x2 2x29 2cm. 2025. cartonnage éditeur avec jaquette. 160 pages. Cet ouvrage lié à une exposition à la National Gallery de Londres en 2010-2011 explore le védutisme vénitien du XVIIIe siècle. Il se concentre sur Canaletto l'artiste le plus emblématique des vues de Venise mais met également en lumière ses nombreux rivaux et contemporains qui se disputaient les commandes de mécènes locaux et étrangers révélant ainsi les rapports stylistiques complexes entre ces artistes
195619588Skira, coll. « Le Goût de notre Temps » 1956 In-12, pleine toile écru éditeur, sous jaquette illustrée, photographies en couleurs encollées, 150 pp. Dos de la jaquette déchirée, très bon état interne.
25805BE, Mercatorfonds / Fonds Mercator, 2010 Hardback, 285x245mm, 160p, French edition. etaf neuf ! . ISBN 978906153971113.
28052, Silvana, 2011 Paperback flaps, 280x230mm, 220p, 120 colour illustrations, Dutch (NL) edition . ISBN 978883661861313.
in 8° oblungo, pp. 107, bross. edit. ill. Collana: Oscar classici, con introd. di Alvise Zorzi, 79 vedute b/n e un saggio di Cesare Brandi, cronologia e bibliogr. 547/36
1742ABC_46068Venice 1742. Oblong folio ca. 36.5 x 52.5 cm. Joannem Baptistam Pasquali Contemporary half morocco brown paper sides manuscript title and two old shelfmarks on the spine. With 3 letterpress title pages printed in red and black with engraved vignettes by Visentini the original engraved title page for the first series Prospectus Magni Canali a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto engraved by Visentini showing the Grand Canal public buildings renowned places in Venice and regatta scenes. 3 parts in 1 volume. 8; 1; 1 ll. plus the part-title double portrait and XIV XII XII prints. First complete edition of a series of engraved views of Venice by Visentini after Canaletto's paintings which were in the collection of the book collector patron of the arts and British Consul of Venice Joseph Smith ca. 1673/4-1770. Canaletto also known as Giovanni Antonio Canal 1697-1768 was an Italian painter renowned for his paintings depicting Venice and its canals. Visentini's plates are not only the best known among the many engravings made after Canaletto's famous views of Venice but also the best and most influential: "crucial to forming the image of Venice in the mind of its visitors" Millard. The British Consul Smith commissioned the painter engraver and architect Antonio Visentini 1688-1782 connected to the Academia and to the artistic and publishing circle around Smith to engrave the plates after Canalettos paintings.The series of 38 plates is divided into three suites of respectively XIV XII and XII numbered prints each suite with its own letterpress title-page. The first set of plates is entirely focussed on the Grand Canal as is promised by the original title-page the Prospectus Magni Canali. The prints of the second suite particularly show the banks of the Grand Canal. The third suite shows views of campi and the Piazza San Marco. Besides Saint Mark's Basilica itself and the Piazza we see for example the campo of Santi Giovanni e Paolo the Piazza San Polo and San Niccolo on the Lido. All prints are captioned in Italian.The present 1742 edition is the first to include all 38 prints of the complete three suites but Visentini had completed and published the first suite of views already in 1735. The present complete series proved very succesfull with further editions in 1751 1754 and 1773. Even in the 19th century it ran through new editions: an 1833 edition with French and Italian captions was reprinted in 1838. The present first edition of the complete series is quite rare: we have traced only 6 copies worldwide in WorldCat and it rarely appears on the market.Binding a little rubbed: spine a little damaged paper sides frayed around the edges and chipped in the right lower corner of the front board boards a little stained. Book block slightly loose in the binding. Some marginal tears professionally repaired. Prints only slightly browned along the edges of the margins but otherwise in very good condition. The rare complete first edition of one of the most influential print series in shaping the image of Venice.l Kat. Ornamentstichsammlung Berlin 2695; Millard Italian 153; WorldCat 6 copies in 5 entries; for Canaletto: Thieme & Becker V pp. 455-486; for Visentini: Thieme & Becker XXIX p. 419. hardcover
LCS-1864077
In-8 (cm. 28.10), brossura illustrata, con alette, pp. 87, (5), con illustrazioni in bianco e nero e a colori nel testo. Catalogo della Mostra: Trieste, Museo Storico del Castello di Miramare, 18 Aprile - 2 Agosto 2009. Minime tracce di polvere alla brossura; peraltro, volume in ottimo stato (nice copy).
