KLIMT, GustavBiblio.com
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1219691931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in.<br /> <br /> 1931 unknown
3310353Oceano. Hardcover. Good. 23 cm. 62 p. il. Encuadernación en tapa dura de editorial ilustrada. ISBN: 8449437397 Erótico Oceano. hardcover
1931142899Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.3 x 27.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142898Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 32 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142896Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27 x 30.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142897Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 29.4 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931182262Vienna: Österreichische Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 28 x 30.7 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. unknown
1931187329Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. The first reproduction of Klimt's original painting. Die Freundennen was one of 16 original paintings by Klimt which were destroyed on 8 May 1945. The paintings were in storage in the Schloss Immendorf a 16th century castle in Lower Austria which was set on fire by a retreating tank division of the German army. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. The collotype produces fine tonal gradations sharp detail and a continuous-tone effect unmatched by most other photomechanical processes. However the surface of the gelatin-coated plate is extremely delicate and can break down under friction or over-inking. Plates wear out quickly giving a short print-run and maintaining consistent humidity during printing is crucial - even small fluctuations can ruin the plate. As a result collotype printing is slow exacting and vulnerable to failure but when successful it yields some of the finest printed images ever produced. Edition of 500. Collotype in colours on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 29.5 x 30 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Excellent condition. unknown
1931182247Vienna: Osterreichischen Staatsdruckerei 1931. One of 30 prints from the Eine Nachlese/Dernière gerbe/An Aftermath portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Edition of 500. Collotype in colours with metallic gold and silver on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 31.2 x 19.4 cm. Sheet size: 48 x 45.5 cm. Framed size: 59 x 56.3 cm. Presented in a handmade gold leaf frame with conservation acrylic glazing. Small public library stamp lower left minor spotting to margins otherwise in excellent condition. unknown
1931190931Vienna: Osterreichischen Staatsdruckerei 1931. A spectacular portfolio First edition number 124 of 200 copies printed in German. This spectacular portfolio reproduces six of Klimt's paintings that were destroyed at the end of the Second World War. The total edition comprised 500 numbered copies issued in French German and English. Of these 200 copies were printed in German of which 30 copies were bound as a book in a deluxe binding; 150 copies in French under the title "Dernière gerbe" of which 20 were bound as a book in a deluxe binding; and 150 copies in English under the title "An Aftermath" of which 20 were bound as a book in a deluxe binding. The six works destroyed in the war perished on 8 May 1945. Sixteen of Klimt's paintings were in storage in the Schloss Immendorf a 16th-century castle in Lower Austria which was set on fire by a retreating tank division of the German army. The six include two from Klimt's Faculty Paintings originally created for the ceiling of the Great Hall of the University of Vienna "Medizin" printed here in colour and heightened in gold and "Jurisprudenz" and four from the famous Lederer collection: "Die Freundinnen" "Malcesine am Gardasee" "Bauerngarten mit Hühnern" each printed here in colour and "Gastein". The publisher of this portfolio Max Eisler 1881-1937 was an art historian at Vienna University who published the first Klimt monograph in 1920. He intended this portfolio to compliment the only folio set produced in Klimt's lifetime Das Werk which had featured Klimt's works and was overseen by him up to 1913. Fragile collotype plates cannot be reused. As such this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand the collotypes required deft handling by the printer Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates the creation of 16 colour separation thin glass filters to achieve the light-sensitive internegative images that could faithfully capture all of the painting's tonal gradations and colours exposure to actinic light and delicate chine colle papers that allow for greater colour saturation. Folio. With 30 full-page collotype plates after Klimt printed on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges of which 15 are in colour 2 heightened in metallic gold and silver ink and 1 heightened in gold ink and 15 in monochrome. Sheet sizes: 48 x 45.5 cm. Together with 18 pages. Collotypes and pages loose in original green silk clamshell box artist's name in gilt to front cover. Box lid split to corners four prints with pin holes to extreme corners not affecting the images a couple with light marks to the margins not affecting the images otherwise all bright impressions. unknown
