484 résultats
14880Catalogue de la vente publique, à New York, Sotheby Parke Bernet Inc, le 16 mai 1979, in-8, br., 32 dessins décrits et reproduits, liste des prix jointe.
200797937New York: Neue Galerie: Museum for German and Austrian Art 2007. 2007. Very good. - Quarto 11-1/2 inches high by 9-1/2 inches wide. Hardcover bound in blue cloth titled in gilt on the spine in a color pictorial dust wrapper. The dust jacket is very lightly rubbed with a small chip to the top front corner of the jacket's front panel. 980 pages profusely illustrated in black & white and color throughout. Near fine in a very good dust wrapper. <p>First edition. Published in conjunction Neue Gallerie's October 18 2007 to June 30 2008 exhibition.<p>Edited by Renee Price with contributions by Ronald S. Lauder Renee Price Alessandra Comini Sophie Lillie Maria Altmann Ernst Ploil Marian Bisanz-Prakken Tobias G. Natter Emily Braun Janis Staggs Manu von Miller and Hansjorg Krug. New York: Neue Galerie: Museum for German and Austrian Art, (2007). hardcover
196914511CBLos Angeles, Felix Landau Gallery, 1969. Breit kl. 8°. (32) S. mit Farbabbildungen. OBr., 1
198418900Paris, Centre Georges-Pompidou, 1984 1 volume 19 x 26cm Broché sous couverture au 1er plat illustré. 118p., 1 feuillet; illustrations en noir in texte, vignettes et quelques pleines pages. Bon état mais cachet (large mais pâle) "spécimen" en travers du 1er plat.
N°14, de 1984, (et 1er n° d'une nouvelle série) de ces "Cahiers", consacré aux événements culturels à Vienne au tournant du siècle, réunissant des textes de spécialistes dont "un certain nombre des communications" du colloque éponyme (Centre Pompidou, 1984): Robert WAISSENBERGER: "Vienne, art et réalité"; Werner HOFMANN: "Laboratoire pour une apocalypse"; Jean CLAIR: "De la "Gründerzeit" à "l'Untergründ-Gründerzeit""; André CHASTEL: "Julius von Schlosser et la "Kunstliteratur""; Dieter BOGNER: "Empirisme et spéculation - Aloïs Riegl et l'Ecole viennoise d'histoire de l'art"; Yves KOBRY: "Klimt derrière le décor"; Carl E. SCHORSKE: "Mahler et Klimt: épreuve sociale et évolution artistique"; Wieland SCHMIED: "La peinture autrichienne entre les deux guerres - La fin d'une époque"; Monika FABER: "La photographie à Vienne de 1890 à 1920"; Yves KOBRY: "Redécouvrir Ernst Mach 1838-1916", suivi de ses traductions d'extraits d'ouvrages d'Ernst MACH ("Remarques préliminaires antimétaphysiques") et d'Ernst BLOCH ("Effets d'éloignement: autoportrait sans miroir"); notes et références; reproductions et photos. Français
2018169895London: Royal Academy of Arts 2018. First Edition. Hardcover. First Edition. Published in conjunction with an exhibition held in 2018 and 2019 at the Royal Academy in London.<br /> <br /> Very Good plus slightly cocked with no dust jacket as issued. Still in publisher's shrinkwrap. Royal Academy of Arts unknown
22525Salzburg, Verlag Galerie Welz, sans date. In-12 de 76 pages, cartonnage couleurs. A l'état de neuf. Nombreuses reproductions en couleurs, phothographies en noir.
7948Affiche offset 64 X 94.
1998LIQ-4785P. Taschen 1998. In-4° broché, couvertue illustrée en couleurs, 239 pages
1975LIQ-7172P. Seuil 1975 Grand in-8° broché, couverture pelliculée en couleurs, 80 pages.
30414Milan, Mazotta et Martigny, Fondation Pierre Gianadda, 1986. Gr. in-8° carré, 133p. Broché, couverture illustrée.
196222873Salzburg, Verlag Galerie Welz, 1962. In-12 de 119 pages, cartonnage couleurs. En belle condition. Nombreuses reproductions en noir et en couleurs.
199121368Celiv 1991 Traduction de Dominique Berbigier. In-4, cartonnage blanc, sous jaquette illustrée, photographies en noir et en couleurs, 130 pp. Bon état d’occasion.
