KLIMT, GustavBiblio.com
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1931142896Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27 x 30.7 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142897Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 27.2 x 29.4 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
1931142901Vienna: Österreichische Staatsdruckerei 1931. Edition of 500. One of 30 prints from the Eine Nachlese portfolio. Max Eisler 1881-1937 the publisher of this print was an art historian at Vienna University who published the first Klimt monograph in 1914. He intended Eine Nachlese to complement Das Werk the only folio set produced in Klimt's lifetime which was overseen by Klimt up to 1913. Fragile hand-printed collotype plates cannot be reused so the run must be completed on the first go and in only a limited number. The complicated lengthy process involves gelatin colloids mixed with dichromates. Thin 16-colour separation glass filters achieve the light-sensitive internegative images which capture the original tonal gradations. These are exposed to actinic light. Finally the delicate chine colle paper allows for greater colour saturation. Dark blue grey monochrome collotype on chine colle paper laid down on heavy cream wove paper with untrimmed deckled edges. Image size: 30.9 x 31.1 cm. Sheet size: 48 x 45.5 cm. Excellent condition. unknown
Vollständiger Oeuvre-Katalog der Zeichnungen Gustav Klimts. Mit 3174 beschriebenen Werken, die sämtlich abgebildet sind. Band I: 1878-1903. Band II: 1904-1912. Band III: 1912-1918. Band IV: Nachtrag 1878-1918.
STLE0077bWien Druck Brüder Rosenbaum 1909. 15 x 175 cm. 80 S. XIV S. Verzeichn. der ausstellenden Künstler 1 Bl. Anz. 12 Taf. 1 gef. Grundrissplan der Ausstellungshalle 9 Bll. Anz. OBrosch. m. schwarzgedr. Deckeltitel. Papierbed. gebräunt ansonsten in unberührtem nahezu druckfrischem Zustand. Seltener Katalog der 2. Kunstschau-Ausstellung. Die erste Kunstschau-Ausstellung fand 1908 im Rahmen einer Vielzahl von Veranstaltungen und Festlichkeiten aus Anlass des 60-jährigen Regierungsjubiläums von Kaiser Franz Josef statt. Die Kunst- und Kunsthandwerksausstellung von Künstlern aus dem Kreis um die Wiener Werkstätte und die Klimt-Gruppe fand in einem provisorischen Ausstellungsgebäude auf dem noch unbebauten Gelände des späteren Konzerthausgebäudes statt. In einem eigens von Josef Hoffmann und anderen Architekten geplanten Gebäudekomplex der auch einen Garten und ein Theater umschloß wurde 1908 und 1909 ein nie wieder erreichter Überblick über die aktuellen künstlerischen Produkte und Vorschläge aus allen Bereichen der bildenden Kunst des Kunsthandwerks der Skulptur und der Architektur gezeigt. Kat. Kunst in Wien um 1900 S. 79. Bei der 2. Kunstschau 1909 wurde das Hoffmannsche Wohnhaus mit maschinell hergestellten Möbeln der Deutschen Werkstätten für Handwerkskunst Dresden nach Entwürfen von Richard Riemerschmidt eingerichtet und auch eine Sonderschau mit Werken von Ashbee Mackintosh und anderen britischen Künstlern gezeigt . Sekler Josef Hoffmann S. 119. Schiele zeigte vier seiner Arbeiten und Klimt ermöglichte dem jungen Kokoschka erstmals die Gelegenheit zum Ausstellen. - DIESES OBJEKT UNTERLIEGT DER DIFFERENZBESTEUERUNG. (Wien, Druck Brüder Rosenbaum 1909). unknown
1903EEzz6940fWien, Druck A. Holzhausen (1903). 4°. 71(1) S. Mit 1 Vignette u. 29 Abb. von Zeichnungen und Gemälden. OKart. m. transparentem Pergaminumschlag sowie schwarzgedr. Titel u. Vignetten. Umschlag gebräunt u. Kapitalen wie an einer Ecke kleine Fehlstellen, Pergamin-Umschlag etwas wellig. 1903 zeigte die Secession 80 Werke Gustav Klimts. Die Anordnung der Ausstellung und des Kataloges besorgte Koloman Moser, die Gestaltung des Vorraums Josef Hoffmann. Der Katalog enthält ein Vorwort von Ernst Stöhr. Nur wenige Frühwerke wurden gezeigt, hingegen aber zum ersten Mal die 'Jurisprudenz'.