1980190316London: Thames and Hudson 1980. The nudes of Klimt First edition in English first impression number 52 of 1000 copies. Originally published in German by DuMont Buchverlag Cologne in 1979 this handsome volume reproduces Klimt's superb pencil and crayon erotic drawings. Folio. Original beige cloth lettering to spine and front cover in red pictorial inlay to front cover beige endpapers. With glassine dust jacket. Housed in the original red card slipcase. Frontispiece and 35 full-page colour reproductions. Slip case rubbed to corners and fore edge; a fine copy. hardcover
1219681931 . Collotype in colours 1931 on chine colle paper laid down on heavy cream wove paper from the edition of 500 the full sheet with deckled edges published by Max Eisler Vienna 48 x 45.5 cm. 19 x 18 in.<br /> <br /> 1931 unknown
73-6451New York: Neue Galerie 2006. 8vo. 4 pp. Bifold brochure. Color plates. Soft cover. Very Good.Provenance: UC Berkeley Art Professor Peter Selz. New York: Neue Galerie, 2006 paperback
73-6450New York: Neue Galerie 2006. 8vo. 4 pp. Bifold brochure. Color plates. Soft cover. Very Good.Provenance: UC Berkeley Art Professor Peter Selz. New York: Neue Galerie, 2006 paperback
010539Wien. Der Reichsstatthalter in Wien. 1943. Softcover. Sehr gut. T dplt. --- 16 Abb. 8 Bl. illustr. Obrosch. sehr schönes Exemplar Wien. Der Reichsstatthalter in Wien. 1943 paperback
13994Wien Brandstätter 1992. 4° 288 S. 370 meist farb. Abb. Kart. m. OU Tadell. Umfassende Monographie. Lebenslauf Bibliographie. 010 Wien, Brandstätter, 1992 unknown
2014236371Milano: 24 ore cultura / Palazzo Reale 2014. Rilegato seta silk. Molto buono Very Good. Ricchissimo catalogo della mostra sulle origini della produzione di Gustav Klimt. Milano Palazzo Reale 12 marzo - 13 luglio 2014. Illustrato con fotografie a colori e in bianco e nero e tavole a colori. Cm 31x28. pp. 224. Molto buono Very Good. . <em>Alle Origini di un Mito al Palazzo Reale di Milano ha esposto attraverso 100 opere tutta la carriera dell'artista austriaco: dagli anni della sua formazione con gli studi di arte applicata all'istituto di Art and Craft a quelli della Secessione Viennese 1897 che auspicava un rinnovamento artistico per concludere il percorso con la ricostruzione del famoso Fregio di Beethoven 1902. La mostra è"; stata realizzata grazie alla collaborazione con il Museo Belvedere di Vienna ed è curata da uno dei più" famosi studiosi di Klimt Alfred Weidinger. </em> 24 ore cultura / Palazzo Reale, unknown
1984TK242267Kestner-Gesellschaft Hannover 1984. 1st Edition. SOFTCOVER. Thick Square 4to in colour printed stiff glossy card covers 159pp on thick paper plates in colour duotone and b/w etc. Introductory texts in German __CONDITION : An extremely well preserved almost AS NEW unread and unmarked copy merest hint of tanning to leaves. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Kestner-Gesellschaft, Hannover paperback
2012021383Hirmer / Albertina 2012 11.5" x 9.75". 303 pp. Catalogue that accompanied the exhibition shown at the Albertina Museum and the J. Paul Getty Museum. "Figure studies allegories and preparatory drawings." Also includes a few paintings and b&w photos. Bright clean copy. Boards have some light shelf wear. This book weighs 2 kg extra postage may be requested. Hirmer / Albertina hardcover
1971210888Greenwich CT: New York Graphic Society 1971. First U.S. edition and first printing. Oblong hardcover. Features text by Werner Hofmann. Includes 42 color and 55 black and white plates. A clean and tight near fine copy in black cloth boards with some slight bumping to the corners and in a near fine dust jacket with some very minor wear and in a near fine cardboard slipcase that has some light wear. A pleasing copy. New York Graphic Society unknown
2007RKLIGUS00twPrestel 2007. Very Good. Klimt Gustav. Gustav Klimpt. Weidinger editor Alfred. Munich: Prestel 2007. 318pp. Indexed. Illustrated. Folio. Book condition: Very good with lightly bumped edges. Slipcase is bumped and rubbed. Top panel has been torn back 9cm. Monumental and attractive. Well illustrated and colorfully printed. Many full page images. Prestel unknown
0888847181New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1989BN57571Kirchdorf a. Inn : Berghaus-Verl. 1989. <br/><br/>Kunst Kirchdorf a. Inn : Berghaus-Verl. unknown
2005260605022Thames & Hudson 2005-11-01. hardcover. Very Good. 6x1x9. Order today-sent today with tracking number M-F. Attractive dust-jacket has minor shelf-scuffing and lightly-bumped cover corners. Book itself is clean and tight. We protect your purchase with damage-resistant double-layer bubble-wrap packaging where possible. Your purchase helps fund small charities in Ohio Kentucky Indiana. Our delivery standard: order received by 2PM Eastern US time goes out by 4:30 PM M-F. Thames & Hudson hardcover
0763148415.Gcalendar. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