200040983New Haven & Vienna: Yale / DuMont 2000. First American Edition. Folio 32cm.; publisher's boards in pictorial dust jacket; 256pp.; photographic portrait frontispiece color illus. throughout. Some light shelf wear else Very Good to Near Fine. Exhibition catalog. Yale / DuMont unknown
194027131940. Punched twice at the left edge. In fine condition. 1 page typed document. <p><br /> Important document about the Nazi-looted and subsequently privately sold Klimt’s masterpiece the Water Serpents II.<br /> <p><p><br /> Gustav Klimt’s Water Serpents II was painted between 1904 and 1907 and was originally commissioned for and owned by Jenny Eugenie Steiner neé Pulitzer; 1863–1958 the wife and at the time of the issue of the present document already the widow of a wealthy Viennese Jewish industrialist. The painting was apparently an asset of the late husband’s silk company “Brüder Steiner†as it is referred to in the document. In June 1938 after the Anschluss under the threat from the Nazis Jewish herself Jenny Steiner fled from Vienna and the painting together with several of her valuable tangibles including other works by Klimt and Egon Schiele was confiscated as Jewish property.<br /> <p><p><br /> In 1940 three of Steiner’s Klimt paintings including the Water Serpents II were offered on the sale of the leading Viennese auction house Dorotheum 458. Kunstauktion March 4–6.; the two other paintings were the Country House by the Atteree and the Portrait of Mäda Primavesi. Fleckner 2017 However by the intervention of Josef Bürckel then Gauleiter of Vienna the painting was withdrawn from the auction and sold privately to the Nazi filmmaker and alleged illegitimate son of Klimt Gustav Ucicky 1899–1961 through his second wife Inge Ingeborg Davis. The picture remained in Ucicky’s possession until his death in 1961 when his third wife Ursula née Kohn; b. 1922 inherited it. <br /> <p><p><br /> In 2013 Ursula Ucicky in agreement with the heirs of Jenny Steiner sold the Water Serpents II through Sotheby’s sharing the income 50/50. The painting reached the price of $112 million at the time the 6th most expensive painting in the world and the most expensive Klimt painting by then to be sold.<br /> <p><p><br /> The present typewritten and signed secretarial note Aktenvermerk. Betrifft: Ölgemälde des Malers Klimt “Wasserschlangenâ€Â was written on behalf of Hermann Drum 1911–1945 the administrative assistant Adjutant of Josef Bürckel the Gauleiter and later Reichsstatthalter too of Reichsgau Vienna in office as Gauleiter from 30 January 1939 as Reichsstatthalter from April 1 1940 until 2 August 1940 in regard the withdrawing from the auction and the private sale of Klimt’s Water Serpents II. See also in Lillie’s Was einmal war; note that in the book the intervener erroneously ascribed as Reichsstatthalter Baldur von Schirach in fact it was Gauleiter Bürckel. In the text Drum’s secretary summarizes how the painting ended up at the Dorotheum sale with the estimated value of 6000 Reichsmark states the wish of the Gauleiter that the painting should be sold privately to Mrs. Ucicky and delineates a plan developed together with dr. Deigelmaier an official from the local revenue service for withdraw and sell the painting out of the sale if an appropriate purchase offer would be made privately “ich halte einen Preis von 8–9000 RM für angemessen†/ “I think a price of 8–9;000 RM is reasonableâ€. The secretary misspells the name “Ucicki†and also mixes up the family relations claiming Mrs. Ucicky the descendant of Klimt.<br /> <p><p><br /> Rare and important document related to one of the most well-known Nazi-looted pictures. <br /> <p><p><br /> Literature: Fleckner U. et al. Markt und Macht Der Kunsthandel im »Dritten Reich«. De Gruyter 2017. pp. 304–9; Lillie S. Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens. Czernin 2003.<br /> <p>. unknown
192861390(Wien, Adolf Holzhausens Nachfolger, 1928). 8°. Mit Titelportrait u. 35 Tafeln. 14 S., 3 Bll., Illustr.-OKart. m. einer Vignette von Gustav Klimt.
190362878Wien, Druck von Adolf Holzhausen, (1903). 4°. Mit illustr. Titel, einer Vignette u. 29 Tafeln. 71 (1) S., Mod. Ppbd. m. mont. Kopie des Orig.-Umschlags.
190165376(Wien, Druck von Adolf Holzhausen, 1. Januar 1901). Blattgröße 24,5 x 22,7 cm.
190763832Leipzig, Julius Zeitler, 1907. Fol. Mit 15 Lichtdrucktafeln nach Zeichnungen von Gustav Klimt. 2 Bll., 37 S., 1 Bl., Grauer Orig.-Sämischldr.-Bd. m. goldener Deckelplakette u. Kopfgoldschnitt (am Rückendeckel unten sign. ?Wiener Werkstätte J[osef] H[offmann]?).
Mm 250x280 Brossura editoriale di pp. 263, con 110 illustrazioni a colori. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
Mm 240x300 Catalogo della mostra di Roma, Complesso del Vittoriano 6 ottobre 2001 - 3 febbraio 2002 curata da Jane Kallir - Brossura editoriale con bandelle, 197 pagine con 117 tavole a colori e illustrazioni in nero. Volume in perfette condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 220x240 Prima edizione. Volume in copertina flessibile con una abrasione di tre cm. alla parte inferiore del dorso, 590 pagine con numerose immagini in nero e a colori nel testo. Nel complesso buona copia, spedizione in 24 ore dalla conferma dell'ordine.
1972Q-0486224465Dover Publications 1972-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2016BN183773V & R Unipress GmbH 2016. 2016. Hardcover. Gottesvorstellungen baptistischer Erwachsener im interkulturellen Vergleich <br/><br/>Gottesvorstellungen baptistischer Erwachsener im interkulturellen Vergleich Andrea Ingeborg Klimt V & R Unipress GmbH hardcover
2006SONG3598235917Brand: K. G. Saur 01/01/2006. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: K. G. Saur hardcover