2006__3598247370De Gruyter 2006. Hardcover. New. 2nd edition. 1472 pages. German language. 9.06x6.10x3.54 inches. De Gruyter hardcover
25317860like new. unknown
25317860-nnew. unknown
1931333711Vienna: Austrian State Printing Office 1931. Collotype print with chine colle 19 x 17 7/8 inches. Limited English edition.<br/> <br/> The Stoclet Frieze is a series of three mosaics 1905 - 1911 commission for the Stoclet Palace in Brussels Belgium. This image was in the first panel called 'The expectation'. Printed in 'Gustav Klimt Eine Nachlese An Aftermath' a portfolio of 30 collotypes prints 15 are multi-color and 15 are monochrome on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler Editor-Publisher; Osterreichischer Staatsdruckerei Austrian State Printing Office Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German 150 were printed in French and 150 were printed in English. Max Eisler 1881-1937 the publisher of the 1931 Aftermath portfolio was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. Some foxing and toning but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style.<br/> <br/> Austrian State Printing Office unknown
1908333530H.O. Miethke 1908. Collotype print with chine colle 18 x 18 inches. Limited edition subscription print.<br/> <br/> Wearing a shimmering dress made of translucent white chiffon Hermine Gallia appears almost to float. She was a patron of the arts in Vienna and commissioned Klimt to paint her portrait in 1904. This print after the painting is from a limited edition series called 'Das Werk Gustav Klimt'. The portfolio of 50 collotypes includes some on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges. Under each of the 50 prints is a gold signet intaglio printed on the cream paper which Klimt designed for the publication relating to its corresponding image. Between 1908 and 1914 H.O. Miethke published a total of 5 installments of print folios of Klimt's painted work each comprising 10 prints available by subscription. Some foxing and toning slight creasing but otherwise in good condition. Gustav Klimt 1862-1918 was a celebrated Austrian symbolist painter and a leader of the Vienna Secession movement. His work which helped define Art Nouveau in Europe is known for its ornate style.<br/> <br/> H.O. Miethke unknown
190165376(Wien, Druck von Adolf Holzhausen, 1. Januar 1901). Blattgröße 24,5 x 22,7 cm.
1980190316London: Thames and Hudson 1980. The nudes of Klimt First edition in English first impression number 52 of 1000 copies. Originally published in German by DuMont Buchverlag Cologne in 1979 this handsome volume reproduces Klimt's superb pencil and crayon erotic drawings. Folio. Original beige cloth lettering to spine and front cover in red pictorial inlay to front cover beige endpapers. With glassine dust jacket. Housed in the original red card slipcase. Frontispiece and 35 full-page colour reproductions. Slip case rubbed to corners and fore edge; a fine copy. hardcover
198016113171New York: Harry N. Abrams Inc 1980. Hardcover. Fine. Klimt Gustav. Elephant folio size 92 pp. illustrated in clamshell box with original shipping carton. A selection of erotic drawings by Gustav Klimt 1862-1918 published from a private collection focused on the nude female form most in frankly erotic poses. Klimt began his career in a conventional style but as he developed his work became intensely personal focusing on the beauty and eroticism of the female form. When he completed the ceiling of the Great Hall of the University of Vienna in 1900 the paintings were criticised as being pornographic which led him to no longer accept public commissions; sadly these paintings were destroyed in 1945 by SS troops when the Nazis were in retreat from the city. While his style is certainly frankly erotic his talent has been confirmed by the prices recently brought by his paintings which are some of the highest recorded for individual works of art.<br/><br/>___DESCRIPTION: Cream cloth with author stamped in blind inlaid paper label to upper board with one of Klimt's illustrations gilt lettering on the spine cream-coloured endpapers frontispiece one of thirty-five full-page facsimiles volume opens with a lengthy essay "Klimt: Drawing Against Morality" followed by the thirty-five plates each printed on one side only and numbered followed by the plate descriptions; elephant folio size 16.5" by 12.25" pagination: 1-4 5-87 1 colophon first English language edition. Housed within a tray in the original large 21" by 17" clamshell box with title stamped similarly in blind and gilt facsimile of Klimt's signature to upper board this encased in the original shipping carton with the Abrams logo stamped in green all over.<br/><br/>___CONDITION: A fine copy the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; clean crisp as new. The clamshell box is overall fine strong and sturdy clean and unrubbed a few faint spots of foxing to the cloth and a shallow indentation to the front edge of the bottom of the box likely as it came from the publisher as we don't believe this copy was ever used; the shipping carton sunned and with light overall wear.<br/><br/>___POSTAGE: Please note that this is an extremely large and heavy book and therefore additional postage will apply. We are happy to ship at cost to both domestic and international customers please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Harry N. Abrams, Inc hardcover books
192861390(Wien, Adolf Holzhausens Nachfolger, 1928). 8°. Mit Titelportrait u. 35 Tafeln. 14 S., 3 Bll., Illustr.-OKart. m. einer Vignette von Gustav Klimt.
190362878Wien, Druck von Adolf Holzhausen, (1903). 4°. Mit illustr. Titel, einer Vignette u. 29 Tafeln. 71 (1) S., Mod. Ppbd. m. mont. Kopie des Orig.-Umschlags.
2008101424Citadelles et Mazenod 2008 Citadelles et Mazenod, 2008, 318 p., cartonnage éditeur sous étui assorti, environ 43x30cm, de légères griffures sur les plats de l'étui, un petit défaut sur l'un des plats de l'étui, coiffe supérieure un peu émoussée, bon état pour le reste et intérieur très propre.
2006SONG3598247370de Gruyter 2006-11-15. 2. Jahrgang. Reprint 2011. hardcover. Used: Good. 6.30x3.54x9.29. Buy with confidence. Excellent Customer Service & Return policy. de Gruyter hardcover
196315863ABWien, Nebehay, 1963. 24 : 17 cm. 32 leaves with 56 illustrations and many, partly colouréd initials. Coloured illustrated black boards.
196315057ABWien, 1963. 24 : 17 cm. 20 leaves with 71 illustrations. Coloured illustrated boards.
1959006119New York: Galerie St. Etienne 1959. Important catalog for the first American exhibition of Gustav Klimt's paintings in April of 1959. Near Fine a bit of sunning at spine. scant foxing front end page. 28 pp. 13 black and white plates and one color plate. With a 3 page introductory essay by Galerie St. Etienne founder Otto Kallir."Gift Of" stamp title page of Mr. and Mrs. Pal Kelemen Norfolk Connecticut. Pal Keleman was an archaeologist art historian and international art lecturer as well as the author of numerous books concerning art history and studies. . First Edition. Stapled Wrappers. Near Fine/No Jacket As Issued. Galerie St. Etienne Paperback books
199910987VB1999. Saur 1999. 770 S. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. hardcover
2016BN183773V & R Unipress GmbH 2016. 2016. Hardcover. Gottesvorstellungen baptistischer Erwachsener im interkulturellen Vergleich <br/><br/>Gottesvorstellungen baptistischer Erwachsener im interkulturellen Vergleich Andrea Ingeborg Klimt V & R Unipress GmbH hardcover
1979335224London: Thames and Hudson 1979. First Limited Edition. Hardcover. Near fine copy bound in the original title blocked and illustrated cloth. Remains well preserved overall; bright tight clean and sharp-cornered. Provenance; from the library of Donald Bashforth with the owner's bookplate. Physical description; 87 pages : chiefly illustrations plates ; 42 cm. Notes; Translation of: Gustav Klimt : erotische Zeichnungen. Subjects; Klimt Gustav 1862-1918. Klimt Gustav 1862-1918 Criticism and interpretation. Erotic Drawings. Erotic art. Genre; Illustrated. London: Thames and Hudson hardcover
1967666BBSalzburg Galerie Welz [1967]. 4° 423 S.: m. 222 Abb. a. d. Tafel u. zahrl. im Text Pp.m. gold. Abb. a d. Deck. u. gold. Schrift a. d. Rück. m. O.Umsch. sehr gut. Zust.
